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Textual Instability and Editorial Idealism by G. Thomas Tanselle
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Descriptive Bibliography and the Victorian Periodical by Maura Ives
 1. 
[section 1]
 2. 
Victorian Periodicals and Books: Similarities and Differences
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Bibliographical Description of Periodicals: Notes on Procedure
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Appendix: A Sample Description
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[section 01]
 02. 
The Broadway, 1, no. 6 (February 1868)
  
Notes
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John Shirley and British Library, MS. Additional 16165 by Ralph Hanna III
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The Empire of Lucius Iberius by P. J. C. Field
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A Seventeenth-Century Acknowledgement of Sir Gawain and the Green Knight in an Early Catalogue of the Cottonian Library by Paul F. Reichardt
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Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594): Shakespeare or Peele? by Macd. P. Jackson
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The Printing of the Plays in the Jonson Folio of 1616 by James A. Riddell
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A New "A" Text of "Signior Dildo" by Harold Love
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Attributions of Authorship in the Gentleman's Magazine, 1827 — 48: A Supplement to Kuist by Emily Lorraine de Montluzin
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The Journeyman and the Genius: James Parker and His Partner William Blake with a List of Parker's Engravings by G. E. Bentley, Jr
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(De)Composing Frankenstein: The Import of Altered Character Names in the Last Draft by David Ketterer
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How Many Ts Had Ezra Pound's Printer? by Shef Rogers
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Padraic Colum in The Dublin Magazine by Arthur Sherbo
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The Unpublished Preface to W. G. Simms's Collected Poems by James E. Kibler

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Year Not Known

View of Claybrook Church, the only aquatint Parker is known to have made; it may have been published by Parker, for the copperplate of it appeared in Parker's sale by Thomas Dodd, 18 February 1807, Lot 236.

Eight plates, including "Edwin and Angelina", also perhaps published by Parker, appeared in the same sale, Lot 235.

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