University of Virginia Library

5. V.

A religious light filled the chantry of Ossining Cathedral,filtering through the linen curtain which veiled the central window, and mingling with the blaze of tapers on the richly adorned altar.

In this devout atmosphere, agreeably laden with the incense-like aroma of Easter lilies and forced lilacs, Mrs. Fetherel knelt with a sense of luxurious satisfaction. Beside her sat Archer Hynes, who had remembered that there was to be a church scene in his next novel, and that his impressions of the devotional environment needed refreshing. Mrs. Fetherel was very happy. She was conscious that her entrance had sent a thrill through the female devotees who packed the chantry, and she had humor enough to enjoy the thought that, but for the good Bishop's denunciation of her book, the heads of his flock would not have been turned so eagerly in

her direction. Moreover, as she had entered she had caught sight of a society reporter, and she knew that her presence, and the fact that she was accompanied by Hynes, would be conspicuously proclaimed in the morning papers. All these evidences of the success of her handiwork might have turned a calmer head than Mrs. Fetherel's; and though she had now learned to dissemble her gratification, it still filled her inwardly with a delightful glow.

The Bishop was somewhat late in appearing, and she employed the interval in meditating on the plot of her next novel, which was already partly sketched out, but for which she had been unable to find a satisfactory denouement. By a not uncommon process of ratiocination, Mrs. Fetherel's success had convinced her of her vocation. She was sure now that it was her duty to lay bare the secret plague-spots of society, and she was resolved that there should be no doubt as to the purpose of her new book. Experience had shown her that where she had fancied she was calling a spade a spade she had in fact been alluding in guarded terms to the drawing-room shovel. She was determined not to repeat the same mistake, and she flattered herself that her coming novel would not need an episcopal denunciation to insure its sale, however likely it was to receive this crowning evidence of success.

She had reached this point in her meditations when the choir burst into song and the ceremony of the unveiling began. The Bishop, almost always felicitous in his addresses to the fair sex,was never more so than when he was celebrating the triumph of one of his cherished purposes. There was a peculiar mixture of Christian humility and episcopal exultation in the manner with which he called attention to the Creator's promptness in responding to his demand for funds, and he had never been more happily inspired than in eulogizing the mysterious gift of the chantry window.

Though no hint of the donor's identity had been allowed to escape him, it was generally understood that the Bishop knew who had given the window, and the congregation awaited in a flutter of suspense the possible announcement of a name. None came, however,though the Bishop deliciously titillated the curiosity of his flock by circling ever closer about the interesting secret. He would not disguise from them, he said, that the heart which had divined his inmost wish had been a woman's—is it not to woman's intuitions that more than half the happiness of earth is owing? What man is obliged to learn by the laborious process of experience, woman's wondrous instinct tells her at a glance; and so it had been with this cherished scheme, this unhoped-for completion of their beautiful chantry. So much, at least, he was allowed to reveal;and indeed, had he not done so, the window itself would have spoken for him, since the first glance at its touching subject and exquisite design would show it to have originated in a woman's heart. This tribute to the sex was received with an audible sigh of contentment, and the Bishop, always stimulated by such evidence of his sway over his hearers, took up his theme with gathering eloquence.

Yes—a woman's heart had planned the gift, a woman's hand had executed it, and, might he add, without too far withdrawing the veil in which Christian beneficence ever loved to drape its acts—might he add that, under Providence, a book, a simple book, a mere tale, in fact, had had its share in the good work for which they were assembled to give thanks?

At this unexpected announcement, a ripple of excitement ran through the assemblage, and more than one head was abruptly turned in the direction of Mrs. Fetherel, who sat listening in an agony of wonder and confusion. It did not escape the observant novelist at her side that she drew down her veil to conceal an uncontrollable blush, and this evidence of dismay caused him to fix an attentive gaze on her, while from her seat across the aisle, Mrs. Gollinger sent a smile of unctuous approval.

"A book—a simple book—" the Bishop's voice went on above this flutter of mingled emotions. "What is a book? Only a few pages and a little ink—and yet one of the mightiest instruments which Providence has devised for shaping the destinies of man . .. one of the most powerful influences for good or evil which the Creator has placed in the hands of his creatures . . ."

The air seemed intolerably close to Mrs.

"HER GRATIFICATION... FILLED HER INWARDLY WITH A DELIGHTFUL GLOW." Drawn by C. M. Reigen.

[Description: A woman with a hat kneeling within a Cathedral pew. Several others, all well-dressed, are in the picture.]

Fetherel, and she drew out her scent-bottle, and then thrust it hurriedly away, conscious that she was still the center of an unenviable attention. And all the while the Bishop's voice droned on . . .

"And of all forms of literature, fiction is doubtless that which has exercised the greatest sway, for good or ill, over the passions and imagination of the masses. Yes, my friends, I am the first to acknowledge it—no sermon, however eloquent, no theological treatise, however learned and convincing, has ever inflamed the heart and imagination like a novel—a simple novel. Incalculable is the power exercised over humanity by the great magicians of the pen—a power ever enlarging its boundaries and increasing its responsibilities as popular education multiplies the number of readers. . . . Yes, it is the novelist's hand which can pour balm on countless human sufferings, or inoculate mankind with the festering poison of a corrupt imagination. . . ."

Mrs. Fetherel had turned white, and her eyes were fixed with a blind stare of anger on the large-sleeved figure in the center of the chancel.

"And too often, alas, it is the poison and not the balm which the unscrupulous hand of genius proffers to its unsuspecting readers. But, my friends, why should I continue? None know better than an assemblage of Christian women, such as I am now addressing,the beneficent or baleful influences of modern fiction; and so,when I say that this beautiful chantry window of ours owes its existence in part to the romancer's pen"—the Bishop paused, and bending forward, seemed to seek a certain face among the countenances eagerly addressed to his—"when I say that this pen,which for personal reasons it does not become me to celebrate unduly—"

Mrs. Fetherel at this point half rose, pushing back her chair,which scraped loudly over the marble floor; but Hynes involuntarily laid a warning hand on her arm, and she sank down with a confused murmur about the heat.

"—When I confess that this pen, which for once at least has proved itself so much mightier than the sword, is that which was inspired to trace the simple narrative of 'Through a Glass Brightly'"—Mrs. Fetherel looked up with a gasp of mingled relief and anger—"when I tell you, my dear friends, that it was your Bishop's own work which first roused the mind of one of his flock to the crying need of a chantry window, I think you will admit that I am justified in celebrating the triumphs of the pen, even though it be the modest instrument which your own Bishop wields."

The Bishop paused impressively, and a faint gasp of surprise and disappointment was audible throughout the chantry. Something very different from this conclusion had been expected, and even Mrs. Gollinger's lips curled with a slightly ironic smile. But Archer Hynes's attention was chiefly reserved for Mrs. Fetherel,whose face had changed with astonishing rapidity from surprise to annoyance, from annoyance to relief, and then back again to something very like indignation.

The address concluded, the actual ceremony of the unveiling was about to take place, and the attention of the congregation soon reverted to the chancel, where the choir had grouped themselves beneath the veiled window, prepared to burst into a chant of praise as the Bishop drew back the hanging. The moment was an impressive one, and every eye was fixed on the curtain. Even Hynes's gaze strayed to it for a moment, but soon returned to his neighbor's face; and then he perceived that Mrs. Fetherel, alone of all the persons present, was not looking at the window. Her eyes were fixed in an indignant stare on the Bishop; a flush of anger burned becomingly under her veil, and her hands nervously crumpled the beautifully printed program of the ceremony.

Hynes broke into a smile of comprehension. He glanced at the Bishop, and back at the Bishop's niece; then, as the episcopal hand was solemnly raised to draw back the curtain, he bent and whispered in Mrs. Fetherel's ear:

"Why, you gave it yourself! You wonderful woman, of course you gave it yourself!"

Mrs. Fetherel raised her eyes to his with a start. Her blush deepened and her lips shaped a hasty "No"; but the denial was deflected into the indignant murmur—"It wasn't his silly book that did it anyhow!"