The Works of Thomas Love Peacock | ||
II. PART II
Ducentium ortus ex animo: quater
Felix, in imo qui scatentem
Pectore te, pia nympha, sensit.
Gray.
ANALYSIS OF THE SECOND PART
In art, as in nature, those pleasures, in which melancholy mingles, are more powerful, and more permanent, than those which have their origin in lighter sensations.
Painting, music, poetry, and romance, illustrate this proposition:
Painting: in the soft landscapes of Claude Lorraine, and the gloomy grandeur of Salvator Rosa.
Music:—the first natural music of all nations is exclusively melancholy. Hence that irresistible command over the passions, which it is said to have possessed in the infancy of society. Fabulous power of music, illustrated in the instance of Orpheus. Music on a mountain-lake in the evening-twilight: its effect on the mind of the traveller.
Poetry: in the favorite subjects of Homer, Virgil, Dante, Tasso, and Ariosto: particularly tragedy: as in the Electra of Sophocles, the Medea of Euripides, the Lear and Romeo and Juliet of Shakespear, the Zayre of Voltaire, and the Virginia of Alfieri. Extraordinary effect of the poetry of Euripides on the minds of the Syracusans.
Romance derives from melancholy its principal charm, which consists in dwelling on the sorrows of counteracted love. Episode of Rinaldo and Rosaura.
The wrecks of matter, and the wastes of time,
Thy spirit dwells diffused. Thy genial sway
The sister arts, a pensive train, obey.
Thine are the fairest forms the pencil wreathes:
The sweetest spell impassioned music breathes:
The tragic muse, in gorgeous trappings pale,
The feudal legend, and the love-lorn tale.
His evening-vallies, and his weed-twined fanes.
Salvator's hand thy darkest grandeur caught,
Traced the vast plan, and seized the daring thought,
Fixed in his den the living bandit's form,
Piled the black rock, and grasped the Alpine storm.
When in rude caves primeval shepherds dwelt.
The plaintive pipe, attuned to pastoral love,
Soothed the stern genius of the uncultured grove.
Then mystic bards, from Vesta's sacred fire,
Caught thy pure spell, and strung the vocal lyre;
Lulled with its infant charm the winds to sleep,
Tamed the wild herds, and stilled the stormy deep.
The Thracian bard subdued the powers of night.
Charmed as he sung, suspended Styx was calm:
The tortured ghosts inhaled unwonted balm:
The pale shades flitted from their caves of dread:
The serpents slumbered on Alecto's head:
In grim respose the dog of darkness lay,
And captured hell restored its beauteous prey.
Vain gift, by love's imprudent ardor crost!
Too dearly valued, and too lightly lost!
The twilight-echoes of the mountain-lake,
When silent nature drinks the plaintive lay,
When not a ripple strikes the pebbly bay,
When the reflected rock lies dark and still,
And the light larch scarce trembles on the hill.
The wanderer's feet, o'er foreign steeps that roam,
Pause at the strains that soothed his distant home:
Fond fancy hears, in every changeful swell,
The tender accents of the last farewell;
Recalls, in every note, some wild-wood shade,
Some cherished friend, some long-remembered maid.
The laugh, that charms the grosser sons of earth,
A joy so true, so softly sweet, bestow,
As genius gathers from the springs of woe?
How dwells the mind on Hector's funeral fire,
Marks the red blaze of Dido's distant pyre,
Hears from his grave the dead Patroclus call,
Or sees the last of Ilion's sovereigns fall!
On Pisa's tower, and Ugolino's death;
With vain remorse sees wretched Tancred burn,
And twines the cypress round Zerbino's urn.
Yield the light heart a transitory joy:
But when revenge Electra's shrieks invoke;
When fell Medea deals the murderous stroke;
When houseless Lear holds commune with the storm;
When Juliet falls on Romeo's faded form;
When Zara's bosom bleeds 'twixt love and zeal,
While frantic Osman bares the glittering steel;
When the stern sire, with maddening rage imprest,
Draws the red dagger from Virginia's breast,
And imprecates, in accents wildly dread,
Infernal vengeance on the tyrant's head;
Who feels not then the pure ethereal sway
Of that sweet spell thy songs alone convey?
And Athens mourned the year's extinguished spring;
When the sad remnant of her warrior-train
Delved the dark mine, and dragged the captive chain;
They poured, to soothe their pestilential toil,
The tragic lays that charmed their native soil.
Caught the sweet strain, and felt his soul subdued.
Nicias had little to expect from the humanity of a proud and victorious Spartan; but Demosthenes might naturally flatter himself with the hope of justice. He urged with energy, but urged in vain, the observance of the capitulation, which had been ratified with due forms, on the faith of which he had surrendered himself and the troops entrusted to his command. The public prisoners, conducted successively to Syracuse, and exceeding together the number of seven thousand, were treated with the same inhuman cruelty. They were universally condemned to labor in the mines and quarries of Sicily: their whole sustenance was bread and water: they suffered alternately the ardors of a scorching sun, and the chilling damps of autumn. For seventy days and nights they languished in this dreadful captivity, during which the diseases incident to their manner of life were rendered infectious by the stench of the dead bodies, which corrupted the purity of the surrounding air. At length, an eternal separation was made between those who should enjoy the happier lot of being sold as slaves into distant lands, and those who should for ever be confined to their terrible dungeons. The Athenians, with such Italians and Sicilians as had unnaturally embraced their cause, were reserved for the latter doom. Their generals Nicias and Demosthenes had not lived to behold this melancholy hour. Gylippus would have spared their lives, not from any motives of humanity or esteem, but that his joyous return to Sparta might have been graced by their presence. But the resentment of the Syracusans, the fears of the Corinthians, above all, the suspicious jealousy of those perfidious traitors who had maintained a secret correspondence with Nicias, which they dreaded lest the accidents of his future life might discover, loudly demanded the immediate execution of the captive generals. The Athenians of those times justly regretted the loss of Demosthenes, a gallant and enterprising commander; but posterity will for ever lament the fate of Nicias, the most pious, the most virtuous, and the most unfortunate man of the age in which he lived.
Amidst this dark and dreadful scene of cruelty and revenge, we must not omit to mention one singular example of humanity, which broke forth like a meteor in the gloom of a nocturnal tempest. The Syracusans, who could punish their helpless captives with such unrelenting severity, had often melted into tears at the affecting strains of Euripides, an Athenian poet, who had learned in the Socratic school to adorn the lessons of philosophy with the charms of fancy, and who was regarded by the taste of his contemporaries, as he still is by many competent and impartial judges, as the most tender and pathetic, the most philosophical and instructive, of all tragic writers. The pleasure, which the Syracusans had derived from his inimitable poetry, made them long to hear it rehearsed by the flexible voices and harmonious pronunciation of the Athenians, so unlike, and so superior, to the rudeness and asperity of their own Doric dialect. They desired their captives to repeat the plaintive scenes of their favorite bard. The captives obeyed, and affecting to represent the woes of ancient kings and heroes, they too faithfully expressed their own. Their taste and sensibility endeared them to the Syracusans, who released their bonds, received them with kindness into their families, and after treating them with all the honorable distinctions of ancient hospitality, restored them to their longing and afflicted country, as a small but precious wreck of the most formidable armament that had ever sailed from a Grecian harbour. At their return to Athens, they walked in solemn procession to the house of Euripides, whom they gratefully hailed as their deliverer from slavery and death: an acknowledgment, infinitely more honorable than all the crowns and splendor that ever surrounded the person, and even than all the altars and temples that ever adorned the memory, of a poet.
Gillies's Ancient Greece.Man's common doom, the mighty griefs of kings,
Responsive struck on feeling's slumbering strings,
Rolled back the dungeon's iron doors, and gave
Life to the man, and freedom to the slave.
Oh! when the grateful band, on festal day,
Hailed the blest bard who struck their chains away,
To grace his brow in deathless light they bore
A prouder crown than eastern despots wore.
Where mystery broods upon the spoils of years;
Where midnight sprites round scenes of terror rave,
Udolpho's towers, or Julian's dreadful cave.
To thee she sings, her Runic cairn around,
Where the blue death-flame glows along the ground:
From thee she draws her myrtle's tenderest bloom,
That pity wreathes round love's untimely tomb.
Waves o'er the bleak and cloud-capped Apennine;
Where bursts the cataract from primeval snows;
The stately towers of Count Anselmo rose.
One only child was his: a peerless maid,
By many a youth with hopeless pain surveyed:
For young Rinaldo claimed her secret sigh,
Nor shunned the flame her father's watchful eye.
Their youthful passion's silken bonds he tore
With ruthless hand, and barred his iron door.
His weight of woe Rinaldo strove to bear,
And wandered wide, in heart-corroding care.
With sweet accordance soothed the woes he sung.
Their course of grief twelve lingering months had held,
When the sad youth, by bleeding hopes impelled,
Retraced his lonely steps, in pensive mood,
O'er outraged love's still-cherished haunts to brood.
He found the chapel decked, the altar drest,
To force Rosaura to a rival's breast.
His anguished mind, in wounded passion's flow,
Formed wild resolves, and pictured deeds of woe.
The bird of night complained in laurel bowers:
The inconstant clouds, by rising breezes driven,
Scoured, black and swift, along the midnight heaven.
There, as beside the moat's dull wave he strayed,
His fond gaze rested on his long-loved maid,
Where sad she paced, on him alone intent,
Along the windy, moonlight battlement.
He saw her hair in lengthened tresses stream;
Her tearful eye, dim-glistening in the beam:
Awhile he gazed: his inmost soul was moved:
He touched the lay, that most he knew she loved.
Oh! while those thrilling strains around her stole,
Can language paint the tumult of the soul,
That fixed in light the retrospective scene,
And wakened every bliss that once had been?
Her ardent glance, quick-turned towards the note,
Where the pale moon-beams quivered on the moat,
And glowed at once with recognising joy.
Her white hand waved, in Cynthia's silver light,
The sign of welcome from the barrier-height:
Her soft voice chid his steps estranged so long;
Condemned and mourned her tyrant father's wrong;
Told, how, allured by wealth's fallacious charms,
He doomed a lordly bridegroom to her arms;
Yet rather far she wished with him to rove,
Share his hard meal, and bless his faithful love.
Her gliding steps forsook the terraced wall:
She passed the postern-gate, the green-sward pressed,
Sprang o'er the turf, and sunk upon his breast.
To urge their flight the mountain-glens along.
Love lent them speed. The conscious moon alone
Beheld their path, and heard their genius moan.
Swift on the wind-swept crag their steps imprest
Winged the soft hours of man's oblivious rest.
The dripping morn rose dark, and wild, and cold:
The heavy clouds in denser volumes rolled:
The gathering blast pealed forth a voice of dread,
Tossed the light larch, and bent the cedar's head:
A wild response the echoing caverns gave:
The rain-swoln torrent rolled a yellower wave:
Far on the storm was borne the eagle's scream:
Still hope was theirs, and love's celestial beam.
Where from his clouds the mountain-genius lowered,
A frozen mass of tempest-loosened snow
Shook to the blast, and menaced all below.
In silent awe they gazed: that only way
Through those deep glens and lonely dingles lay.
Safe seemed the path, beyond the turbid surge,
If once their steps might pass the dangerous verge,
Where o'er the chasm, immeasurably deep,
The rude pine-bridge was thrown from steep to steep.
Still, as they went, the frantic torrent swelled,
And louder gusts along the dingles yelled.
Like some prophetic spirit's mournful cry,
Pealed from the caves the echo's wild reply.
They pressed the bridge: at once the whirlwind's force
Hurled the vast ruin down its thundering course.
Even while the woods, with sudden tumult rent,
Announced the havoc of its first descent,
One speaking glance the sad farewell declared:
One last embrace the maddening moment shared:
Thus in the sanctuary of love enshrined,
In tenderest links inseparably twined,
Blest in one fate, they met the whelming shock,
That crushed the pine, and rent the eternal rock.
Engulphed the wreck the mighty impulse made:
And o'er the tomb of love, too soon o'erthrown,
The genius of the mountains frowned alone.
The Works of Thomas Love Peacock | ||