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The Works of Richard Owen Cambridge

Including several pieces never before published: with an account of his life and character, by his son, George Owen Cambridge
Cambridge, Richard Owen (1717-1802)

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ON THE MARRIAGE OF HIS ROYAL HIGHNESS FREDERICK PRINCE OF WALES:
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MISCELLANEOUS VERSES,
  
LEARNING:
  
SOCIETY;
  
TOBACCO;
  
ARCHIMAGE;
  
AN APOLOGY FOR WRITING VERSE;
  
TO WILLIAM WHITEHEAD, Esq.
  
TO LORD BATHURST.
  
THE DANGER OF WRITING VERSE;
  
A DIALOGUE BETWEEN LORD DUCIE AND HIS HORSE.
  
THE AUTHOR TO THE SCRIBLERIAD.
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THE SCRIBLERIAD:
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THE SCRIBLERIAD.
 I. 
BOOK I.
 II. 
BOOK II.
 III. 
BOOK III.
 IV. 
BOOK IV.
 V. 
BOOK V.
 VI. 
BOOK VI.
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MISCELLANEOUS VERSES,
  
A DIALOGUE
  
THE INTRUDER.
  
THE FABLE OF JOTHAM:
  
THE FAKEER:
  
AN ELEGY
  
A DIALOGUE
  
VERSES
  
ON THE APPOINTMENT OF LORD TEMPLE TO BE FIRST LORD OF THE ADMIRALTY.
  
AGAINST INCONSTANCY;
  
TO Mr. WHITEHEAD,
  
EPILOGUE SPOKEN AT DRURY-LANE THEATRE,
  
EPILOGUE SPOKEN AT DRURY-LANE THEATRE,
  
A DIALOGUE
  
TO OZIAS HUMPHRY, Esq.
  
Mr. WILKES'S SOLILOQUY,
  
ON PAINTING;
  
ON SEEING THE HEAD OF Sir ISAAC NEWTON,
  
TO A LADY WHO WAS VERY HANDSOME,
  
A PARODY OF ACHILLES' SPEECH,
  
A PARODY ON “DEATH AND THE LADY;”
  
AN INVITATION TO A BALL AT LADY COOPER'S:
  
ANSWER.
  
THE PROGRESS OF LIBERTY.
  
ON SEEING THIS MOTTO TO A FRENCH PAPER: “DULCE ET DECORUM EST PRO PATRIA MORI.”
  
TO A FRIEND
  
A FREE TRANSLATION OF BOILEAU;
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EPIGRAMS.
 1. 
1.
 2. 
2. ON MEETING AT MR. GARRICK'S
 3. 
3. QUIN'S DEATH.
 4. 
4. ACTEON NO CUCKOLD.
 5. 
5. IMITATION OF SHAKSPEARE.
 6. 
6. THE HISTORIAN IN LOVE:
 7. 
7. OCCASIONED BY THE CONDUCT OF THE FRENCH TOWARDS THE POPE IN THE YEAR 1794.
 8. 
8. ON SEEING A DECENT-LOOKING YOUNG WOMAN COME DOWN A STAIRCASE IN CLEMENT'S-INN:
 9. 
9. TO A YOUNG FRIEND,
 10. 
10. LINES GIVEN EXTEMPORE
 11. 
11. THE FOLLOWING FRENCH LINES
 12. 
12.
 13. 
13. ON SEEING A TAPESTRY CHAIR-BOTTOM BEAUTIFULLY WORKED BY HIS DAUGHTER FOR MRS. HOLROYD.
 14. 
14. A TRANSLATION
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The WORLD.
  
[Ye sages say, who know mankind]

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355

11. THE FOLLOWING FRENCH LINES

Being put into Mr. Cambridge's Hand, by a Friend who seemed somewhat too partial to this species of French Writing, he was induced to translate them, for the Sake of introducing the two concluding Lines, which expose the false Wit, and give a just Ridicule to the Idea of dying for Love.

Each shepherd falls a victim to your eye,
Thrill'd by your notes the birds for envy die;
Henceforth in deserts must you sing alone,
When all the lovers and the bards are gone.
Yet some blind bard may strike the social string;
And a deaf nightingale in safety sing.
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