University of Virginia Library

43. Chapter XLIII

THAT was the moon of delight. The days passed through the hazy forest like stately figures from an old masque. In the pine grove on the knoll the man and the woman had erected a temple to love, and love showed them one to the other.

In Hilda Farrand was no guile, no coquetry, no deceit. So perfect was her naturalism that often by those who knew her least she was considered affected. Her trust in whomever she found herself with attained so directly its reward; her unconsciousness of pose was so rhythmically graceful; her ignorance and innocence so triumphantly effective, that the mind with difficulty rid itself of the belief that it was all carefully studied. This was not true. She honestly did not know that she was beautiful; was unaware of her grace; did not realize the potency of her wealth.

This absolute lack of self-consciousness was most potent in overcoming Thorpe's natural reticence. He expanded to her. She came to idolize him in a manner at once inspiring and touching in so beautiful a creature. In him she saw reflected all the lofty attractions of character which she herself possessed, but of which she was entirely unaware. Through his words she saw to an ideal. His most trivial actions were ascribed to motives of a dignity which would have been ridiculous, if it had not been a little pathetic. The woods-life, the striving of the pioneer kindled her imagination. She seized upon the great facts of them and fitted those facts with reasons of her own. Her insight perceived the adventurous spirit, the battle-courage, the indomitable steadfastness which always in reality lie back of these men of the frontier to urge them into the life; and of them constructed conscious motives of conduct. To her fancy the lumbermen, of whom Thorpe was one, were self-conscious agents of advance. They chose hardship, loneliness, the strenuous life because they wished to clear the way for a higher civilization. To her it seemed a great and noble sacrifice. She did not perceive that while all this is true, it is under the surface, the real spur is a desire to get on, and a hope of making money. For, strangely enough, she differentiated sharply the life and the reasons for it. An existence in subduing the forest was to her ideal; the making of a fortune through a lumbering firm she did not consider in the least important. That this distinction was most potent, the sequel will show.

In all of it she was absolutely sincere, and not at all stupid. She had always had all she could spend, without question. Money meant nothing to her, one way or the other. If need was, she might have experienced some difficulty in learning how to economize, but none at all in adjusting herself to the necessity of it. The material had become, in all sincerity, a basis for the spiritual. She recognized but two sorts of motives; of which the ideal, comprising the poetic, the daring, the beautiful, were good; and the material, meaning the sordid and selfish, were bad. With her the mere money-getting would have to be allied with some great and poetic excuse.

That is the only sort of aristocracy, in the popular sense of the word, which is real; the only scorn of money which can be respected.

There are some faces which symbolize to the beholder many subtleties of soul-beauty which by no other method could gain expression. Those subtleties may not, probably do not, exist in the possessor of the face. The power of such a countenance lies not so much in what it actually represents, as in the suggestion it holds out to another. So often it is with a beautiful character. Analyze it carefully, and you will reduce it generally to absolute simplicity and absolute purity—two elements common enough in adulteration; but place it face to face with a more complex personality, and mirror-like it will take on a hundred delicate shades of ethical beauty, while at the same time preserving its own lofty spirituality.

Thus Hilda Farrand reflected Thorpe. In the clear mirror of her heart his image rested transfigured. It was as though the glass were magic, so that the gross and material was absorbed and lost, while the more spiritual qualities reflected back. So the image was retained in its entirety, but etherealized, refined. It is necessary to attempt, even thus faintly and inadequately, a sketch of Hilda's love, for a partial understanding of it is necessary to the comprehension of what followed the moon of delight.

That moon saw a variety of changes.

The bed of French Creek was cleared. Three of the roads were finished, and the last begun. So much for the work of it.

Morton and Cary shot four deer between them, which was unpardonably against the law, caught fish in plenty, smoked two and a half pounds of tobacco, and read half of one novel. Mrs. Cary and Miss Carpenter walked a total of over a hundred miles, bought twelve pounds of Indian work of all sorts, embroidered the circle of two embroidery frames, learned to paddle a birch-bark canoe, picked fifteen quarts of berries, and gained six pounds in weight. All the party together accomplished five picnics, four explorations, and thirty excellent camp-fires in the evening. So much for the fun of it.

Little Phil disappeared utterly, taking with him his violin, but leaving his broken bow, Thorpe has it even to this day. The lumberman caused search and inquiry on all sides. The cripple was never heard of again. He had lived his brief hour, taken his subtle artist's vengeance of misplayed notes on the crude appreciation of men too coarse-fibred to recognize it, brought together by the might of sacrifice and consummate genius two hearts on the brink of misunderstanding;—now there was no further need for him, he had gone. So much for the tragedy of it.

"I saw you long ago," said Hilda to Thorpe. "Long, long ago, when I was quite a young girl. I had been visiting in Detroit, and was on my way all alone to catch an early train. You stood on the corner thinking, tall and straight and brown, with a weather-beaten old hat and a weather-beaten old coat and weather-beaten old moccasins, and such a proud, clear, undaunted look on your face. I have remembered you ever since."

And then he told her of the race to the Land Office, while her eyes grew brighter and brighter with the epic splendor of the story. She told him that she had loved him from that moment—and believed her telling; while he, the unsentimental leader of men, persuaded himself and her that he had always in some mysterious manner carried her image prophetically in his heart. So much for the love of it.

In the last days of the month of delight Thorpe received a second letter from his partner, which to some extent awakened him to the realities.

"My dear Harry," it ran. "I have made a startling discovery. The other fellow is Morrison. I have been a blind, stupid dolt, and am caught nicely. You can't call me any more names than I have already called myself. Morrison has been in it from the start. By an accident I learned he was behind the fellow who induced me to invest, and it is he who has been hammering the stock down ever since. They couldn't lick you at your game, so they tackled me at mine. I'm not the man you are, Harry, and I've made a mess of it. Of course their scheme is plain enough on the face of it. They're going to involve me so deeply that I will drag the firm down with me.

"If you can fix it to meet those notes, they can't do it. I have ample margin to cover any more declines they may be able to bring about. Don't fret about that. Just as sure as you can pay that sixty thousand, just so sure we'll be ahead of the game at this time next year. For God's sake get a move on you, old man. If you don't—good Lord! The firm'll bust because she can't pay; I'll bust because I'll have to let my stock go on margins—it'll be an awful smash. But you'll get there, so we needn't worry. I've been an awful fool, and I've no right to do the getting into trouble and leave you to the hard work of getting out again. But as partner I'm going to insist on your having a salary—etc."

The news aroused all Thorpe's martial spirit. Now at last the mystery surrounding Morrison & Daly's unnatural complaisance was riven. It had come to grapples again. He was glad of it. Meet those notes? Well I guess so! He'd show them what sort of a proposition they had tackled. Sneaking, underhanded scoundrels! taking advantage of a mere boy. Meet those notes? You bet he would; and then he'd go down there and boost those stocks until M. & D. looked like a last year's bird's nest. He thrust the letter in his pocket and walked buoyantly to the pines.

The two lovers sat there all the afternoon drinking in half sadly the joy of the forest and of being near each other, for the moon of delight was almost done. In a week the camping party would be breaking up, and Hilda must return to the city. It was uncertain when they would be able to see each other again, though there was talk of getting up a winter party to visit Camp One in January. The affair would be unique.

Suddenly the girl broke off and put her fingers to her lips. For some time, dimly, an intermittent and faint sound had been felt, rather than actually heard, like the irregular muffled beating of a heart. Gradually it had insisted on the attention. Now at last it broke through the film of consciousness.

"What is it?" she asked.

Thorpe listened. Then his face lit mightily with the joy of battle.

"My axe-men," he cried. "They are cutting the road."

A faint call echoed. Then without warning, nearer at hand the sharp ring of an axe sounded through the forest.