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The Poetical Works of John Langhorne

... To which are prefixed, Memoirs of the Author by his Son the Rev. J. T. Langhorne ... In Two Volumes
  

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FABLE IX. THE BEE-FLOWER.
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33

FABLE IX. THE BEE-FLOWER.

Come, let us leave this painted plain;
This waste of flowers that palls the eye:
The walks of Nature's wilder reign
Shall please in plainer majesty.
Thro' those fair scenes, where yet she owes
Superior charms to Brockman's art,
Where, crown'd with elegant repose,
He cherishes the social heart—

34

Thro' those fair scenes we'll wander wild,
And on yon pastur'd mountains rest;
Come, brother dear! come, Nature's child!
With all her simple virtues blest.
The sun far-seen on distant towers,
And clouding groves and peopled seas,
And ruins pale of princely bowers
On Beachb'rough's airy heights shall please.
Nor lifeless there the lonely scene;
The little labourer of the hive,
From flower to flower, from green to green,
Murmurs, and makes the wild alive.
See, on that flowret's velvet breast
How close the busy vagrant lies!
His thin-wrought plume, his downy breast,
Th' ambrosial gold that swells his thighs!
Regardless, whilst we wander near,
Thrifty of time, his task he plies;
Or sees he no intruder near?
And rest in sleep his weary eyes?
Perhaps his fragrant load may bind
His limbs;—we'll set the captive free—
I sought the living Bee to find,
And found the picture of a Bee.

35

Attentive to our trifling selves,
From thence we plan the rule of all;
Thus Nature with the fabled elves
We rank, and these her sports we call.
Be far, my friends, from you, from me,
Th' unhallow'd term, the thought profane,
That Life's majestic source may be
In idle fancy's trifling vein.
Remember still, 'tis Nature's plan
Religion in your love to find;
And know, for this, she first in man
Inspir'd the imitative mind.
As conscious that affection grows,
Pleas'd with the pencil's mimic power;
That power with leading hand she shews,
And paints a Bee upon a flower.
Mark, how that rooted mandrake wears
His human feet, his human hands!
Oft, as his shapely form he tears,
Aghast the frighted ploughman stands.

36

See where, in yonder orient stone,
She seems e'en with herself at strife,
While fairer from her hand is shewn
The pictur'd, than the native life.
Helvetia's rocks, Sabrina's waves,
Still many a shining pebble bear,
Where oft her studious hand engraves
The perfect form, and leaves it there.
O long, my Paxton, boast her art;
And long her laws of love fulfil:
To thee she gave her hand and heart,
To thee, her kindness and her skill!
 

This is a species of the orchis, which is found in the barren and mountainous parts of Lincolnshire, Worcestershire, Kent, and Herefordshire. Nature has formed a bee apparently feeding on the breast of a flower with so much exactness, that it is impossible at a very small distance to distinguish the imposition. For this purpose she has observed an economy different from what is found in most other flowers, and has laid the petals horizontally. The genius of the orchis, or satyrion, she seems professedly to have made use of for her paintings, and on the different species has drawn the perfect forms of different insects, such as bees, flies, butterflies, &c.

The well known fables of the Painter and the Statuary that fell in love with objects of their own creation, plainly arose from the idea of that attachment, which follows the imitation of agreeable objects, to the objects imitated.

An ingenious portrait painter in Rathbone Place.