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The Marriage Before Death, And Other Poems

By George Barlow
Barlow, George

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THE MARRIAGE BEFORE DEATH,
 I. 
Scene I.—In a large Cell in the Prison.
 II. 
Scene II.—On the way to Execution.
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TUA-TUA: or, ROSE-ROSE:
 I. 
Scene I.—In a Dell in the Forest.
 2. 
Scene 2.—In the forest.
 III. 
Scene III.—Chorus of attendant Dyak Maidens, bringing Tua-Tua bound towards the Altar of the Fetish in the black stony valley. Priests of the god, Soldiers, etc.
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LOVE'S EARLY MUSIC.
 I. 
I.—THE SONG OF THE BLACK-BROWN HAIR.
 II. 
II.—PASSION'S MYSTICISM.
  
A VISION IN HYDE PARK.
  
THE ROSE WILL BLOSSOM NONE THE LESS.
  
TO MAZZINI TRIUMPHANT.
  
DEATH OR YOU.
  
TO THEE, LOVE.
  
MARIA FORSTER AND JEAN PAUL.
  
A MEETING: AFTER FIVE YEARS.
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TO GERTRUDE IN THE SPIRIT WORLD.
  
WHAT ART THOU LIKE?
  
THOU ART THE SUMMER.
  
THE HAY-FIELDS ON THE CLIFF TOP.
  
SWEET PASSIONATE SPIRIT.
  
THY LAUGHTER.
  
WHAT MATTERS IT?
  
A MAIDEN SPIRIT.
  
MAN'S DEVOTION AND WOMAN'S POTION:
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THE WRESTLE FOR A SOUL.
 1. 
Scene 1.—Morning.
 2. 
Scene 2.—At Night.
 3. 
Scene 3.—Early Morning.
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TO HELEN.
  
THE FRAGRANT NIGHT.
  
HAVING OUTLIVED, OUTSUFFERED.
  
OH, SEA!
  
STIR NOT.
  
AFTER THE DAY.
  
CALM.
  
ALONE TOGETHER.
  
STILL THERE.
  
THE GENIUS OF SOLOMON.
  
SONNET.
  
THE KITTEN.
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FOUR SONNETS.
 I. 
I.—THE ROSE OF GOD'S BLOOD.
 II. 
II.—THE CROWN OF FLOWERS.
 III. 
III.—IN ENGLAND'S NAME.
 IV. 
IV.—FACE TO FACE.
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THE RELIGION OF ART:
 I. 
I.—VENUS.
 II. 
II.—THE IMMEASURABLE ROSE.
 III. 
III.—UPON THE BREEZES.
 IV. 
IV.—CONTEMPLATION.
 V. 
V.—THE ARTIST.
 VI. 
VI.—LOVE.
 VII. 
VII.—DEATH.
 VIII. 
VIII.—THE DEATH OF THE FIRST FAIR WOMAN.
 IX. 
IX.—THE EMBRACE.
 X. 
X.—THE RAPTURE BEYOND.
 XI. 
XI.—WITHIN THE NIGHT.
 XII. 
XII.—NO DESPAIR.
 XIII. 
XIII.—THE FIRST ROSE.
 XIV. 
XIV.—THE FIRST RED ROSE.
 XV. 
XV.—FROM LOVE.
 XVI. 
XVI.—NO GREATER JOY.
 XVII. 
XVII.—AN ANGEL.
 XVIII. 
XVIII.—THE TEMPEST.
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THE MELODY OF LIFE.
 I. 
I.—LIFE.
 II. 
II.—HAS IT ALL PASSED?
 III. 
III.—THE LONE DAYS.
 IV. 
IV.—PAST KISSES.
 V. 
V.—THE JOY OF LOOKING BACK.
 VI. 
VI.—IT MAY BE.
  
A SOUL-WREATH.

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THE HAY-FIELDS ON THE CLIFF TOP.

Just as the hay-fields on the cliff-top draw
Seafarers—yea, two miles away from land!
Bringing sweet thoughts of many a leafy strand,
Making more hateful the fierce wind and raw
That smites those barren furrows which they plough—
Just as the scent of hay-fields makes the hand
Tremble upon the oar, the heart crave now
For fields where flowers and grass-blades do expand:—
So, Gertrude, far away thou drawest me
From life and labour, and their scentless sea—
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Sweeter than hay-fields is thy spirit-breath,
Which, loved one, lures me through the gulfs of death,
More wonderful the magic of thine eyes,
Convulsed at sight of which life swoons and dies.
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