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 | Studies in bibliography |  |
1. The Livre d'Art of the 1920s
Plate by a student of Eugène Grasset depicting a mosaic bookbinding,
in Grasset's La plante et ses applications ornementales (Paris: Librairie
Centrale des Beaux-Arts, 1896-98), first series, plate 66. Charles Rahn
Fry Collection, Princeton University Library.
Eugène Alain Séguy, floral plate, in his Floréal: dessins & coloris nouveaux
(Paris: Calavas, 1914), plate 17. Charles Rahn Fry Collection,
Princeton University Library.
Jean Saudé, plate showing four patterns, in Édouard Bénédictus, Variations:
quatre-vingt-six motifs décoratifs en vingt planches (Paris: Lévy,
1923), plate 19. Charles Rahn Fry Collection, Princeton University
Library.
Paul Iribe, plate depicting Poiret gowns, in his Les robes de Paul Poiret
(Paris: Poiret, 1908). Gordon N. Ray Collection, Pierpont Morgan Library.
Georges Lepape, plate depicting a turban, in his Les choses de Paul
Fry Collection, Princeton University Library.
Georges Lepape, "Le jaloux: robe du soir de Paul Poiret," in La gazette
du bon ton, 1.6 (April 1913), plate 9. Charles Rahn Fry Collection,
Princeton University Library.
André-Édouard Marty, vignettes of the Ballets Russes Boris Gudonov,
in La gazette du bon ton, June 1913, pp. 246-247. Charles Rahn Fry Collection,
Princeton University Library.
George Barbier, "L'Ilot," in Modes et manières d'aujourd'hui, 3 (Paris:
Maquet, 1914), plate 7. Charles Rahn Fry Collection, Princeton University
Library.
George Barbier, plate depicting Nijinsky in Sheherazade and Le spectre
de la rose, in his Designs on the Dances of Vaslav Nijinsky, translated
by C. W. Beaumont and with a foreword by Francis de Miomandre
(London: Beaumont, 1913). (Originally published as Dessins sur les
danses de Vaslav Nijinsky [Paris: La Belle Édition, 1913].) Columbia
University Library.
George Barbier, plate depicting Tamara Karsavina in Le spectre de la
rose, in Jean-Louis Vaudoyer and George Barbier, Album dédié à Tamar
Karsavina (Paris: Pierre Corrard, 1914). Charles Rahn Fry Collection,
Princeton University Library.
Umberto Brunelleschi, "Arlequin," in Gérard d'Houville and Umberto
Brunelleschi, Les masques et les personnages de la comédie italienne
(Paris: Journal des Dames et des Modes, 1914). Charles Rahn Fry Collection,
Princeton University Library.
Charles Martin, "La balançoire," in Erik Satie and Charles Martin,
Sports et divertissements (Paris: Vogel, 1914). Columbia University
Library.
Jean-Émile Laboureur, "Le docker noir," in his Types de l'armée américaine
en France, with text by A. S. C. and printed by Francis Bernouard
(Paris: La Belle Édition, 1918), plate 7. Gordon N. Ray Collection, Pierpont
Morgan Library.
George Barbier, "En avant!", in his La guirlande des mois, 1 (Paris:
Jules Meynial, 1916), opposite p. 40. Charles Rahn Fry Collection,
Princeton University Library.
Robert Bonfils, plate depicting Clara d'Ellebeuse in her hat at the window,
in Francis Jammes, Clara d'Ellebeuse (Paris: Mercure de France,
1912), p. 11. Gordon N. Ray Collection, Pierpont Morgan Library.
Robert Bonfils, headpiece vignette for chapter 1 depicting a visit to Madame
de Blionne, in Henri de Régnier, Les rencontres de monsieur de
Bréot (Paris: René Kieffer, 1919), p. 1. Gordon N. Ray Collection, Pierpont
Morgan Library.
Robert Bonfils, "La promenade," in his Divertissements des princesses
qui s'ennuient (Paris: Lutetia, 1918), plate 1. Charles Rahn Fry Collection,
Princeton University Library.
| Studies in bibliography | |