Stories of a Western Town | ||
THE BESETMENT OF KURT LIEDERS
A SILVER rime glistened all down the street.
There was a drabble of dead leaves on the sidewalk which was of wood, and on the roadway which was of macadam and stiff mud. The wind blew sharply, for it was a December day and only six in the morning. Nor were the houses high enough to furnish any independent bulwark; they were low, wooden dwellings, the tallest a bare two stories in height, the majority only one story. But they were in good painting and repair, and most of them had a homely gayety of geraniums or bouvardias in the windows. The house on the corner was the tall house. It occupied a larger yard than its neighbors; and there were lace curtains tied with blue ribbons for the windows in the right hand front room. The door of this house swung back with a crash, and a woman darted out. She ran at the top of her speed to the little yellow house farther down the
"Oh! Oh! Oh! Oh, lieber Herr Je!" One near would have heard her sob, in too distracted agitation to heed the motorneer of the passing street-car who stared after her at the risk of his car, or the tousled heads behind a few curtains. She did not stop until she almost fell against the door of the yellow house. Her frantic knocking was answered by a young woman in a light and artless costume of a quilted petticoat and a red flannel sack.
"Oh, gracious goodness! Mrs. Lieders!" cried she.
Thekla Lieders rather staggered than walked into the room and fell back on the black haircloth sofa.
"There, there, there," said the young woman while she patted the broad shoulders heaving between sobs and short breath, "what is it? The house aint afire?"
"Oh, no, oh, Mrs. Olsen, he has done it again!" She wailed in sobs, like a child.
"Done it? Done what?" exclaimed Mrs.
"Yes, he's killed himself, again."
"And he's dead?" asked the other in an awed tone.
Mrs. Lieders gulped down her tears. "Oh, not so bad as that, I cut him down, he was up in the garret and I sus — suspected him and I run up and — oh, he was there, a choking, and he was so mad! He swore at me and — he kicked me when I — I says: 'Kurt, what are you doing of? Hold on till I git a knife,' I says — for his hands was just dangling at his side; and he says nottings cause he couldn't, he was most gone, and I knowed I wouldn't have time to git no knife but I saw it was a rope was pretty bad worn and so — so I just run and jumped and ketched it in my hands, and being I'm so fleshy it couldn't stand no more and it broke! And, oh! he — he kicked me when I was try to come near to git the rope off his neck; and so soon like he could git his breath he swore at me —"
"And you a helping of him! Just listen to that!" cried the hearer indignantly.
"So I come here for to git you and Mr. Olsen to help me git him down stairs, 'cause he is too
"Yes, yes, of course. I'll call Carl. Carl! dost thou hear? come! But did you dare to leave him Mrs. Lieders?" Part of the time she spoke
Mrs. Lieders wiped her eyes, saying: "Oh, yes, Danke schön, I aint afraid 'cause I tied him with the rope, righd good, so he don't got no chance to move. He was make faces at me all the time I tied him." At the remembrance, the tears welled anew.
Mrs. Olsen, a little bright tinted woman with a nose too small for her big blue eyes and chubby cheeks, quivered with indignant sympathy.
"Well, I did nefer hear of sooch a mean acting man!" seemed to her the most natural expression; but the wife fired, at once.
"No, he is not a mean man," she cried, "no, Freda Olsen, he is not a mean man at all! There aint nowhere a better man than my man; and Carl Olsen, he knows that. Kurt, he always buys a whole ham and a whole barrel of flour, and never less than a dollar of sugar at a time! And he never gits drunk nor he never gives me any bad talk. It was only he got this wanting to kill himself on him, sometimes."
"Well, I guess I'll go put on my things," said Mrs. Olsen, wisely declining to defend her position.
Indeed, it was hardly more than that time before both Carl Olsen, who worked in the same furniture factory as Kurt Lieders, and was a comely and after-witted giant, appeared with Mrs. Olsen ready for the street.
He nodded at Mrs. Lieders and made a gurgling noise in his throat, expected to convey sympathy. Then, he coughed and said that he was ready, and they started.
Feeling further expression demanded, Mrs. Olsen asked: "How many times has he done it, Mrs. Lieders?"
Mrs. Lieders was trotting along, her anxious eyes on the house in the distance, especially on the garret windows. "Three times," she answered, not removing her eyes; "onct he tooked Rough on Rats and I found it out and I put some apple butter in the place of it, and he kept wondering and wondering how he didn't feel notings, and after awhile I got him off the notion, that time. He wasn't mad at me; he just said: 'Well, I do it some other time. You see!' but he promised to wait till I got the spring house cleaning over, so he could shake the carpets for
"Yes, I know," said Olsen, with a half grin, "I pulled him out."
"It was the razor he wanted," the wife continued, "and when he come home and says he was going to leave the shop and he aint never going back there, and gets out his razor and sharps it, I knowed what that meant and I told him I got to have some bluing and wouldn't he go and get it? and he says, 'You won't git another husband run so free on your errands, Thekla,' and I says I don't want none; and when he was gone I hid the razor and he couldn't find it, but that didn't mad him, he didn't say notings; and when I went to git the supper he walked out in the yard and jumped into the cistern, and I heard the splash and looked in and there he was trying to git his head under, and I called, 'For the Lord's sake, papa! For the Lord's sake!' just like that. And I fished for him with the pole that stood there and he was sorry and caught hold of it and give in, and I rested the pole agin the side cause I wasn't
"And I got the ladder and he clum out," said the giant with another grin of recollection, "he was awful wet!"
"That was a month ago," said the wife, solemnly.
"He sharped the razor onct," said Mrs. Lieders, "but he said it was for to shave him, and I got him to promise to let the barber shave him sometime, instead. Here, Mrs. Olsen, you go righd in, the door aint locked."
By this time they were at the house door. They passed in and ascended the stairs to the second story, then climbed a narrow, ladder-like flight to the garret. Involuntarily they had paused to listen at the foot of the stairs, but it was very quiet, not a sound of movement, not so much as the sigh of a man breathing. The wife turned pale and put both her shaking hands on her heart.
"Guess he's trying to scare us by keeping quiet!" said Olsen, cheerfully, and he stumbled up the stairs, in advance. "Thunder!" he exclaimed, on the last stair, "well, we aint any too quick."
In fact Carl had nearly fallen over the master of the house, that enterprising self-destroyer having contrived, pinioned as he was, to roll over to the very brink of the stair well, with the plain intent to break his neck by plunging headlong.
In the dim light all that they could see was a small, old man whose white hair was strung in wisps over his purple face, whose deep set eyes glared like the eyes of a rat in a trap, and whose very elbows and knees expressed in their cramps the fury of an outraged soul. When he saw the new-comers he shut his eyes and his jaws.
"Well, Mr. Lieders," said Olsen, mildly, "I guess you better git down-stairs. Kin I help you up?"
"No," said Lieders.
"Will I give you an arm to lean on?"
"No."
"Won't you go at all, Mr. Lieders?"
"No."
Olsen shook his head. "I hate to trouble you, Mr. Lieders," said he in his slow, undecided tones, "please excuse me," with which he gathered up the little man into his strong arms and slung him over his shoulders, as easily as
Safely in the bed, Lieders opened his eyes and looked from one face to the other, his lip curling. "You can't keep me this way all the time. I can do it in spite of you," said he.
"Well, I think you had ought to be ashamed of yourself, Mr. Lieders!" Mrs. Olsen burst out, in a tremble between wrath and exertion, shaking her little, plump fist at him.
But the placid Carl only nodded, as in sympathy, saying, "Well, I am sorry you feel so bad, Mr. Lieders. I guess we got to go now."
Mrs. Olsen looked as if she would have liked to exhort Lieders further; but she shrugged
"I wished you'd stay to breakfast, now you're here," Thekla urged out of her imperious hospitality; had Kurt been lying there dead, the next meal must have been offered, just the same. "I know, you aint got time to git Mr. Olsen his breakfast, Freda, before he has got to go to the shops, and my tea-kettle is boiling now, and the coffee'll be ready — I guess you had better stay."
But Mrs. Olsen seconded her husband's denial, and there was nothing left Thekla but to see them to the door. No sooner did she return than Lieders spoke. "Aint you going to take off them ropes?" said he.
"Not till you promise you won't do it."
Silence. Thekla, brushing a few tears from her eyes, scrutinized the ropes again, before she walked heavily out of the room. She turned the key in the door.
Directly a savory steam floated through the hall and pierced the cracks about the door; then Thekla's footsteps returned; they echoed over the uncarpeted boards.
She had brought his breakfast, cooked with the best of her homely skill. The pork chops that he
"Here's your breakfast, papa," said she, trying to smile.
"I don't want no breakfast," said he.
She waited, holding the tray, and wistfully eying him.
"Take it 'way," said he, "I won't touch it if you stand till doomsday, lessen you untie me!"
"I'll untie your arm, papa, one arm; you kin eat that way."
"Not lessen you untie all of me, I won't touch a bite."
"You know why I won't untie you, papa."
"Starving will kill as dead as hanging," was Lieders's orphic response to this.
Thekla sighed and went away, leaving the tray on the table. It may be that she hoped the sight of food might stir his stomach to rebel against his dogged will; if so she was disappointed; half an hour went by during which the statue under the bedclothes remained without so much as a quiver,
Then the old woman returned. "Aint you awful cramped and stiff, papa?"
"Yes," said the statue.
"Will you promise not to do yourself a mischief, if I untie you?"
"No."
Thekla groaned, while the tears started to her red eyelids. "But you'll git awful tired and it will hurt you if you don't get the ropes off, soon, papa!"
"I know that!"
He closed his eyes again, to be the less hindered from dropping back into his distempered musings. Thekla took a seat by his side and sat silent as he. Slowly the natural pallor returned to the high forehead and sharp features. They were delicate features and there was an air of refinement, of thought, about Lieders's whole person, as different as possible from the robust comeliness of his wife. With its keen sensitiveness and its undefined melancholy it was a dreamer's face. One meets such faces, sometimes, in incongruous places and wonders what they mean. In fact, Kurt Lieders, head cabinet maker in the furniture factory of Lossing & Co., was an artist. He was, also, an incomparable artisan and the most exacting foreman in the shops. Thirty years ago he had first taken wages
Young Lossing had learned the business practically. He was taught the details by his father's best workman; and a mighty hard and strict master the best workman proved! Lossing did
Nobody guessed what a blow it was to Kurt when, a year ago, the elder Lossing had died. Even his wife did not connect his sullen melancholy and his gibes at the younger generation, with the crape on Harry Lossing's hat. He would not go to the funeral, but worked savagely, all alone by himself, in the shop, the whole after-noon — breaking down at last at the sight of a carved panel over which Lossing and he had once disputed. The desolate loneliness of the old came to him when his old master was gone. He loved the young man, but the old man was of
said to himself. "Thekla, I guess I make her troubles, too; I'll git out!"
That was the beginning of his tampering with suicide. Thekla, who did not have the same opinion of the "trouble," had interfered. He had married Thekla to have someone to keep a warm fireside for him, but she was an ignorant creature who never could be made to understand about carving. He felt sorry for her when the baby died, the only child they ever had; he was sorrier than he expected to be on his own account, too, for it was an ugly little creature, only four days old, and very red and wrinkled; but he never thought of confiding his own griefs or trials to her. Now, it made him angry to have that stupid Thekla keep him in a world where he did not wish to stay. If the next day Lossing had not remembered how his father valued Lieders, and made an excuse to half apologize to him, I fear Thekla's stratagems would have done little good.
The next experience was cut out of the same piece of cloth. He had relented, he had allowed his wife to save him; but he was angry in secret. Then came the day when open disobedience to Lossing's orders had snapped the last thread of
But he did not think of going to poor Thekla for comfort, he went to his grim dreams. "I git my property all straight for Thekla, and then I quit," said he. Perhaps he gave himself a reprieve unconsciously, thinking that something might happen to save him from himself. Nothing happened. None of the "boys" came to see him, except Carl Olsen, the very stupidest man in the shop, who put Lieders beside himself fifty times a day. The other men were sorry that Lieders had gone, having a genuine workman's admiration for his skill, and a sort of underground liking for the unreasonable old man because he was so absolutely honest and "a fellow could always tell where to find him." But they were shy, they were afraid he would take their pity in bad part, they "waited a while."
Carl, honest soul, stood about in Lieders's workshop, kicking the shavings with his heels for half an hour, and grinned sheepishly, and was told what a worthless, scamping, bragging lot the "boys" at Lossing's were, and said he guessed he had got to go home now; and so departed, unwitting
Carl answered simply, "Say, Freda, that man feels terrible bad."
Meanwhile Thekla seemed easily satisfied. She
"Well, then, papa, you don't need git up so early in the morning no more, if you aint going to the shop," was her only comment; and Lieders despised the mind of woman more than ever.
But that evening, while Lieders was down town (occupied, had she known it, with a codicil to his will), she went over to the Olsens and found out all Carl could tell her about the trouble in the shop. And it was she that made the excuse of marketing to go out the next day, that she might see the rich widow on the hill who was talking about a china closet, and Judge Trevor, who had asked the price of a mantel, and Mr. Martin, who had looked at sideboards (all this information came from honest Carl); and who proposed to them that they order such furniture of the best cabinet-maker in the country, now setting up on his own account. He, simple as a baby for all his doggedness, thought that they came because of his fame as a workman, and felt a glow of pride, particularly as (having been prepared by the wife, who said, "You see it don't make so much difference with my Kurt 'bout de prize, if so he can
That was Tuesday night, this was Wednesday morning.
The memory of it all, the cruel sense of injustice, returned with such poignant force that Lieders groaned aloud.
Instantly, Thekla was bending over him. He did not know whether to laugh at her or to swear, for she began fumbling at the ropes, half sobbing. "Yes, I knowed they was hurting you, papa; I'm going to loose one arm. Then I put it back again and loose the other. Please don't be bad!"
He made no resistance and she was as good as her word. She unbound and bound him in sections, as it were; he watching her with a morose smile.
Then she left the room, but only to return with some hot coffee. Lieders twisted his head away. "No," said he, "I don't eat none of that breakfast, not if you make fresh coffee all the morning; I feel like I don't eat never no more on earth."
Thekla knew that the obstinate nature that she tempted was proof against temptation; if
"Oh, papa," she cried, helplessly, "what is the matter with you?"
"Just dying is the matter with me, Thekla. If I can't die one way I kin another. Now Thekla, I want you to quit crying and listen. After I'm gone you go to the boss, young Mr. Lossing — but I always called him Harry because he learned his trade of me, Thekla, but he don't think of that now — and you tell him old Lieders that worked for him thirty years is dead, but he didn't hold no hard feelings, he knowed he done wrong 'bout that mantel. Mind you tell him."
"Yes, papa," said Thekla, which was a surprise to Kurt; he had dreaded a weak flood of tears and protestations. But there were no tears, no protestations, only a long look at him and a contraction of the eyebrows as if Thekla were trying to think of something that eluded her. She placed the coffee on the tray beside the other breakfast. For a while the room was very still. Lieders could not see the look of resolve that finally smoothed the perplexed lines out of his wife's kind, simple old face.
"So!" said Lieders, "well, I was a bad bargain to you, Thekla; after you nursed your father that was a cripple for twenty years, I thought it would be easy with me; but I was a bad bargain."
"The Lord knows best about that," said Thekla, simply, "be it how it be, you are the only man I ever had or will have, and I don't like you starve yourself. Papa, say you don't kill yourself, to-day, and dat you will eat your breakfast!"
"Yes," Lieders repeated in German, "a bad bargain for thee, that is sure. But thou hast been a good bargain for me. Here! I promise. Not this day. Give me the coffee."
He had seasons, all the morning, of wondering over his meekness, and his agreement to be tied up again, at night. But still, what did a day matter? a man humors women's notions; and starving was so tedious. Between whiles he elaborated a scheme to attain his end. How easy to outwit the silly Thekla! His eyes shone, as he hid the little, sharp knife up his cuff.
Thekla went about her daily tasks, with her every-day air; but, now and again, that same pucker of thought returned to her forehead; and, more than once, Lieders saw her stand over some dish, poising her spoon in air, too abstracted to notice his cynical observation.
The dinner was more elaborate than common, and Thekla had broached a bottle of her currant wine. She gravely drank Lieders's health. "And many good days, papa," she said.
Lieders felt a queer movement
"Kurt," she said, "I got to talk to you."
An inarticulate groan and a glance at the door from Lieders. "I just got to, papa. It aint righd for you to do the way you been doing for so long time; efery little whiles you try to kill yourself; no, papa, that aint righd!"
Kurt, who had gotten out his pencils and compasses and other drawing tools, grunted: "I got to look at my work, Thekla, now; I am too busy to talk."
"No, Kurt, no, papa" — the hands holding the blue apron that she was embroidering with white linen began to tremble; Lieders had not the least idea what a strain it was on this reticent, slow of speech woman who had stood in awe of him for eighteen years, to discuss the horror of her life; but he could not help marking her agitation. She went on, desperately: "Yes, papa, I got to talk it oud with you. You had ought to listen,
"Well, I aint saying I done it 'cause you been bad to me; everybody knows we aint had no trouble."
"But everybody what don't know us, when they read how you tried to kill yourself in the papers, they think it was me. That always is so. And now I never can any more sleep nights, for you is always maybe git up and do something to yourself. So now, I got to talk to you, papa. Papa, how could you done so?"
Lieders twisted his feet under the rungs of his chair; he opened his mouth, but only to shut it again with a click of his teeth.
"I got my mind made up, papa. I tought and I tought. I know why you done it; you done it 'cause you and the boss was mad at each other. The boss hadn't no righd to let you go —"
"Yes, he had, I madded him first; I was a fool. Of course I knowed more than him 'bout the work, but I hadn't no right to go against him. The boss is all right."
"Yes, papa, I got my mind made up" — like most sluggish spirits there was an immense
Lieders had not once looked up at her during the slow, difficult sentences with their half choked articulation; but he was experiencing some strange emotions, and one of them was a novel respect for his wife. All he said was: "'Taint no use talking. I won't never ask him to take me back, once."
"Well, you aint asking of him. I ask him. I try to git you back, once!"
"I tell you, it aint no use; I know the boss, he aint going to be letting womans talk him over; no, he's a good man, he knows how to work his business himself!"
"But would you promise me, Kurt?"
Lieders's eyes blurred with a mild and dreamy mist; he sighed softly. "Thekla, you can't see how it is. It is like you are tied up, if I don't can do that; if I can then it is always that I am free, free to go, free to stay. And for you, Thekla, it is the same."
Thekla's mild eyes flashed. "I don't believe you would like it so you wake up in the morning and find me hanging up in the kitchen by the clothes-line!"
Lieders had the air of one considering deeply. Then he gave Thekla one of the surprises of her life; he rose from his chair, he walked in his shuffling, unheeled slippers across the room to where the old woman sat; he put one arm on the back of the chair and stiffly bent over her and kissed her.
"Lieber Herr Je!" gasped Thekla.
"Then I shall go, too, pretty quick, that is all, mamma," said he.
Thekla wiped her eyes. A little pause fell
The apron dropped from the withered, brown hands to the floor. Again there was silence; but not for long; ghastly as was the alternative, the proposal offered a chance to escape from the terror that was sapping her heart.
"How long will you give me, papa?" said she.
"I give you a week," said he.
Thekla rose and went to the door; as she opened it a fierce gust of wind slashed her like a knife, and Lieders exclaimed, fretfully, "what you opening that door for, Thekla, letting in the wind? I'm so cold, now, right by the fire, I most can't draw. We got to keep a fire in the base-burner good, all night, or the plants will freeze."
Thekla said confusedly that something sounded
"Then don't make it," said Lieders, curtly, "I aint asking you."
But Thekla drew a long breath and straightened herself, saying, "Yes, I make it, papa, I make it."
"Well, put another stick of wood in the stove, will you, now you are up?" said Lieders, shrugging his shoulders, "or I'll freeze in spite of you! It seems to me it grows colder every minute."
But all that day he was unusually gentle with Thekla. He talked of his youth and the struggles of the early days of the firm; he related a dozen tales of young Lossing, all illustrating some admirable trait that he certainly had not praised at the time. Never had he so opened his heart in regard to his own ideals of art, his own ambitions. And Thekla listened, not always comprehending but always sympathizing; she was almost like a comrade, Kurt thought afterward.
The next morning, he was surprised to have her appear equipped for the street, although it was bitterly cold. She wore her garb of ceremony, a black alpaca gown, with a white crocheted collar
"Oh, I don't mind," replied Thekla, nervously. Then she had wrapped a scarf about her and gone out while he was getting into his own coat, and conning a proffer to go in her stead.
"Oh, well, Thekla she aint such a fool like she looks!" he observed to the cat, "say, pussy, was it you out yestiddy?"
The cat only blinked her yellow eyes and purred. She knew that she had not been out, last night. Not any better than her mistress, however, who at this moment was hailing a street-car.
The street-car did not land her anywhere near a market; it whirled her past the lines of low wooden houses into the big brick shops with their arched windows and terra-cotta ornaments that showed the ambitious architecture of a
"There ain't noding —"
"No, Gott sei dank', but I got to see him."
It was not Carl's way to ask questions; he promptly showed her the office and she entered. She had not seen young Harry Lossing half a dozen times; and, now, her anxious eyes wandered from one dapper figure at the high desks, to another, until Lossing advanced to her.
He was a handsome young man, she thought, and he had kind eyes, but they hardened at her first timid sentence: "I am Mrs. Lieders, I come about my man —"
"Will you walk in here, Mrs. Lieders?" said Lossing. His voice was like the ice on the window-panes.
She followed him into a little room. He shut the door.
Declining the chair that he pushed toward her she stood in the centre of the room, looking at him with the pleading eyes of a child.
"Mr. Lossing, will you please save my Kurt from killing himself?"
"What do you mean?" Lossing's voice had not thawed.
"It is for you that he will kill himself, Mr. Lossing. This is the dird time he has done it. It is because he is so lonesome now, your father is died and he thinks that you forget, and he has worked so hard for you, but he thinks that you forget. He was never tell me till yesterday; and then — it was — it was because I would not let him hang himself —"
"Hang himself?" stammered Lossing, "you don't mean —"
"Yes, he was hang himself, but I cut him, no I broke him down," said Thekla, accurate in all the disorder of her spirits; and forthwith, with many tremors, but clearly, she told the story of Kurt's despair. She told, as Lieders never would have known how to tell, even had his pride let him, all the man's devotion for the business, all his personal attachment to the firm; she told of his gloom after the elder Lossing died, "for he was
to draw and make the lines all wrong, and, then, he would drow the papers in the fire and go and walk outside and he say, 'I can't do nothing righd no more now the old man's died; they don't have no use for me at the shop, pretty quick!' and
Bewildered and more touched than he cared to feel, himself, Lossing still made a feeble stand for discipline. "I don't see how Lieders can expect me to take him back again," he began.
"He aint expecting you, Mr. Lossing, it's me!"
"But didn't Lieders tell you I told him I would never take him back?"
"No, sir, no, Mr. Lossing, it was not that, it was you said it would be a cold day that you would take him back; and it was git so cold yesterday, so I think, 'Now it would be a cold day to-morrow and Mr. Lossing he can take Kurt back.' And it is the most coldest day this year!"
Lossing burst into a laugh, perhaps he was glad to have the Western sense of humor come to the rescue of his compassion. "Well, it was a cold day for you to come all this way for nothing," said he. "You go home and tell Lieders to report to-morrow."
Kurt's manner of receiving the news was characteristic. He snorted in disgust: "Well, I did think he had more sand than to give in to a woman!" But after he heard the whole story he chuckled: "Yes, it was that way he said, and he must do like he said; but that was a funny way you done, Thekla. Say, mamma, yesterday, was you look out for the cat or to find how cold it been?"
"Never you mind, papa," said Thekla,"you remember what you promised if I git you back?"
Lieders's eyes grew dull; he flung his arms out, with a long sigh. "No, I don't forget, I will keep my promise, but — it is like the handcuffs, Thekla, it is like the handcuffs!" In a second, however, he added, in a changed tone, "But thou art a kind jailer, mamma, more like a comrade. And no, it was not fair to thee — I know that now, Thekla."
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