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Orval, or The Fool of Time

And Other Imitations and Paraphrases. By Robert Lytton
Lytton, Edward Robert Bulwer Lytton (1831-1891)

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[dedication]
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ORVAL;
 I. 
FIRST EPOCH. BRIDE AND BRIDEGROOM.
 2. 
SECOND EPOCH. HUSBAND AND WIFE.
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THIRD EPOCH. FATHER AND SON.
 I. 
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 II. 
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 III. 
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 IV. 
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 V. 
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 VI. 
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 VII. 
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 VIII. 
Scene VIII.
 IV. 
FOURTH EPOCH. MAN AND MAN.
 5. 
FIFTH EPOCH. MAN AND FATE.
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IMITATIONS AND PARAPHRASES.
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NONNOS.
  
EUROPA.
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VIRGIL.
  
THE BEES OF ARISTÆUS.
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LUCRETIUS.
  
INVOCATION TO VENUS
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DANTE.
  
THE FIRST CANTO OF THE INFERNO.
  
FRANCESCA DA RIMINO.
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MICHELAGNOLO BUONARROTI
  
THE BIRTH OF LOVE.
  
LOVE VINDICATED.
  
MADRIGALS.
  
CANZONE.
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RONSARD.
 I. 
“Voici le bois que ma saincte Angelette.”
 II. 
“Cache pour cest nuict.”
 III. 
“Page suy moy.”
 IV. 
“Les espics sont à Ceres.”
 V. 
“Ma douce jouvence.”
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DANISH.
  
THE ELVES.
  
LORD OLAF.
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SERVIAN.
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THE BATTLE OF KOSSOVO.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 I. 
I.THE STAG AND THE VILA.
 II. 
II.LOVE AND SLEEP.
 III. 
III.TITTLE-TATTLE.
 IV. 
IV.MATRIMONIAL CONSIDERATIONS.
 V. 
V.LOVE CONFERS NOBILITY.
 VI. 
VI.A SOUL'S SWEETNESS.
 VII. 
VII.REMINISCENCES.
 VIII. 
VIII.SLEEP AND DEATH.
 IX. 
IX.A CONJUGAL DISPUTE.
 X. 
X.DEGREES OF AFFECTION.
 XI. 
XI.THE FAIR IKONIA.
 XII. 
XII.A WISH.
 XIII. 
XIII.IMPERFECTION.
 XIV. 
XIV.EMANCIPATION.
 XV. 
XV.THE VOICE OF NATURE; OR, WHAT THE FISH SAID TO THE MAIDEN.
 XVI. 
XVI.THE MALADY OF MOIO.
 XVII. 
XVII.A SERVIAN BEAUTY.
 XVIII. 
XVIII.A DISCREET YOUNG WOMAN.
 XIX. 
XIX.BOLOZÀNOVITCH THE KNAVE.
 XX. 
XX.THE WIFE OF HASSAN AGA.
 XXI. 
XXI.SLEEPLESSNESS.
 XXII. 
XXII.NEGLECTED FLOWERS.
 XXIII. 
XXIII.PLUCKING A FLOWER.
 XXIV. 
XXIV.TRANSPLANTING A FLOWER.
 XXV. 
XXV.A MESSAGE.
 XXVI. 
XXVI.ISOLATION.
 XXVII. 
XXVII.A REGRET.
 XXVIII. 
XXVIII.THE BAN OF VARADIN.
 XXIX. 
XXIX.FATIMA AND MEHMED.

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“Cache pour cest nuict.”

Hide for a night thy horn, good Moon! Fair fortune
For this shall keep Endymion ever prest
Deep-dreaming amorous on thine argent breast,
Nor ever shall enchanter thee importune.
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Hateful to me the day: most sweet the night!
I fear the myriad meddling eyes of day:
But courage comes with night. Close, close, I pray,
Your curtains, dear dark skies, on my delight!
Thou, too, thou Moon, thou too hast felt love's power!
Pan with a white fleece won thee for an hour.
And you, siderial signs in yonder blue,
Favour the fire whereby my heart is moved!
Forget not, signs, the greater part of you
Was only set in heaven for having loved.
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