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The Marriage Before Death, And Other Poems

By George Barlow
Barlow, George

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THE MARRIAGE BEFORE DEATH,
 I. 
Scene I.—In a large Cell in the Prison.
 II. 
Scene II.—On the way to Execution.
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TUA-TUA: or, ROSE-ROSE:
 I. 
Scene I.—In a Dell in the Forest.
 2. 
Scene 2.—In the forest.
 III. 
Scene III.—Chorus of attendant Dyak Maidens, bringing Tua-Tua bound towards the Altar of the Fetish in the black stony valley. Priests of the god, Soldiers, etc.
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LOVE'S EARLY MUSIC.
 I. 
I.—THE SONG OF THE BLACK-BROWN HAIR.
 II. 
II.—PASSION'S MYSTICISM.
  
A VISION IN HYDE PARK.
  
THE ROSE WILL BLOSSOM NONE THE LESS.
  
TO MAZZINI TRIUMPHANT.
  
DEATH OR YOU.
  
TO THEE, LOVE.
  
MARIA FORSTER AND JEAN PAUL.
  
A MEETING: AFTER FIVE YEARS.
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TO GERTRUDE IN THE SPIRIT WORLD.
  
WHAT ART THOU LIKE?
  
THOU ART THE SUMMER.
  
THE HAY-FIELDS ON THE CLIFF TOP.
  
SWEET PASSIONATE SPIRIT.
  
THY LAUGHTER.
  
WHAT MATTERS IT?
  
A MAIDEN SPIRIT.
  
MAN'S DEVOTION AND WOMAN'S POTION:
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THE WRESTLE FOR A SOUL.
 1. 
Scene 1.—Morning.
 2. 
Scene 2.—At Night.
 3. 
Scene 3.—Early Morning.
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TO HELEN.
  
THE FRAGRANT NIGHT.
  
HAVING OUTLIVED, OUTSUFFERED.
  
OH, SEA!
  
STIR NOT.
  
AFTER THE DAY.
  
CALM.
  
ALONE TOGETHER.
  
STILL THERE.
  
THE GENIUS OF SOLOMON.
  
SONNET.
  
THE KITTEN.
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FOUR SONNETS.
 I. 
I.—THE ROSE OF GOD'S BLOOD.
 II. 
II.—THE CROWN OF FLOWERS.
 III. 
III.—IN ENGLAND'S NAME.
 IV. 
IV.—FACE TO FACE.
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THE RELIGION OF ART:
 I. 
I.—VENUS.
 II. 
II.—THE IMMEASURABLE ROSE.
 III. 
III.—UPON THE BREEZES.
 IV. 
IV.—CONTEMPLATION.
 V. 
V.—THE ARTIST.
 VI. 
VI.—LOVE.
 VII. 
VII.—DEATH.
 VIII. 
VIII.—THE DEATH OF THE FIRST FAIR WOMAN.
 IX. 
IX.—THE EMBRACE.
 X. 
X.—THE RAPTURE BEYOND.
 XI. 
XI.—WITHIN THE NIGHT.
 XII. 
XII.—NO DESPAIR.
 XIII. 
XIII.—THE FIRST ROSE.
 XIV. 
XIV.—THE FIRST RED ROSE.
 XV. 
XV.—FROM LOVE.
 XVI. 
XVI.—NO GREATER JOY.
 XVII. 
XVII.—AN ANGEL.
 XVIII. 
XVIII.—THE TEMPEST.
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THE MELODY OF LIFE.
 I. 
I.—LIFE.
 II. 
II.—HAS IT ALL PASSED?
 III. 
III.—THE LONE DAYS.
 IV. 
IV.—PAST KISSES.
 V. 
V.—THE JOY OF LOOKING BACK.
 VI. 
VI.—IT MAY BE.
  
A SOUL-WREATH.

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IV.—CONTEMPLATION.

Calm contemplation is the end of Art—
Not to perturb her bosom at the sighs
Of each poor sufferer as the sufferer dies,
But to preserve a white unblemished heart.
The generations weary and depart,
But she, with equal and majestic eyes,
Her being to the omnipotent allies,
And wearieth not, as forth the young buds start.
At utter peace she sits; and all the years
Bring to her joys and sorrows for a crown—
Thorn-wreaths and roses, lilies and hot tears—
She marks them all; she watches with no frown,
Not smiling either, man's rage, woman's fears,
Blood, torture, terror, flames of many a town.
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