Adventures of Huckleberry Finn (Tom Sawyer's
comrade). Scene: The Mississippi Valley. Time: forty to fifty years ago |
I. |
II. |
III. |
IV. |
V. |
VI. |
VII. |
VIII. |
IX. |
X. |
XI. |
XII. |
XIII. |
XIV. |
XV. |
XVI. |
XVII. |
XVIII. |
XIX. |
XX. |
XXI. |
Chapter XXI
|
XXII. |
XXIII. |
XXIV. |
XXV. |
XXVI. |
XXVII. |
XXVIII. |
XXIX. |
XXX. |
XXXI. |
XXXII. |
XXXIII. |
XXXIV. |
XXXV. |
XXXVI. |
XXXVII. |
XXXVIII. |
XXXIX. |
XL. |
XLI. |
XLII. |
Chapter XXI
Adventures of Huckleberry Finn (Tom Sawyer's
comrade). | ||
Chapter XXI
It
was after sun-up, now, but we went
right on, and didn't tie up.
The king
and the duke turned out, by-and-by,
looking pretty rusty;
but after they'd
jumped overboard and took a swim, it
chippered
them up a good deal. After
breakfast the king he took a seat on a
corner of the raft, and pulled off his
boots and rolled up his
britches, and
let his legs dangle in the water, so as
to be
comfortable, and lit his pipe, and
went to getting his Romeo and
Juliet
by heart. When he had got it pretty
good, him and the duke
begun to
practice it together. The duke had to
learn him over and
over again, how to
say every speech; and he made him sigh, and put his
hand on his heart, and
after while he said he done it pretty well;
"only," he says, "you mustn't
bellow out Romeo!
that way, like a bull—you must say it soft, and sick, and
languishy, so—R-o-o-meo! that is the idea; for Juliet's a dear
sweet mere child
of a girl, you know, and she don't bray like a
jackass."
practicing.
Well, next they got out a couple of long swords that the duke made out
of
oak laths, and begun to practice the sword-fight—the duke
called himself
Richard III.; and the way they laid on, and pranced
around the raft was grand
to see. But by-and-by the king tripped and
fell overboard, and after that they
times along the river.
After dinner, the duke says:
"Well, Capet, we'll want to make this a first-class show, you know, so I
guess we'll add a little more to it. We want a little something to
answer
encores with, anyway."
"What's onkores, Bilgewater?"
The duke told him, and then says:
"I'll answer by doing the Highland fling or the sailor's hornpipe; and
you—
well, let me see—oh, I've got
it—
you can do Hamlet's soliloquy."
"Hamlet's which?"
"Hamlet's soliloquy, you know;
the most celebrated thing in
Shakespeare. Ah, it's sublime,
sublime! Always fetches the
house.
I haven't got it in the
book—I've only got one
volume—
but I reckon I can piece it out
from memory.
I'll just walk up
and down a minute, and see if I
can call it back
from recollection's
vaults."
hamlet's soliloquy.
So he went to marching up
and down, thinking, and frowning
horrible every now and then;
then he would
hoist up his eyebrows;
next he would
squeeze his
hand on his forehead and stagger
back and kind of moan; next he would sigh, and next
he'd let on to drop
a tear. It was beautiful to see him. By-and-by he
got it. He told us to give
attention. Then he strikes a most noble
attitude, with one leg shoved forwards,
and then he begins to rip and rave and grit his teeth; and after that, all through
his speech he howled, and spread around, and swelled up his chest, and just
knocked the spots out of any acting ever I see before. This is the speech—
I learned it, easy enough, while he was learning it to the king:
That makes calamity of so long life;
For who would fardels bear, till Birnam Wood do come to Dunsinane,
But that the fear of something after death
Murders the innocent sleep,
Great nature's second course,
And makes us rather sling the arrows of outrageous fortune
Than fly to others that we know not of.
There's the respect must give us pause:
Wake Duncan with thy knocking! I would thou couldst;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The law's delay, and the quietus which his pangs might take,
In the dead waste and middle of the night, when churchyards yawn
In customary suits of solemn black,
But that the undiscovered country from whose bourne no traveler returns,
Breathes forth contagion on the world,
And thus the native hue of resolution, like the poor cat i' the adage,
Is sicklied o'er with care,
And all the clouds that lowered o'er our housetops,
With this regard their currents turn awry,
And lose the name of action.
'Tis a consummation devoutly to be wished. But soft you, the fair Ophelia:
Ope not thy ponderous and marble jaws,
But get thee to a nunnery—go!
Well, the old man he liked that speech, and he mighty soon got it so he
could
do it first rate. It seemed like he was just born for it; and
when he had his
hand in and was excited, it was perfectly lovely the
way he would rip and tear
and rair up behind when he was getting it
off.
The first chance we got, the duke he had some show bills printed; and
after
that, for two or three days as we floated along, the raft was a
most uncommon
lively place, for there warn't nothing but sword-fighting
and rehearsing—as the
duke called it—going on all
the time. One morning, when we was pretty well
down the State of
Arkansaw, we come in sight of a little one-horse town in a big
bend; so
we tied up about three-quarters of a mile above it, in the mouth of a
crick which was shut in like a tunnel by the cypress trees, and all of us
but Jim
took the canoe and went down there to see if there was any
chance in that place
for our show.
We struck it mighty lucky; there was going to be a circus there that afternoon,
and the country people was
already beginning to come in, in all kinds of
old shackly wagons, and
on horses. The circus would leave before night, so our
show would have
a pretty good chance. The duke he hired the court house, and
we went
around and stuck up our bills. They read like this:
Wonderful Attraction!
For One Night Only!
The world renowned tragedians,
David Garrick the younger, of Drury Lane Theatre, London,
and
Edmund Kean the elder, of the Royal Haymarket Theatre, Whitechapel,
Pudding Lane, Piccadilly, London, and the
Royal Continental Theatres, in their sublime
Shakesperean Spectacle entitled
The Balcony Scene
in
Romeo and Juliet ! ! !
Romeo...Mr. Garrick.
Juliet...Mr. Kean.
Assisted by the whole strength of the company!
New costumes, new scenery, new appointments!
The thrilling, masterly, and blood-curdling
Broad-sword conflict
In Richard III. ! ! !
Richard III...Mr. Garrick.
Richmond...Mr. Kean.
also:
(by special request,)
Hamlet's Immortal Soliloquy ! !
By the Illustrious Kean!
Done by him 300 consecutive nights in Paris !
For One Night Only,
On account of imperative European engagements!
Admission 25 cents; children and servants, 10 cents.
Then we went loafing around the town. The stores and houses was most all
old
shackly dried-up frame concerns that hadn't ever been painted; they
was set up
three or four foot above ground on stilts, so as to be out
of reach of the water
when the river was overflowed. The houses had
little gardens around them, but
they didn't seem to raise hardly
anything in them but jimpson weeds, and sunflowers,
and ash-piles, and old curled-up boots and
shoes, and pieces of bottles,
and rags, and played-out tin-ware. The
fences was made of different kinds of
boards, nailed on at different
times; and they leaned every which-way, and had
gates that didn't
generly have but one hinge—a leather one. Some of the fences
had been whitewashed, some time or another, but the duke said it was in
Clumbus's time, like enough. There was generly hogs in the garden, and
people
driving them out.
All the stores was along one street. They had white-domestic awnings in
front, and the country people hitched their horses to the awning-posts.
There was empty dry-goods boxes under the awnings, and loafers roosting
on them all day long, whittling them with their Barlow knives; and chawing
tobacco, and gaping and yawning and
stretching—a mighty ornery lot.
They generly had on yellow
straw hats most as wide as an umbrella, but
didn't wear no coats nor
waistcoats; they called one another Bill, and Buck,
many cuss-words. There was as many as one loafer leaning up
against every awning-post, and he most always had his hands in his britches
pockets, except when he fetched
them out to lend a chaw of tobacco
or scratch. What a body
was hearing amongst them, all
the time was—
"Gimme a chaw 'v tobacker,
Hank."
"Cain't—I hain't got but one
chaw left. Ask Bill."
Maybe Bill he gives him a
chaw; maybe he lies and says
he ain't got
none. Some of
them kinds of loafers never has
a cent in the world,
nor a chaw
of tobacco of their own. They
get all their chawing by
borrowing—they
say to a fellow, "I
wisht you'd
len' me a chaw, Jack,
I jist this minute give Ben
Thompson the
last chaw I had"
—which is a lie, pretty much
every
time; it don't fool nobody
but a stranger; but Jack ain't no stranger,
so he says—
"gimme a chaw."
"You give him a chaw, did you? so did your sister's
cat's grandmother. You
pay me back the chaws you've awready borry'd
off'n me, Lafe Buckner, then I'll
loan you one or two ton of it, and
won't charge you no back intrust, nuther."
"Well, I did pay you back some of it wunst."
"Yes, you did—'bout six chaws. You borry'd store tobacker and paid
back
nigger-head."
Store tobacco is flat black plug, but these fellows mostly chaws the
natural
leaf twisted. When they borrow a chaw, they don't generly cut
it off with a
knife, but they set the plug in between their teeth, and
gnaw with their teeth
and tug at the plug with their hands till they
get it in two—then sometimes the
one that owns the tobacco
looks mournful at it when it's handed back, and
says,
sarcastic—
"Here, gimme the chaw, and you take the plug."
All the streets and lanes was just mud, they warn't nothing else but mud—
mud as black as tar, and
nigh about a foot deep in some places; and two or
three inches deep in
all the places. The hogs loafed and grunted
around,
everywheres. You'd see a muddy sow and a litter of pigs come
lazying along
the street and whollop herself right down in the way,
where folks had to walk
around her, and she'd stretch out, and shut her
eyes, and wave her ears, whilst
the pigs was milking her, and look as
happy as if she was on salary. And
pretty soon you'd hear a loafer sing
out, "Hi! so boy! sick him, Tige!" and
away the
sow would go, squealing most horrible, with a dog or two swinging to
each ear, and three or four dozen more a-coming; and then you would see all
the
loafers get up and watch the thing out of sight, and laugh at the
fun and
look grateful for the noise. Then they'd settle back again till
there was a
dog-fight. There couldn't anything wake them up all over,
and make them
happy all over, like a dog-fight—unless it
might be putting turpentine on a stray
dog and setting fire to him, or
tying a tin pan to his tail and see him run himself
to death.
On the river front some of the houses was sticking out over the bank,
and
they was bowed and bent, and about ready to tumble in. The people
had
moved out of them. The bank was caved away under one corner of
some
others, and that corner was hanging over. People lived in them
yet, but it
was dangersome, because sometimes a strip of land as wide
as a house caves
in at a time. Sometimes a belt of land a quarter of a
mile deep will start in
and cave along and cave along till it all caves
into the river in one summer.
Such a town as that has to be always
moving back, and back, and back, because
the river's always gnawing at
it.
The nearer it got to noon that day, the thicker and thicker was the
wagons
and horses in the streets, and more coming all the time.
Families fetched their
dinners with them, from the country, and eat
them in the wagons. There
was considerable whiskey drinking going on,
and I seen three fights. By-and-by
somebody
sings out—
"Here comes old Boggs!—in from the country for his little old
monthly
drunk—here he comes, boys!"
All the loafers looked glad—I reckoned they was used to having fun
out of
Boggs. One of them says—
"Wonder who he's a gwyne to chaw up this time. If he'd a chawed up all
the men he's ben a gwyne to chaw up in the last twenty year, he'd have considerable
ruputation, now."
Another one says, "I wisht old Boggs 'd threaten me, 'cuz then I'd know
I
warn't gwyne to die for a thousan' year."
Boggs comes a-tearing along on his horse, whooping and yelling like an
Injun,
and singing out—
"Cler the track, thar. I'm on the waw-path, and the price uv coffins is
a
gwyne to raise."
He was drunk, and weaving about in his saddle; he was over fifty year
old,
and had a very red face. Everybody yelled at him, and laughed at
him, and
sassed him, and he sassed back, and said he'd attend to them
and lay them out in
their regular turns, but he couldn't wait now,
because he'd come to town to kill
old Colonel Sherburn, and his motto
was, "meat first, and spoon vittles to top
off on."
He see me, and rode up and says—
"Whar'd you come f'm, boy? You prepared to die?"
Then he rode on. I was scared; but a man says—
"He don't mean nothing; he's always a carryin' on like that, when he's
drunk. He's the best-naturedest old fool in Arkansaw—never hurt
nobody,
drunk nor sober."
Boggs rode up before the biggest store in town and bent his head down so
he
could see under the curtain of the awning, and yells—
"Come out here, Sherburn! Come out and meet the man you've swindled.
You're the houn' I'm after, and I'm a gwyne to have you, too!"
And so he went on, calling Sherburn everything he could lay his tongue
to,
and the whole street packed with people listening and laughing and
going on.
By-and-by a proud-looking man about fifty-five—and
he was a heap the best
dressed man in that town, too—steps
out of the store, and the crowd drops back
on each side to let him
come. He says to Boggs, mighty ca'm and slow—he says:
"I'm tired of this; but I'll endure it till one o'clock. Till one o'clock,
mind—
no longer. If you open your mouth against me only
once, after that time, you
can't travel so far but I will find
you."
a little monthly drunk.
Then he turns and goes in. The crowd looked mighty sober; nobody
stirred,
and there warn't no more laughing. Boggs rode off
blackguarding Sherburn
as loud as he could yell, all down the street;
and pretty soon back he comes and
stops before the store, still keeping
it up. Some men crowded around him
and tried to get him to shut up, but
he wouldn't; they told him it would be one
o'clock in about fifteen
minutes, and so he must go home—he must go
right
away. But it didn't do no good. He cussed away, with all his
might, and
a-raging down the street again, with his gray hair a-flying. Everybody that
could get a chance at him tried their best to coax him off of his horse so they
could lock him up and get him sober; but it warn't no use—up the street he
would tear again, and give Sherburn another cussing. By-and-by somebody says—
"Go for his daughter!—quick, go for his daughter; sometimes he'll
listen to
her. If anybody can persuade him, she can."
So somebody started on a run. I walked down street a ways, and stopped.
In about five or ten minutes, here comes Boggs again—but not on
his horse. He
was a-reeling across the street towards me, bareheaded,
with a friend on both
sides of him aholt of his arms and hurrying him
along. He was quiet, and
looked uneasy; and he warn't hanging back any,
but was doing some of the
hurrying himself. Somebody sings
out—
"Boggs!"
I looked over there to see who said it, and it was that Colonel Sherburn.
He
was standing perfectly still, in the street, and had a pistol raised
in his right
hand—not aiming it, but holding it out with the
barrel tilted up towards the sky.
The same second I see a young girl
coming on the run, and two men with her.
Boggs and the men turned
round, to see who called him, and when they
see the pistol the men
jumped to one side, and the pistol barrel come
down slow and steady to
a level—both barrels cocked. Boggs throws up
both of his
hands, and says, "O Lord, don't shoot!" Bang! goes the
first shot, and
he staggers back clawing at the air—bang! goes the second
one,
and he tumbles backwards onto the ground, heavy and solid, with
his arms
spread out. That young girl screamed out, and comes rushing,
and down
she throws herself on her father, crying, and saying, "Oh,
he's killed him,
he's killed him!" The crowd closed up around them, and
shouldered and
jammed one another, with their necks stretched, trying
to see, and people on
the inside trying to shove them back, and
shouting, "Back, back! give him air,
give him air!"
Colonel Sherburn he tossed his pistol onto the ground, and turned around
on
his heels and walked off.
They took Boggs to a little drug store, the crowd pressing around, just the
same,
and the whole town following, and I rushed and got a good place
at the window,
where I was close to him and could see in. They laid him
on the floor, and put one
large Bible under his head, and opened
another one and spread it on his breast—
but they tore open
his shirt
first, and I seen where one of
the bullets went in. He
made
about a dozen long gasps, his
breast lifting the Bible up
when
he drawed in his breath, and
letting it down again when
he
breathed it out—and after that
he laid still; he was
dead.
Then they pulled his daughter
away from him, screaming
and
crying, and took her off. She
was about sixteen, and very
sweet and gentle-looking, but
awful pale and scared.
the death of boggs.
Well, pretty soon the whole
town was there, squirming and
scrouging
and pushing and
shoving to get at the window
and have a look, but
people
that had the places wouldn't
give them up, and folks
behind
them was saying all the time, "Say, now, you've looked enough,
you fellows;
'taint right and 'taint fair, for you to stay thar all the
time, and never give
nobody a chance; other folks has their rights as
well as you."
There was considerable jawing back, so I slid out, thinking maybe there
was
going to be trouble. The streets was full, and everybody was
excited. Everybody
that seen the shooting
was telling how it happened, and there was a big
listening. One long lanky man, with long hair and a big white fur stove-pipe
hat on the back of his head, and a crooked-handled cane, marked out the places
on the ground where Boggs stood, and where Sherburn stood, and the people
following him around from one place to t'other and watching everything he done,
and bobbing their heads to show they understood, and stooping a little and
resting their hands on their thighs to watch him mark the places on the ground
with his cane; and then he stood up straight and stiff where Sherburn had
stood, frowning and having his hat-brim down over his eyes, and sung out,
"Boggs!" and then fetched his cane down slow to a level, and says "Bang!"
staggered backwards, says "Bang!" again, and fell down flat on his back. The
people that had seen the thing said he done it perfect; said it was just exactly
the way it all happened. Then as much as a dozen people got out their bottles
and treated him.
Well, by-and-by somebody said Sherburn ought to be lynched. In about a
minute everybody was saying it; so away they went, mad and yelling, and
snatching down every clothes-line they come to, to do the hanging with.
Chapter XXI
Adventures of Huckleberry Finn (Tom Sawyer's
comrade). | ||