University of Virginia Library

4. PART IV
THORPE'S DREAM GIRL

37. Chapter XXXVII

THE moment had struck for the woman.

Thorpe did not know it, but it was true. A solitary, brooding life in the midst of grand surroundings, an active, strenuous life among great responsibilities, a starved, hungry life of the affections whence even the sister had withdrawn her love—all these had worked unobtrusively toward the formation of a single psychological condition. Such a moment comes to every man. In it he realizes the beauties, the powers, the vastnesses which unconsciously his being has absorbed. They rise to the surface as a need, which, being satisfied, is projected into the visible world as an ideal to be worshipped. Then is happiness and misery, beside which the mere struggle to dominate men becomes trivial, the petty striving with the forces of nature seems a little thing. And the woman he at that time meets takes on the qualities of the dream; she is more than woman, less than goddess; she is the best of that man made visible.

Thorpe found himself for the first time filled with the spirit of restlessness. His customary iron evenness of temper was gone, so that he wandered quickly from one detail of his work to another, without seeming to penetrate below the surface need of any one task. Out of the present his mind was always escaping to a mystic fourth dimension which he did not understand. But a week before, he had felt himself absorbed in the component parts of his enterprise, the totality of which arched far over his head, shutting out the sky. Now he was outside of it. He had, without his volition, abandoned the creator's standpoint of the god at the heart of his work. It seemed as important, as great to him, but somehow it had taken on a strange solidarity, as though he had left it a plastic beginning and returned to find it hardened into the shapes of finality. He acknowledged it admirable—and wondered how he had ever accomplished it! He confessed that it should be finished as it had begun—and could not discover in himself the Titan who had watched over its inception.

Thorpe took this state of mind much to heart, and in combating it expended more energy than would have sufficed to accomplish the work. Inexorably he held himself to the task. He filled his mind full of lumbering. The millions along the bank on section nine must be cut and travoyed directly on the rollways. It was a shame that the necessity should arise. From section nine Thorpe had hoped to lighten the expenses when finally he should begin operations on the distant and inaccessible headwaters of French Creek. Now there was no help for it. The instant necessity was to get thirty millions of pine logs down the river before Wallace Carpenter's notes came due. Every other consideration had to yield before that. Fifteen millions more could be cut on seventeen, nineteen, and eleven—regions hitherto practically untouched—by the men in the four camps inland. Camp One and Camp Three could attend to section nine.

These were details to which Thorpe applied his mind. As he pushed through the sun-flecked forest, laying out his roads, placing his travoy trails, spying the difficulties that might supervene to mar the fair face of honest labor, he had always this thought before him—that he must apply his mind. By an effort, a tremendous effort, he succeeded in doing so. The effort left him limp. He found himself often standing, or moving gently, his eyes staring sightless, his mind cradled on vague misty clouds of absolute inaction, his will chained so softly and yet so firmly that he felt no strength and hardly the desire to break from the dream that lulled him. Then he was conscious of the physical warmth of the sun, the faint sweet woods smells, the soothing caress of the breeze, the sleepy cicada-like note of the pine creeper. Through his half-closed lashes the tangled sunbeams made soft-tinted rainbows. He wanted nothing so much as to sit on the pine needles there in the golden flood of radiance, and dream—dream on—vaguely, comfortably, sweetly—dream of summer—

Thorpe, with a mighty and impatient effort, snapped the silken cords asunder.

"Lord, Lord!" he cried impatiently. "What's coming to me? I must be a little off my feed!"

And he hurried rapidly to his duties. After an hour of the hardest concentration he had ever been required to bestow on a trivial subject, he again unconsciously sank by degrees into the old apathy.

"Glad it isn't the busy season!" he commented to himself. "Here, I must quit this! Guess it's the warm weather. I'll get down to the mill for a day or two."

There he found himself incapable of even the most petty routine work. He sat to his desk at eight o'clock and began the perusal of a sheaf of letters, comprising a certain correspondence, which Collins brought him. The first three he read carefully; the following two rather hurriedly; of the next one he seized only the salient and essential points; the seventh and eighth he skimmed; the remainder of the bundle he thrust aside in uncontrollable impatience. Next day he returned to the woods.

The incident of the letters had aroused to the full his old fighting spirit, before which no mere instincts could stand. He clamped the iron to his actions and forced them to the way appointed. Once more his mental processes became clear and incisive, his commands direct and to the point. To all outward appearance Thorpe was as before.

He opened Camp One, and the Fighting Forty came back from distant drinking joints. This was in early September, when the raspberries were entirely done and the blackberries fairly in the way of vanishing. That able-bodied and devoted band of men was on hand when needed. Shearer, in some subtle manner of his own; had let them feel that this year meant thirty million or "bust." They tightened their leather belts and stood ready for commands. Thorpe set them to work near the river, cutting roads along the lines he had blazed to the inland timber on seventeen and nineteen. After much discussion with Shearer the young man decided to take out the logs from eleven by driving them down French Creek.

To this end a gang was put to clearing the creek-bed. It was a tremendous job. Centuries of forest life had choked the little stream nearly to the level of its banks. Old snags and stumps lay imbedded in the ooze; decayed trunks, moss-grown, blocked the current; leaning tamaracks, fallen timber, tangled vines, dense thickets gave to its course more the appearance of a tropical jungle than of a north-country brook-bed. All these things had to be removed, one by one, and either piled to one side or burnt. In the end, however, it would pay. French Creek was not a large stream, but it could be driven during the time of the spring freshets.

Each night the men returned in the beautiful dream-like twilight to the camp. There they sat, after eating, smoking their pipes in the open air. Much of the time they sang, while Phil, crouching wolf-like over his violin, rasped out an accompaniment of dissonances. From a distance it softened and fitted pleasantly into the framework of the wilderness. The men's voices lent themselves well to the weird minor strains of the chanteys. These times—when the men sang, and the night-wind rose and died in the hemlock tops—were Thorpe's worst moments. His soul, tired with the day's iron struggle, fell to brooding. Strange thoughts came to him, strange visions. He wanted something—he knew not what; he longed, and thrilled, and aspired to a greater glory than that of brave deeds, a softer comfort than his old foster mother, the wilderness, could bestow.

The men were singing in a mighty chorus, swaying their heads in unison, and bringing out with a roar the emphatic words of the crude ditties written by some genius from their own ranks.

Here was the bold unabashed front of the pioneer, here was absolute certainty in the superiority of his calling—absolute scorn of all others. Thorpe passed his hand across his brow. The same spirit was once fully and freely his.

That was what he was here for. Things were going right. It would be pitiful to fail merely on account of this idiotic lassitude, this unmanly weakness, this boyish impatience and desire for play. He a woodsman! He a fellow with these big strong men! A single voice, clear and high, struck into a quick measure:

And then with a rattle and crash the whole Fighting Forty shrieked out the chorus:

Active, alert, prepared for any emergency that might arise; hearty, ready for everything, from punching bulls to felling trees—that was something like! Thorpe despised himself. The song went on.

And again as before the Fighting Forty howled truculently:

The words were vulgar, the air a mere minor chant. Yet Thorpe's mind was stilled. His aroused subconsciousness had been engaged in reconstructing these men entire as their songs voiced rudely the inner characteristics of their beings. Now his spirit halted, finger on lip. Their bravery, pride of caste, resource, bravado, boastfulness—all these he had checked off approvingly. Here now was the idea of the Mate. Somewhere for each of them was a "Kitty," a "daisy Sunday best-day girl"; the eternal feminine; the softer side; the tenderness, beauty, glory of even so harsh a world as they were compelled to inhabit. At the present or in the past these woods roisterers, this Fighting Forty, had known love. Thorpe arose abruptly and turned at random into the forest. The song pursued him as he went, but he heard only the clear sweet tones, not the words. And yet even the words would have spelled to his awakened sensibilities another idea—would have symbolized, however rudely, companionship and the human delight of acting a part before a woman.

And with the increasing war and turmoil of the quick water the last shout of the Fighting Forty mingled faintly and was lost.

Thorpe found himself at the edge of the woods facing a little glade into which streamed the radiance of a full moon.

38. Chapter XXXVIII

THERE he stood and looked silently, not understanding, not caring to inquire. Across the way a white-throat was singing, clear, beautiful, like the shadow of a dream. The girl stood listening.

Her small fair head was inclined ever so little sideways and her finger was on her lips as though she wished to still the very hush of night, to which impression the inclination of her supple body lent its grace. The moonlight shone full upon her countenance. A little white face it was, with wide clear eyes and a sensitive, proud mouth that now half parted like a child's. Her eyebrows arched from her straight nose in the peculiarly graceful curve that falls just short of pride on the one side and of power on the other, to fill the eyes with a pathos of trust and innocence. The man watching could catch the poise of her long white neck and the molten moon-fire from her tumbled hair—the color of corn-silk, but finer.

And yet these words mean nothing. A painter might have caught her charm, but he must needs be a poet as well—and a great poet, one capable of grandeurs and subtleties.

To the young man standing there rapt in the spell of vague desire, of awakened vision, she seemed most like a flower or a mist. He tried to find words to formulate her to himself, but did not succeed. Always it came back to the same idea—the flower and the mist. Like the petals of a flower most delicate was her questioning, upturned face; like the bend of a flower most rare the stalk of her graceful throat; like the poise of a flower most dainty the attitude of her beautiful, perfect body sheathed in a garment that outlined each movement, for the instant in suspense. Like a mist the glimmering of her skin, the shining of her hair, the elusive moon-like quality of her whole personality as she stood there in the ghost-like clearing listening, her fingers on her lips.

Behind her lurked the low, even shadow of the forest where the moon was not, a band of velvet against which the girl and the light-touched twigs and bushes and grass blades were etched like frost against a black window pane. There was something, too, of the frost-work's evanescent spiritual quality in the scene—as though at any moment, with a puff of the balmy summer wind, the radiant glade, the hovering figure, the filagreed silver of the entire setting would melt into the accustomed stern and menacing forest of the northland, with its wolves, and its wild deer, and the voices of its sterner calling.

Thorpe held his breath and waited. Again the white-throat lifted his clear, spiritual note across the brightness, slow, trembling with ecstasy. The girl never moved. She stood in the moonlight like a beautiful emblem of silence, half real, half fancy, part woman, wholly divine, listening to the little bird's message.

For the third time the song shivered across the night; then Thorpe with a soft sob, dropped his face in his hands and looked no more.

He did not feel the earth beneath his knees, nor the whip of the sumach across his face; he did not see the moon shadows creep slowly along the fallen birch; nor did he notice that the white-throat had hushed its song. His inmost spirit was shaken. Something had entered his soul and filled it to the brim, so that he dared no longer stand in the face of radiance until he had accounted with himself. Another drop would overflow the cup.

Ah, sweet God, the beauty of it, the beauty of it! That questing, child-like starry gaze, seeking so purely to the stars themselves! That flower face, those drooping, half-parted lips! That inexpressible, unseizable something they had meant! Thorpe searched humbly—eagerly—then with agony through his troubled spirit, and in its furthermost depths saw the mystery as beautifully remote as ever. It approached and swept over him and left him gasping passion-racked. Ah, sweet God, the beauty of it! the beauty of it! the vision! the dream!

He trembled and sobbed with his desire to seize it, with his impotence to express it, with his failure even to appreciate it as his heart told him it should be appreciated.

He dared not look. At length he turned and stumbled back through the moonlit forest crying on his old gods in vain.

At the banks of the river he came to a halt. There in the velvet pines the moonlight slept calmly, and the shadows rested quietly under the breezeless sky. Near at hand the river shouted as ever its cry of joy over the vitality of life, like a spirited boy before the face of inscrutable nature. All else was silence. Then from the waste boomed a strange, hollow note, rising, dying, rising again, instinct with the spirit of the wilds. It fell, and far away sounded a heavy but distant crash. The cry lifted again. It was the first bull moose calling across the wilderness to his mate.

And then, faint but clear, down the current of a chance breeze drifted the chorus of the Fighting Forty.

Thorpe turned from the river with a thrust forward of his head. He was not a religious man, and in his six years' woods experience had never been to church. Now he looked up over the tops of the pines to where the Pleiades glittered faintly among the brighter stars.

"Thanks, God," said he briefly.

39. Chapter XXXIX

FOR several days this impression satisfied him completely. He discovered, strangely enough, that his restlessness had left him, that once more he was able to give to his work his former energy and interest. It was as though some power had raised its finger and a storm had stilled, leaving calm, unruffled skies.

He did not attempt to analyze this; he did not even make an effort to contemplate it. His critical faculty was stricken dumb and it asked no questions of him. At a touch his entire life had changed. Reality or vision, he had caught a glimpse of something so entirely different from anything his imagination or experience had ever suggested to him, that at first he could do no more than permit passively its influences to adjust themselves to his being.

Curiosity, speculation, longing—all the more active emotions remained in abeyance while outwardly, for three days, Harry Thorpe occupied himself only with the needs of the Fighting Forty at Camp One.

In the early morning he went out with the gang. While they chopped or heaved, he stood by serene. Little questions of expediency he solved. Dilemmas he discussed leisurely with Tim Shearer. Occasionally he lent a shoulder when the peaveys lacked of prying a stubborn log from its bed. Not once did he glance at the nooning sun. His patience was quiet and sure. When evening came he smoked placidly outside the office, listening to the conversation and laughter of the men, caressing one of the beagles, while the rest slumbered about his feet, watching dreamily the night shadows and the bats. At about nine o'clock he went to bed, and slept soundly. He was vaguely conscious of a great peace within him, a great stillness of the spirit, against which the metallic events of his craft clicked sharply in vivid relief. It was the peace and stillness of a river before it leaps.

Little by little the condition changed. The man felt vague stirrings of curiosity. He speculated aimlessly as to whether or not the glade, the moonlight, the girl, had been real or merely the figments of imagination. Almost immediately the answer leaped at him from his heart. Since she was so certainly flesh and blood, whence did she come? what was she doing there in the wilderness? His mind pushed the query aside as unimportant, rushing eagerly to the essential point: When could he see her again? How find for the second time the vision before which his heart felt the instant need of prostrating itself. His placidity had gone. That morning he made some vague excuse to Shearer and set out blindly down the river.

He did not know where he was going, any more than did the bull moose plunging through the trackless wilderness to his mate. Instinct, the instinct of all wild natural creatures, led him. And so, without thought, without clear intention even—most would say by accident—he saw her again. It was near the "pole trail"; which was less like a trail than a rail-fence.

For when the snows are deep and snowshoes not the property of every man who cares to journey, the old-fashioned "pole trail" comes into use. It is merely a series of horses built of timber across which thick Norway logs are laid, about four feet from the ground to form a continuous pathway. A man must be a tight-rope walker to stick to the pole trail when ice and snow have sheathed its logs. If he makes a misstep, he is precipitated ludicrously into feathery depths through which he must flounder to the nearest timber horse before he can remount. In summer, as has been said, it resembles nothing so much as a thick one-rail fence of considerable height, around which a fringe of light brush has grown.

Thorpe reached the fringe of bushes, and was about to dodge under the fence, when he saw her. So he stopped short, concealed by the leaves and the timber horse.

She stood on a knoll in the middle of a grove of monster pines. There was something of the cathedral in the spot. A hush dwelt in the dusk, the long columns lifted grandly to the Roman arches of the frond, faint murmurings stole here and there like whispering acolytes. The girl stood tall and straight among the tall, straight pines like a figure on an ancient tapestry. She was doing nothing—just standing there—but the awe of the forest was in her wide, clear eyes.

The great sweet feeling clutched the young man's throat again. But while the other—the vision of the frost-work glade and the spirit-like figure of silence—had been unreal and phantasmagoric, this was of the earth. He looked, and looked, and looked again. He saw the full pure curve of her cheek's contour, neither oval nor round, but like the outline of a certain kind of plum. He appreciated the half-pathetic downward droop of the corners of her mouth—her red mouth in dazzling, bewitching contrast to the milk-whiteness of her skin. He caught the fineness of her nose, straight as a Grecian's, but with some faint suggestion about the nostrils that hinted at piquance. And the waving corn-silk of her altogether charming and unruly hair, the superb column of her long neck on which her little head poised proudly like a flower, her supple body, whose curves had the long undulating grace of the current in a swift river, her slender white hand with the pointed fingers—all these he saw one after the other, and his soul shouted within him at the sight. He wrestled with the emotions that choked him. "Ah, God! Ah, God!" he cried softly to himself like one in pain. He, the man of iron frame, of iron nerve, hardened by a hundred emergencies, trembled in every muscle before a straight, slender girl, clad all in brown, standing alone in the middle of the ancient forest.

In a moment she stirred slightly, and turned. Drawing herself to her full height, she extended her hands over her head palm outward, and, with an indescribably graceful gesture, half mockingly bowed a ceremonious adieu to the solemn trees. Then with a little laugh she moved away in the direction of the river.

At once Thorpe proved a great need of seeing her again. In his present mood there was nothing of the awe-stricken peace he had experienced after the moonlight adventure. He wanted the sight of her as he had never wanted anything before. He must have it, and he looked about him fiercely as though to challenge any force in Heaven or Hell that would deprive him of it. His eyes desired to follow the soft white curve of her cheek, to dance with the light of her corn-silk hair, to delight in the poetic movements of her tall, slim body, to trace the full outline of her chin, to wonder at the carmine of her lips, red as a blood-spot on the snow. These things must be at once. The strong man desired it. And finding it impossible, he raged inwardly and tore the tranquillities of his heart, as on the shores of the distant Lake of Stars, the bull-moose trampled down the bushes in his passion.

So it happened that he ate hardly at all that day, and slept ill, and discovered the greatest difficulty in preserving the outward semblance of ease which the presence of Tim Shearer and the Fighting Forty demanded.

And next day he saw her again, and the next, because the need of his heart demanded it, and because, simply enough, she came every afternoon to the clump of pines by the old pole trail.

Now had Thorpe taken the trouble to inquire, he could have learned easily enough all there was to be known of the affair. But he did not take the trouble. His consciousness was receiving too many new impressions, so that in a manner it became bewildered. At first as has been seen, the mere effect of the vision was enough; then the sight of the girl sufficed him. But now curiosity awoke and a desire for something more. He must speak to her, touch her hand, look into her eyes. He resolved to approach her, and the mere thought choked him and sent him weak.

When he saw her again from the shelter of the pole trail, he dared not, and so stood there prey to a novel sensation—that of being baffled in an intention. It awoke within him a vast passion compounded part of rage at himself, part of longing for that which he could not take, but most of love for the girl. As he hesitated in one mind but in two decisions, he saw that she was walking slowly in his direction.

Perhaps a hundred paces separated the two. She took them deliberately, pausing now and again to listen, to pluck a leaf, to smell the fragrant balsam and fir tops as she passed them. Her progression was a series of poses, the one of which melted imperceptibly into the other without appreciable pause of transition. So subtly did her grace appeal to the sense of sight, that out of mere sympathy the other senses responded with fictions of their own. Almost could the young man behind the trail savor a faint fragrance, a faint music that surrounded and preceded her like the shadows of phantoms. He knew it as an illusion, born of his desire, and yet it was a noble illusion, for it had its origin in her.

In a moment she had reached the fringe of brush about the pole trail. They stood face to face.

She gave a little start of surprise, and her hand leaped to her breast, where it caught and stayed. Her child-like down-drooping mouth parted a little more, and the breath quickened through it. But her eyes, her wide, trusting, innocent eyes, sought his and rested.

He did not move. The eagerness, the desire, the long years of ceaseless struggle, the thirst for affection, the sob of awe at the moonlit glade, the love—all these flamed in his eyes and fixed his gaze in an unconscious ardor that had nothing to do with convention or timidity. One on either side of the spike-marked old Norway log of the trail they stood, and for an appreciable interval the duel of their glances lasted—he masterful, passionate, exigent; she proud, cool, defensive in the aloofness of her beauty. Then at last his prevailed. A faint color rose from her neck, deepened, and spread over her face and forehead. In a moment she dropped her eyes.

"Don't you think you stare a little rudely—Mr. Thorpe?" she asked.

40. Chapter XL

THE vision was over, but the beauty remained. The spoken words of protest made her a woman. Never again would she, nor any other creature of the earth, appear to Thorpe as she had in the silver glade or the cloistered pines. He had had his moment of insight. The deeps had twice opened to permit him to look within. Now they had closed again. But out of them had fluttered a great love and the priestess of it. Always, so long as life should be with him, Thorpe was destined to see in this tall graceful girl with the red lips and the white skin and the corn-silk hair, more beauty, more of the great mysterious spiritual beauty which is eternal, than her father or her mother or her dearest and best. For to them the vision had not been vouchsafed, while he had seen her as the highest symbol of God's splendor.

Now she stood before him, her head turned half away, a faint flush still tingeing the chalk-white of her skin, watching him with a dim, half-pleading smile in expectation of his reply.

"Ah, moon of my soul! light of my life!" he cried, but he cried it within him, though it almost escaped his vigilance to his lips. What he really said sounded almost harsh in consequence.

"How did you know my name?" he asked.

She planted both elbows on the Norway and framed her little face deliciously with her long pointed hands.

"If Mr. Harry Thorpe can ask that question," she replied, "he is not quite so impolite as I had thought him."

"If you don't stop pouting your lips, I shall kiss them!" cried Harry—to himself.

"How is that?" he inquired breathlessly.

"Don't you know who I am?" she asked in return.

"A goddess, a beautiful woman!" he answered ridiculously enough.

She looked straight at him. This time his gaze dropped.

"I am a friend of Elizabeth Carpenter, who is Wallace Carpenter's sister, who I believe is Mr. Harry Thorpe's partner."

She paused as though for comment. The young man opposite was occupied in many other more important directions. Some moments later the words trickled into his brain, and some moments after that he realized their meaning.

"We wrote Mr. Harry Thorpe that we were about to descend on his district with wagons and tents and Indians and things, and asked him to come and see us."

"Ah, heart o' mine, what clear, pure eyes she has! How they look at a man to drown his soul!"

Which, even had it been spoken, was hardly the comment one would have expected.

The girl looked at him for a moment steadily, then smiled. The change of countenance brought Thorpe to himself, and at the same moment the words she had spoken reached his comprehension.

"But I never received the letter. I'm so sorry," said he. "It must be at the mill. You see, I've been up in the woods for nearly a month."

"Then we'll have to forgive you."

"But I should think they would have done something for you at the mill—"

"Oh, we didn't come by way of your mill. We drove from Marquette."

"I see," cried Thorpe, enlightened. "But I'm sorry I didn't know. I'm sorry you didn't let me know. I suppose you thought I was still at the mill. How did you get along? Is Wallace with you?"

"No," she replied, dropping her hands and straightening her erect figure. "It's horrid. He was coming, and then some business came up and he couldn't get away. We are having the loveliest time though. I do adore the woods. Come," she cried impatiently, sweeping aside to leave a way clear, "you shall meet my friends."

Thorpe imagined she referred to the rest of the tenting party. He hesitated.

"I am hardly in fit condition," he objected.

She laughed, parting her red lips. "You are extremely picturesque just as you are," she said with rather embarrassing directness. "I wouldn't have you any different for the world. But my friends don't mind. They are used to it." She laughed again.

Thorpe crossed the pole trail, and for the first time found himself by her side. The warm summer odors were in the air, a dozen lively little birds sang in the brush along the rail, the sunlight danced and flickered through the openings.

Then suddenly they were among the pines, and the air was cool, the vista dim, and the bird-songs inconceivably far away.

The girl walked directly to the foot of a pine three feet through and soaring up an inconceivable distance through the still twilight.

"This is Jimmy," said she gravely. "He is a dear good old rough bear when you don't know him, but he likes me. If you put your ear close against him," she confided, suiting the action to the word, "you can hear him talking to himself. This little fellow is Tommy. I don't care so much for Tommy because he's sticky. Still, I like him pretty well, and here's Dick, and that's Bob, and the one just beyond is Jack."

"Where is Harry?" asked Thorpe.

"I thought one in a woods was quite sufficient," she replied with the least little air of impertinence.

"Why do you name them such common, everyday names?" he inquired.

"I'll tell you. It's because they are so big and grand themselves, that it did not seem to me they needed high-sounding names. What do you think?" she begged with an appearance of the utmost anxiety.

Thorpe expressed himself as in agreement. As the half-quizzical conversation progressed, he found their relations adjusting themselves with increasing rapidity. He had been successively the mystic devotee before his vision, the worshipper before his goddess; now he was unconsciously assuming the attitude of the lover before his mistress. It needs always this humanizing touch to render the greatest of all passions livable.

And as the human element developed, he proved at the same time greater and greater difficulty in repressing himself, and greater and greater fear of the results in case he should not do so. He trembled with the desire to touch her long slender hand, and as soon as his imagination had permitted him that much, he had already crushed her to him and had kissed passionately her starry face. Words hovered on his lips longing for flight. He withheld them by an effort that left him almost incoherent, for he feared with a deadly fear lest he lose forever what the vision had seemed to offer to his hand.

So he said little, and that lamely, for he dreaded to say too much. To her playful sallies he had no riposte. And in consequence he fell more silent with another boding—that he was losing his cause outright for lack of a ready word.

He need not have been alarmed. A woman in such a case hits as surely as a man misses. Her very daintiness and preciosity of speech indicated it. For where a man becomes stupid and silent, a woman covers her emotions with words and a clever speech. Not in vain is a proud-spirited girl stared down in such a contest of looks; brave deeds simply told by a friend are potent to win interest in advance; a straight, muscular figure, a brown skin, a clear, direct eye, a carriage of power and acknowledged authority, strike hard at a young imagination; a mighty passion sweeps aside the barriers of the heart. Such a victory, such a friend, such a passion had Thorpe.

And so the last-spoken exchange between them meant nothing; but if each could have read the unsaid words that quivered on the other's heart, Thorpe would have returned to the Fighting Forty more tranquilly, while she would probably not have returned to the camping party at all for a number of hours.

"I do not think you had better come with me," she said. "Make your call and be forgiven on your own account. I don't want to drag you in at my chariot wheels."

"All right. I'll come this afternoon," Thorpe had replied.

"I love her, I must have her. I must go—at once," his soul had cried, "quick—now—before I kiss her!"

"How strong he is," she said to herself, "how brave-looking; how honest! He is different from the other men. He is magnificent."

41. Chapter XLI

THAT afternoon Thorpe met the other members of the party, offered his apologies and explanations, and was graciously forgiven. He found the personnel to consist of, first of all, Mrs. Cary, the chaperone, a very young married woman of twenty-two or thereabouts; her husband, a youth of three years older, clean-shaven, light-haired, quiet-mannered; Miss Elizabeth Carpenter, who resembled her brother in the characteristics of good-looks, vivacious disposition, and curly hair; an attendant satellite of the masculine persuasion called Morton; and last of all the girl whom Thorpe had already so variously encountered and whom he now met as Miss Hilda Farrand. Besides these were Ginger, a squab negro built to fit the galley of a yacht; and three Indian guides. They inhabited tents, which made quite a little encampment.

Thorpe was received with enthusiasm. Wallace Carpenter's stories of his woods partner, while never doing more than justice to the truth, had been of a warm color tone. One and all owned a lively curiosity to see what a real woodsman might be like. When he proved to be handsome and well-mannered, as well as picturesque, his reception was no longer in doubt.

Nothing could exceed his solicitude as to their comfort and amusement. He inspected personally the arrangement of the tents, and suggested one or two changes conducive to the littler comforts. This was not much like ordinary woods-camping. The largest wall-tent contained three folding cots for the women, over which, in the daytime, were flung bright-colored Navajo blankets. Another was spread on the ground. Thorpe later, however, sent over two bear-skins, which were acknowledgedly an improvement. To the tent pole a mirror of size was nailed, and below it stood a portable washstand. The second tent, devoted to the two men, was not quite so luxurious; but still boasted of little conveniences the true woodsman would never consider worth the bother of transporting. The third, equally large, was the dining tent. The other three, smaller, and on the A-tent order, served respectively as sleeping-rooms for Ginger and the Indians, and as a general storehouse for provisions and impedimenta.

Thorpe sent an Indian to Camp One for the bear-skins, put the rest to digging a trench around the sleeping tents in order that a rain-storm might not cause a flood, and ordered Ginger to excavate a square hole some feet deep, which he intended to utilize as a larder.

Then he gave Morton and Cary hints as to the deer they wished to capture, pointed out the best trout-pools, and issued advice as to the compassing of certain blackberries, not far distant.

Simple things enough they were to do—it was as though a city man were to direct a newcomer to Central Park, or impart to him a test for the destinations of trolley lines—yet Thorpe's new friends were profoundly impressed with his knowledge of occult things. The forest was to them, as to most, more or less of a mystery, unfathomable except to the favored of genius. A man who could interpret it, even a little, into the speech of everyday comfort and expediency possessed a strong claim to their imaginations. When he had finished these practical affairs, they wanted him to sit down and tell them more things—to dine with them, to smoke about their camp-fire in the evening. But here they encountered a decided check. Thorpe became silent, almost morose. He talked in monosyllables, and soon went away. They did not know what to make of him, and so were, of course, the more profoundly interested. The truth was, his habitual reticence would not have permitted a great degree of expansion in any case, but now the presence of Hilda made any but an attitude of hushed waiting for her words utterly impossible to him. He wished well to them all. If there was anything he could do for them, he would gladly undertake it. But he would not act the lion nor tell of his, to them, interesting adventures.

However, when he discovered that Hilda had ceased visiting the clump of pines near the pole trail, his desire forced him back among these people. He used to walk in swiftly at almost any time of day, casting quick glances here and there in search of his divinity.

"How do, Mrs. Cary," he would say. "Nice weather. Enjoying yourself?"

On receiving the reply he would answer heartily, "That's good!" and lapse into silence. When Hilda was about he followed every movement of, hers with his eyes, so that his strange conduct lacked no explanation or interpretation, in the minds of the women at least. Thrice he redeemed his reputation for being an interesting character by conducting the party on little expeditions here and there about the country. Then his woodcraft and resourcefulness spoke for him. They asked him about the lumbering operations, but he seemed indifferent.

"Nothing to interest you," he affirmed. "we're just cutting roads now. You ought to be here for the drive."

To him there was really nothing interesting in the cutting of roads nor the clearing of streams. It was all in a day's work.

Once he took them over to see Camp One. They were immensely pleased, and were correspondingly loud in exclamations. Thorpe's comments were brief and dry. After the noon dinner he had the unfortunate idea of commending the singing of one of the men.

"Oh, I'd like to hear him," cried Elizabeth Carpenter. "Can't you get him to sing for us, Mr. Thorpe?"

Thorpe went to the men's camp, where he singled out the unfortunate lumber-jack in question.

"Come on, Archie," he said. "The ladies want to hear you sing."

The man objected, refused, pleaded, and finally obeyed what amounted to a command. Thorpe re-entered the office with triumph, his victim in tow.

"This is Archie Harris," he announced heartily. "He's our best singer just now. Take a chair, Archie."

The man perched on the edge of the chair and looked straight out before him.

"Do sing for us, won't you, Mr. Harris?" requested Mrs. Cary in her sweetest tones.

The man said nothing, nor moved a muscle, but turned a brick-red. An embarrassed silence of expectation ensued.

"Hit her up, Archie," encouraged Thorpe.

"I ain't much in practice no how," objected the man in a little voice, without moving.

"I'm sure you'll find us very appreciative," said Elizabeth Carpenter.

"Give us a song, Archie, let her go," urged Thorpe impatiently.

"All right," replied the man very meekly.

Another silence fell. It got to be a little awful. The poor woodsman, pilloried before the regards of this polite circle, out of his element, suffering cruelly, nevertheless made no sign nor movement one way or the other. At last when the situation had almost reached the breaking point of hysteria, he began.

His voice ordinarily was rather a good tenor. Now he pitched it too high; and went on straining at the high notes to the very end. Instead of offering one of the typical woods chanteys, he conceived that before so grand an audience he should give something fancy. He therefore struck into a sentimental song of the cheap music-hall type. There were nine verses, and he drawled through them all, hanging whiningly on the nasal notes in the fashion of the untrained singer. Instead of being a performance typical of the strange woods genius, it was merely an atrocious bit of cheap sentimentalism, badly rendered.

The audience listened politely. When the song was finished it murmured faint thanks.

"Oh, give us 'Jack Haggerty,' Archie," urged Thorpe.

But the woodsman rose, nodded his head awkwardly, and made his escape. He entered the men's camp swearing, and for the remainder of the day made none but blasphemous remarks.

The beagles, however, were a complete success. They tumbled about, and lolled their tongues, and laughed up out of a tangle of themselves in a fascinating manner. Altogether the visit to Camp One was a success, the more so in that on the way back, for the first time, Thorpe found that chance—and Mrs. Cary—had allotted Hilda to his care.

A hundred yards down the trail they encountered Phil. The dwarf stopped short, looked attentively at the girl, and then softly approached. When quite near to her he again stopped, gazing at her with his soul in his liquid eyes.

"You are more beautiful than the sea at night," he said directly.

The others laughed. "There's sincerity for you, Miss Hilda," said young Mr. Morton.

"Who is he?" asked the girl after they had moved on.

"Our chore-boy," answered Thorpe with great brevity, for he was thinking of something much more important.

After the rest of the party had gone ahead, leaving them sauntering more slowly down the trail, he gave it voice.

"Why don't you come to the pine grove any more?" he asked bluntly.

"Why?" countered Hilda in the manner of women.

"I want to see you there. I want to talk with you. I can't talk with all that crowd around."

"I'll come to-morrow," she said—then with a little mischievous laugh, "if that'll make you talk."

"You must think I'm awfully stupid," agreed Thorpe bitterly.

"Ah, no! Ah, no!" she protested softly. "You must not say that."

She was looking at him very tenderly, if he had only known it, but he did not, for his face was set in discontented lines straight before him.

"It is true," he replied.

They walked on in silence, while gradually the dangerous fascination of the woods crept down on them. Just before sunset a hush falls on nature. The wind has died, the birds have not yet begun their evening songs, the light itself seems to have left off sparkling and to lie still across the landscape. Such a hush now lay on their spirits. Over the way a creeper was droning sleepily a little chant—the only voice in the wilderness. In the heart of the man, too, a little voice raised itself alone.

"Sweetheart, sweetheart, sweetheart!" it breathed over and over again. After a while he said it gently in a half voice.

"No, no, hush!" said the girl, and she laid the soft, warm fingers of one hand across his lips, and looked at him from a height of superior soft-eyed tenderness as a woman might look at a child. "You must not. It is not right."

Then he kissed the fingers very gently before they were withdrawn, and she said nothing at all in rebuke, but looked straight before her with troubled eyes.

The voices of evening began to raise their jubilant notes. From a tree near by the olive thrush sang like clockwork; over beyond carolled eagerly a black-throat, a myrtle warbler, a dozen song sparrows, and a hundred vireos and creepers. Down deep in the blackness of the ancient woods a hermit thrush uttered his solemn bell-note, like the tolling of the spirit of peace. And in Thorpe's heart a thousand tumultuous voices that had suddenly roused to clamor, died into nothingness at the music of her softly protesting voice.

42. Chapter XLII

THORPE returned to Camp One shortly after dark. He found there Scotty Parsons, who had come up to take charge of the crew engaged in clearing French Creek. The man brought him a number of letters sent on by Collins, among which was one from Wallace Carpenter.

After commending the camping party to his companion's care, and giving minute directions as to how and where to meet it, the young fellow went on to say that affairs were going badly on the Board.

"Some interest that I haven't been able to make out yet has been hammering our stocks down day after day," he wrote. "I don't understand it, for the stocks are good—they rest on a solid foundation of value—and intrinsically are worth more than is bid for them right now. Some powerful concern is beating them down for a purpose of its own. Sooner or later they will let up, and then we'll get things back in good shape. I am amply protected now, thanks to you, and am not at all afraid of losing my holdings. The only difficulty is that I am unable to predict exactly when the other fellows will decide that they have accomplished whatever they are about, and let up. It may not be before next year. In that case I couldn't help you out on those notes when they come due. So put in your best licks, old man. You may have to pony up for a little while, though, of course, sooner or later I can put it all back. Then, you bet your life, I keep out of it. Lumbering's good enough for yours truly.

"By the way, you might shine up to Hilda Farrand and join the rest of the fortune-hunters. She's got it to throw to the birds, and in her own right. Seriously, old fellow, don't put yourself into a false position through ignorance. Not that there is any danger to a hardened old woodsman like you."

Thorpe went to the group of pines by the pole trail the following afternoon because he had said he would, but with a new attitude of mind. He had come into contact with the artificiality of conventional relations, and it stiffened him. No wonder she had made him keep silence the afternoon before! She had done it gently and nicely, to be sure, but that was part of her good-breeding. Hilda found him formal, reserved, polite; and marvelled at it. In her was no coquetry. She was as straightforward and sincere as the look of her eyes.

They sat down on a log. Hilda turned to him with her graceful air of confidence.

"Now talk to me," said she.

"Certainly," replied Thorpe in a practical tone of voice, "what do you want me to talk about?"

She shot a swift, troubled glance at him, concluded herself mistaken, and said:

"Tell me about what you do up here—your life—all about it."

"Well—" replied Thorpe formally, "we haven't much to interest a girl like you. It is a question of saw logs with us "—and he went on in his dryest, most technical manner to detail the process of manufacture. It might as well have been bricks.

The girl did not understand. She was hurt. As surely as the sun tangled in the distant pine frond, she had seen in his eyes a great passion. Now it was coldly withdrawn.

"What has happened to you?" she asked finally, out of her great sincerity.

"Me? Nothing," replied Thorpe.

A forced silence fell upon him. Hilda seemed gradually to lose herself in reverie. After a time she said softly:

"Don't you love this woods?"

"It's an excellent bunch of pine," replied Thorpe bluntly. "It'll cut three million at least."

"Oh!" she cried drawing back, her hands pressed against the log either side of her, her eyes wide.

After a moment she caught her breath convulsively, and Thorpe became conscious that she was studying him furtively with a quickening doubt.

After that, by the mercy of God, there was no more talk between them. She was too hurt and shocked and disillusioned to make the necessary effort to go away. He was too proud to put an end to the position. They sat there apparently absorbed in thought, while all about them the accustomed life of the woods drew nearer and nearer to them, as the splash of their entrance into it died away.

A red squirrel poised thirty feet above them, leaped, and clung swaying to a sapling-top a dozen yards from the tree he had quitted. Two chickadees, upside down, uttering liquid undertones, searched busily for insects next their heads. Wilson's warblers, pine creepers, black-throats, myrtle and magnolia warblers, oven birds, peewits, blue-jays, purple finches, passed silently or noisily, each according to his kind. Once a lone spruce hen dusted herself in a stray patch of sunlight until it shimmered on a tree trunk, raised upward, and disappeared, to give place to long level dusty shafts that shot here and there through the pines laying the spell of sunset on the noisy woods brawlers.

Unconsciously the first strain of opposition and of hurt surprise had relaxed. Each thought vaguely his thoughts. Then in the depths of the forest, perhaps near at hand, perhaps far away, a single hermit thrush began to sing. His song was of three solemn deep liquid notes; followed by a slight rhetorical pause as of contemplation; and then, deliberately, three notes more on a different key—and so on without haste and without pause. It is the most dignified, the most spiritual, the holiest of woods utterances. Combined with the evening shadows and the warm soft air, it offered to the heart an almost irresistible appeal. The man's artificial antagonism modified; the woman's disenchantment began to seem unreal.

Then subtly over and through the bird-song another sound became audible. At first it merely repeated the three notes faintly, like an echo, but with a rich, sad undertone that brought tears. Then, timidly and still softly, it elaborated the theme, weaving in and out through the original three the glitter and shimmer of a splendid web of sound, spreading before the awakened imagination a broad river of woods-imagery that reflected on its surface all the subtler moods of the forest. The pine shadows, the calls of the wild creatures, the flow of the brook, the splashes of sunlight through the trees, the sigh of the wind, the shout of the rapid—all these were there, distinctly to be felt in their most ethereal and beautiful forms. And yet it was all slight and tenuous as though the crack of a twig would break it through—so that over it continually like a grand full organ-tone repeated the notes of the bird itself.

With the first sigh of the wonder-music the girl had started and caught her breath in the exquisite pleasure of it. As it went on they both forgot everything but the harmony and each other.

"Ah, beautiful!" she murmured.

"What is it?" he whispered marvelling.

"A violin—played by a master."

The bird suddenly hushed, and at once the strain abandoned the woods-note and took another motif. At first it played softly in the higher notes, a tinkling lightsome little melody that stirred a kindly surface-smile over a full heart. Then suddenly, without transition, it dropped to the lower register, and began to sob and wail in the full vibrating power of a great passion.

And the theme it treated was love. It spoke solemnly, fearfully of the greatness of it, the glory. These as abstractions it amplified in fine full-breathed chords that swept the spirit up and up as on the waves of a mighty organ. Then one by one the voices of other things were heard—the tinkling of laughter, the roar of a city, the sob of a grief, a cry of pain suddenly shooting across the sound, the clank of a machine, the tumult of a river, the puff of a steamboat, the murmuring of a vast crowd—and one by one, without seeming in the least to change their character, they merged imperceptibly into, and were part of the grand-breathed chords, so that at last all the fames and ambitions and passions of the world came, in their apotheosis, to be only parts of the master-passion of them all.

And while the echoes of the greater glory still swept beneath their uplifted souls like ebbing waves, so that they still sat rigid and staring with the majesty of it, the violin softly began to whisper. Beautiful it was as a spirit, beautiful beyond words, beautiful beyond thought. Its beauty struck sharp at the heart. And they two sat there hand in hand dreaming—dreaming—dreaming—

At last the poignant ecstasy seemed slowly, slowly to die. Fainter and fainter ebbed the music. Through it as through a mist the solemn aloof forest began to show to the consciousness of the two. They sought each other's eyes gently smiling. The music was very soft and dim and sad. They leaned to each other with a sob. Their lips met. The music ceased.

Alone in the forest side by side they looked out together for a moment into that eternal vision which lovers only are permitted to see. The shadows fell. About them brooded the inscrutable pines stretching a canopy over them enthroned. A single last shaft of the sun struck full upon them, a single light-spot in the gathering gloom. They were beautiful.

And over behind the trees, out of the light and the love and the beauty, little Phil huddled, his great shaggy head bowed in his arms. Beside him lay his violin, and beside that his bow, broken. He had snapped it across his knee. That day he had heard at last the Heart Song of the Violin, and uttering it, had bestowed love. But in accordance with his prophecy he had that day lost what he cared far most in all the world, his friend.

43. Chapter XLIII

THAT was the moon of delight. The days passed through the hazy forest like stately figures from an old masque. In the pine grove on the knoll the man and the woman had erected a temple to love, and love showed them one to the other.

In Hilda Farrand was no guile, no coquetry, no deceit. So perfect was her naturalism that often by those who knew her least she was considered affected. Her trust in whomever she found herself with attained so directly its reward; her unconsciousness of pose was so rhythmically graceful; her ignorance and innocence so triumphantly effective, that the mind with difficulty rid itself of the belief that it was all carefully studied. This was not true. She honestly did not know that she was beautiful; was unaware of her grace; did not realize the potency of her wealth.

This absolute lack of self-consciousness was most potent in overcoming Thorpe's natural reticence. He expanded to her. She came to idolize him in a manner at once inspiring and touching in so beautiful a creature. In him she saw reflected all the lofty attractions of character which she herself possessed, but of which she was entirely unaware. Through his words she saw to an ideal. His most trivial actions were ascribed to motives of a dignity which would have been ridiculous, if it had not been a little pathetic. The woods-life, the striving of the pioneer kindled her imagination. She seized upon the great facts of them and fitted those facts with reasons of her own. Her insight perceived the adventurous spirit, the battle-courage, the indomitable steadfastness which always in reality lie back of these men of the frontier to urge them into the life; and of them constructed conscious motives of conduct. To her fancy the lumbermen, of whom Thorpe was one, were self-conscious agents of advance. They chose hardship, loneliness, the strenuous life because they wished to clear the way for a higher civilization. To her it seemed a great and noble sacrifice. She did not perceive that while all this is true, it is under the surface, the real spur is a desire to get on, and a hope of making money. For, strangely enough, she differentiated sharply the life and the reasons for it. An existence in subduing the forest was to her ideal; the making of a fortune through a lumbering firm she did not consider in the least important. That this distinction was most potent, the sequel will show.

In all of it she was absolutely sincere, and not at all stupid. She had always had all she could spend, without question. Money meant nothing to her, one way or the other. If need was, she might have experienced some difficulty in learning how to economize, but none at all in adjusting herself to the necessity of it. The material had become, in all sincerity, a basis for the spiritual. She recognized but two sorts of motives; of which the ideal, comprising the poetic, the daring, the beautiful, were good; and the material, meaning the sordid and selfish, were bad. With her the mere money-getting would have to be allied with some great and poetic excuse.

That is the only sort of aristocracy, in the popular sense of the word, which is real; the only scorn of money which can be respected.

There are some faces which symbolize to the beholder many subtleties of soul-beauty which by no other method could gain expression. Those subtleties may not, probably do not, exist in the possessor of the face. The power of such a countenance lies not so much in what it actually represents, as in the suggestion it holds out to another. So often it is with a beautiful character. Analyze it carefully, and you will reduce it generally to absolute simplicity and absolute purity—two elements common enough in adulteration; but place it face to face with a more complex personality, and mirror-like it will take on a hundred delicate shades of ethical beauty, while at the same time preserving its own lofty spirituality.

Thus Hilda Farrand reflected Thorpe. In the clear mirror of her heart his image rested transfigured. It was as though the glass were magic, so that the gross and material was absorbed and lost, while the more spiritual qualities reflected back. So the image was retained in its entirety, but etherealized, refined. It is necessary to attempt, even thus faintly and inadequately, a sketch of Hilda's love, for a partial understanding of it is necessary to the comprehension of what followed the moon of delight.

That moon saw a variety of changes.

The bed of French Creek was cleared. Three of the roads were finished, and the last begun. So much for the work of it.

Morton and Cary shot four deer between them, which was unpardonably against the law, caught fish in plenty, smoked two and a half pounds of tobacco, and read half of one novel. Mrs. Cary and Miss Carpenter walked a total of over a hundred miles, bought twelve pounds of Indian work of all sorts, embroidered the circle of two embroidery frames, learned to paddle a birch-bark canoe, picked fifteen quarts of berries, and gained six pounds in weight. All the party together accomplished five picnics, four explorations, and thirty excellent camp-fires in the evening. So much for the fun of it.

Little Phil disappeared utterly, taking with him his violin, but leaving his broken bow, Thorpe has it even to this day. The lumberman caused search and inquiry on all sides. The cripple was never heard of again. He had lived his brief hour, taken his subtle artist's vengeance of misplayed notes on the crude appreciation of men too coarse-fibred to recognize it, brought together by the might of sacrifice and consummate genius two hearts on the brink of misunderstanding;—now there was no further need for him, he had gone. So much for the tragedy of it.

"I saw you long ago," said Hilda to Thorpe. "Long, long ago, when I was quite a young girl. I had been visiting in Detroit, and was on my way all alone to catch an early train. You stood on the corner thinking, tall and straight and brown, with a weather-beaten old hat and a weather-beaten old coat and weather-beaten old moccasins, and such a proud, clear, undaunted look on your face. I have remembered you ever since."

And then he told her of the race to the Land Office, while her eyes grew brighter and brighter with the epic splendor of the story. She told him that she had loved him from that moment—and believed her telling; while he, the unsentimental leader of men, persuaded himself and her that he had always in some mysterious manner carried her image prophetically in his heart. So much for the love of it.

In the last days of the month of delight Thorpe received a second letter from his partner, which to some extent awakened him to the realities.

"My dear Harry," it ran. "I have made a startling discovery. The other fellow is Morrison. I have been a blind, stupid dolt, and am caught nicely. You can't call me any more names than I have already called myself. Morrison has been in it from the start. By an accident I learned he was behind the fellow who induced me to invest, and it is he who has been hammering the stock down ever since. They couldn't lick you at your game, so they tackled me at mine. I'm not the man you are, Harry, and I've made a mess of it. Of course their scheme is plain enough on the face of it. They're going to involve me so deeply that I will drag the firm down with me.

"If you can fix it to meet those notes, they can't do it. I have ample margin to cover any more declines they may be able to bring about. Don't fret about that. Just as sure as you can pay that sixty thousand, just so sure we'll be ahead of the game at this time next year. For God's sake get a move on you, old man. If you don't—good Lord! The firm'll bust because she can't pay; I'll bust because I'll have to let my stock go on margins—it'll be an awful smash. But you'll get there, so we needn't worry. I've been an awful fool, and I've no right to do the getting into trouble and leave you to the hard work of getting out again. But as partner I'm going to insist on your having a salary—etc."

The news aroused all Thorpe's martial spirit. Now at last the mystery surrounding Morrison & Daly's unnatural complaisance was riven. It had come to grapples again. He was glad of it. Meet those notes? Well I guess so! He'd show them what sort of a proposition they had tackled. Sneaking, underhanded scoundrels! taking advantage of a mere boy. Meet those notes? You bet he would; and then he'd go down there and boost those stocks until M. & D. looked like a last year's bird's nest. He thrust the letter in his pocket and walked buoyantly to the pines.

The two lovers sat there all the afternoon drinking in half sadly the joy of the forest and of being near each other, for the moon of delight was almost done. In a week the camping party would be breaking up, and Hilda must return to the city. It was uncertain when they would be able to see each other again, though there was talk of getting up a winter party to visit Camp One in January. The affair would be unique.

Suddenly the girl broke off and put her fingers to her lips. For some time, dimly, an intermittent and faint sound had been felt, rather than actually heard, like the irregular muffled beating of a heart. Gradually it had insisted on the attention. Now at last it broke through the film of consciousness.

"What is it?" she asked.

Thorpe listened. Then his face lit mightily with the joy of battle.

"My axe-men," he cried. "They are cutting the road."

A faint call echoed. Then without warning, nearer at hand the sharp ring of an axe sounded through the forest.