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Poems, Dialogues in Verse and Epigrams

By Walter Savage Landor: Edited with notes by Charles G. Crump
Landor, Walter Savage (1775-1864)

collapse section1. 
FIRST VOLUME DRAMATIC SCENES.
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COUNT JULIAN.
collapse section1. 
FIRST ACT
 1. 
FIRST SCENE.
 2. 
SECOND SCENE.
 3. 
THIRD SCENE.
 4. 
FOURTH SCENE.
 5. 
FIFTH SCENE.
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SECOND ACT
 1. 
FIRST SCENE.
 2. 
SECOND SCENE.
 3. 
THIRD SCENE.
 4. 
FOURTH SCENE.
 5. 
FIFTH SCENE.
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THIRD ACT
 1. 
FIRST SCENE.
 2. 
SECOND SCENE.
 3. 
THIRD SCENE.
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FOURTH ACT
 1. 
FIRST SCENE.
 2. 
SECOND SCENE.
 3. 
THIRD SCENE.
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FIFTH ACT
 1. 
FIRST SCENE.
 2. 
SECOND SCENE.
 3. 
THIRD SCENE.
 4. 
FOURTH SCENE.
 5. 
FIFTH SCENE.
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IPPOLITO DI ESTE.
 1. 
[FIRST PART.]
 2. 
SECOND PART.
  
THE SHADES OF AGAMEMNON AND IPHIGENEIA.
  
THE DEATH OF CLYTEMNESTRA.
  
THE MADNESS OF ORESTES.
  
THE PRAYER OF ORESTES.
  
THE PRIESTESS OF APOLLO.
  
WALTER TYRREL AND WILLIAM RUFUS.
  
THE PARENTS OF LUTHER.
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ANDREA OF HUNGARY, GIOVANNA OF NAPLES, AND FRA RUPERT: A TRILOGY.
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ANDREA OF HUNGARY.
  
PROLOGUE.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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GIOVANNA OF NAPLES.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE. II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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FRA RUPERT.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
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ACT III
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
 VII. 
SCENE VII.
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THE SIEGE OF ANCONA.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
collapse sectionIV. 
SCENE IV.
 V. 
SCENE V.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
  
[section]
 IV. 
SCENE IV.
collapse sectionV. 
ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
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ANTONY AND OCTAVIUS.
 1. 
SCENE THE FIRST.
 2. 
SCENE THE SECOND.
 3. 
SCENE THE THIRD.
 4. 
SCENE THE FOURTH.
 5. 
SCENE THE FIFTH.
 6. 
SCENE THE SIXTH.
 7. 
SCENE THE SEVENTH.
 8. 
SCENE THE EIGHTH.
 9. 
SCENE THE NINTH.
 10. 
SCENE THE TENTH.
 11. 
SCENE THE ELEVENTH.
 12. 
SCENE THE TWELFTH.
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SECOND VOLUME POEMS AND EPIGRAMS.
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GEBIR.
 I. 
FIRST BOOK.
 2. 
SECOND BOOK.
 3. 
THIRD BOOK.
 4. 
FOURTH BOOK.
 5. 
FIFTH BOOK.
 6. 
SIXTH BOOK.
 7. 
SEVENTH BOOK.
  
FROM THE PHOCÆANS.
  
CHRYSAOR.
  
REGENERATION.
  
TO CORINTH.
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POEMS AND EPIGRAMS CHIEFLY FROM THE COLLECTION OF 1846.
  
[O friends! who have accompanied thus far]
 I. 
I.
 II. 
II.
 III. 
III. WITH PETRARCA'S SONNETS.
 IV. 
IV.
 V. 
V. TWELFTH-NIGHT.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII. IANTHE'S LETTER.
 XLIII. 
XLIII.
 XLIV. 
XLIV.
 XLV. 
XLV.
 XLVI. 
XLVI.
 XLVII. 
XLVII.
 XLVIII. 
XLVIII.
 XLIX. 
XLIX.
 L. 
L.
 LI. 
LI.
 LII. 
LII.
 LIII. 
LIII.
 LIV. 
LIV.
 LV. 
LV. TO LOVE.
 LVI. 
LVI.
 LVII. 
LVII.
 LVIII. 
LVIII.
 LIX. 
LIX.
 LX. 
LX.
 LXI. 
LXI.
 LXII. 
LXII.
 LXIII. 
LXIII.
 LXIV. 
LXIV.
 LXV. 
LXV.
 LXVI. 
LXVI.
 LXVII. 
LXVII.
 LXVIII. 
LXVIII.
 LXIX. 
LXIX.
 LXX. 
LXX. THE PROGRESS OF EVENING.
 LXXI. 
LXXI.
 LXXII. 
LXXII.
 LXXIII. 
LXXIII.
 LXXIV. 
LXXIV. WRITTEN IN WALES.
 LXXV. 
LXXV.
 LXXVI. 
LXXVI.
 LXXVII. 
LXXVII.
 LXXVIII. 
LXXVIII. FOR AN URN IN THORESBY PARK.
 LXXIX. 
LXXIX. ON READING IN A NEWSPAPER THE DEATH OF A MOTHER AND THREE CHILDREN.
 LXXX. 
LXXX.
 LXXXI. 
LXXXI.
 LXXXII. 
LXXXII. ON A POET IN A WELSH CHURCHYARD.
 LXXXIII. 
LXXXIII.
 LXXXIV. 
LXXXIV.
 LXXXV. 
LXXXV.
 LXXXVI. 
LXXXVI.
 LXXXVII. 
LXXXVII.
 LXXXVIII. 
LXXXVIII.
 LXXXIX. 
LXXXIX.
 XC. 
XC.
 XCI. 
XCI.
 XCII. 
XCII.
 XCIII. 
XCIII.
 XCIV. 
XCIV.
 XCV. 
XCV.
 XCVI. 
XCVI.
 XCVII. 
XCVII.
 XCVIII. 
XCVIII.
 XCIX. 
XCIX.
 C. 
C.
 CI. 
CI.
 CII. 
CII.
 CIII. 
CIII.
 CIV. 
CIV.
 CV. 
CV.
 CVI. 
CVI. ON RECEIVING A BOOK TO WRITE IN.
 CVII. 
CVII. A SEA-SHELL SPEAKS.
 CVIII. 
CVIII.
 CIX. 
CIX.
 CX. 
CX. ON RECEIVING A PORTRAIT.
 CXI. 
CXI.
 CXII. 
CXII. SENT TO A LADY WITH FLOWERS.
 CXIII. 
CXIII.
 CXIV. 
CXIV. ON HAIR FALLING OFF AFTER AN ILLNESS.
 CXV. 
CXV.
 CXVI. 
CXVI. FAREWELL TO ITALY.
 CXVII. 
CXVII.
 CXVIII. 
CXVIII. TO ONE WHO SAID SHE SHOULD LOVE AT FIRST SIGHT.
 CXIX. 
CXIX. ON AN ECLIPSE OF THE MOON.
 CXX. 
CXX. ON SHAKESPEARE.
 CXXI. 
CXXI.
 CXXII. 
CXXII.
 CXXIII. 
CXXIII.
 CXXIV. 
CXXIV.
 CXXV. 
CXXV. TO LADY CALDWELL.
 CXXVI. 
CXXVI.
 CXXVII. 
CXXVII.
 CXXVIII. 
CXXVIII. CHRISTMAS HOLLY.
 CXXIX. 
CXXIX.
 CXXX. 
CXXX.
 CXXXI. 
CXXXI. FOR THE ALBUM OF THE DUCHESS DE GUICHE.
 CXXXII. 
CXXXII.
 CXXXIII. 
CXXXIII. LINES TO A DRAGON-FLY.
 CXXXIV. 
CXXXIV.
 CXXXV. 
CXXXV.
 CXXXVI. 
CXXXVI.
 CXXXVII. 
CXXXVII.
 CXXXVIII. 
CXXXVIII. TO A SPANIEL.
 CXXXIX. 
CXXXIX.
 CXL. 
CXL. ON SEEING A HAIR OF LUCRETIA BORGIA.
 CXLI. 
CXLI. ON MIGNIONETTE.
 CXLII. 
CXLII.
 CXLIII. 
CXLIII. WRITTEN ON THE RHINE.
 CXLIV. 
CXLIV. MALVOLIO.
 CXLV. 
CXLV. WITH AN ALBUM.
 CXLVI. 
CXLVI.
 CXLVII. 
CXLVII. WRITTEN AT MR RAWSON'S, WAS-WATER LAKE.
 CXLVIII. 
CXLVIII.
 CXLIX. 
CXLIX.
 CL. 
CL.
 CLI. 
CLI.
 CLII. 
CLII.
 CLIII. 
CLIII. ON THE DECEASE OF MRS ROSENHAGEN.
 CLIV. 
CLIV.
 CLV. 
CLV.
 CLVI. 
CLVI.
 CLVII. 
CLVII.
 CLVIII. 
CLVIII.
 CLIX. 
CLIX. THE DEAD MARTEN.
 CLX. 
CLX.
 CLXI. 
CLXI.
 CLXII. 
CLXII.
 CLXIII. 
CLXIII.
 CLXIV. 
CLXIV.
 CLXV. 
CLXV. ON RECEIVING A MONTHLY ROSE.
 CLXVI. 
CLXVI.
 CLXVII. 
CLXVII.
 CLXVIII. 
CLXVIII. TO A LADY ON COMING OF AGE.
 CLXIX. 
CLXIX.
 CLXX. 
CLXX.
 CLXXI. 
CLXXI.
 CLXXII. 
CLXXII. ON A QUAKER'S TANKARD.
 CLXXIII. 
CLXXIII. INVOCATION TO THE MUSE.
 CLXXIV. 
CLXXIV. EPITHALAMIUM.
 CLXXV. 
CLXXV.
 CLXXVI. 
CLXXVI.
 CLXXVII. 
CLXXVII. OLD STYLE.
 CLXXVIII. 
CLXXVIII. SUGGESTED BY HORACE.
 CLXXIX. 
CLXXIX.
 CLXXX. 
CLXXX.
 CLXXXI. 
CLXXXI. COTTAGE LEFT FOR LONDON.
 CLXXXII. 
CLXXXII.
 CLXXXIII. 
CLXXXIII.
 CLXXXIV. 
CLXXXIV.
 CLXXXV. 
CLXXXV. FLOWERS SENT IN BAY-LEAVES.
 CLXXXVI. 
CLXXXVI.
 CLXXXVII. 
CLXXXVII.
 CLXXXVIII. 
CLXXXVIII.
 CLXXXIX. 
CLXXXIX.
 CXC. 
CXC.
 CXCI. 
CXCI.
 CXCII. 
CXCII.
 CXCIII. 
CXCIII.
 CXCIV. 
CXCIV.
 CXCV. 
CXCV. A MASK ON A RING.
 CXCVI. 
CXCVI.
 CXCVII. 
CXCVII.
 CXCVIII. 
CXCVIII.
 CXCIX. 
CXCIX. TO JULIUS HARE, WITH “PERICLES AND ASPASIA.”
 CC. 
CC. TO SOUTHEY.
 CCI. 
CCI. LINES ON THE DEATH OF CHARLES LAMB.
 CCII. 
CCII. TO ANDREW JACKSON.
 CCIII. 
CCIII. TO WORDSWORTH.
 CCIV. 
CCIV. TO THE COMTESSE DE MOLANDE, ABOUT TO MARRY THE DUC DE LUXEMBOURG.
 CCV. 
CCV. TO THE COUNTESS OF BLESSINGTON.
 CCVI. 
CCVI.
 CCVII. 
CCVII. TO LADY CHARLES BEAUCLERK.
 CCVIII. 
CCVIII. TO MY DAUGHTER.
 CCIX. 
CCIX. TO ANDREW CROSSE.
 CCX. 
CCX. TO A LADY.
 CCXI. 
CCXI. TO CZARTORYSKI, ATTENDING ON FOOT THE FUNERAL OF THE POET MENINCIVICZ.
 CCXII. 
CCXII. TO MY DAUGHTER IN ITALY, AT CHRISTMAS.
 CCXIII. 
CCXIII. TO MISS ISABELLA PERCY.
 CCXIV. 
CCXIV. TO CHARLES DICKENS.
 CCXV. 
CCXV. TO SOUTHEY, 1833.
 CCXVI. 
CCXVI. TO BARRY CORNWALL.
 CCXVII. 
CCXVII. TO MAJOR-GENERAL W. NAPIER.
 CCXVIII. 
CCXVIII. TO MATHEW AND WOLFF.
 CCXIX. 
CCXIX. TO JOHN KENYON.
 CCXX. 
CCXX. TO ROBERT BROWNING.
 CCXXI. 
CCXXI. TO THE SISTER OF ELIA.
 CCXXII. 
CCXXII. TO JOSEPH ABLETT.
 CCXXIII. 
CCXXIII. TO EMMA ISOLA.
 CCXXIV. 
CCXXIV. TO A PAINTER.
 CCXXV. 
CCXXV. FOR AN EPITAPH AT FIESOLE.
 CCXXVI. 
CCXXVI. TO A BRIDE, FEB. 17, 1846.
 CCXXVII. 
CCXXVII. TO JOHN FORSTER.
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POEMS FROM PERICLES AND ASPASIA AND OTHER PROSE WORKS.
  
PERICLES TO ASPASIA.
  
SOCRATES TO ASPASIA.
  
ASPASIA TO SOCRATES.
  
CORINNA TO TANAGRA.
  
FROM MIMNERMUS.
  
HEGEMON TO PRAXINOE.
  
FROM MYRTIS.
  
TO EROS.
  
THE DEATH OF ARTEMIDORA.
  
ALETHEIA TO PHRAORTES.
  
TO ARDALIA.
  
WAR.
  
CUPID TEARING A ROSE-BUD.
  
A FAUN TO ERIOPIS.
  
CLEONE TO ASPASIA.
  
THE IAMBICS OF HEPHÆSTION.
  
TO PERILLA.
  
FROM ALCAEUS.
  
ON AGE.
  
ODE TO MILETUS.
  
ERINNA TO LOVE.
  
SAPPHO TO HESPERUS.
  
TO HESPERUS.
  
TO PYRRHA.
  
TO MY CHILD CARLINO.
  
INVOCATION TO SLEEP.
  
POET AND LADY.
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FROM THE LAST FRUIT OFF AN OLD TREE.
  
[I strove with none; for none was worth my strife]
 I. 
I. ON CATULLUS.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII. YOUNG.
 IX. 
IX.
 X. 
X.
 XI. 
XI. TO AN OLD MULBERRY TREE.
 XII. 
XII.
 XIII. 
XIII. THE DUKE OF YORK'S STATUE.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII. THE DEATH OF MADAME ROLAND.
 XIX. 
XIX.
 XX. 
XX. ROSE AYLMER'S HAIR, GIVEN BY HER SISTER.
 XXI. 
XXI. THE ONE GRAVE.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV. ON SOUTHEY'S BIRTHDAY, NOV. 4.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII. TO A CHILD.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI. NIL ADMIRARI, ETC.
 XXXII. 
XXXII. JUNE '51.
 XXXIII. 
XXXIII. TO THE COUNTESS DE MOLANDÈ.
 XXXIV. 
XXXIV. YOUTH.
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VARIOUS.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI. LOSS OF MEMORY.
 XXXVII. 
XXXVII. TO THE NIGHTINGALE.
 XXXVIII. 
XXXVIII. ROLAND.
 XXXIX. 
XXXIX. CORDAY.
 XL. 
XL. JANE OF ARC.
 XLI. 
XLI. ON THE STATUE OF EBENEZER ELLIOTT BY NEVILLE BURNARD, ORDERED BY THE WORKING MEN OF SHEFFIELD.
 XLII. 
XLII. ODE TO SICILY.
collapse sectionXLIII. 
XLIII. GONFALIONIERI.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 XLIV. 
XLIV. TO FRANCIS HARE, BURIED AT PALERMO, ON THE INSURRECTION OF SICILY AND NAPLES.
 XLV. 
XLV. TO SAINT CHARLES BORROMEO, ON THE MASSACRE AT MILAN.
 XLVI. 
XLVI.
 XLVII. 
XLVII. DANTE.
 XLVIII. 
XLVIII.
 XLIX. 
XLIX.
 L. 
L. ON THE SLAUGHTER OF THE BROTHERS BANDIERI, BETRAYED TO THE KING OF NAPLES.
 LI. 
LI. TO YOUTH.
 LII. 
LII. TO AGE.
 LIII. 
LIII. TYRANNICIDE.
 LIV. 
LIV. ON THE APPROACH OF A SISTER'S DEATH.
 LV. 
LV. ON SWIFT JOINING AVON NEAR RUGBY.
 LVI. 
LVI.
 LVII. 
LVII. SHAKESPEARE AND MILTON.
 LVIII. 
LVIII. TO MIDSUMMER DAY.
 LIX. 
LIX. TO SHELLEY.
 LX. 
LX. WRITTEN AT HURSTMONCEAUX.
 LXI. 
LXI.
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EPISTLES.
 LXII. 
LXII. TO THE AUTHOR OF “FESTUS.”
 LXIII. 
LXIII. TO A FRIEND'S REMONSTRANCE.
 LXIV. 
LXIV. TO THE REVEREND CUTHBERT SOUTHEY.
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FROM DRY STICKS.
 I. 
I. ON LAW.
 II. 
II. MACAULAY'S PEERAGE.
 III. 
III. PLAYS.
 IV. 
IV. TO A CYCLAMEN.
 V. 
V. TO THE CYCLAMEN.
 VI. 
VI. HEART'S-EASE.
 VII. 
VII. HOW TO READ ME.
 VIII. 
VIII. APOLOGY FOR GEBIR.
 IX. 
IX. DEATH OF THE DAY.
 X. 
X. ON SOUTHEY'S DEATH.
 XI. 
XI. GORE-HOUSE LEFT FOR PARIS.
 XII. 
XII. THE THREE ROSES.
 XIII. 
XIII. THE LAST GIFT.
 XIV. 
XIV. LA PENSIEROSA.
 XV. 
XV. THE FIG-TREES OF GHERARDESCA.
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HEROIC IDYLS, WITH ADDITIONAL POEMS.
 I. 
I. A FRIEND TO THEOCRITOS IN EGYPT.
 II. 
II. PAN.
 III. 
III. MEMORY.
 IV. 
IV. TO THE EMPEROR OF THE FRENCH.
 V. 
V.
 VI. 
VI. ABERTAWY.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX. A FOREIGN RULER.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII. TO SIR RODERICK MURCHISON.
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FROM THE HELLENICS.
  
[Come back, ye wandering Muses, come back home]
  
THRASYMEDES AND EUNÖE.
  
ICARIOS AND ERIGONÈ.
  
THE CHILDREN OF VENUS.
  
THE HAMADRYAD.
  
ACON AND RHODOPE; OR, INCONSTANCY.
  
CATILLUS AND SALIA.
  
ENALLOS AND CYMODAMEIA.
  
PAN AND PITYS.
  
LEONTION, ON TERNISSA'S DEATH (EPICUROS ALSO DEPARTED).
  
CORYTHOS.
  
CORYTHOS.
  
PELEUS AND THETIS.
  
THE ESPOUSALS OF POLYXENA.
  
DEATH OF PARIS AND ŒNONE.
collapse section 
HOMER, LAERTES, AGATHA.
 1. 
FIRST DAY.
 2. 
SECOND DAY.
 3. 
THIRD DAY.

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265

SCENE II.

PALACE, NAPLES. Margarita. Durazzo.
Margarita.
I can not see what mighty things indeed
My aunt Giovanna ever did for me:
Can you?

Durazzo.
They long are over, if she did.

Margarita.
Beside . .

Durazzo.
Now what beside?

Margarita.
I had almost
Said such a foolish thing!

Durazzo.
You! Margarita!

Margarita.
I was about to say she did no more
For me than you. If she loved me, she loved me
Because she loved my mother, her own sister;
Where is the wonder? where the merit?

Durazzo.
None.

Margarita.
She even loved another sister, her
Whom people called Fiammetta; God knows why;
No Christian name, nought Christian-like about it.
She was the one of Sicily, who fancied
(O shame upon her!) somebody . . a writer.

Durazzo.
What writer?

Margarita.
Is not that enough? a writer!

Durazzo.
There is not much to thank her for, if all
Partake of her affection, even those
Who sink so low.

Margarita.
She played with you the most;
Perhaps because she thought you like her child.
She did show pleasure when she fondled me;
But 'twas not to make me the happier,
Although it did so, but herself . . herself.
Yet, Carlo, would you think it! there are times
When I am ready to desire of you
That you would let her out of such a den
266

At Muro.

Durazzo.
Had you mentioned it before,
As wishing it . . why, then indeed . .

Margarita.
So, then,
You would have let her out? How very kind!

Durazzo.
If we could have persuaded her to go.

Margarita.
Persuaded her? what! out of prison?

Durazzo.
Do not
Term it so harshly: who can bear to hear
Of prisons?

Margarita.
Is the tower indeed not lockt
Nor bolted?

Durazzo.
People would run into it
And trouble her devotions. At this time
She needs them most particularly.

Margarita.
Why?

Durazzo.
Her health declines.

Margarita.
Is she in danger?

Durazzo.
Some.

Margarita.
Imminent?

Durazzo.
There are fears.

Margarita.
About her life?

Durazzo.
Men shake their heads.

Margarita.
O Carlo! O my Carlo!
I have . . (will God forgive me?) been ungrateful.
And all this time! . . when, but one moment of it . .
My hand in hers, or hers upon my head . .

Durazzo.
Hush! Margarita! thou'rt a queen: be calm,
And worthy of the station we enjoy.

[He leads her out.
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