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Orval, or The Fool of Time

And Other Imitations and Paraphrases. By Robert Lytton
Lytton, Edward Robert Bulwer Lytton (1831-1891)

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[dedication]
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ORVAL;
 I. 
FIRST EPOCH. BRIDE AND BRIDEGROOM.
 2. 
SECOND EPOCH. HUSBAND AND WIFE.
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THIRD EPOCH. FATHER AND SON.
 I. 
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 II. 
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 III. 
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 IV. 
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 V. 
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 VI. 
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 VII. 
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 VIII. 
Scene VIII.
 IV. 
FOURTH EPOCH. MAN AND MAN.
 5. 
FIFTH EPOCH. MAN AND FATE.
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IMITATIONS AND PARAPHRASES.
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NONNOS.
  
EUROPA.
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VIRGIL.
  
THE BEES OF ARISTÆUS.
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LUCRETIUS.
  
INVOCATION TO VENUS
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DANTE.
  
THE FIRST CANTO OF THE INFERNO.
  
FRANCESCA DA RIMINO.
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MICHELAGNOLO BUONARROTI
  
THE BIRTH OF LOVE.
  
LOVE VINDICATED.
  
MADRIGALS.
  
CANZONE.
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RONSARD.
 I. 
“Voici le bois que ma saincte Angelette.”
 II. 
“Cache pour cest nuict.”
 III. 
“Page suy moy.”
 IV. 
“Les espics sont à Ceres.”
 V. 
“Ma douce jouvence.”
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DANISH.
  
THE ELVES.
  
LORD OLAF.
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SERVIAN.
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THE BATTLE OF KOSSOVO.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 I. 
I.THE STAG AND THE VILA.
 II. 
II.LOVE AND SLEEP.
 III. 
III.TITTLE-TATTLE.
 IV. 
IV.MATRIMONIAL CONSIDERATIONS.
 V. 
V.LOVE CONFERS NOBILITY.
 VI. 
VI.A SOUL'S SWEETNESS.
 VII. 
VII.REMINISCENCES.
 VIII. 
VIII.SLEEP AND DEATH.
 IX. 
IX.A CONJUGAL DISPUTE.
 X. 
X.DEGREES OF AFFECTION.
 XI. 
XI.THE FAIR IKONIA.
 XII. 
XII.A WISH.
 XIII. 
XIII.IMPERFECTION.
 XIV. 
XIV.EMANCIPATION.
 XV. 
XV.THE VOICE OF NATURE; OR, WHAT THE FISH SAID TO THE MAIDEN.
 XVI. 
XVI.THE MALADY OF MOIO.
 XVII. 
XVII.A SERVIAN BEAUTY.
 XVIII. 
XVIII.A DISCREET YOUNG WOMAN.
 XIX. 
XIX.BOLOZÀNOVITCH THE KNAVE.
 XX. 
XX.THE WIFE OF HASSAN AGA.
 XXI. 
XXI.SLEEPLESSNESS.
 XXII. 
XXII.NEGLECTED FLOWERS.
 XXIII. 
XXIII.PLUCKING A FLOWER.
 XXIV. 
XXIV.TRANSPLANTING A FLOWER.
 XXV. 
XXV.A MESSAGE.
 XXVI. 
XXVI.ISOLATION.
 XXVII. 
XXVII.A REGRET.
 XXVIII. 
XXVIII.THE BAN OF VARADIN.
 XXIX. 
XXIX.FATIMA AND MEHMED.

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Scene III.—An Antechamber in the Castle. A Nurse and Doctor.
Doctor.

The child is a fine one—perfectly healthy—wants nothing but his natural nourishment. But you must be careful about your mistress.


Nurse.

O my dear lady! What is the matter with her, Doctor?


Doctor.

Nerves, only nerves. Nothing but nerves.


Nurse.

And what is nerves, Doctor?


Doctor.

Nerves are . . . humph! nerves are . . . (looking at his watch). Bless my soul, how late it is! Be good enough to see that Lady Orval takes the draught I have prescribed, every fourth hour. And above all, no excitement! no excitement! The child will do very well. Which is the way, my good woman? Thank you. Remember, no excitement. And the draught every four hours.


(Exit.)
49

Nurse.

O my dear lady! if I knew what ailed her. Nerves? Sweet soul, 'tis the heart, I fear, that is breaking.


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