University of Virginia Library

2.15. CHAPTER XV.

SirRichard Steele succeeds Collier in the Theatre-Royal. Lincoln's-Inn-Fields House rebuilt. The Patent restored. Eight Actors at once desert from the King's Company. Why. A new Patent obtain'd by Sir Richard Steele, and assign'd in Shares to the menaging Actors of Drury-Lane. Of modern Pantomimes. The Rise of them. Vanity invincible and asham'd. The Non-juror acted. The Author not forgiven, and rewarded for it.

UPON the Death of the Queen, Plays (as they always had been on the like Occasions) were silenc'd for six Weeks. But this happening on the first of August, [161.1] in the long Vacation of the Theatre, the Observance of that Ceremony, which at another


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Juncture would have fallen like wet Weather upon their Harvest, did them now no particular Damage. Their License, however, being of course to be renewed, that Vacation gave the Menagers Time to cast about for the better Alteration of it: And since they knew the Pension of seven hundred a Year, which had been levied upon them for Collier, must still be paid to somebody, they imagined the Merit of a Whig might now have as good a Chance for getting into it, as that of a Tory had for being continued in it: Having no Obligations, therefore, to Collier, who had made the last Penny of them, they apply'd themselves to Sir Richard Steele, who had distinguished himself by his Zeal for the House of Hanover, and had been expell'd the House of Commons for carrying it (as was judg'd at a certain Crisis) into a Reproach of the Government. This we knew was his Pretension to that Favour in which he now stood at Court: We knew, too, the Obligations the Stage had to his Writings; there being scarce a Comedian of Merit in our whole Company whom his Tatlers had not made better by his publick Recommendation of them. And many Days had our House been particularly fill'd by the Influence and Credit of his Pen. Obligations of this kind from a Gentleman with whom they all had the Pleasure of a personal Intimacy, the Menagers thought could not be more justly return'd than by shewing him some warm Instance of their Desire to have him at the Head of them. We therefore beg'd him to use

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his Interest for the Renewal of our License, and that he would do us the Honour of getting our Names to stand with His in the same Commission. This, we told him, would put it still farther into his Power of supporting the Stage in that Reputation, to which his Lucubrations had already so much contributed; and that therefore we thought no Man had better Pretences to partake of its Success. [163.1]


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Though it may be no Addition to the favourable Part of this Gentleman's Character to say with what Pleasure he receiv'd this Mark of our Inclination to him, yet my Vanity longs to tell you that it surpriz'd him into an Acknowledgment that People who are shy of Obligations are cautious of confessing. His Spirits took such a lively turn upon it, that had we been all his own Sons, no unexpected Act of filial Duty could have more endear'd us to him.

It must be observ'd, then, that as Collier had no Share in any Part of our Property, no Difficulties from that Quarter could obstruct this Proposal. And the usual Time of our beginning to act for the Winter-Season now drawing near, we press'd him not to lose any Time in his Solicitation of this new License. Accordingly Sir Richard apply'd himself to the Duke of Marlborough, the Hero of his Heart, who, upon the first mention of it, obtain'd it of his Majesty for Sir Richard and the former Menagers


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who were Actors. Collier we heard no more of. [165.1]

The Court and Town being crowded very early in the Winter-Season, upon the critical Turn of Affairs so much expected from the Hanover Succession, the Theatre had its particular Share of that general Blessing by a more than ordinary Concourse of Spectators.

About this Time the Patentee, having very near finish'd his House in Lincoln's-Inn Fields, began to think of forming a new Company; and in the mean time found it necessary to apply for Leave to employ them. By the weak Defence he had always made against the several Attacks upon his Interest and former Government of the Theatre, it might be a Question, if his House had been ready in the Queen's Time, whether he would then have had the Spirit to ask, or Interest enough to obtain Leave to use it: But in the following Reign, as it did not appear he had done anything to forfeit the Right of his Patent, he prevail'd with Mr. Craggs the Younger (afterwards Secretary of State) to lay his Case before the King, which he did in so effectual a manner that (as Mr. Craggs himself told me) his Majesty was pleas'd to say upon it, "That he remember'd when he had "been in England before, in King Charles his Time,


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"there had been two Theatres in London; and as "the Patent seem'd to be a lawful Grant, he saw no "Reason why Two Play-houses might not be continued." [166.1]

The Suspension of the Patent being thus taken off, the younger Multitude seem'd to call aloud for two Play-houses! Many desired another, from the common Notion that Two would always create Emulation in the Actors (an Opinion which I have consider'd in a former Chapter). Others, too, were as eager for them, from the natural Ill-will that follows the Fortunate or Prosperous in any Undertaking. Of this low Malevolence we had, now and then, had remarkable Instances; we had been forced to dismiss an Audience of a hundred and fifty Pounds, from a Disturbance spirited up by obscure People, who never gave any better Reason for it, than that it was their Fancy to support the idle Complaint of one rival Actress against another, in their several Pretensions to the chief Part in a new Tragedy. But as this Tumult seem'd only to be the Wantonness of English Liberty, I shall not presume to lay any farther Censure upon it. [166.2]

Now, notwithstanding this publick Desire of re-establishing


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two Houses; and though I have allow'd the former Actors greatly our Superiors; and the Menagers I am speaking of not to have been without their private Errors: Yet under all these Disadvantages, it is certain the Stage, for twenty Years before this time, had never been in so flourishing a Condition: And it was as evident to all sensible Spectators that this Prosperity could be only owing to that better Order and closer Industry now daily observ'd, and which had formerly been neglected by our Predecessors. But that I may not impose upon the Reader a Merit which was not generally allow'd us, I ought honestly to let him know, that about this time the publick Papers, particularly Mist's Journal, took upon them very often to censure our Menagement, with the same Freedom and Severity as if we had been so many Ministers of State: But so it happen'd, that these unfortunate Reformers of the World, these self-appointed Censors, hardly ever hit upon what was really wrong in us; but taking up Facts upon Trust, or Hear-say, piled up many a pompous Paragraph that they had ingeniously conceiv'd was sufficient to demolish our Administration, or at least to make us very uneasy in it; which, indeed, had so far its Effect, that my equally-injur'd Brethren, Wilks and Booth, often complain'd to me of these disagreeable Aspersions, and propos'd that some publick Answer might be made to them, which

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I always oppos'd by, perhaps, too secure a Contempt of what such Writers could do to hurt us; and my Reason for it was, that I knew but of one way to silence Authors of that Stamp; which was, to grow insignificant and good for nothing, and then we should hear no more of them: But while we continued in the Prosperity of pleasing others, and were not conscious of having deserv'd what they said of us, why should we gratify the little Spleen of our Enemies by wincing at it, [168.1] or give them fresh Opportunities to dine upon any Reply they might make to our publickly taking Notice of them? And though Silence might in some Cases be a sign of Guilt or Error confess'd, our Accusers were so low in their Credit and Sense, that the Content we gave the Publick almost every Day from the Stage ought to be our only Answer to them.

However (as I have observ'd) we made many Blots, which these unskilful Gamesters never hit: But the Fidelity of an Historian cannot be excus'd the Omission of any Truth which might make for the other Side of the Question. I shall therefore


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confess a Fact, which, if a happy Accident had not intervened, had brought our Affairs into a very tottering Condition. This, too, is that Fact which in a former Chapter I promis'd to set forth as a Sea-Mark of Danger to future Menagers in their Theatrical Course of Government. [169.1]

When the new-built Theatre in Lincoln's-Inn Fields was ready to be open'd, seven or eight Actors in one Day deserted from us to the Service of the Enemy, [169.2] which oblig'd us to postpone many of our best Plays for want of some inferior Part in them which these Deserters had been used to fill: But the Indulgence of the Royal Family, who then frequently honour'd us by their Presence, was pleas'd to accept of whatever could be hastily got ready for their Entertainment. And tho' this critical good Fortune prevented, in some measure, our Audiences falling so low as otherwise they might have done, yet it was not sufficient to keep us in our former Prosperity: For that Year our Profits amounted not to above a third Part of our usual Dividends; tho' in the following Year we intirely recover'd them. The Chief of these Deserters were Keene, Bullock, Pack, [169.3] Leigh, Son of the


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famous Tony Leigh, [170.1] and others of less note. 'Tis true, they none of them had more than a negative Merit, in being only able to do us more Harm by their leaving us without Notice, than they could do us Good by remaining with us: For though the best of them could not support a Play, the worst of them by their Absence could maim it; as the Loss of the least Pin in a Watch may obstruct its Motion. But to come to the true Cause of their Desertion: After my having discover'd the (long unknown) Occasion that drove Dogget from the Stage before his settled Inclination to leave it, it will be less incredible that these Actors, upon the first Opportunity to relieve themselves, should all in one Day have left us from the same Cause of Uneasiness. For, in a little time after, upon not finding their Expectations answer'd in Lincoln's-Inn Fields, some of them, who seem'd

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to answer for the rest, told me the greatest Grievance they had in our Company was the shocking Temper of Wilks, who, upon every, almost no Occasion, let loose the unlimited Language of Passion upon them n such a manner as their Patience was not longer able to support. This, indeed, was what we could not justify! This was a Secret that might have made a wholesome Paragraph in a critical News-Paper! But as it was our good Fortune that it came not to the Ears of our Enemies, the Town was not entertain'd with their publick Remarks upon it. [171.1]

After this new Theatre had enjoy'd that short Run of Favour which is apt to follow Novelty, their Audiences began to flag: But whatever good Opinion


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we had of our own Merit, we had not so good a one of the Multitude as to depend too much upon the Delicacy of their Taste: We knew, too, that this Company, being so much nearer to the City than we were, would intercept many an honest Customer that might not know a good Market from a bad one; and that the thinnest of their Audiences must be always taking something from the Measure of our Profits. All these Disadvantages, with many others, we were forced to lay before Sir Richard Steele, and farther to remonstrate to him, that as he now stood in Collier's Place, his Pension of 700l. was liable to the same Conditions that Collier had receiv'd it upon; which were, that it should be only payable during our being the only Company permitted to act, but in case another should be set up against us, that then this Pension was to be liquidated into an equal Share with us; and which we now hoped he would be contented with. While we were offering to proceed, Sir Richard stopt us short by assuring us, that as he came among us by our own Invitation, he should always think himself oblig'd to come into any Measures for our Ease and Service: That to be a Burthen to our Industry would be more disagreeable to him than it could be to us; and as he had always taken a Delight in his Endeavours for our Prosperity, he should be still ready on our own Terms to continue them. Every one who knew Sir Richard Steele in his Prosperity (before the Effects of his Good-nature had brought him to Distresses) knew that this was
illustration

Richard Steele

[Description: Mezzotint Portrait. Engraving by R. B. Parkes. Richard Steele. From the painting by Jonathan Richardson, 1712]

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his manner of dealing with his Friends in Business: Another Instance of the same nature will immediately fall in my way.

When we proposed to put this Agreement into Writing, he desired us not to hurry ourselves; for that he was advised, upon the late Desertion of our Actors, to get our License (which only subsisted during Pleasure) enlarg'd into a more ample and durable Authority, and which he said he had Reason to think would be more easily obtain'd, if we were willing that a Patent for the same Purpose might be granted to him only, for his Life and three Years after, which he would then assign over to us. This was a Prospect beyond our Hopes; and what we had long wish'd for; for though I cannot say we had ever Reason to grieve at the Personal Severities or Behaviour of any one Lord-Chamberlain in my Time, yet the several Officers under them who had not the Hearts of Noblemen, often treated us (to use Shakespear's Expression) with all the Insolence of Office that narrow Minds are apt to be elated with; but a Patent, we knew, would free us from so abject a State of Dependency. Accordingly, we desired Sir Richard to lose no time; he was immediately promised it: In the Interim, we sounded the Inclination of the Actors remaining with us; who had all Sense enough to know, that the Credit and Reputation we stood in with the Town, could not but be a better Security for their Sallaries, than the Promise of any other Stage put into Bonds could


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make good to them. In a few Days after, Sir Richard told us, that his Majesty being apprised that others had a joint Power with him in the License, it was expected we should, under our Hands, signify that his Petition for a Patent was preferr'd by the Consent of us all. Such an Acknowledgment was immediately sign'd, and the Patent thereupon pass'd the Great Seal; for which I remember the Lord Chancellor Cooper, in Compliment to Sir Richard, would receive no Fee.

We receiv'd the Patent January 19, 1715, [174.1] and (Sir Richard being obliged the next Morning to set out for Burrowbridge in Yorkshire, where he was soon after elected Member of Parliament) we were forced that very Night to draw up in a hurry ('till our Counsel might more adviseably perfect it) his Assignment to us of equal Shares in the Patent, with farther Conditions of Partnership: [174.2] But here I ought to take Shame to myself, and at the same time to give this second Instance of the Equity and Honour of Sir Richard: For this Assignment (which I had myself the hasty Penning of) was so worded, that it gave Sir Richard as equal a Title to our Property


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as it had given us to his Authority in the Patent: But Sir Richard, notwithstanding, when he return'd to Town, took no Advantage of the Mistake, and consented in our second Agreement to pay us Twelve Hundred Pounds to be equally intitled to our Property, which at his Death we were obliged to repay (as we afterwards did) to his Executors; and which, in case any of us had died before him, the Survivors were equally obliged to have paid to the Executors of such deceased Person upon the same Account. But Sir Richard's Moderation with us was rewarded with the Reverse of Collier's Stiffness: Collier, by insisting on his Pension, lost Three Hundred Pounds a Year; and Sir Richard, by his accepting a Share in lieu of it, was, one Year with another, as much a Gainer.

The Grant of this Patent having assured us of a competent Term to be relied on, we were now emboldened to lay out larger Sums in the Decorations of our Plays: [175.1] Upon the Revival of Dryden's All for Love, the Habits of that Tragedy amounted to an Expence of near Six Hundred Pounds; a Sum unheard of, for many Years before, on the like Occasions.


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[176.1] But we thought such extraordinary Marks of our Acknowledgment were due to the Favours which the Publick were now again pouring in upon us. About this time we were so much in fashion, and follow'd, that our Enemies (who they were it would not be fair to guess, for we never knew them) made their Push of a good round Lye upon us, to terrify those Auditors from our Support whom they could not mislead by their private Arts or publick Invectives. A current Report that the Walls and Roof of our House were liable to fall, had got such Ground in the Town, that on a sudden we found our Audiences unusually decreased by it: Wilks was immediately for denouncing War and Vengeance on the Author of this Falshood, and for offering a Reward to whoever could discover him. But it was thought more necessary first to disprove the Falshood, and then to pay what Compliments might be thought

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adviseable to the Author. Accordingly an Order from the King was obtained, to have our Tenement surveyed by Sir Thomas Hewet, then the proper Officer; whose Report of its being in a safe and sound Condition, and sign'd by him, was publish'd in every News-Paper. [177.1] This had so immediate an Effect, that our Spectators, whose Apprehensions had lately kept them absent, now made up our Losses by returning to us with a fresh Inclination and in greater Numbers.

When it was first publickly known that the New


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Theatre would be open'd against us; I cannot help going a little back to remember the Concern that my Brother-Menagers express'd at what might be the Consequences of it. The imagined that now all those who wish'd Ill to us, and particularly a great Party who had been disobliged by our shutting them out from behind our Scenes, even to the Refusal of their Money, [178.1] would now exert themselves in any partial or extravagant Measures that might either hurt us or support our Competitors: These, too, were some of those farther Reasons which had discouraged them from running the hazard of continuing to Sir Richard Steele the same Pension which had been paid to Collier. Upon all which I observed to them, that, for my own Part, I had not the same Apprehensions; but that I foresaw as many good as bad Consequences from two Houses: That tho' the Novelty might possibly at first abate a little of our Profits; yet, if we slacken'd not our Industry, that Loss would be amply balanced by an equal Increase of our East and Quiet: That those turbulent Spirits which were always molesting us, would now have other Employment: That those turbulent Spirits which were always molesting us, would now have other Employment: That the question'd Merit of our Acting would now stand in a clearer Light when others were faintly compared to us: That though Faults might be found with the best Actors that ever were, yet the egregious Defects that would appear in others would now be the effectual means to make our Superiority shine, if we had any Pretence to it: And

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that what some People hoped might ruin us, would in the end reduce them to give up the Dispute, and reconcile them to those who could best entertain them.

In every Article of this Opinion they afterwards found I had not been deceived; and the Truth of it may be so well remember'd by many living Spectators, that it would be too frivolous and needless a Boast to give it any farther Observation.

But in what I have said I would not be understood to be an Advocate for two Play-houses: For we shall soon find that two Sets of Actors tolerated in the same Place have constantly ended in the Corruption of the Theatre; of which the auxiliary Entertainments that have so barbarously supply'd the Defects of weak Action have, for some Years past, been a flagrant Instance; it may not, therefore, be here improper to shew how our childish Pantomimes first came to take so gross a Possession of the Stage.

I have upon several occasions already observ'd, that when one Company is too hard for another, the lower in Reputation has always been forced to exhibit some new-fangled Foppery to draw the Multitude after them: Of these Expedients, Singing and Dancing had formerly been the most effectual; [179.1] but, at the Time I am speaking of, our English Musick had


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been so discountenanced since the Taste of Italian Operas prevail'd, that it was to no purpose to pretend to it. [180.1] Dancing therefore was now the only Weight in the opposite Scale, and as the Ne Theatre sometimes found their Account in it, it could not be safe for us wholly to neglect it. To give even Dancing therefore some Improvement, and to make it something more than Motion without Meaning, the Fable of Mars and Venus [180.2] was form'd into a connected Presentation of Dances in Character, wherein the Passions were so happily expressed, and the whole Story so intelligibly told by a mute Narration of Gesture only, that even thinking Spectators allow'd it both a pleasing and a rational Entertainment; though, at the same time, from our Distrust of its Reception, we durst not venture to decorate it with any extraordinary Expence of Scenes or Habits; but upon the Success of this Attempt it was rightly concluded, that if a visible Expence in both were added to something of the same Nature, it could not fail of drawing the Town proportionably after it. From this original Hint then (but every way unequal to it) sprung forth that Succession of monstrous Medlies that have so long infested the Stage, and which arose upon one another alternately, at both Houses

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outvying in Expence, like contending Bribes on both sides at an Election, to secure a Majority of the Multitude. But so it is, Truth may complain and Merit murmur with what Justice it may, the Few will never be a Match for the Many, unless Authority should think fit to interpose and put down these Poetical Drams, these Gin-shops of the Stage, that intoxicate its Auditors and dishonour their Understanding with a Levity for which I want a Name. [181.1]

If I am ask'd (after my condemning these Fooleries myself) how I came to assent or continue my Share of Expence to them? I have no better Excuse for


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my Error than confessing it. I did it against my Conscience! and had not Virtue enough to starve by opposing a Multitude that would have been too hard for me. [182.1] Now let me ask an odd Question: Had Harry the Fourth of France a better Excuse for changing his Religion? [182.2] I was still, in my Heart, as much as he could be, on the side of Truth and Sense, but with this difference, that I had their leave to quit them when they could not support me: For what Equivalent could I have found for my falling a Martyr to them? How far the Heroe or the Comedian was in the wrong, let the Clergy and the Criticks decide. Necessity will be as good a Plea for the one as the other. But let the Question go which way it will, Harry IV. has always been allow'd a great Man: And what I want of his Grandeur, you see by the Inference, Nature has amply supply'd to me in Vanity; a Pleasure which neither the Pertness of Wit or the Gravity of Wisdom will ever persuade me to part with. And why is there not as

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much Honesty in owning as in concealing it? For though to hide it may be Wisdom, to be without it is impossible; and where is the Merit of keeping a Secret which every Body is let into? To say we have no Vanity, then, is shewing a great deal of it; as to say we have a great deal cannot be shewing so much: And tho' there may be Art in a Man's accusing himself, even then it will be more pardonable than Self-commendation. Do not we find that even good Actions have their Share of it? that it is as inseparable from our Being as our Nakedness? And though it may be equally decent to cover it, yet the wisest Man can no more b without it, than the weakest can believe he was born in his Cloaths. If then what we say of ourselves be true, and not prejudicial to others, to be called vain upon it is no more a Reproach than to be called a brown or a fair Man. Vanity is of all Complexions; 'tis the growth of every Clime and Capacity; Authors of all Ages have had a Tincture of it; and yet you read Horace, Montaign, and Sir William Temple, with Pleasure. Nor am I sure, if it were curable by Precept, that Mankind would be mended by it! Could Vanity be eradicated from our Nature, I am afraid that the Reward of most human Virtues would not be found in this World! And happy is he who has no greater Sin to answer for in the next

But what is all this to the Theatrical Follies I was talking of? Perhaps not a great deal; but it is to my Purpose; for though I am an Historian, I do not


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write to the Wise and Learned only; I hope to have Readers of no more Judgment than some of my quondam Auditors; and I am afraid they will be as hardly contented with dry Matters of Fact, as with a plain Play without Entertainments: This Rhapsody, therefore, has been thrown in as a Dance between the Acts, to make up for the Dullness of what would have been by itself only proper. But I now come to my Story again.

Notwithstanding, then, this our Compliance with the vulgar Taste, we generally made use of these Pantomimes but as Crutches to our weakest Plays: Nor were we so lost to all Sense of what was valuable as to dishonour our best Authors in such bad Company: We had still a due Respect to several select Plays that were able to be their own Support; and in which we found our constant Account, without painting and patching them out, like Prostitutes, with these Follies in fashion: If therefore we were not so strictly chaste in the other part of our Conduct, let the Error of it stand among the silly Consequences of Two Stages. Could the Interest of both Companies have been united in one only Theatre, I had been one of the Few that would have us'd my utmost Endeavour of never admitting to the Stage any Spectacle that ought not to have been seen there; the Errors of my own Plays, which I could not see, excepted. And though probably the Majority of Spectators would not have been so well pleas'd with a Theatre so regulated; yet Sense and Reason cannot


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lose their intrinsick Value because the Giddy and the Ignorant are blind and deaf, or numerous; and I cannot help saying, it is a Reproach to a sensible People to let Folly so publickly govern their Pleasures.

While I am making this grave Declaration of what I would have done had One only Stage been continued; to obtain an easier Belief of my Sincerity I ought to put my Reader in mind of what I did do, even after Two Companies were again establish'd.

About this Time Jacobitism had lately exerted itself by the most unprovoked Rebellion that our Histories have handed down to us since the Norman Conquest: [185.1] I therefore thought that to set the Authors and Principles of that desperate Folly in a fair Light, by allowing the mistaken Consciences of some their best Excuse, and by making the artful Pretenders to Conscience as ridiculous as they were ungratefully wicked, was a Subject fit for the honest Satire of Comedy, and what might, if it succeeded, do Honour to the Stage by shewing the valuable Use of it. [185.2] And considering what Numbers at that


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time might come to it as prejudic'd Spectators, it may be allow'd that the Undertaking was not less hazardous than laudable.

To give Life, therefore, to this Design, I borrow'd the Tartuffe of Moliere, and turn'd him into a modern Nonjuror: [186.1] Upon the Hypocrisy of the French Character I ingrafted a stronger Wickedness, that of an English Popish Priest lurking under the Doctrine of our own Church to raise his Fortune upon the Ruin of a Worthy Gentleman, whom his dissembled Sanctity had seduc'd into the treasonable Cause of a Roman Catholick Out-law. How this Design, in the Play, was executed, I refer to the Readers of it; it cannot be mended by any critical Remarks I can make in its favour: Let it speak for itself. All the Reason I had to think it no bad Performance was, that it was acted eighteen Days running, [186.2] and that the Party that were hurt by it (as I have been told) have not been the smallest Number of my back Friends ever since. But happy was it for this Play that the very Subject was its Protection; a few Smiles of silent Contempt were the utmost Disgrace that on the first Day of its Appearance it was thought safe to throw upon it; as the


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Satire was chiefly employ'd on the Enemies of the Government, they were not so hardy as to own themselves such by any higher Disapprobation or Resentment. But as it was then probable I might write again, they knew it would not be long before they might with more Security give a Loose to their Spleen, and make up Accounts with me. And to do them Justice, in every Play I afterwards produced they paid me the Balance to a Tittle. [187.1] But to none was I more beholden than that celebrated Author Mr. Mist, whose Weekly Journal, [187.2] for about fifteen Years following, scarce ever fail'd of passing some of his Party Compliments upon me: The State and the Stage were his frequent Parallels, and the Minister and Minheer Keiber the Menager were as constantly droll'd upon: Now, for my own Part, though I could never persuade my Wit to have an open Account with him (for as he had no Effects of his own, I did not think myself oblig'd to answer his Bills;) notwithstanding,

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I will be so charitable to his real Manes, and to the Ashes of his Paper, as to mention one particular Civility he paid to my Memory, after he thought he had ingeniously kill'd me. Soon after the Nonjuror had receiv'd the Favour of the Town, I read in one of his Journals the following short Paragraph, viz. Yesterday died Mr. Colley Cibber, late Comedian of the Theatre-Royal, notorious for writing the Nonjuror. The Compliment in the latter part I confess I did not dislike, because it came from so impartial a Judge; and it really so happen'd that the former part of it was very near being true; for I had that very Day just crawled out, after having been some Weeks laid up by a Fever: However, I saw no use in being thought to be thoroughly dead before my Time, and therefore had a mind to see whether the Town cared to have me alive again: So the Play of the Orphan being to be acted that Day, I quietly stole myself into the Part of the Chaplain, which I had not been seen in for many Years before. The Surprize of the Audience at my unexpected Appearance on the very Day I had been dead in the News, and the Paleness of my Looks, seem'd to make it a Doubt whether I was not the Ghost of my real Self departed: But when I spoke, their Wonder eas'd itself by an Applause; which convinc'd me they were then satisfied that my Friend Mist had told a Fib of me. Now, if simply to have shown myself in broad Life, and about my Business, after he had notoriously

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reported me dead, can be called a Reply, it was the only one which his Paper while alive ever drew from me. How far I may be vain, then, in supposing that this Play brought me into the Disfavour of so many Wits [189.1] and valiant Auditors as afterwards appear'd against me, let those who may think it worth their Notice judge. In the mean time, 'till I can find a better Excuse for their sometimes particular Treatment of me, I cannot easily give up my Suspicion: And if I add a more remarkable Fact, that afterwards confirm'd me in it, perhaps it may incline others to join in my Opinion.

On the first Day of the Provok'd Husband, ten Years after the Nonjuror had appear'd, [189.2] a powerful Party, not having the Fear of publick Offence or private Injury before their Eyes, appear'd most impetuously concern'd for the Demolition of it; in which they so far succeeded, that for some Time I gave it up for lost; and to follow their Blows, in the publick Papers of the next Day it was attack'd and triumph'd over as a dead and damn'd Piece; a swinging Criticism was made upon it in general invective Terms, for they disdain'd to trouble the


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World with Particulars; their Sentence, it seems, was Proof enough of its deserving the Fate it had met with. But this damn'd Play was, notwithstanding, acted twenty-eight Nights together, and left off at a Receipt of upwards of a hundred and forty Pounds; which happen'd to be more than in fifty Years before could be then said of any one Play whatsoever.

Now, if such notable Behaviour could break out upon so successful a Play (which too, upon the Share Sir John Vanbrugh had in it, I will venture to call a good one) what shall we impute it to? Why may not I plainly say, it was not the Play, but Me, who had a Hand in it, they did not like? And for what Reason? if they were not asham'd of it, why did not they publish it? No! the Reason had publish'd itself, I was the Author of the Nonjuror! But, perhaps, of all Authors, I ought not to make this sort of Complaint, because I have Reason to think that that particular Offence has made me more honourable Friends than Enemies; the latter of which I am not unwilling should know (however unequal the Merit may be to the Reward) that Part of the Bread I now eat was given me for having writ the Nonjuror. [190.1]

And yet I cannot but lament, with many quiet Spectators, the helpless Misfortune that has so many Years attended the Stage! That no Law has had Force enough to give it absolute Protection! for


191

'till we can civilize its Auditors, the Authors that write for it will seldom have a greater Call to it than Necessity; and how unlikely is the Imagination of the Needy to inform or delight the Many in Affluence? or how often does Necessity make many unhappy Gentlemen turn Authors in spite of Nature?

What a Blessing, therefore, is it! what an enjoy'd Deliverance! after a Wretch has been driven by Fortune to stand so many wanton Buffets of unmanly Fierceness, to find himself at last quietly lifted above the Reach of them!

But let not this Reflection fall upon my Auditors without Distinction; for though Candour and Benevolence are silent Virtues, they are as visible as the most vociferous Ill-nature; and I confess the Publick has given me more frequently Reason to be thankful than to complain.


192

 
[[161.1]]

1714.

[[163.1]]

In the Dedication to Steele of "Ximena" (1719) Cibber warmly acknowledges the great service Steele had done to the theatre, not only in improving the tone of its performances, but also in the mere attracting of public attention to it. "How many a time," he says, "have we known the most elegant Audiences drawn together at a Day's Warning, by the Influence or Warrant of a single Tatler, when our best Endeavours without it, could not defray the Charge of the Performance." In the same Dedication Cibber's gratitude overstepped his judgment, in applying to Steele's generous acknowledgment of his indebtedness to Addison's help in his "Spectator," &c., Dryden's lines:—

"Fool that I was! upon my Eagle's Wings
I bore this Wren, 'till I was tir'd with soaring,
And now, he mounts above me—"

The following Epigram is quoted in "The Laureat," p. 76. It originally appeared in "Mist's Journal," 31st October, 1719:—

Thus Colley Cibber to his Partner Steele,
See here, Sir Knight, how I've outdone Corneille;
See here, how I, my Patron to inveigle,
Make Addison a Wren, and you an Eagle.
Safe to the silent Shades, we bid Defiance;
For living Dogs are better than dead Lions."

In one of his Odes, at which Johnson laughed (Boswell, i. 402 Cibber had the couplet:—

"Perch'd on the eagle's soaring wing,
The lowly linnet loves to sing."

"Ximena; or, the Heroic Daughter," produced on 28th November, 1712, was an adaptation of Corneille's "Cid." We do not know the cast of 1712, but that of 1718 (Drury Lane, 1st November) was the following:—

  • DON FERDINAND........Mr. Mills.
  • DON ALVAREZ..........Mr. Cibber.
  • DON GORMAZ...........Mr. Booth.
  • DON CARLOS...........Mr. Wilks.
  • DON SANCHEZ..........Mr. Elrington.
  • DON ALONZO...........Mr. Thurmond.
  • DON GARCIA...........Mr. Boman.
  • XIMENA...............Mrs. Oldfield.
  • BELZARA..............Mrs. Porter.
[[165.1]]

A Royal Licence was granted on 18th October, 1714, to Steele, Wilks, Cibber, Dogget, and Booth. The theatre opened before the Licence was granted. The first bill given by Genest is for 21st September, 1714.

[[166.1]]

Christopher Rich died before the theatre was opened, and it was under the management of John Rich, his son, that Lincoln's Inn Fields opened on 18th December, 1714, with "The Recruiting Officer." The company was announced as playing under Letters Patent granted by King Charles the Second.

[[166.2]]

This refers to a riot raised by the supporters of Mrs. Rogers, on Mrs. Oldfield's being cast for the character of Andromache in Philip's tragedy of "The Distressed Mother," produced at Drury Lane on 17th March, 1712.

[[168.1]]

Cibber on one occasion manifested temper to a rather unexpected degree. In 1720, when Dennis published his attacks on Steele, in connection with his being deprived of the Patent, he accused Cibber of impiety and various other crimes and misdemeanours; and Cibber is said in the "Answer to the Character of Sir John Edgar" to have inserted the following advertisement in the "Daily Post": "Ten Pounds will be paid by Mr. CIBBER, of the Theatre Royal, to any person who shall (by a legal proof) discover the Author of a Pamphlet, intituled, 'The Characters and Conduct of Sir JOHN EDGAR, &c'" (Nichols, p. 401.)

[[169.1]]

Cibber refers to his remarks (see vol. i. p. 191) on the conduct of the Patentees which caused Betterton's secession in 1694-5.

[[169.2]]

In addition to Keen, Bullock (William), Pack, and Leigh, whom Cibber mentions a few lines after, Spiller and Christopher Bullock were among the deserters; and probably Cory and Knap. Mrs. Rogers, Mrs. Knight, and Mrs. Kent also deserted.

[[169.3]]

George Pack is an actor of whom Chetwood ("History," p. 210) gives some account. He first came on the stage as a singer, performing the female parts in duets with Leveridge. His first appearance chronicled by Genest was at Lincoln's Inn Fields in 1700, as Westmoreland in the first part of "Henry IV." Chetwood says he was excellent as Marplot in "The Busy Body," Beau Maiden in "Tunbridge Walks," Beau Mizen in "The Fair Quaker of Deal," &c.: "indeed Nature seem'd to mean him for those Sort of Characters." On 10th March, 1722, he announced his last appearance on any stage; but he returned on 21st April and 7th May, 1724, on which latter date he had a benefit. Chetwood says that on his retirement he opened the Globe Tavern, near Charing-Cross, over against the Hay-market. When Chetwood wrote (1749) Pack was no longer alive.

[[170.1]]

Francis Leigh. There were several actors of the name of Leigh, and it is sometimes difficult to distinguish them. This particular actor died about 1719.

[[171.1]]

In the "Weekly Packet," 18th December, 1714, the following appears:—

"This Day the New Play-House in Lincolns-Inn Fields, is to be open'd and a Comedy acted there, call'd, The Recruiting Officer, by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the House in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs elsewhere; which may in Time prove of ill Service to the Patentee, that has been at vast Expence to make this Theatre as convenient for the Reception of an Audience as any one can possibly be."

Genest remarks that this seems to show that the Lord Chamberlain threatened to interfere in the interests of Drury Lane. He adds: "Cibber's silence proves nothing to the contrary, as in more than one instance he does not tell the whole truth" (ii. 565). In defence of Cibber I may say that the Chamberlain's Records contain no hint that he threatened to interfere with the Lincoln's Inn Fields Theatre or its actors.

[[174.1]]

In both the first and second editions Cibber writes 1718, but this is so obviously a misprint that I correct the text. Steele was elected for Boroughbridge in the first Parliament of George I., which met 15th March, 1715.

[[174.2]]

"The very night I received it, I participated the power and use of it, with relation to the profits that should arise from it, between the gentlemen who invited me into the Licence."—Steele, in "The Theatre," No. 8 [Nichols, p. 64].

[[175.1]]

The managers also expended money on the decoration of the theatre before the beginning of the next season after the Patent was granted. In the "Daily Courant," 6th October, 1715, they advertise: "His Majesty's Company of Comedians give Notice, That the Middle of next Week they will begin to act Plays, every day, as usual; they being oblig'd to lye still so long, to finish the New Decorations of the House."

[[176.1]]

This revival was on 2nd December, 1718. Dennis, whose "Invader of his Country" was, as he considered, unfairly postponed on account of this production, wrote to Steele:—

"Well, Sir, when the winter came on, what was done by your Deputies? Why, instead of keeping their word with me, they spent above two months of the season in getting up "All for Love, or, the World well Lost," a Play which has indeed a noble first act, an act which ends with a scene becoming of the dignity of the Tragic Stage. But if HORACE had been now alive, and been either a reader or spectator of that entertainment, he would have passed his old sentence upon the Author.
'Infelix operis summâ, quia ponere totum
Nesciet.'"
[Ars Poetica, 34.] Nichols' "Theatre," p. 544.
[[177.1]]

Cibber here skips a few years, for the report by Sir Thomas Hewitt is dated some years after the granting of the Patent. The text of it will be found in Nichols's "Theatre," p. 470:—

"MY LORD, Scotland-yard, Jan. 21, 1721.

"In obedience to his Majesty's commands signified to me by your Grace the 18th instant, I have surveyed the Play-house in Drury-lane; and took with me Mr. RIPLEY, Commissioner of his Majesty's Board of Works, the Master Bricklayer, and Carpenter: We examined all its parts with the greatest exactness we could; and found the Walls, Roofing, Stage, Pit, Boxes, Galleries, Machinery, Scenes, &c. sound, and almost as good as when first built; neither decayed, nor in the least danger of falling; and when some small repairs are made, and an useless Stack of Chimnies (built by the late Mr. RICH) taken down, the Building may continue for a long time, being firm, the Materials and Joints good, and no part giving way; and capable to bear much greater weight than is put on them.
"MY LORD DUKE,
"Your GRACE'S Most humble and obedient servant,
"THOMAS HEWETT.

"N.B. The Stack of Chimnies mentioned in this Report (which were placed over the Stone Passage leading to the Boxes) are actually taken down."

[[178.1]]

See ante, vol. i. p. 234.

[[179.1]]

Cibber, vol. i. p. 94, relates how, when the King's Company proved too strong for their rivals, Davenant, "to make head against their Success, was forced to add Spectacle and Music to Action."

[[180.1]]

In the season 1718-19, Rich at Lincoln's Inn Fields frequently produced French pieces and operas. He must have had a company of French players engaged.

[[180.2]]

This is, no doubt, John Weaver's dramatic entertainment called "The Loves of Mars and Venus," which was published, as acted at Drury Lane, in 1717.

[[181.1]]

The following lines ("Dunciad," iii. verses 229-244) are descriptive of such pantomimes as Cibber refers to:—

"He look'd, and saw a sable Sorc'rer rise,
Swift to whose hand a winged volume flies:
All sudden, Gorgons hiss, and dragons glare,
And ten-horn'd fiends and giants rush to war.
Hell rises, Heav'n descends, and dance on Earth,
Gods, imps, and monsters, music, rage, and mirth,
A fire, a jig, a battle, and a ball,
Till one wide conflagration swallows all.
Thence a new world, to nature's laws unknown,
Breaks out refulgent, with a heav'n its own:
Another Cynthia her new journey runs,
And other planets circle other suns:
The forests dance, the rivers upward rise,
Whales sport in woods, and dolphins in the skies,
And last, to give the whole creation grace,
Lo! one vast Egg produces human race."

The allusion in the last line is to "Harlequin Sorcerer," in which Harlequin is hatched from a large egg on the stage. See Jackson's "History of the Scottish Stage," pages 367-8, for description of John Rich's excellence in this scene.

[[182.1]]

In the "Dunciad" (book iii. verses 261-4) Pope writes:—

"But lo! to dark encounter in mid air
New wizards rise: here Booth, and Cibber there:
Booth in his cloudy tabernacle shrin'd,
On grinning Dragons Cibber mounts the wind."

On these lines Cibber remarks, in his "Letter to Mr. Pope," 1742 (page 37):

"If you, figuratively, mean by this, that I was an Encourager of those Fooleries, you are mistaken; for it is not true: If you intend it literally, that I was Dunce enough to mount a Machine, there is as little Truth in that too."
[[182.2]]

Henry of Navarre, of whom it has been said that he regarded religion mainly as a diplomatic instrument.

[[185.1]]

It is hardly necessary to note that this was the Scottish Rebellion of 1715; yet Bellchambers indicates the period as 1718.

[[185.2]]

Cibber's most notorious play, "The Nonjuror," was produced at Drury Lane on 6th December, 1717. The cast was:—

  • SIR JOHN WOODVIL........Mr. Mills.
  • COLONEL WOODVIL.........Mr. Booth.
  • MR. HEARTLY.............Mr. Wilks.
  • DOCTOR WOLF.............Mr. Cibber.
  • CHARLES.................Mr. Walker.
  • LADY WOODVIL............Mrs. Porter.
  • MARIA...................Mrs. Oldfield.

[[186.1]]

Genest (ii. 615) quotes the Epilogue to Sewell's "Sir Walter Raleigh," produced at Lincoln's Inn Fields 16th January, 1719:—

"Yet to write plays is easy, faith, enough,
As you have seen by—Cibber—in Tartuffe.
With how much wit he did your hearts engage!
He only stole the play;—he writ the title-page."
[[186.2]]

Genest says it was acted twenty-three times.

[[187.1]]

Genest remarks (ii.616) that "Cibber deserved all the abuse and enmity that he met with—the Stage and the Pulpit ought NEVER to dabble in politics."

Theo. Cibber, in a Petition to the King, given in his "Dissertations" (Letter to Garrick, p. 29), says that his father's "Writings, and public Professions of Loyalty, created him many Enemies, among the Disaffected."

[[187.2]]

"Mist's Weekly Journal" was an anti-Hanoverian sheet, which was prominent in opposition to the Protestant Succession. Nathaniel Mist, the proprietor, and, I suppose, editor, suffered sundry pains and penalties for his Jacobitism. In his Preface to the second volume of "Letters" selected from his paper, he relates how had had, among other things, suffered imprisonment and stood in the pillory.

[[189.1]]

There can be little doubt that the "Nonjuror" was one of the causes of Pope's enmity to Cibber. Pope's father was a Nonjuror. See "Epistle to Dr. Arbuthnot," where the poet says of his father:—

"No courts he saw, no suits would ever try,
Nor dar'd an oath, nor hazarded a lie."
[[189.2]]

Produced 10th January, 1728. See vol. i. p. 311, for list of characters, &c.

[[190.1]]

Meaning, no doubt, that the post of Poet Laureate was given to him as a reward for his services to the Government.