Epigrammes in the oldest cut, and newest fashion A twise seuen houres (in so many weekes) studie: No longer (like the fashion) nor vnlike to continue. The first seuen. [by] Iohn Weeuer |
 |
 | 1. |
| 2. |
| 3. |
| 4. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
| 16. |
| 17. |
| 18. |
| 19. |
| 20. |
| 21. |
| 22. |
Epig 22. Ad Gulielmum Shakespeare.
|
| 23. |
| 5. |
| 6. |
| 7. |
 | Epigrammes in the oldest cut, and newest fashion |  |
Epig 22. Ad Gulielmum Shakespeare.
Honie-tong'd Shakespeare when I saw thine issueI swore Apollo got them and none other,
Their rosie-tainted features cloth'd in tissue,
Some heauen born goddesse said to be their mother:
Rose-checkt Adonis with his amber tresses,
Faire fire-hot Uenus charming him to loue her,
Chaste Lucretia virgine-like her dresses,
Prowd lust-stung Tarquine seeking still to proue her:
Romea Richard; more whose names I know not,
Their sugred tongues, and power attractiue beuty
Say they are Saints althogh that Sts they shew not
For thousands vowes to them subiectiue dutie:
They burn in loue thy childrē Shakespear het thē,
Go, wo thy Muse more Nymphish brood beget them.
| Epigrammes in the oldest cut, and newest fashion | |