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The Cathedral, or the Catholic and Apostolic Church in England

Second edition [by Isaac Williams]
Williams, Isaac (1802-1865)

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[section]
  
THE DEDICATION.
collapse sectionI. 
PART I. The Exterior of the Cathedral.
  
THE APPROACH.
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The Western Front.
  
The Left-hand Door.
  
The Middle Door.
  
The Right-hand Door.
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The Cloisters.
 I. 
I. The Liturgy.
 II. 
II. Forms.
 III. 
III. The Collect for the Day.
 IV. 
IV. Prayer.
 V. 
V. The Complaint.
 VI. 
VI. Sunday.
 VII. 
VII. Village Psalmody.
 VIII. 
VIII. The Ancient Village.
 IX. 
IX. The modern Cathedral.
 X. 
X. The Daily Service.
 XI. 
XI. Foreign Breviaries.
 XII. 
XII. The Church in Scotland.
 XIII. 
XIII. The Church in Wales.
 XIV. 
XIV. The Church in Wales.
 XV. 
XV. The Church in Wales.
 XVI. 
XVI. Political changes.
 XVII. 
XVII. The sure Covenant.
 XVIII. 
XVIII. Prayer for the Parliament.
 XIX. 
XIX. Prayer for the King.
 XX. 
XX. Consolations of Baptism.
 XXI. 
XXI. The City of God.
 XXII. 
XXII. New Ways.
 XXIII. 
XXIII. The Crucifix.
 XXIV. 
XXIV. The Holy Altar.
 XXV. 
XXV. The Ancient Church.
 XXVI. 
XXVI. The Holy Land.
 XXVII. 
XXVII. Lost Eden.
 XXVIII. 
XXVIII. The Coming of Christ.
  
The Way to the Chapter House.
  
The Chapter House.
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PART II. The Nave.
  
The North Porch.
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The Sepulchral Recesses.
  
LAUD.
  
KEN.
  
KING CHARLES I.
  
KETTLEWELL.
  
TAYLOR.
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The Oratories.
  
DISTANT CHURCH MUSIC.
  
THE DOXOLOGY.
  
THE ATHANASIAN CREED.
  
FAST DAYS.
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The North Transept.
  
THE PSALMS.
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The North Aisle.
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THE LORD'S PRAYER.
 I. 
I.
 II. 
II.
 III. 
III. In the Baptismal Service.
 IV. 
IV. In the Daily Service.
 V. 
V. In the Litany.
 VI. 
VI. In the Ante-Communion.
 VII. 
VII. In the Post-Communion.
 VIII. 
VIII. In the Marriage Service.
 IX. 
IX. In the Burial Service.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Middle Aisle.
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HOLY SCRIPTURE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Aisle.
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THE CREED.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Transept.
  
THE EPISTLE AND GOSPEL.
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The Oratories.
  
FESTIVALS.
  
THE NICENE CREED.
  
THE BLESSING.
  
DISTANT CHURCH BELLS.
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The Sepulchral Recesses.
  
HERBERT.
  
BUTLER.
  
KING GEORGE III.
  
WILSON.
  
HOOKER.
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The South Porch.
  
THE CHURCH IN FEAR.
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PART III. The Choir.
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The Steps to the Choir.
  
THE LITANY.
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The Approach to the Choir.
  
DESPONDENCY.
  
INVITATION.
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The Skreen.
  
DISCIPLINA ARCANI.
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The Choir.
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THE SACRAMENTAL HYMN.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Lady Chapel.
  
THE SONG OF THE BLESSED VIRGIN,
  
The Parting Voluntary.
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PART IV. The Pillars AND The Windows.
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The Pillars of the Nave.
  
NOAH.
  
ABRAHAM.
  
JOSEPH.
  
MOSES.
  
JOSHUA.
  
DAVID.
  
ELIJAH.
  
ELISHA.
  
ISAIAH.
  
JEREMIAH.
  
EZEKIEL.
  
DANIEL.
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The Pillars of the Choir.
  
ST. PETER.
  
ST. ANDREW.
  
ST. JAMES THE GREAT.
  
ST. JOHN.
  
ST. PHILIP.
  
ST. BARTHOLOMEW.
  
ST. MATTHEW.
  
ST. THOMAS.
  
ST. JAMES THE LESS.
  
ST. JUDE.
  
ST. SIMON.
  
ST. MATTHIAS.
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The Western Window.
  
THE NATIVITY.
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The Side Windows.
  
CLEMENT OF ROME.
  
IGNATIUS.
  
POLYCARP.
  
JUSTIN.
  
IRENÆUS.
  
TERTULLIAN.
  
CLEMENT OF ALEXANDRIA
  
ORIGEN.
  
CYPRIAN.
  
DIONYSIUS OF ALEXANDRIA.
  
HIPPOLYTUS.
  
GREGORY THAUMATURGUS.
  
ATHANASIUS.
  
AMBROSE.
  
BASIL.
  
GREGORY NAZIANZEN.
  
HILARY.
  
CYRIL OF JERUSALEM.
  
EPIPHANIUS.
  
GREGORY NYSSEN.
  
CHRYSOSTOM.
  
AUGUSTINE.
  
CYRIL OF ALEXANDRIA.
  
JEROME.
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The Eastern Window.
  
THE CRUCIFIXION.

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258

ST. PETER.

With what full eyes of wonder wast thou bent
Upon each passing look, each act intent,
Fix'd on the Son of Man with earnest gaze,
While on thy heart the Father shed His rays,
Till gradual He disclos'd the mighty whole,
And the dread Godhead open'd on thy soul!
As step by step thou followedst close around
And nearest, deeper spells thy spirit bound,
Watching each light, and shade, and speaking glance,
That mark'd Thy Master's awful countenance:
Till, unreveal'd of man, thy God and Lord
Thy tongue acknowledg'd, and thy heart ador'd;
And thou wast meet to climb unto the fount
Of glory, seen on Tabor's secret mount.
Thence to that faith, as to a firm-set rock,
With thee the ransom'd of all ages flock,
Where the dread Twelve are met, who hold the keys
Which ope and close Heav'n's ivory palaces.
Thus some fair star, on its ethereal way,
Seems gazing on the golden orb of day,
And drinks his radiance, till itself, made bright,
When the Sun sinks, for others lights the night.
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