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The Cathedral, or the Catholic and Apostolic Church in England

Second edition [by Isaac Williams]
Williams, Isaac (1802-1865)

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[section]
  
THE DEDICATION.
collapse sectionI. 
PART I. The Exterior of the Cathedral.
  
THE APPROACH.
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The Western Front.
  
The Left-hand Door.
  
The Middle Door.
  
The Right-hand Door.
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The Cloisters.
 I. 
I. The Liturgy.
 II. 
II. Forms.
 III. 
III. The Collect for the Day.
 IV. 
IV. Prayer.
 V. 
V. The Complaint.
 VI. 
VI. Sunday.
 VII. 
VII. Village Psalmody.
 VIII. 
VIII. The Ancient Village.
 IX. 
IX. The modern Cathedral.
 X. 
X. The Daily Service.
 XI. 
XI. Foreign Breviaries.
 XII. 
XII. The Church in Scotland.
 XIII. 
XIII. The Church in Wales.
 XIV. 
XIV. The Church in Wales.
 XV. 
XV. The Church in Wales.
 XVI. 
XVI. Political changes.
 XVII. 
XVII. The sure Covenant.
 XVIII. 
XVIII. Prayer for the Parliament.
 XIX. 
XIX. Prayer for the King.
 XX. 
XX. Consolations of Baptism.
 XXI. 
XXI. The City of God.
 XXII. 
XXII. New Ways.
 XXIII. 
XXIII. The Crucifix.
 XXIV. 
XXIV. The Holy Altar.
 XXV. 
XXV. The Ancient Church.
 XXVI. 
XXVI. The Holy Land.
 XXVII. 
XXVII. Lost Eden.
 XXVIII. 
XXVIII. The Coming of Christ.
  
The Way to the Chapter House.
  
The Chapter House.
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PART II. The Nave.
  
The North Porch.
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The Sepulchral Recesses.
  
LAUD.
  
KEN.
  
KING CHARLES I.
  
KETTLEWELL.
  
TAYLOR.
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The Oratories.
  
DISTANT CHURCH MUSIC.
  
THE DOXOLOGY.
  
THE ATHANASIAN CREED.
  
FAST DAYS.
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The North Transept.
  
THE PSALMS.
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The North Aisle.
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THE LORD'S PRAYER.
 I. 
I.
 II. 
II.
 III. 
III. In the Baptismal Service.
 IV. 
IV. In the Daily Service.
 V. 
V. In the Litany.
 VI. 
VI. In the Ante-Communion.
 VII. 
VII. In the Post-Communion.
 VIII. 
VIII. In the Marriage Service.
 IX. 
IX. In the Burial Service.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Middle Aisle.
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HOLY SCRIPTURE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Aisle.
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THE CREED.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The South Transept.
  
THE EPISTLE AND GOSPEL.
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The Oratories.
  
FESTIVALS.
  
THE NICENE CREED.
  
THE BLESSING.
  
DISTANT CHURCH BELLS.
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The Sepulchral Recesses.
  
HERBERT.
  
BUTLER.
  
KING GEORGE III.
  
WILSON.
  
HOOKER.
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The South Porch.
  
THE CHURCH IN FEAR.
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PART III. The Choir.
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The Steps to the Choir.
  
THE LITANY.
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The Approach to the Choir.
  
DESPONDENCY.
  
INVITATION.
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The Skreen.
  
DISCIPLINA ARCANI.
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The Choir.
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THE SACRAMENTAL HYMN.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
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The Lady Chapel.
  
THE SONG OF THE BLESSED VIRGIN,
  
The Parting Voluntary.
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PART IV. The Pillars AND The Windows.
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The Pillars of the Nave.
  
NOAH.
  
ABRAHAM.
  
JOSEPH.
  
MOSES.
  
JOSHUA.
  
DAVID.
  
ELIJAH.
  
ELISHA.
  
ISAIAH.
  
JEREMIAH.
  
EZEKIEL.
  
DANIEL.
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The Pillars of the Choir.
  
ST. PETER.
  
ST. ANDREW.
  
ST. JAMES THE GREAT.
  
ST. JOHN.
  
ST. PHILIP.
  
ST. BARTHOLOMEW.
  
ST. MATTHEW.
  
ST. THOMAS.
  
ST. JAMES THE LESS.
  
ST. JUDE.
  
ST. SIMON.
  
ST. MATTHIAS.
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The Western Window.
  
THE NATIVITY.
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The Side Windows.
  
CLEMENT OF ROME.
  
IGNATIUS.
  
POLYCARP.
  
JUSTIN.
  
IRENÆUS.
  
TERTULLIAN.
  
CLEMENT OF ALEXANDRIA
  
ORIGEN.
  
CYPRIAN.
  
DIONYSIUS OF ALEXANDRIA.
  
HIPPOLYTUS.
  
GREGORY THAUMATURGUS.
  
ATHANASIUS.
  
AMBROSE.
  
BASIL.
  
GREGORY NAZIANZEN.
  
HILARY.
  
CYRIL OF JERUSALEM.
  
EPIPHANIUS.
  
GREGORY NYSSEN.
  
CHRYSOSTOM.
  
AUGUSTINE.
  
CYRIL OF ALEXANDRIA.
  
JEROME.
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The Eastern Window.
  
THE CRUCIFIXION.

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245

ABRAHAM.

Great emblem of the righteous, who shall stand
Girt with bright clouds on the eternal strand,
And see the world in ruin going by,
Stood Abraham, and for Sodom look'd from high.
Behind a misty bank, skirted with gold,
The morning was contending, to unfold
And open all the gloom, where lightnings now
Retiring shew'd black waters far below;
And nothing but destruction seem'd alive,
Save where was seen a hurrying fugitive
With his two daughters, suddenly reveal'd,
And Zoar—by dark clouds again conceal'd.
'Twas on that mount, where, at last evening's close,
He stood with God; strengthen'd with thoughts that rose
On his true soul, when importuning love
Long interceded, nor all vainly strove.
Was it in that dread hour that Bethlehem's star
Gleam'd on thy sorrowing heart, and shew'd afar
That coming, which shall light this vale of woe?
Sure that deep calm was thine, which spirits know
When, first awak'ning from the world's alarms,
They feel beneath the everlasting arms.
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