University of Virginia Library

2.13. CHAPTER XIII.

The Patentee, having now no Actors, rebuilds the new Theatre in Lincolns-Inn-Fields. A Guess at his Reasons for it. More Changes in the State of the Stage. The Beginning of its better Days under the Triumvirate of Actors. A Sketch of their governing Characters.

AS coarse Mothers may have comely Children, so Anarchy has been the Parent of many a good Government; and by a Parity of possible Consequences, we shall find that from the frequent Convulsions of the Stage arose at last its longest Settlement and Prosperity; which many of my Readers (or if I should happen to have but few of them, many of my Spectators at least) who I hope


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have not yet liv'd half their Time, will be able to remember.

Though the Patent had been often under Distresses, it had never felt any Blow equal to this unrevoked Order of Silence; which it is not easy to conceive could have fallen upon any other Person's Conduct than that of the old Patentee: For if he was conscious of his being under the Subjection of that Power which had silenc'd him, why would he incur the Danger of a Suspension by his so obstinate and impolitick Treatment of his Actors? If he thought such Power over him illegal, how came he to obey it now more than before, when he slighted a former Order that injoin'd him to give his Actors their Benefits on their usual Conditions? [98.1] But to do him Justice, the same Obstinacy that involv'd him in these Difficulties, at last preserv'd to his Heirs the Property of the Patent in its full Force and Value; [98.2] yet to suppose that he foresaw a milder use of Power in some future Prince's Reign might be more favourable to him, is begging at best but a cold Question. But whether he knew that this broken


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Condition of the Patent would not make his troublesome Friends the Adventurers fly from it as from a falling House, seems not so difficult a Question. However, let the Reader form his own Judgment of them from the Facts that follow'd: It must therefore be observ'd, that the Adventurers seldom came near the House but when there was some visible Appearance of a Dividend: But I could never hear that upon an ill Run of Audiences they had ever returned or brought in a single Shilling, to make good the Deficiencies of their daily Receipts. Therefore, as the Patentee in Possession had alone, for several Years, supported and stood against this Uncertainty of Fortune, it may be imagin'd that his Accounts were under so voluminous a Perplexity that few of those Adventurers would have Leisure or Capacity enough to unravel them: And as they had formerly thrown away their Time and Money at law in a fruitless Enquiry into them, they now seem'd to have intirely given up their Right and Interest: And, according to my best Information, notwithstanding the subsequent Gains of the Patent have been sometimes extraordinary, the farther Demands or Claims of Right of the Adventurers have lain dormant above these five and twenty Years. [99.1]


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Having shewn by what means Collier had dispossess'd this Patentee, not only of the Drury-Lane House, but likewise of those few Actors which he had kept for some time unemploy'd in it, we are now led to consider another Project of the same Patentee, which, if we are to judge of it by the Event, has shewn him more a Wise than a Weak Man; which I confess at the time he put it in Execution seem'd not so clear a Point: For notwithstanding he now saw the Authority and Power of his Patent was superseded, or was at best but precarious, and that he had not one Actor left in his Service, yet, under all these Dilemma's and Distresses, he resolv'd upon rebuilding the New Theatre in Lincolns-Inn-Fields, of which he had taken a Lease, at a low Rent, ever since Betterton's Company had first left it. [100.1] This Conduct seem'd too deep for my Comprehension! What are we to think of his taking this Lease in the height of his Prosperity, when he could have no Occasion for it? Was he a Prophet? Could he then foresee he should, one time or other, be turn'd out of Drury-Lane? Or did his mere Appetite of Architecture urge him to build a House, while he could not be sure he should ever have leave to make use of it? But of all this we may think as we please; whatever was his Motive, he, at his own Expence, in this Interval of his having nothing else to do, rebuilt that Theatre from the Ground, as it is now


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standing. [101.1] As for the Order of Silence, he seem'd little concern'd at it while it gave him so much uninterrupted Leisure to supervise a Work which he naturally took Delight in.

After this Defeat of the Patentee, the Theatrical Forces of Collier in Drury-Lane, notwithstanding their having drawn the Multitude after them for about three Weeks during the Trial of Sacheverel, had made but an indifferent Campaign at the end of the Season. Collier at least found so little Account in it, that it obliged him to push his Court-Interest (which, wherever the Stage was concern'd, was not inconsiderable) to support him in another Scheme; which was, that in consideration of his giving up the Drury-Lane, Cloaths, Scenes, and Actors, to Swiney


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and his joint Sharers in the Hay-Market, he (Collier) might be put into an equal Possession of the Hay-Market Theatre, with all the Singers, &c. and be made sole Director of the Opera. Accordingly, by Permission of the Lord Chamberlain, a Treaty was enter'd into, and in a few Days ratified by all Parties, conformable to the said Preliminaries. [102.1] This was that happy Crisis of Theatrical Liberty which the labouring Comedians had long sigh'd for, and which, for above twenty Years following, was so memorably fortunate to them.

However, there were two hard Articles in this Treaty, which, though it might be Policy in the Actors to comply with, yet the Imposition of them seem'd little less despotick than a Tax upon the Poor when a Government did not want it.

The first of these Articles was, That whereas the sole License for acting Plays was presum'd to be a more profitable Authority than that for acting Operas only, that therefore Two Hundred Pounds a Year should be paid to Collier, while Master of the Opera, by the Comedians; to whom a verbal Assurance was given by the Plenipo's on the Court-side, that while such Payment subsisted no other Company should be permitted to act Plays against them within the Liberties, &c. The other Article was, That on every Wednesday whereon an Opera could be perform'd,


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the Plays should, toties quoties, be silent at Drury-Lane, to give the Opera a fairer Chance for a full House.

This last Article, however partial in the Intention, was in its Effect of great Advantage to the sharing Actors: For in all publick Entertainments a Day's Abstinence naturally increases the Appetite to them: Our every Thursday's Audience, therefore, was visibly the better by thus making the Day before it a Fast. But as this was not a Favour design'd us, this Prohibition of a Day, methinks, deserves a little farther Notice, because it evidently took a sixth Part of their Income from all the hired Actors, who were only paid in proportion to the Number of acting Days. This extraordinary Regard to Operas was, in effect, making the Day-labouring Actors the principal Subscribers to them, and the shutting out People from the Play every Wednesday many murmur'd at as an Abridgment of their usual Liberty. And tho' I was one of those who profited by that Order, it ought not to bribe me into a Concealment of what was then said and thought of it. I remember a Nobleman of the first Rank, then in a high Post, and not out of Court-Favour, said openly behind the Scenes—It was shameful to take part of the Actors Bread from them to support the silly Diversion of People of Quality. But alas! what was all this Grievance when weighed against the Qualifications of so grave and stanch a Senator as Collier? Such visible Merit, it seems, was to be made easy, tho' at


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the Expence of the—I had almost said, Honour of the Court, whose gracious Intention for the Theatrical Common-wealth might have shone with thrice the Lustre if such a paltry Price had not been paid for it. But as the Government of the Stage is but that of the World in Miniature, we ought not to have wonder'd that Collier had Interest enough to quarter the Weakness of the Opera upon the Strength of the Comedy. General good Intentions are not always practicable to a Perfection. The most necessary Law can hardly pass, but a Tenderness to some private Interest shall often hang such Exceptions upon particular Clauses, 'till at last it comes out lame and lifeless, with the Loss of half its Force, Purpose, and Dignity. As, for Instance, how many fruitless Motions have been made in Parliaments to moderate the enormous Exactions in the Practice of the Law? And what sort of Justice must that be call'd, which, when a Man has not a mind to pay you a Debt of Ten Pounds, it shall cost you Fifty before you can get it? How long, too, has the Publick been labouring for a Bridge at Westminster? But the Wonder that it was not built a Hundred Years ago ceases when we are told, That the Fear of making one End of London as rich as the other has been so long an Obstruction to it: [104.1] And though it might seem a still
illustration

Hester Santlow

[Description: Mezzotint Portrait. Engraving by R. B. Parkes. Hester Santlow (Mrs. Barton Booth). After an original picture from the life]

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greater Wonder, when a new Law for building one had at last got over that Apprehension, that it should meet with any farther Delay; yet Experience has shewn us that the Structure of this useful Ornament to our Metropolis has been so clogg'd by private Jobs that were to be pick'd out of the Undertaking, and the Progress of the Work so disconcerted by a tedious Contention of private Interests and Endeavours to impose upon the Publick abominable Bargains, that a whole Year was lost before a single Stone could be laid to its Foundation. But Posterity will owe its Praises to the Zeal and Resolution of a truly Noble Commissioner, whose distinguish'd Impatience has broke thro' those narrow Artifices, those false and frivolous Objections that delay'd it, and has already began to raise above the Tide that future Monument of his Publick Spirit. [105.1]

How far all this may be allow'd applicable to the State of the Stage is not of so great Importance, nor so much my Concern, as that what is observ'd upon it should always remain a memorable Truth, to the Honour of that Nobleman. But now I go on: Collier being thus possess'd of his Musical Government, thought his best way would be to farm it out


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to a Gentleman, Aaron Hill, Esq. [106.1] (who he had reason to suppose knew something more of Theatrical Matters than himself) at a Rent, if I mistake not, of Six Hundred Pounds per Annum: But before the Season was ended (upon what occasion, if I could remember, it might not be material to say) took it into his Hands again: But all his Skill and Interest could not raise the Direction of the Opera to so good a Post as he thought due to a Person of his Consideration: He therefore, the Year following, enter'd upon another high-handed Scheme, which, 'till the Demise of the Queen, turn'd to his better Account.

After the Comedians were in Possession of Drury-Lane, from whence during my time upon the Stage they never departed, their Swarm of Audiences exceeded all that had been seen in thirty Years before; which, however, I do not impute so much to the Excellence of their Acting as to their indefatigable Industry and good Menagement; for, as I have often said, I never thought in the general that we stood in any Place of Comparison with the eminent Actors before us; perhaps, too, by there being now an End of the frequent Divisions and Disorders that had from time to time broke in upon and frustrated their Labours, not a little might be contributed to their Success.


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Collier, then, like a true liquorish Courtier, observing the Prosperity of a Theatre, which he the Year before had parted with for a worse, began to meditate an Exchange of Theatrical Posts with Swiney, who had visibly very fair Pretensions to that he was in, by his being first chosen by the Court to regulate and rescue the Stage from the Disorders it had suffer'd under its former Menagers: [107.1] Yet Collier knew that sort of Merit could stand in no Competition with his being a Member of Parliament: He therefore had recourse to his Court-Interest (where meer Will and Pleasure at that time was the only Law that dispos'd of all Theatrical Rights) to oblige Swiney to let him be off from his bad Bargain for a better. To this it may be imagin'd Swiney demurr'd, and as he had Reason, strongly remonstrated against it: But as Collier had listed his Conscience under the Command of Interest, he kept it to strict Duty, and was immoveable; insomuch that Sir John Vanbrugh, who was a Friend to Swiney, and who, by his Intimacy with the People in Power, better knew the Motive of their Actions, advis'd Swiney rather to accept of the Change, than by a Non-compliance to hazard his being excluded from any Post or Concern in either of the Theatres: To conclude, it was not long before Collier had procured a new License for acting Plays, &c. for himself, Wilks, Dogget, and Cibber, exclusive of Swiney, who by this new Regulation


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was reduc'd to his Hobson's Choice of the Opera. [108.1]

Swiney being thus transferr'd to the Opera [108.2] in the sinking of it in the Winter following, 1711, so far short of the Expences, that he was driven to attend his Fortune in some more favourable Climate, where he remain'd twenty Years an Exile from his Friends and Country, tho' there has been scarce an English Gentleman who in his Tour of France or Italy has not renew'd or created an Acquaintance with him. As this is a Circumstance that many People may have forgot, I cannot remember it without that Regard and Concern it deserves from all that know him: Yet it is some Mitigation of his Misfortune that since his Return to England, his grey Hairs and cheerful Disposition have still found a general Welcome among his foreign and former domestick Acquaintance.

Collier being now first-commission'd Menager with the Comedians, drove them, too, to the last Inch of a hard Bargain (the natural Consequence of all Treaties between Power and Necessity.) He not only demanded six hundred a Year neat Money, the Price at which he had farm'd out his Opera, and to make the Business a Sine-cure to him, but likewise insisted


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upon a Moiety of the Two hundred that had been levied upon us the Year before in Aid of the Operas; in all 700l. These large and ample Conditions, considering in what Hands we were, we resolv'd to swallow without wry Faces; rather chusing to run any Hazard than contend with a formidable Power against which we had no Remedy: But so it happen'd that Fortune took better care of our Interest than we ourselves had like to have done: For had Collier accepted of our first Offer, of an equal Share with us, he had got three hundred Pounds a Year more by complying with it than by the Sum he imposed upon us, our Shares being never less than a thousand annually to each of us, 'till the End of the Queen's Reign in 1714. After which Collier's Commission was superseded, his Theatrical Post, upon the Accession of his late Majesty, being given to Sir Richard Steele. [109.1]

From these various Revolutions in the Government of the Theatre, all owing to the Patentees mistaken Principle of increasing their Profits by too far enslaving their People, and keeping down the Price of good Actors (and I could almost insist that giving large Sallaries to bad Ones could not have had a worse Consequence) I say, when it is consider'd that the Authority for acting Plays, &c. was thought of so little worth that (as has been observ'd) Sir Thomas


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Skipwith gave away his Share of it, and the Adventurers had fled from it; that Mr. Congreve, at another time, had voluntarily resign'd it; and Sir John Vanbrugh (meerly to get the Rent of his new House paid) had, by Leave of the Court, farm'd out his License to Swiney, who not without some Hesitation had ventur'd upon it; let me say again, out of this low Condition of the Theatre, was it not owing to the Industry of three or four Comedians that a new Place was now created for the Crown to give away, without any Expence attending it, well worth the Acceptance of any Gentleman whose Merit or Services had no higher Claim to Preferment, and which Collier and Sir Richard Steele, in the two last Reigns, successively enjoy'd? Tho' I believe I may have said something like this in a former Chapter, [110.1] I am not unwilling it should be twice taken notice of.

We are now come to that firm Establishment of the Theatre, which except the Admittance of Booth into a Share and Dogget's retiring from it, met with no Change or Alteration for above twenty Years after.

Collier, as has been said, having accepted of a certain Appointment of seven hundred per Annum, Wilks, Dogget, and Myself were not the only acting Menagers under the Queen's License; which being a Grant but during Pleasure oblig'd us to a Conduct that might not undeserve the Favour. At this


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Time we were All in the Vigour of our Capacities as Actors, and our Prosperity enable us to pay at least double the Sallaries to what the same Actors had usually receiv'd, or could have hoped for under the Government of the Patentees. Dogget, who was naturally an Oeconomist, kept our Expences and Accounts to the best of his Power within regulated Bounds and Moderation. Wilks, who had a stronger Passion for Glory than Lucre, was a little apt to be lavish in what was not always as necessary for the Profit as the Honour of the Theatre: For example, at the Beginning of almost every Season, he would order two or three Suits to be made or refresh'd for Actors of moderate Consequence, that his having constantly a new one for himself might seem less particular, tho' he had as yet no new Part for it. This expeditious Care of doing us good without waiting for our Consent to it, Dogget always look'd upon with the Eye of a Man in Pain: But I, who hated Pain, (tho' I as little liked the Favour as Dogget himself) rather chose to laugh at the Circumstance, than complain of what I knew was not to be cured but by a Remedy worse than the Evil. Upon these Occasions, therefore, whenever I saw him and his Followers so prettily dress'd out for an old Play, I only commended his Fancy; or at most but whisper'd him not to give himself so much trouble about others, upon whose Performance it would but be thrown away: To which, with a smiling Air of Triumph over my want of Penetration, he has reply'd—Why,

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now, that was what I really did it for! to shew others that I love to take care of them as well as of myself. Thus, whenever he made himself easy, he had not the least Conception, let the Expence be what it would, that we could possibly dislike it. And from the same Principle, provided a thinner Audience were liberal of their Applause, he gave himself little Concern about the Receipt of it. As in these different Tempers of my Brother-Menagers there might be equally something right and wrong, it was equally my Business to keep well with them both: And tho' of the two I was rather inclin'd to Dogget's way of thinking, yet I was always under the disagreeable Restraint of not letting Wilks see it: Therefore, when in any material Point of Menagement they were ready to come to a Rupture, I found it adviseable to think neither of them absolutely in the wrong; but by giving to one as much of the Right in his Opinion this way as I took from the other in that, their Differences were sometimes soft'ned into Concessions, that I have reason to think prevented many ill Consequences in our Affairs that otherwise might have attended them. But this was always to be done with a very gentle Hand; for as Wilks was apt to be easily hurt by Opposition, so when he felt it he was as apt to be insupportable. However, there were some Points in which we were always unanimous. In the twenty Years while we were our own Directors, we never had a Creditor that had occasion to come twice for his Bill; every Monday Morning discharged

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us of all Demands before we took a Shilling for our own Use. And from this time we neither ask'd any Actor, nor were desired by them, to sign any written Agreement (to the best of my Memory) whatsoever: The Rate of their respective Sallaries were only enter'd in our daily Pay-Roll; which plain Record every one look'd upon as good as City-Security: For where an honest Meaning is mutual, the mutual Confidence will be Bond enough in Conscience on both sides: But that I may not ascribe more to our Conduct than was really its Due, I ought to give Fortune her Share of the Commendation; for had not our Success exceeded our Expectation, it might not have been in our Power to throughly to have observ'd those laudable Rules of Oeconomy, Justice, and Lenity, which so happily supported us: But the Severities and Oppression we had suffer'd under our former Masters made us incapable of imposing them on others; which gave our whole Society the cheerful Looks of a rescued People. But notwithstanding this general Cause of Content, it was not above a Year or two before the Imperfection of human Nature began to shew itself in contrary Symptoms. The Merit of the Hazards which the Menagers had run, and the Difficulties they had combated in bringing to Perfection that Revolution by which they had all so amply profited in the Amendment of their general Income, began now to be forgotten; their Acknowledgments and thankful Promises of Fidelity were no more repeated, or

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scarce thought obligatory: Ease and Plenty by an habitual Enjoyment had lost their Novelty, and the Largeness of their Sallaries seem'd rather lessen'd than advanc'd by the extraordinary Gains of the Undertakers; for that is the Scale in which the hired Actor will always weigh his Performance; but whatever Reason there may seem to be in his Case, yet, as he is frequently apt to throw a little Self-partiality into the Balance, that Consideration may a good deal alter the Justness of it. While the Actors, therefore, had this way of thinking, happy was it for the Menagers that their united Interest was so inseparably the same, and that their Skill and Power in Acting stood in a Rank so far above the rest, that if the whole Body of private Men had deserted them, it would yet have been an easier matter for the Menagers to have pick'd up Recruits, than for the Deserters to have found proper Officers to head them. Here, then, in this Distinction lay our Security: Our being Actors ourselves was an Advantage to our Government which all former Menagers, who were only idle Gentlemen, wanted: Nor wa sour Establishment easily to be broken, while our Health and Limbs enabled us to be Joint-labourers in the Work we were Masters of.

The only Actor who, in the Opinion of the Publick, seem'd to have had a Pretence of being advanc'd to a Share with us was certainly Booth: But when it is consider'd how strongly he had oppos'd the Measures that had made us Menagers, by setting


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himself (as has been observ'd) at the Head of an opposite Interest, [115.1] he could not as yet have much to complain of: Beside, if the Court had thought him, now, an equal Object of Favour, it could not have been in our Power to have oppos'd his Preferment: This I mention, not to take from his Merit, but to shew from what Cause it was not as yet better provided for. Therefore it may be no Vanity to say, our having at that time no visible Competitors on the Stage was the only Interest that rais'd us to be the Menagers of it.

But here let me rest a while, and since at my time of Day our best Possessions are but Ease and Quiet, I must be content, if I will have Sallies of Pleasure, to take up with those only that are to be found in Imagination. When I look back, therefore, on the Storms of the Stage we had been toss'd in; when I consider that various Vicissitude of Hopes and Fears we had for twenty Years struggled with, and found ourselves at last thus safely set on Shore to enjoy the Produce of our own Labours, and to have rais'd those Labours by our Skill and Industry to a much fairer Profit, than our Task-masters by all their severe and griping Government had ever reap'd from them, a good-natur'd Reader, that is not offended at the Comparison of great things with small, will allow was a Triumph in proportion equal to those that have attended the


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most heroick Enterprizes for Liberty! What Transport could the first Brutus feel upon his Expulsion of the Tarquins greater than that which now danc'd in the Heart of a poor Actor, who, from an injur'd Labourer, unpaid his Hare, had made himself, without Guilt, a legal Menager of his own Fortune? Let the Grave and Great contemn or yawn at these low Conceits, but let me be happy in the Enjoyment of them! TO this Hour my Memory runs o'er that pleasing Prospect of Life past with little less Delight than when I was first in the real Possession of it. This is the natural Temper of my Mind, which my Acquaintance are frequently Witnesses of: And as this was all the Ambition Providence had made my obscure Condition capable of, I am thankful that Means were given me to enjoy the Fruits of it.

—Hoc est
Vivere bìs, vitâ posse priore frui.[116.1]

Something like the Meaning of this the less learned Reader may find in my Title Page.


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[[96.1]]

Hester Santlow, the "Santlow, fam'd for dance" of Gay, married Barton Booth. She appears to have retired from the stage about 1733. Genest (iii. 375) says, "she seems to have been a pleasing actress with no great powers." Her reputation was note of the best before her marriage, for she was said to have been the mistress of the Duke of Marlborough and of Secretary Craggs. See memoir of Booth.

[[98.1]]

Genest (ii. 430) has the following outspoken character of Rich: "He seems in his public capacity of Patentee and Manager to have been a despicable character—without spirit to bring the power of the Lord Chamberlain to a legal test—without honesty to account to the other proprietors for the receipts of the theatre—without any feeling for his actors—and without the least judgment as to players and plays."

[[98.2]]

Rich's Patent was revived, as Cibber states (p. 78), in 1714, when it was the property of his son, John Rich.

[[99.1]]

There is no more curious transaction in theatrical history than the acquisition of the entire right in the Patent by Rich and his son. Christopher Rich's share (see note on p. 32) was seventeen on-hundredths, or about one-sixth; yet, by obstinate dishonesty, he succeeded in annexing the remainder.

[[100.1]]

In March, 1705.

[[101.1]]

There has been some doubt as to the locality of the theatre in Little Lincoln's Inn Fields, in which Betterton acted, one authority at least holding that he played in Gibbons' Tennis Court in Vere Street, Clare Market. But Cibber distinctly states that Rich rented the building which Betterton left in 1705, and old maps of London show clearly that Rich's theatre was in Portugal Street, just opposite the end of the ten unnamed street, now called Carey Street. In "A New and Exact Plan of the Cities of London and Westminster," published 30th August, 1738, by George Foster, "The New Play House" is given as the name of this building, and it is worthy of notice that Cibber, a few lines above, writes of "the New Theatre in Lincoln's Inn Fields." See also vol. i. p. 192, note 1, where I quote Downes, who calls Betterton's theatre the New Theatre in Lincoln's Inn Fields. About 1756 this house was made a barrack; it was afterwards an auction room; then the China Repository of Messrs. Spode and Copeland, and was ultimately pulled down about 1848 to make room for the extension of the Museum of the Royal College of Surgeons.

[[102.1]]

The Licence to Swiney, Wilks, Cibber, and Dogget, for Drury Lane, is dated 6th November, 1710. In it Swiney's name is spelled "Swyny," and Cibber's "Cybber."

[[104.1]]

Westminster Bridge was authorized to be built in the face of virulent opposition from the Corporation of London, who feared that its existence would damage the trade of the City. Dr. Potter, Archbishop of Canterbury, and others interested, applied for an Act of Parliament in 1736; the bridge was begun in 1738, and not finished till 1750, the opening ceremony being held on 17th November of that year. Until this time the only bridge was London Bridge. See "Old and New London," iii. 197.

[[105.1]]

I presume the Noble Commissioner is the Earl of Pembroke, who laid the first stone of the bridge on 29th January, 1739.

[[106.1]]

Collier seems to have relied on Aaron Hill in all his theatrical enterprises, for, as previously noted, Hill had been manager for him at Drury Lane.

[[107.1]]

At the end of the season 1708-9. See ante, p. 69.

[[108.1]]

Collier's treatment of Swiney was so discreditable, that when he in his turn was evicted from Drury Lane (1714) we cannot help feeling gratified at his downfall.

[[108.2]]

Swiney's Licence for the Opera is dated 17th April, 1712.

[[109.1]]

For a further account of Steele's being given a share of the Patent, which he got through Marlborough's influence, see the beginning of Chapter XV.

[[110.1]]

See vol. i. 284-5.

[[115.1]]

That is, he had been the chief of Collier's Company at Drury Lane at his opening in November, 1709. See ante, p. 94.

[[116.1]]

Martial, x. 23, 7.