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The Cathedral, or the Catholic and Apostolic Church in England

Second edition [by Isaac Williams]
Williams, Isaac (1802-1865)

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[section]
  
THE DEDICATION.
collapse sectionI. 
PART I. The Exterior of the Cathedral.
  
THE APPROACH.
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The Western Front.
  
The Left-hand Door.
  
The Middle Door.
  
The Right-hand Door.
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The Cloisters.
 I. 
I. The Liturgy.
 II. 
II. Forms.
 III. 
III. The Collect for the Day.
 IV. 
IV. Prayer.
 V. 
V. The Complaint.
 VI. 
VI. Sunday.
 VII. 
VII. Village Psalmody.
 VIII. 
VIII. The Ancient Village.
 IX. 
IX. The modern Cathedral.
 X. 
X. The Daily Service.
 XI. 
XI. Foreign Breviaries.
 XII. 
XII. The Church in Scotland.
 XIII. 
XIII. The Church in Wales.
 XIV. 
XIV. The Church in Wales.
 XV. 
XV. The Church in Wales.
 XVI. 
XVI. Political changes.
 XVII. 
XVII. The sure Covenant.
 XVIII. 
XVIII. Prayer for the Parliament.
 XIX. 
XIX. Prayer for the King.
 XX. 
XX. Consolations of Baptism.
 XXI. 
XXI. The City of God.
 XXII. 
XXII. New Ways.
 XXIII. 
XXIII. The Crucifix.
 XXIV. 
XXIV. The Holy Altar.
 XXV. 
XXV. The Ancient Church.
 XXVI. 
XXVI. The Holy Land.
 XXVII. 
XXVII. Lost Eden.
 XXVIII. 
XXVIII. The Coming of Christ.
  
The Way to the Chapter House.
  
The Chapter House.
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PART II. The Nave.
  
The North Porch.
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The Sepulchral Recesses.
  
LAUD.
  
KEN.
  
KING CHARLES I.
  
KETTLEWELL.
  
TAYLOR.
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The Oratories.
  
DISTANT CHURCH MUSIC.
  
THE DOXOLOGY.
  
THE ATHANASIAN CREED.
  
FAST DAYS.
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The North Transept.
  
THE PSALMS.
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The North Aisle.
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THE LORD'S PRAYER.
 I. 
I.
 II. 
II.
 III. 
III. In the Baptismal Service.
 IV. 
IV. In the Daily Service.
 V. 
V. In the Litany.
 VI. 
VI. In the Ante-Communion.
 VII. 
VII. In the Post-Communion.
 VIII. 
VIII. In the Marriage Service.
 IX. 
IX. In the Burial Service.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Middle Aisle.
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HOLY SCRIPTURE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Aisle.
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THE CREED.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Transept.
  
THE EPISTLE AND GOSPEL.
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The Oratories.
  
FESTIVALS.
  
THE NICENE CREED.
  
THE BLESSING.
  
DISTANT CHURCH BELLS.
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The Sepulchral Recesses.
  
HERBERT.
  
BUTLER.
  
KING GEORGE III.
  
WILSON.
  
HOOKER.
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The South Porch.
  
THE CHURCH IN FEAR.
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PART III. The Choir.
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The Steps to the Choir.
  
THE LITANY.
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The Approach to the Choir.
  
DESPONDENCY.
  
INVITATION.
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The Skreen.
  
DISCIPLINA ARCANI.
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The Choir.
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THE SACRAMENTAL HYMN.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Lady Chapel.
  
THE SONG OF THE BLESSED VIRGIN,
  
The Parting Voluntary.
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PART IV. The Pillars AND The Windows.
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The Pillars of the Nave.
  
NOAH.
  
ABRAHAM.
  
JOSEPH.
  
MOSES.
  
JOSHUA.
  
DAVID.
  
ELIJAH.
  
ELISHA.
  
ISAIAH.
  
JEREMIAH.
  
EZEKIEL.
  
DANIEL.
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The Pillars of the Choir.
  
ST. PETER.
  
ST. ANDREW.
  
ST. JAMES THE GREAT.
  
ST. JOHN.
  
ST. PHILIP.
  
ST. BARTHOLOMEW.
  
ST. MATTHEW.
  
ST. THOMAS.
  
ST. JAMES THE LESS.
  
ST. JUDE.
  
ST. SIMON.
  
ST. MATTHIAS.
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The Western Window.
  
THE NATIVITY.
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The Side Windows.
  
CLEMENT OF ROME.
  
IGNATIUS.
  
POLYCARP.
  
JUSTIN.
  
IRENÆUS.
  
TERTULLIAN.
  
CLEMENT OF ALEXANDRIA
  
ORIGEN.
  
CYPRIAN.
  
DIONYSIUS OF ALEXANDRIA.
  
HIPPOLYTUS.
  
GREGORY THAUMATURGUS.
  
ATHANASIUS.
  
AMBROSE.
  
BASIL.
  
GREGORY NAZIANZEN.
  
HILARY.
  
CYRIL OF JERUSALEM.
  
EPIPHANIUS.
  
GREGORY NYSSEN.
  
CHRYSOSTOM.
  
AUGUSTINE.
  
CYRIL OF ALEXANDRIA.
  
JEROME.
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The Eastern Window.
  
THE CRUCIFIXION.

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252

ISAIAH.

Deep vision'd son of Amoz! with fix'd gaze
And full-tranc'd eyelid, when the illumin'd rays
Fell on thy heart, and to thy ravish'd sense
Rose future scenes hid in Omnipotence:—
Whether when Hell was mov'd, and from its throne
Arose to greet the crown-less Babylon,
Or lifted earth, and the descending sky
In vocal gladness blend, as feeling nigh
The coming of th'eternal Jubilee;
And mountains find a voice, and the glad sea
Listens with all his isles: or from thy brow
A hand unseen the curtain lifts, and, lo,
Dread judgments lower o'er guilty Israel;
And, by near shadows made more visible,
Bright scenes come forth; like landscapes, baffling thought,
Pictur'd afar on hanging clouds, and brought
To a strange nearness; fairer than the state
Which evening pours upon Heav'n's western gate,
Or music opens, with a touch of light
Bringing lost Eden on the inward sight.
At every turn the Man of sorrow stands,
Bearing the key to those unearthly lands.
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