University of Virginia Library

III.

Letitia, ma Chère Letitia:—After our sudden
parting last summer, so very provoking as it was, I


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have been pining away in the Avenue. I am well
enough to be sure, and take a drive every day upon
Broadway with mamma; and the Count is civil and
attentive as usual, and the Spindles are as jealous
as ever (which is some comfort), yet somehow it
seems very dull. Papa has a terribly long face;
more than all, when I ask him for money. Mamma
says he is disturbed about his coal-stocks, and business,
and all that. What a horrid thing business
is! It made us come away from the Springs just
as a good set was forming about mamma; and
there's no hope, I fear, of getting it together again.
How is it, dear Letitia, that people will be very
kind, and chatty, and attentive at the Springs, and
then never come near you in town? I should love
to live at Saratoga, that is, provided the Count
and you, and the rest were there, and the set was
good.

“Those hateful Spindles are just as proud as
ever; although I am sure our house is better furnished
than theirs; and our box at the opera was
in twice as good a position. Never mind, as Brown
says, `our turn will come.'

“Really, my Letitia, I don't know what to tell
you about the Count. He is graceful and gentleman-like,
and says such agreeable things. And in
French, you've no idea, he is adorable! What a


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nice thing to be a Countess: there's not the slightest
doubt about the title, for my French teacher has
seen it often, he says, in the foreign papers. How
it would spite the Spindles!

“But then papa—there's that horrid business
again—says he don't know about his property, and
don't know yet what his profession is; just as if a
Count could have a profession: how absurd!

“I think mamma would like it; and then the
éclat of it all! Do you ask me if I love him? My
Letitia, my heart knows not what to respond—ah,
mon pauvre cœur! I ask myself—indeed I do—
`Wilhelmina, dear one, is it the title, the distinction,
the grandeur; or is it the man, the heart, the disposition?
Could you live with him in a cot by the
water's side, with only a vegetable garden, and a
pure rill of running water? or is it the thought of
a claret coach, like mamma's, with a coronet on the
panel that would make the Spindles die of envy?'

“I know not what to say; sometimes I think it
is one, sometimes I think it is the other. Tell me,
dear Letitia, what you think it is?

“Another nice piece of news I have got for you:
Adolphe Quid, who you remember at the Springs,
is to be rich! What do you think of that? There
is no doubt of it: papa says so, and he rarely says
so of anybody. I think the old gentleman would


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really encourage me to set snares for the millionaire.
Adolphe is very well: but only think of Mrs. Quid!
If he was only a Count!

“Yet one might do worse, I must confess: for
they say he is of good family: and he visits at the
Spindles. There's some foreign connection with his
name, and he speaks French adorably.

“He was very attentive a winter ago to a pretty
little country-cousin of ours, whom we introduced in
one or two quiet places; but she, sad thing, is
wretchedly poor, and I have just heard is to commence
country school-keeping. What reverses in
life, oh dear! Last winter visiting with mamma,
and now school-keeping!

Adieu, ma chère.
“P. S.—We have just had a letter from brother
Washington, in Paris (I so wish you could see him).
He is coming home, and says (although I haven't
seen the letter) that a Countess somebody is coming
home in the ship with him. Mamma is in transports:
but papa looks very gloomy indeed. Won't
the Spindles look sour?
Adieu, cherie; porte toi bien.

A pleasant enough triplet of letters, showing,
what I like to show, the inner thought of my pleasant
kinsfolk who make up the Fudge portraitures;


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and the like of whom may be found in many another
family, bearing a different name.

To wit: a proud old man, scheming hard to keep
full the coffers that sustain his pride, and who has
lived so long in the light of money that all else
seems dark.

Next is an innocent young creature—I will not
call her heroine—of country breeding, who looks
the world fairly in the face, saying her prayers in
humble fashion each night, and doing her duty, with
humble zeal, by day—withal, wearing a heart wide
open, and meeting storms with sunshine.

Last, is a gay daughter of our world-wise metropolis,
reared after the newest mode of the newest
brown-stone houses, with whom fashion is godliness,
and gaucherie, sin; and who counts weekly attendance
upon the service of Dr. Muddleton (who reads
his sermons in white) as all of religion that the
gospel requires, or humanity demands.

I, Tony, am cousin to them all; and therefore
know no reason why I should not speak plainly.