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The Works of Richard Owen Cambridge

Including several pieces never before published: with an account of his life and character, by his son, George Owen Cambridge
Cambridge, Richard Owen (1717-1802)

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ON THE MARRIAGE OF HIS ROYAL HIGHNESS FREDERICK PRINCE OF WALES:
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MISCELLANEOUS VERSES,
  
LEARNING:
  
SOCIETY;
  
TOBACCO;
  
ARCHIMAGE;
  
AN APOLOGY FOR WRITING VERSE;
  
TO WILLIAM WHITEHEAD, Esq.
  
TO LORD BATHURST.
  
THE DANGER OF WRITING VERSE;
  
A DIALOGUE BETWEEN LORD DUCIE AND HIS HORSE.
  
THE AUTHOR TO THE SCRIBLERIAD.
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THE SCRIBLERIAD:
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THE SCRIBLERIAD.
 I. 
BOOK I.
 II. 
BOOK II.
 III. 
BOOK III.
 IV. 
BOOK IV.
 V. 
BOOK V.
 VI. 
BOOK VI.
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MISCELLANEOUS VERSES,
  
A DIALOGUE
  
THE INTRUDER.
  
THE FABLE OF JOTHAM:
  
THE FAKEER:
  
AN ELEGY
  
A DIALOGUE
  
VERSES
  
ON THE APPOINTMENT OF LORD TEMPLE TO BE FIRST LORD OF THE ADMIRALTY.
  
AGAINST INCONSTANCY;
  
TO Mr. WHITEHEAD,
  
EPILOGUE SPOKEN AT DRURY-LANE THEATRE,
  
EPILOGUE SPOKEN AT DRURY-LANE THEATRE,
  
A DIALOGUE
  
TO OZIAS HUMPHRY, Esq.
  
Mr. WILKES'S SOLILOQUY,
  
ON PAINTING;
  
ON SEEING THE HEAD OF Sir ISAAC NEWTON,
  
TO A LADY WHO WAS VERY HANDSOME,
  
A PARODY OF ACHILLES' SPEECH,
  
A PARODY ON “DEATH AND THE LADY;”
  
AN INVITATION TO A BALL AT LADY COOPER'S:
  
ANSWER.
  
THE PROGRESS OF LIBERTY.
  
ON SEEING THIS MOTTO TO A FRENCH PAPER: “DULCE ET DECORUM EST PRO PATRIA MORI.”
  
TO A FRIEND
  
A FREE TRANSLATION OF BOILEAU;
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EPIGRAMS.
 1. 
1.
 2. 
2. ON MEETING AT MR. GARRICK'S
 3. 
3. QUIN'S DEATH.
 4. 
4. ACTEON NO CUCKOLD.
 5. 
5. IMITATION OF SHAKSPEARE.
 6. 
6. THE HISTORIAN IN LOVE:
 7. 
7. OCCASIONED BY THE CONDUCT OF THE FRENCH TOWARDS THE POPE IN THE YEAR 1794.
 8. 
8. ON SEEING A DECENT-LOOKING YOUNG WOMAN COME DOWN A STAIRCASE IN CLEMENT'S-INN:
 9. 
9. TO A YOUNG FRIEND,
 10. 
10. LINES GIVEN EXTEMPORE
 11. 
11. THE FOLLOWING FRENCH LINES
 12. 
12.
 13. 
13. ON SEEING A TAPESTRY CHAIR-BOTTOM BEAUTIFULLY WORKED BY HIS DAUGHTER FOR MRS. HOLROYD.
 14. 
14. A TRANSLATION
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The WORLD.
  
[Ye sages say, who know mankind]

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291

In scenes where Hallet's genius has combined
With Bromwich to amuse and cheer the mind;
Amid this pomp of cost, this pride of art,
What mean these sorrows in a female heart?
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