University of Virginia Library

7. "GIVE A DOG A BAD NAME"

THE passing of Joseph from Canaan was complete. It was an evanishment for which there was neither sackcloth nor surprise; and though there came no news of him it cannot be said that Canaan did not hear of him, for surely it could hear itself talk. The death of Jonas Tabor and young Louden's crime and flight incited high doings in the "National House'' windows; many days the sages lingered with the broken meats of morals left over from the banquet of gossip. But, after all, it is with the ladies of a community that reputations finally rest, and the matrons of Canaan had long ago made Joe's exceedingly uncertain. Now they made it certain.

They did not fail of assistance. The most powerful influence in the town was ponderously corroborative: Martin Pike, who stood for all that was respectable and financial, who passed the plate o' Sundays, who held the fortunes of the town in

his left hand, who was trustee for the widow and orphan,—Martin Pike, patron of all worthy charities, courted by ministers, feared by the wicked and idle, revered by the good,—Judge Martin Pike never referred to the runaway save in the accents of an august doomster. His testimony settled it.

In time the precise nature of the fugitive's sins was distorted in report and grew vague; it was recalled that he had done dread things; he became a tradition, a legend, and a warning to the young; a Richard in the bush to frighten colts. He was preached at boys caught playing marbles "for keeps'': "Do you want to grow up like Joe Louden?'' The very name became a darkling threat, and children of the town would have run had one called suddenly, "Here comes Joe Louden!'' Thus does the evil men do live after them, and the ill-fame of the unrighteous increase when they are sped!

Very little of Joseph's adventures and occupations during the time of his wandering is revealed to us; he always had an unwilling memory for pain and was not afterwards wont to speak of those years which cut the hard lines in his face. The first account of him to reach Canaan came as directly to the windows of the "National House'' as Mr. Arp, hastening thither from the station, satchel in hand, could bring it.

This was on a September morning, two years after the flight, and Eskew, it appears, had been to the State Fair and had beheld many things strangely affirming his constant testimony that this unhappy world increaseth in sin; strangest of all, his meeting with our vagrant scalawag of Canaan. "Not a blamebit of doubt about it,'' declared Eskew to the incredulous conclave. "There was that Joe, and nobody else, stuck up in a little box outside a tent at the Fair Grounds, and sellin' tickets to see the Spotted Wild Boy!'' Yes, it was Joe Louden! Think you, Mr. Arp could forget that face, those crooked eyebrows? Had Eskew tested the recognition? Had he spoken with the outcast? Had he not! Ay, but with such peculiar result that the battle of words among the sages began with a true onset of the regulars; for, according to Eskew's narrative, when he had delivered grimly at the boy this charge, "I know you —you're Joe Louden!'' the extraordinary reply had been made promptly and without change of countenance: "Positively no free seats!''

On this, the house divided, one party maintaining that Joe had thus endeavored to evade recognition, the other (to the embitterment of Mr. Arp) that the reply was a distinct admission of identity and at the same time a refusal to grant any favors on the score of past acquaintanceship.

{illust. caption = " `POSITIVELY NO FREE SEATS!' ''} Goaded by inquiries, Mr. Arp, who had little desire to recall such waste of silver, admitted more than he had intended: that he had purchased a ticket and gone in to see the Spotted Wild Boy, halting in his description of this marvel with the unsatisfactory and acrid statement that the Wild Boy was "simply spotted,''—and the stung query, "I suppose you know what a spot is, Squire?'' When he came out of the tent he had narrowly examined the ticket-seller,—who seemed unaware of his scrutiny, and, when not engaged with his tickets, applied himself to a dirty law-looking book. It was Joseph Louden, reasserted Eskew, a little taller, a little paler, incredibly shabby and miraculously thin. If there were any doubt left, his forehead was somewhat disfigured by the scar of an old wound—such as might have been caused by a blunt instrument in the nature of a poker.

"What's the matter with you?'' Mr. Arp whirled upon Uncle Joe Davey, who was enjoying himself by repeating at intervals the unreasonable words, "Couldn't of be'n Joe,'' without any explanation. "Why couldn't it?'' shouted Eskew. "It was! Do you think my eyes are as fur gone as yours? I saw him, I tell you! The same ornery Joe Louden, run away and sellin' tickets for a side-show. He wasn't even the boss of it; the manager was about the meanest-lookin' human I ever saw

—and most humans look mighty mean, accordin' to my way of thinkin'! Riffraff of the riffraff are his friends now, same as they were here. Weeds! and he's a weed, always was and always will be! Him and his kind ain't any more than jimpsons; overrun everything if you give 'em a chance. Devil-flowers! They have to be hoed out and scattered—even then, like as not, they'll come back next year and ruin your plantin' once more. That boy Joe 'll turn up here again some day; you'll see if he don't. He's a seed of trouble and iniquity, and anything of that kind is sure to come back to Canaan!''

Mr Arp stuck to his prediction for several months; then he began to waver and evade. By the end of the second year following its first utterance, he had formed the habit of denying that he had ever made it at all, and, finally having come to believe with all his heart that the prophecy had been deliberately foisted upon him and put in his mouth by Squire Buckalew, became so sore upon the subject that even the hardiest dared not refer to it in his presence.

Eskew's story of the ticket-seller was the only news of Joe Louden that came to Canaan during seven years. Another citizen of the town encountered the wanderer, however, but under circumstances so susceptible to misconception that, in a

moment of illumination, he decided to let the matter rest in a golden silence. This was Mr. Bantry.

Having elected an elaborate course in the Arts, at the University which was of his possessions, what more natural than that Eugene should seek the Metropolis for the short Easter vacation of his Senior year, in order that his perusal of the Masters should be uninterrupted? But it was his misfortune to find the Metropolitan Museum less interesting than some intricate phases of the gayety of New York—phases very difficult to understand without elaborate study and a series of experiments which the discreetly selfish permit others to make for them. Briefly, Eugene found himself dancing, one night, with a young person in a big hat, at the "Straw-Cellar,'' a crowded hall, down very deep in the town and not at all the place for Eugene.

Acute crises are to be expected at the "Straw-Cellar,'' and Eugene was the only one present who was thoroughly surprised when that of this night arrived, though all of the merrymakers were frightened when they perceived its extent. There is no need to detail the catastrophe. It came suddenly, and the knife did not flash. Sick and thinking of himself, Eugene stood staring at the figure lying before him upon the reddening floor. A rabble fought with the quick policemen at the doors, and then the lights went out, extinguished by the

proprietor, living up to his reputation for always being thoughtful of his patrons. The place had been a nightmare; it became a black impossibility. Eugene staggered to one of the open windows, from the sill of which a man had just leaped.

"Don't jump,'' said a voice close to his ear. "That fellow broke his leg, I think, and they caught him, anyway, as soon as he struck the pavement. It's a big raid. Come this way.''

A light hand fell upon his arm and he followed its leading, blindly, to find himself pushed through a narrow doorway and down a flight of tricky, wooden steps, at the foot of which, silhouetted against a street light, a tall policeman was on guard. He laid masterful hands on Eugene.

" 'Sh, Mack!'' whispered a cautious voice from the stairway. "That's a friend of mine and not one of those you need. He's only a student and scared to death.''

"Hurry,'' said the policeman, under his breath, twisting Eugene sharply by him into the street; after which he stormed vehemently: "On yer way, both of ye! Move on up the street! Don't be tryin' to poke yer heads in here! Ye'd be more anxious to git out, once ye got in, I tell ye!''

A sob of relief came from Bantry as he gained the next corner, the slight figure of his conductor at his side. "You'd better not go to places like

the `Straw-Cellar,' '' said the latter, gravely. "I'd been watching you for an hour. You were dancing with the girl who did the cutting.''

Eugene leaned against a wall, faint, one arm across his face. He was too ill to see, or care, who it was that had saved him. "I never saw her before,'' he babbled, incoherently, "never, never, never! I thought she looked handsome, and asked her if she'd dance with me. Then I saw she seemed queer—and wild, and she kept guiding and pushing as we danced until we were near that man—and then she—then it was all done—before—''

"Yes,'' said the other; "she's been threatening to do it for a long time. Jealous. Mighty good sort of a girl, though, in lots of ways. Only yesterday I talked with her and almost thought I'd calmed her out of it. But you can't tell with some women. They'll brighten up and talk straight and seem sensible, one minute, and promise to behave, and mean it too, and the next, there they go, making a scene, cutting somebody or killing themselves! You can't count on them. But that's not to the point, exactly, I expect. You'd better keep away from the `Straw-Cellar.' If you'd been caught with the rest you'd have had a hard time, and they'd have found out your real name, too, because it's pretty serious on account of your

dancing with her when she did it, and the Canaan papers would have got hold of it and you wouldn't be invited to Judge Pike's any more, Eugene.''

Eugene dropped his arm from his eyes and stared into the face of his step-brother.

"Joe Louden!'' he gasped.

"I'll never tell,'' said Joe. "You'd better keep out of all this sort. You don't understand it, and you don't—you don't do it because you care.'' He smiled wanly, his odd distorted smile of friendliness. "When you go back you might tell father I'm all right. I'm working through a law-school here—and remember me to Norbert Flitcroft,'' he finished, with a chuckle.

Eugene covered his eyes again and groaned.

"It's all right,'' Joe assured him. "You're as safe as if it had never happened. And I expect'' —he went on, thoughtfully—"I expect, maybe, you'd prefer not to say you'd seen me, when you go back to Canaan. Well, that's all right. I don't suppose father will be asking after me—exactly.''

"No, he doesn't,'' said Eugene, still white and shaking. "Don't stand talking. I'm sick.''

"Of course,'' returned Joe. "But there's one thing I would like to ask you—''

"Your father's health is perfect, I believe.''

"It—it—it was something else,'' Joe stammered,

pitifully. "Are they all—are they all—all right at —at Judge Pike's?''

"Quite!'' Eugene replied, sharply. "Are you going to get me away from here? I'm sick, I tell you!''

"This street,'' said Joe, and cheerfully led the way.

Five minutes later the two had parted, and Joe leaned against a cheap restaurant sign-board, drearily staring after the lamps of the gypsy night-cab he had found for his step-brother. Eugene had not offered to share the vehicle with him, had not even replied to his good-night.

And Joe himself had neglected to do something he might well have done: he had not asked Eugene for news of Ariel Tabor. It will not justify him entirely to suppose that he assumed that her grandfather and she had left Canaan never to return, and therefore Eugene knew nothing of her; no such explanation serves Joe for his neglect, for the fair truth is that he had not thought of her. She had been a sort of playmate, before his flight, a friend taken for granted, about whom he had consciously thought little more than he thought about himself—and easily forgotten. Not forgotten in the sense that she had passed out of his memory, but forgotten none the less; she had never had a place in his imaginings, and so it befell that when he no longer saw her from day to day, she had gone from his thoughts altogether.