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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  

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BIBLIOGRAPHY

Pierre Abélard, Logica “Ingredientibus,” ed. B. Geyer, in
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Vol. XXI, Nos. 1-3 (Münster, 1933). Alanus ab
Insulis, Anticlaudianus, Patrologia Latina (Paris, 1844-64),
210, 504. L. B. Alberti, De re aedificatoria (Florence, 1485),
Book VI, Ch. 2; Book IX, Ch. 5. Albertus Magnus,
Opusculum de pulchro et bono, ed. P. Mandonnet, in Santi
Thomae Aquinatis Opuscula omnia,
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Alexander of Hales, Summa Alexandri (Quaracchi, 1882),
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(Oxford, 1908); idem, Poetics, trans. S. H. Butcher as Aris-
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De natura boni, 3; English trans. in The Library of Christian
Classics. F. Baldinucci, Vocabolario toscano dell'arte del
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225

Classical Greece to the Present (New York and London,
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Eclogue IV 1, 40. W. Tatarkiewicz, History of Aesthetics,
2 vols. (The Hague and Paris, 1970). H. Testelin, Sentiments
... sur la pratique de la peinture et sculpture
(Paris, 1680),
p. 37. Thomas Aquinas, In divinis nominibus, c. IV, lect.
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theologiae,
II a IIae, 180a. 2 ad 3. Ulrich of Strassburg, De
pulchro,
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ischen Akademie der Wissenschaften,
Philos.-philol. Klasse,
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I 2, 1-9. B. Weinberg, A History of Literary Criticism in
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Witkiewicz, Nowe formy w malarstie (Warsaw, 1919; 1959).
H. Wölfflin, Renaissance und Barock (1888; Basel, 1961);
idem, Kunstgeschichtliche Grundbegriffe (1915; 6th ed.
Munich, 1923), trans. as Principles of Art History (London
1923; New York, 1929). cf. idem, The Sense of Form in Art
(New York, 1958). W. Worringer, Abstraktion und Einfühling
(Munich, 1908). R. Zimmerman, Geschichte der Aesthetik
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scultori, ed architetti
(Turin, 1607).

W. TATARKIEWICZ

[See also Beauty; Iconography; Impressionism; Naturalism
in Art; Structuralism; Style.]