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The Judgement of the Flood

by John A. Heraud. A New Edition. Revised and Re-Arranged

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The Vision was from Heaven: the thunder pealed:
A voice angelical cried, ‘Come, and see.’
Rose Japhet, and beheld the prophecy.
—Lo, a White Horse of purest hue . . the stream
That overflowed the star-paved court of heaven,
And blanched the purple lily, as fables tell,
Less white . . less pure. Moved by the will divine,
He bore, in steps of music, glory-crowned,
A peaceful Conquerour; clothed with life, and light,
And, by the vision of beatitude,
His aspect kindled in serenity.
Armed with a bow, his arrows quivered all;
His presence vanquished, and his coming won
Afar. Before him Paradise—behind
He left no desolation. But not thus
The rider of the Sanguine Steed—a sword
Was in the hero's hand, and he destroyed.
The black-maned charger, fierce for fields of blood,
Champing his bit until the hot foam seethed,
Raised clouds of war beneath his fiery hoofs—
The mighty there were hid. The warriour's gaze,
His sunk and savage gaze, from underneath
The forehead-burying helm, glared greedily

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On the surrounding wreck. He gnashed his teeth,
And his unslaked mouth gaped, athirst for gore.—
What Son of Night succeeds? That Sable Steed.
He comes involved in darkness palpable—
Fit witness of such scene. His Rider who?
Whence that dim speck in each suspicious eye,
Scanning the shaken balance in his hand,
Whose slant beam made him pause? Hoar sceptic, he.
Death followed him; mysterious Death: his pall
That robe funereal, darkening where it flew—
Well suited its dim skirts to that slant beam.
In fury on they came, that Sable Steed,
And the Pale Horse; Death's own; one centaur they,
Wrought of cold ice, parching the air with cold:
From their dire nostrils went consuming plague.
Hell rode on lurid clouds. Now, Death's right hand
Upraised the living serpent, that coiled up
His eager arm; and from both hands aloft
Were launched brands of blue lightning all abroad.
All leaden was his foot, and spectre neck,
And his unnatural head was strangely crowned.
And, like a whirlwind, came that icy steed,
In his unreinèd wrath; and his grey mane
Tossed in abrupt disorder, like dark waves
Sieging a steep rock in a night of storms.
And the dark features of that ghastly king
Gleamed with a hideous smile: his eyeballs rolled
Baleful in triumph, and his ominous mouth
Threatened extermination—and he looked
Into the distance—for destruction there,
While havoc revelled round. Over the wife,
His beautiful wife, the princely husband hangs,
Scarce pale with recent death, her offspring yet
In her embrace—that last kiss took one with her,
From her relaxèd grasp the sweet boy fell;
The daughter deems her mother in a swoon,

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And strives with filial care to stay her fall,
In vain. Gaunt Famine there, an old man, knelt,
Digging the uncharitable earth for roots,
With his lank fingers; and his daughter couched,
The livid Pestilence, on a mat beside,
Shivering. Still neighboured Death that Sable Steed,
And he who sate thereon, Errour's sharp judge,
Minute in estimate, in decision stern,
Weighing, in his unsteady balance, deeds
And men: one scale with woe surcharged, and one
With virtue insufficient: passionless:
Doubt hard by Death, with squint diagonal,
Gloating on misery, and afraid of joy,
So oft deluded, truth it even suspects.
Beast raged, and strove with man: and men were slain.
The horse, and rider to the lion yield;
And Strength's undaunted countenance was weak,
And Fortitude. Youth's lance was broke, and he
Tossed in the wind. The firmament was rent,
And the skies warred 'gainst man: the thunder smote
The lover; and in terrour woman fled,
With gaze reverted, as in love, or awe.
The eagle with the heron in the clouds
Held contest wild; and o'er her slaughtered mate
The galless dove, a widow, drooped in grief.
He looked again . . and lo, beneath the foot
Of him that gentle Conquerour, crushed, and slain,
The old Serpent lay, head-bruised: and far above
Soared saints, and martyrs to beatitude,
For whom he conquered. Thus the Vision closed.
 

The reader who is acquainted with West's picture of “Death on the Pale Horse” will perceive that the above description is derived from a study of the painting.