The Complete Works of James Whitcomb Riley | ||
1818
TOLD BY “THE NOTED TRAVELER”.
Coming, clean from the Maryland-end
Of this great National Road of ours,
Through your vast West; with the time to spend,
Stopping for days in the main towns, where
Every citizen seemed a friend,
And friends grew thick as the wayside flowers,—
I found no thing that I might narrate
More singularly strange or queer
Than a thing I found in your sister-State
Ohio,—at a river-town—down here
In my note-book: Zanesville—situate
On the stream Muskingum—broad and clear,
And navigable, through half the year,
North, to Coshocton; south, as far
As Marietta.—But these facts are
Not of the story, but the scene
Of the simple little tale I mean
To tell directly—from this, straight through
To the end that is best worth listening to:
Of this great National Road of ours,
Through your vast West; with the time to spend,
Stopping for days in the main towns, where
Every citizen seemed a friend,
And friends grew thick as the wayside flowers,—
I found no thing that I might narrate
More singularly strange or queer
Than a thing I found in your sister-State
Ohio,—at a river-town—down here
In my note-book: Zanesville—situate
On the stream Muskingum—broad and clear,
And navigable, through half the year,
North, to Coshocton; south, as far
As Marietta.—But these facts are
Not of the story, but the scene
Of the simple little tale I mean
To tell directly—from this, straight through
To the end that is best worth listening to:
Eastward of Zanesville, two or three
Miles from the town, as our stage drove in,
I on the driver's seat, and he
Pointing out this and that to me,—
On beyond us—among the rest—
A grovy slope, and a fluttering throng
Of little children, which he “guessed”
Was a picnic, as we caught their thin
High laughter, as we drove along,
Clearer and clearer. Then suddenly
He turned and asked, with a curious grin,
What were my views on Slavery? “Why?”
I asked, in return, with a wary eye.
“Because,” he answered, pointing his whip
At a little, whitewashed house and shed
On the edge of the road by the grove ahead,—
“Because there are two slaves there,” he said—
“Two Black slaves that I've passed each trip
For eighteen years.—Though they've been set free,
They have been slaves ever since!” said he.
And, as our horses slowly drew
Nearer the little house in view,
All briefly I heard the history
Of this little old Negro woman and
Her husband, house, and scrap of land;
How they were slaves and had been made free
By their dying master, years ago
In old Virginia; and then had come
North here into a free State—so,
Safe forever, to found a home—
For themselves alone?—for they left South there
Five strong sons, who had, alas!
All been sold ere it came to pass
This first old master with his last breath
Had freed the parents.—(He went to death
Agonized and in dire despair
That the poor slave children might not share
Their parents' freedom. And wildly then
He moaned for pardon and died. Amen!)
Miles from the town, as our stage drove in,
I on the driver's seat, and he
Pointing out this and that to me,—
1819
A grovy slope, and a fluttering throng
Of little children, which he “guessed”
Was a picnic, as we caught their thin
High laughter, as we drove along,
Clearer and clearer. Then suddenly
He turned and asked, with a curious grin,
What were my views on Slavery? “Why?”
I asked, in return, with a wary eye.
“Because,” he answered, pointing his whip
At a little, whitewashed house and shed
On the edge of the road by the grove ahead,—
“Because there are two slaves there,” he said—
“Two Black slaves that I've passed each trip
For eighteen years.—Though they've been set free,
They have been slaves ever since!” said he.
And, as our horses slowly drew
Nearer the little house in view,
All briefly I heard the history
Of this little old Negro woman and
Her husband, house, and scrap of land;
How they were slaves and had been made free
By their dying master, years ago
In old Virginia; and then had come
North here into a free State—so,
Safe forever, to found a home—
For themselves alone?—for they left South there
Five strong sons, who had, alas!
All been sold ere it came to pass
This first old master with his last breath
Had freed the parents.—(He went to death
1820
That the poor slave children might not share
Their parents' freedom. And wildly then
He moaned for pardon and died. Amen!)
Thus, with their freedom, and little sum
Of money left them, these two had come
North, full twenty long years ago;
And, settling there, they had hopefully
Gone to work, in their simple way,
Hauling—gardening—raising sweet
Corn, and pop-corn.—Bird and bee
In the garden-blooms and the apple tree
Singing with them throughout the slow
Summer's day, with its dust and heat—
The crops that thirst and the rains that fail;
Or in Autumn chill, when the clouds hung low,
And hand-made hominy might find sale
In the near town-market; or baking pies
And cakes, to range in alluring show
At the little window, where the eyes
Of the Movers' children, driving past,
Grew fixed, till the big white wagons drew
Into a halt that would sometimes last
Even the space of an hour or two—
As the dusty, thirsty travelers made
Their noonings there in the beeches' shade
By the old black Aunty's spring-house, where,
Along with its cooling draughts, were found
Jugs of her famous sweet spruce-beer,
Served with her gingerbread horses there,
While Aunty's snow-white cap bobbed round
Till the children's rapture knew no bound,
As she sang and danced for them, quavering clear
And high the chant of her old slave-days—
Of money left them, these two had come
North, full twenty long years ago;
And, settling there, they had hopefully
Gone to work, in their simple way,
Hauling—gardening—raising sweet
Corn, and pop-corn.—Bird and bee
In the garden-blooms and the apple tree
Singing with them throughout the slow
Summer's day, with its dust and heat—
The crops that thirst and the rains that fail;
Or in Autumn chill, when the clouds hung low,
And hand-made hominy might find sale
In the near town-market; or baking pies
And cakes, to range in alluring show
At the little window, where the eyes
Of the Movers' children, driving past,
Grew fixed, till the big white wagons drew
Into a halt that would sometimes last
Even the space of an hour or two—
As the dusty, thirsty travelers made
Their noonings there in the beeches' shade
By the old black Aunty's spring-house, where,
Along with its cooling draughts, were found
Jugs of her famous sweet spruce-beer,
Served with her gingerbread horses there,
1821
Till the children's rapture knew no bound,
As she sang and danced for them, quavering clear
And high the chant of her old slave-days—
“Oh, Lo'd, Jinny! my toes is so',
Dancin' on yo' sandy flo'!”
Dancin' on yo' sandy flo'!”
Even so had they wrought all ways
To earn the pennies, and hoard them, too,—
And with what ultimate end in view?—
They were saving up money enough to be
Able, in time, to buy their own
Five children back.
Ah! the toil gone through!
And the long delays and the heartaches, too,
And self-denials that they had known!
But the pride and glory that was theirs
When they first hitched up their shackly cart
For the long, long journey South!—The start
In the first drear light of the chilly dawn,
With no friends gathered in grieving throng,—
With no farewells and favoring prayers;
But, as they creaked and jolted on,
Their chiming voices broke in song—
To earn the pennies, and hoard them, too,—
And with what ultimate end in view?—
They were saving up money enough to be
Able, in time, to buy their own
Five children back.
Ah! the toil gone through!
And the long delays and the heartaches, too,
And self-denials that they had known!
But the pride and glory that was theirs
When they first hitched up their shackly cart
For the long, long journey South!—The start
In the first drear light of the chilly dawn,
With no friends gathered in grieving throng,—
With no farewells and favoring prayers;
But, as they creaked and jolted on,
Their chiming voices broke in song—
“‘Hail, all hail! don't you see the stars a-fallin'?
Hail, all hail! I'm on my way.
Gideon am
A healin' ba'm—
I belong to the blood-washed army.
Gideon am
A healin' ba'm—
On my way!’”
Hail, all hail! I'm on my way.
Gideon am
A healin' ba'm—
I belong to the blood-washed army.
Gideon am
A healin' ba'm—
On my way!’”
1822
And their return!—with their oldest boy
Along with them! Why, their happiness
Spread abroad till it grew a joy
Universal—It even reached
And thrilled the town till the Church was stirred
Into suspecting that wrong was wrong!—
And it stayed awake as the preacher preached
A Real “Love”-text that he had not long
To ransack for in the Holy Word.
And the son, restored, and welcomed so,
Found service readily in the town;
And, with the parents, sure and slow,
He went “saltin' de cole cash down.”
Along with them! Why, their happiness
Spread abroad till it grew a joy
Universal—It even reached
And thrilled the town till the Church was stirred
Into suspecting that wrong was wrong!—
And it stayed awake as the preacher preached
A Real “Love”-text that he had not long
To ransack for in the Holy Word.
And the son, restored, and welcomed so,
Found service readily in the town;
And, with the parents, sure and slow,
He went “saltin' de cole cash down.”
So with the next boy—and each one
In turn, till four of the five at last
Had been brought back; and, in each case,
With steady work and good homes not
Far from the parents, they chipped in
To the family fund, with an equal grace.
Thus they managed and planned and wrought,
And the old folks throve—Till the night before
They were to start for the lone last son
In the rainy dawn—their money fast
Hid away in the house,—two mean,
Murderous robbers burst the door.
... Then, in the dark, was a scuffle—a fall—
An old man's gasping cry—and then
A woman's fife-like shriek.
... Three men
Splashing by on horseback heard
The summons: And in an instant all
Sprang to their duty, with scarce a word.
And they were in time—not only to save
The lives of the old folks, but to bag
Both the robbers, and buck-and-gag
And land them safe in the county jail—
Or, as Aunty said, with a blended awe
And subtlety,—“Safe in de calaboose whah
De dawgs cain't bite 'em!”
—So prevail
The faithful!—So had the Lord upheld
His servants of both deed and prayer,—
His the glory unparalleled—
Theirs the reward,—their every son
Free, at last, as the parents were!
And, as the driver ended there
In front of the little house, I said,
All fervently, “Well done! well done!”
At which he smiled, and turned his head,
And pulled on the leader's lines, and—“See!”
He said,—“you can read old Aunty's sign?”
And, peering down through these specs of mine
On a little, square board-sign, I read:
In turn, till four of the five at last
Had been brought back; and, in each case,
With steady work and good homes not
Far from the parents, they chipped in
To the family fund, with an equal grace.
Thus they managed and planned and wrought,
And the old folks throve—Till the night before
They were to start for the lone last son
In the rainy dawn—their money fast
Hid away in the house,—two mean,
Murderous robbers burst the door.
... Then, in the dark, was a scuffle—a fall—
An old man's gasping cry—and then
A woman's fife-like shriek.
... Three men
Splashing by on horseback heard
1823
Sprang to their duty, with scarce a word.
And they were in time—not only to save
The lives of the old folks, but to bag
Both the robbers, and buck-and-gag
And land them safe in the county jail—
Or, as Aunty said, with a blended awe
And subtlety,—“Safe in de calaboose whah
De dawgs cain't bite 'em!”
—So prevail
The faithful!—So had the Lord upheld
His servants of both deed and prayer,—
His the glory unparalleled—
Theirs the reward,—their every son
Free, at last, as the parents were!
And, as the driver ended there
In front of the little house, I said,
All fervently, “Well done! well done!”
At which he smiled, and turned his head,
And pulled on the leader's lines, and—“See!”
He said,—“you can read old Aunty's sign?”
And, peering down through these specs of mine
On a little, square board-sign, I read:
“Stop, traveler, if you think it fit,
And quench your thirst, for a-fi'-penny-bit.—
The rocky spring is very clear,
And soon converted into beer.”
And quench your thirst, for a-fi'-penny-bit.—
The rocky spring is very clear,
And soon converted into beer.”
And, though I read aloud, I could
Scarce hear myself for laugh and shout
Of children—a glad multitude
Of little people, swarming out
Of the picnic-grounds I spoke about.—
And in their rapturous midst, I see
Again—through mists of memory—
An old black Negress laughing up
At the driver, with her broad lips rolled
Back from her teeth, chalk-white, and gums
Redder than reddest red-ripe plums.
He took from her hand the lifted cup
Of clear spring-water, pure and cold,
And passed it to me: And I raised my hat
And drank to her with a reverence that
My conscience knew was justly due
The old black face, and the old eyes, too—
The old black head, with its mossy mat
Of hair, set under its cap and frills
White as the snows on Alpine hills;
Drank to the old black smile, but yet
Bright as the sun on the violet,—
Drank to the gnarled and knuckled old
Black hands whose palms had ached and bled
And pitilessly been worn pale
And white almost as the palms that hold
Slavery's lash while the victim's wail
Fails as a crippled prayer might fail.—
Ay, with a reverence infinite,
I drank to the old black face and head—
The old black breast with its life of light—
The old black hide with its heart of gold.
Scarce hear myself for laugh and shout
Of children—a glad multitude
1824
Of the picnic-grounds I spoke about.—
And in their rapturous midst, I see
Again—through mists of memory—
An old black Negress laughing up
At the driver, with her broad lips rolled
Back from her teeth, chalk-white, and gums
Redder than reddest red-ripe plums.
He took from her hand the lifted cup
Of clear spring-water, pure and cold,
And passed it to me: And I raised my hat
And drank to her with a reverence that
My conscience knew was justly due
The old black face, and the old eyes, too—
The old black head, with its mossy mat
Of hair, set under its cap and frills
White as the snows on Alpine hills;
Drank to the old black smile, but yet
Bright as the sun on the violet,—
Drank to the gnarled and knuckled old
Black hands whose palms had ached and bled
And pitilessly been worn pale
And white almost as the palms that hold
Slavery's lash while the victim's wail
Fails as a crippled prayer might fail.—
Ay, with a reverence infinite,
I drank to the old black face and head—
The old black breast with its life of light—
The old black hide with its heart of gold.
The Complete Works of James Whitcomb Riley | ||