University of Virginia Library


80

ODE XV.

The conceited Peter turneth an arrant Egotist— Mentioneth a number of fine Folks—This Minute condemneth Will Whitehead's Verses; and the next, exculpateth the Laureat, by clapping the right saddle on the right horse.

No giant more rejoiceth in his course,
Not Count O'Kelly in a winning horse;
Not Mistress Hobart to preserve a box,
Not George the Third to triumph o'er Charles Fox;
Not Spain's wise monarch to bombard Algiers—
Not pillories, obeying law's stern voice,
Can more rejoice
To hold Kitt Atkinson's two ears;
Not more rejoiceth patriotic Pitt,
By patriotic grocers to be fed;
Not Mother Windsor in a nice young tit,
Nor gaping deans, to hear a bishop's dead:
Not more reform'd John Wilkes, to court the crown;
Nor Skinner in his aldermanic gown,
Nor common-councilmen on turtle feeding:
Not more rejoice old envious maids, so stale,
To hear of weeping beauty a sad tale,
And tell the world a reigning toast is breeding:—
Than I, the poet, in a lucky ode,
That catches at a hop the cynic face;
Kills by a laugh its grave Bubonic face;
And tears, in spite of him, his jaws abroad.

81

And are there such grave dons that read my rhimes?
All-gracious Heav'n forgive their crimes!
Oh! be their lot to have wise-talking wives;
And if in reading they delight,
To read, ye gods! from morn to night,
Will Whitehead's birth-day sonnets all their lives.
Perhaps, reader, thou'rt a tinker, or a tanner;
And mendest kettles in a pretty manner;
Or tannest hides of bulls, and cows, and calves:
But if the saucepan, or the kettle,
Originally be bad metal,
Thou'lt say, ‘It only can be done by halves;’
Or if by nature bad the bullock's skins,
‘They'll make vile shoes and boots for people's shins.’
Then wherefore do I thus abuse
Will Whitehead's hard-driv'n Muse?
Who merits rather Pity's tend'rest sigh;
For what the devil can he do,
When forc'd to praise—the Lord knows who!
Verse must be dull on subjects so damn'd dry.
 

The contest between Mrs. Hobart and Lady Salisbury, with their seconds, about a box at the Opera, is a subject for the most sublime epic.

A priestess of the Cyprian goddess.

This Ode was written before a late laureat resigned his earthly crown for a heavenly one. May Mr. Tom Warton be more successful in his Pindaric adulations, and not verify the Latin adage—Ex nihilo, nihil fit.