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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  

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BIBLIOGRAPHY

Pierre Abélard, Logica “Ingredientibus,” ed. B. Geyer, in
Beiträge zur Geschichte der Philosophie und Theologie des
Mittelalters,
Vol. XXI, Nos. 1-3 (Münster, 1933). Alanus ab
Insulis, Anticlaudianus, Patrologia Latina (Paris, 1844-64),
210, 504. L. B. Alberti, De re aedificatoria (Florence, 1485),
Book VI, Ch. 2; Book IX, Ch. 5. Albertus Magnus,
Opusculum de pulchro et bono, ed. P. Mandonnet, in Santi
Thomae Aquinatis Opuscula omnia,
Vol. V (Paris, 1927).
Alexander of Hales, Summa Alexandri (Quaracchi, 1882),
II, 103, sec. 175. Aristotle, Metaphysics, trans. W. D. Ross
(Oxford, 1908); idem, Poetics, trans. S. H. Butcher as Aris-
totle's Theory of Poetry and Fine Art, with a Critical Text
and Translation of The Poetics,
4th ed. (London, 1920). K.
Aschenbrenner, “Forma i formalizm,” Studia Estetyczne, 6
(Warsaw, 1969). Saint Augustine, De ordine, II 15, 42; idem,
De vera religione, XCI 77; idem, De musica, VI 12, 38; idem,
De natura boni, 3; English trans. in The Library of Christian
Classics. F. Baldinucci, Vocabolario toscano dell'arte del
disegno
(Florence, 1681). Monroe Beardsley, Aesthetics from


225

Classical Greece to the Present (New York and London,
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Fiedler, Schriften über Kunst (Munich, 1913-14). H. Focil-
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B. Gracián, Agudeza y arte del ingenio (Huesca, 1648).
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147v. cf. E. de Bruyne, Études d'esthétique médiévale
(Ghent, 1946), III, 133. A. von Hildebrand, Das Problem
der Form
... (Strasbourg, 1893), trans. M. Meyer and
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Content of a Literary Work of Art,” Studia z Estetyki, 2
(Warsaw, 1958), distinguishes nine meanings of “form” in
contemporary usage. Isidore of Seville, Sententiae, Ch. I,
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sa vie, ses oeuvres, ses idées
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in Opera omnia, ed. L. Vivès (Paris, 1891-95), I, 436f. Sextus
Empiricus, Adversus mathematicos VII, 106. Stobaeus,
Eclogue IV 1, 40. W. Tatarkiewicz, History of Aesthetics,
2 vols. (The Hague and Paris, 1970). H. Testelin, Sentiments
... sur la pratique de la peinture et sculpture
(Paris, 1680),
p. 37. Thomas Aquinas, In divinis nominibus, c. IV, lect.
5, ed. P. Mandonnet (Paris, 1910), p. 363; idem, Summa
theologiae,
II a IIae, 180a. 2 ad 3. Ulrich of Strassburg, De
pulchro,
ed. M. Grabmann, in Sitzungsberichte der bayer-
ischen Akademie der Wissenschaften,
Philos.-philol. Klasse,
Jahrgang 1925 (Munich, 1926). Vitruvius, De architectura.
I 2, 1-9. B. Weinberg, A History of Literary Criticism in
the Italian Renaissance,
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Witkiewicz, Nowe formy w malarstie (Warsaw, 1919; 1959).
H. Wölfflin, Renaissance und Barock (1888; Basel, 1961);
idem, Kunstgeschichtliche Grundbegriffe (1915; 6th ed.
Munich, 1923), trans. as Principles of Art History (London
1923; New York, 1929). cf. idem, The Sense of Form in Art
(New York, 1958). W. Worringer, Abstraktion und Einfühling
(Munich, 1908). R. Zimmerman, Geschichte der Aesthetik
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schaft
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scultori, ed architetti
(Turin, 1607).

W. TATARKIEWICZ

[See also Beauty; Iconography; Impressionism; Naturalism
in Art; Structuralism; Style.]