University of Virginia Library

THE OLD MAN

THE OLD MAN never grows so old as to be come either stale, juiceless, or unpalatable. The older he grows, the mellower and riper he becomes. His eyes may fail him, his step falter, and his big-mouthed shoes — "a world too wide for his shrunk shank" — may cluck and shuffle as he walks; his rheumatics may make great knuckles of his knees; the rusty hinges of his vertebræ may refuse cunningly to articulate, but all the same the "backbone" of the old man has been time-seasoned, tried, and tested, and no deerskin vest was ever buttoned round a tougher! Look at the eccentric kinks and curvings of it — its abrupt depression at the base, and its rounded bulging at the shoulders; but don't laugh with the smart young man who airily observes how full-chested the old man would be if his head

were only turned around, and don't kill the young man, either, until you take him out some place and tell him that the old man got himself warped up in that shape along about the time when everybody had to hump himself. Try to bring before the young man's defective mental vision a dissolving view of a "good old-fashioned barn-raisin' " — and the old man doing all the "raisin' " himself, and "grubbin'," and "burnin' " logs and "underbrush," and "dreenin' " at the same time, and trying to coax something besides calamus to grow in the spongy little tract of swamp-land that he could stand in the middle of and "wobble" and shake the whole farm. Or, if you can't recall the many salient features of the minor disadvantages under which the old man used to labor, your pliant limbs may soon overtake him, and he will smilingly tell you of trials and privations of the early days, until your anxiety about the young man just naturally stagnates, and dries up, and evaporates, and blows away.

In this little side-show of existence the old man is always worth the full price of admission. He is not only the greatest living curiosity on exhibition, but the object of the most genial solicitude and interest to the serious observer. It is even good to look upon his vast fund of afflictions, finding prominent above them all that wholesome patience that surpasseth understanding; to dwell compassionately upon his prodigality of aches and ailments, and yet, by his pride in their wholesale possession, and his thorough resignation to the inevitable, continually to

be rebuked, and in part made envious of the old man's right-of-title situation. Nature, after all, is kinder than unkind to him, and always has a compensation and a soothing balm for every blow that age may deal him. And in the fading embers of the old man's eyes there are, at times, swift flashes and rekindlings of the smiles of youth, and the old artlessness about the wrinkled face that dwelt there when his cheeks were like the pippins, and his

"Red lips redder still
Kissed by strawberries on the hill."

And thus it is the children are intuitively drawn toward him, and young, pure-faced mothers are forever hovering about him, with just such humorings and kindly ministrations as they bestow on the little emperor of the household realm, strapped in his high chair at the dinner-table, crying "Amen" in the midst of "grace," and ignoring the "substantials" of the groaning board, and at once insisting upon a square deal of the more "temporal blessings" of jelly, cake, and pie. And the old man has justly earned every distinction he enjoys. Therefore let him make your hearthstone all the brighter with the ruddy coal he drags up from it with his pipe, as he comfortably settles himself where, with reminiscent eyes, he may watch the curling smoke of his tobacco as it indolently floats, and drifts and drifts, and dips at last, and vanishes up the grateful flue. At such times, when a five-year-old, what a haven

every boy has found between the old grandfather's knees! Look back in fancy at the faces blending there — the old man's and the boy's — and, with the nimbus of the smoke-wreaths round the brows, the gilding of the firelight on cheek and chin, and the rapt and far-off gazings of the eyes of both, why, but for the silver tinsel of the beard of one and the dusky elf-locks of the other, the faces seem almost like twins.

With such a view of age, one feels like whipping up the lazy years and getting old at once. In heart and soul the old man is not old — and never will be. He is paradoxically old, and that is all. So it is that he grows younger with increasing years, until old age at worst is always at a level par with youth. Who ever saw a man so old as not secretly and most heartily to wish the veteran years upon years of greater age? And at what great age did ever any old man pass away and leave behind no sudden shock, and no selfish hearts still to yearn after him and grieve on unconsoled? Why, even in the slow declining years of old Methuselah — the banner old man of the universe, — so old that history grew absolutely tired waiting for him to go off some place and die — even Methuselah's taking off must have seemed abrupt to his immediate friends, and a blow to the general public that doubtless plunged it into the profoundest gloom. For nine hundred and sixty-nine years this durable old man had "smelt the rose above the mold," and doubtless had a thousand times been told by congratulating friends that he didn't

look a day older than nine hundred and sixty-eight; and necessarily the habit of living, with him, was hard to overcome.

In his later years what an oracle he must have been, and with what reverence his friends must have looked upon the "little, glassy-headed, hairless man," and hung upon his every utterance! And with what unerring gift of prophecy could he foretell the long and husky droughts of summer — the gracious rains, at last, — the milk-sick breeding autumn and the blighting winter, simply by the way his bones felt after a century's casual attack of inflammatory rheumatism! And, having annually frosted his feet for some odd centuries — boy and man — we can fancy with what quiet delight he was wont to practise his prognosticating facilities on "the boys," forecasting the coming of the then fledgling cyclone and the gosling blizzard, and doubtless even telling the day of the month by the way his heels itched. And with what wonderment and awe must old chronic maladies have regarded him — tackling him singly or in solid phalanx, only to drop back pantingly, at last, and slink away dumfounded and abashed! And with what brazen pride the final conquering disease must have exulted over its shameless victory! But this is pathos here, and not a place for ruthless speculation: a place for asterisks — not words. Peace! peace! The man is dead! "The fever called living is over at last." The patient slumbers. He takes

his rest. He sleeps. Come away! He is the oldest dead man in the cemetery.

Whether the hardy, stall-fed old man of the country, or the opulent and well-groomed old man of the metropolis, he is one in our esteem and the still warmer affections of the children. The old man from the country — you are always glad to see him and hear him talk. There is a breeziness of the woods and hills and a spice of the bottom-lands and thickets in everything he says, and dashes of shadow and sunshine over the waving wheat are in all the varying expressions of his swarthy face. The grip of his hand is a thing to bet on, and the undue loudness of his voice in greeting you is even lulling and melodious, since unconsciously it argues for the frankness of a nature that has nothing to conceal. Very probably you are forced to smile, meeting the old man in town, where he never seems at ease, and invariably apologizes in some way for his presence, saying, perhaps, by way of explanation: "Yessir, here I am, in spite o' myself. Come in day afore yisterd'y. Boys was thrashin' on the place, and the beltin' kept a-troublin' and delayin' of 'em — and I was potterin' round in the way anyhow, tel finally they sent me off to town to git some whang-luther and ribbets, and while I was in, I thought — I thought I'd jest run over and see the Jedge about that Henry County matter; and as I was knockin' round the court-house, first thing I knowed I'll be switched to death ef they didn't pop

me on the jury! And here I am, eatin' my head off up here at the tavern. Reckon, tho', the county'll stand good for my expenses. Ef hit cain't, I kin!" And, with the heartiest sort of a laugh, the old man jogs along, leaving you to smile till bedtime over the happiness he has unconsciously contributed.

Another instance of the old man's humor under trying circumstances was developed but a few days ago. This old man was a German citizen of an inundated town in the Ohio valley. There was much of the pathetic in his experience, but the bravery with which he bore his misfortunes was admirable. A year ago his little home was first invaded by the flood, and himself and wife, and his son's family, were driven from it to the hills for safety — but the old man's telling of the story can not be improved upon. It ran like this: "Last year, ven I svwim out fon dot leedle home off mine, mit my vife, unt my son, his vife unt leedle girls, I dink dot's der last time goot-by to dose proberty! But afder der vater is gone down, unt dry oop unt eberding, dere vas yet der house dere. Unt my friends dey sait, 'Dot's all you got yet. — Vell, feex oop der house — dot's someding! feex oop der house, unt you vood still hatt yet a home!' Vell, all summer I go to work, unt spent me eberding unt feex der proberty. Den I got yet a morgage on der house! Dees time here der vater come again — till I vish it vas last year vonce! Unt now all I safe is my vife, unt my son his vife, unt my leedle grandchilderns! Else everding is gone! All — everyding! — Der house gone —

unt — unt — der morgage gone, too!" And then the old Teutonic face "melted all over in sunshiny smiles," and, turning, he bent and lifted a sleepy little girl from a pile of dirty bundles in the depot waiting-room and went pacing up and down the muddy floor, saying things in German to the child. I thought the whole thing rather beautiful. That's the kind of an old man who, saying good-by to his son, would lean and kiss the young man's hand, as in the Dutch regions of Pennsylvania, two or three weeks ago, I saw an old man do.

Mark Lemon must have known intimately and loved the genteel old man of the city when the once famous domestic drama of "Grandfather Whitehead" was conceived. In the play the old man — a once prosperous merchant — finds a happy home in the household of his son-in-law. And here it is that the gentle author has drawn at once the poem, the picture, and the living proof of the old Wordsworthian axiom, "The child is father to the man." The old man, in his simple way, and in his great love for his wilful little grandchild, is being continually distracted from the grave sermons and moral lessons he would read the boy. As, for instance, aggrievedly attacking the little fellow's neglect of his books and his inordinate tendency toward idleness and play — the culprit, in the meantime, down on the floor clumsily winding his top — the old man runs on something in this wise:

"Play! play! play! Always play and no work, no study, no lessons. And here you are, the only child

of the most indulgent parents in the world — parents that, proud as they are of you, would be ten times prouder only to see you at your book, storing your mind with useful knowledge, instead of, day in, day out, frittering away your time over your toys and your tops and marbles. And even when your old grandfather tries to advise you and wants to help you, and is always ready and eager to assist you, and all — why, what's it all amount to? Coax and beg and tease and plead with you, and yet — and yet" — (Mechanically kneeling as he speaks) — "Now that's not the way to wind your top! How many more times will I have to show you!" And an instant later the old man's admonitions are entirely forgotten, and his artless nature — dull now to everything but the childish glee in which he shares — is all the sweeter and more lovable for its simplicity.

And so it is, Old Man, that you are always touching the very tenderest places in our hearts — unconsciously appealing to our warmest sympathies, and taking to yourself our purest love. We look upon your drooping figure, and we mark your tottering step and trembling hand, yet a reliant something in your face forbids compassion, and a something in your eye will not permit us to look sorrowfully on you. And, however we may smile at your quaint ways and old-school oddities of manner and of speech, our merriment is ever tempered with the gentlest reverence.