Cyrano de Bergerac: A Play in Five Acts | ||
Scene II.
The same. Christian, Ligniere, then Ragueneau and Le Bret.CUIGY
Ligniere!
BRISSAILLE
(laughing)
Not drunk as yet?
LIGNIERE
(aside to Christian)
I may introduce you?
(Christian nods in assent)Baron de Neuvillette.
(Bows.)
THE AUDIENCE
(applauding as the first luster is lighted and drawn up)
Ah!
CUIGY
(to Brissaille, looking at Christian)
'Tis a pretty fellow!
(who has overheard)
Pooh!
LIGNIERE
(introducing them to Christian)
My lords De Cuigy. De Brissaille. . .
CHRISTIAN
(bowing)
Delighted!. . .
FIRST MARQUIS
(to second)
He is not ill to look at, but certes, he is not costumed in the latest mode.
LIGNIERE
(to Cuigy)
This gentleman comes from Touraine.
CHRISTIAN
Yes, I have scarce been twenty days in Paris; tomorrow I join the Guards, in the Cadets.
FIRST MARQUIS
(watching the people who are coming into the boxes)
There is the wife of the Chief-Justice.
THE BUFFET-GIRL
Oranges, milk. . .
(tuning up)
La--la--
CUIGY
(to Christian, pointing to the hall, which is filling fast)
'Tis crowded.
CHRISTIAN
Yes, indeed.
FIRST MARQUIS
All the great world!
(They recognize and name the different elegantly dressed ladies who enter the boxes, bowing low to them. The ladies send smiles in answer.)
SECOND MARQUIS
Madame de Guemenee.
CUIGY
Madame de Bois-Dauphin.
FIRST MARQUIS
Adored by us all!
BRISSAILLE
Madame de Chavigny. . .
SECOND MARQUIS
Who sports with our poor hearts!. . .
LIGNIERE
Ha! so Monsieur de Corneille has come back from Rouen!
(to his father)
Is the Academy here?
THE BURGHER
Oh, ay, I see several of them. There is Boudu, Boissat, and Cureau de la Chambre, Porcheres, Colomby, Bourzeys, Bourdon, Arbaud. . .all names that will live! 'Tis fine!
FIRST MARQUIS
Attention! Here come our precieuses; Barthenoide, Urimedonte, Cassandace, Felixerie. . .
SECOND MARQUIS
Ah! How exquisite their fancy names are! Do you know them all, Marquis?
FIRST MARQUIS
Ay, Marquis, I do, every one!
LIGNIERE
(drawing Christian aside)
Friend, I but came here to give you pleasure. The lady comes not. I will betake me again to my pet vice.
CHRISTIAN
(persuasively)
No, no! You, who are ballad-maker to Court and City alike, can tell me better than any who the lady is for whom I die of love. Stay yet awhile.
(striking his bow on the desk)
Gentlemen violinists!
(He raises his bow.)
THE BUFFET-GIRL
Macaroons, lemon-drink. . .
(The violins begin to play.)
CHRISTIAN
Ah! I fear me she is coquettish, and over nice and fastidious! I, who am so poor of wit, how dare I speak to her--how address her? This language that they speak to-day--ay, and write--confounds me; I am but an honest soldier, and timid withal. She has ever her place, there, on the right--the empty box, see you!
LIGNIERE
(making as if to go)
I must go.
CHRISTIAN
(detaining him)
Nay, stay.
LIGNIERE
I cannot. D'Assoucy waits me at the tavern, and here one dies of thirst.
THE BUFFET-GIRL
(passing before him with a tray)
Orange drink?
Ugh!
THE BUFFET-GIRL
Milk?
LIGNIERE
Pah!
THE BUFFET-GIRL
Rivesalte?
LIGNIERE
Stay.
(To Christian)I will remain awhile.--Let me taste this rivesalte.
(He sits by the buffet; the girl pours some out for him.)
CRIES
(from all the audience, at the entrance of a plump little man, joyously excited)
Ah! Ragueneau!
LIGNIERE
(to Christian)
'Tis the famous tavern-keeper Ragueneau.
RAGUENEAU
(dressed in the Sunday clothes of a pastry-cook, going up quickly to Ligniere)
Sir, have you seen Monsieur de Cyrano?
LIGNIERE
(introducing him to Christian)
The pastry-cook of the actors and the poets!
(overcome)
You do me too great honor. . .
LIGNIERE
Nay, hold your peace, Maecenas that you are!
RAGUENEAU
True, these gentlemen employ me. . .
LIGNIERE
On credit! He is himself a poet of a pretty talent. . .
RAGUENEAU
So they tell me.
LIGNIERE
--Mad after poetry!
RAGUENEAU
'Tis true that, for a little ode. . .
LIGNIERE
You give a tart. . .
RAGUENEAU
Oh!--a tartlet!
LIGNIERE
Brave fellow! He would fain fain excuse himself! --And for a triolet, now, did you not give in exchange. . .
Some little rolls!
LIGNIERE
(severely)
They were milk-rolls! And as for the theater, which you love?
RAGUENEAU
Oh! to distraction!
LIGNIERE
How pay you your tickets, ha?--with cakes. Your place, to-night, come tell me in my ear, what did it cost you?
RAGUENEAU
Four custards, and fifteen cream-puffs.
(He looks around on all sides)Monsieur de Cyrano is not here? 'Tis strange.
LIGNIERE
Why so?
RAGUENEAU
Montfleury plays!
LIGNIERE
Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night; but what matter is that to Cyrano?
RAGUENEAU
How? Know you not? He has got a hot hate
LIGNIERE
(drinking his fourth glass)
Well?
RAGUENEAU
Montfleury will play!
CUIGY
He can not hinder that.
RAGUENEAU
Oh! oh! that I have come to see!
FIRST MARQUIS
Who is this Cyrano?
CUIGY
A fellow well skilled in all tricks of fence.
SECOND MARQUIS
Is he of noble birth?
CUIGY
Ay, noble enough. He is a cadet in the Guards.
(Pointing to a gentleman who is going up and down the hall as if searching for some one)But 'tis his friend Le Bret, yonder, who can best tell you.
(He calls him)Le Bret!
(Le Bret comes towards them)Seek you for De Bergerac?
Ay, I am uneasy. . .
CUIGY
Is it not true that he is the strangest of men?
LE BRET
(tenderly)
True, that he is the choicest of earthly beings!
RAGUENEAU
Poet!
CUIGY
Soldier!
BRISSAILLE
Philosopher!
LE BRET
Musician!
LIGNIERE
And of how fantastic a presence!
RAGENEAU
Marry, 'twould puzzle even our grim painter Philippe de Champaigne to portray him! Methinks, whimsical, wild, comical as he is, only Jacques Callot, now dead and gone, had succeeded better, and had made of him the maddest fighter of all his visored crew--with his triple-plumed beaver and six-pointed doublet--the sword-point sticking up 'neath his mantle like an insolent cocktail! He's prouder than all the fierce Artabans of whom Gascony has ever
LE BRET
(throwing back his head)
He keeps it on--and cleaves in two any man who dares remark on it!
RAGUENEAU
(proudly)
His sword--'tis one half of the Fates' shears!
FIRST MARQUIS
(shrugging his shoulders)
He will not come!
RAGUENEAU
I say he will! and I wager a fowl--a la Ragueneau.
THE MARQUIS
(laughing)
Good!
(Murmurs of admiration in hall. Roxane has just appeared in her box. She seats herself in front, the duenna at the back. Christian, who is paying the buffet-girl, does not see her entrance.)
(with little cries of joy)
Ah, gentlemen! she is fearfully--terribly--ravishing!
FIRST MARQUIS
When one looks at her one thinks of a peach smiling at a strawberry!
SECOND MARQUIS
And what freshness! A man approaching her too near might chance to get a bad chill at the heart!
CHRISTIAN
(raising his head, sees Roxane, and catches Ligniere by the arm)
'Tis she!
LIGNIERE
Ah! is it she?
CHRISTIAN
Ay, tell me quick--I am afraid.
LIGNIERE
(tasting his rivesalte in sips)
Magdaleine Robin--Roxane, so called! A subtle wit--a precieuse.
CHRISTIAN
Woe is me!
Free. An orphan. The cousin of Cyrano, of whom we were now speaking.
(At this moment an elegant nobleman, with blue ribbon across his breast, enters the box, and talks with Roxane, standing.)
CHRISTIAN
(starting)
Who is yonder man?
LIGNIERE
(who is becoming tipsy, winking at him)
Ha! ha! Count de Guiche. Enamored of her. But wedded to the niece of Armand de Richelieu. Would fain marry Roxane to a certain sorry fellow, one Monsieur de Valvert, a viscount--and--accommodating! She will none of that bargain; but De Guiche is powerful, and can persecute the daughter of a plain untitled gentleman. More by token, I myself have exposed this cunning plan of his to the world, in a song which. . .Ho! he must rage at me! The end hit home. . .Listen!
(He gets up staggering, and raises his glass, ready to sing.)
CHRISTIAN
No. Good-night.
LIGNIERE
Where go you?
CHRISTIAN
To Monsieur de Valvert!
Have a care! It is he who will kill you
(showing him Roxane by a look)Stay where you are--she is looking at you.
CHRISTIAN
It is true!
(He stands looking at her. The group of pickpockets seeing him thus, head in air and open-mouthed, draw near to him.)
LIGNIERE
'Tis I who am going. I am athirst! And they expect me--in the taverns!
(He goes out, reeling.)
LE BRET
(who has been all round the hall, coming back to Ragueneau reassured)
No sign of Cyrano.
RAGUENEAU
(incredulously)
All the same. . .
LE BRET
A hope is left to me--that he has not seen the playbill!
THE AUDIENCE
Begin, begin!
Cyrano de Bergerac: A Play in Five Acts | ||