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III

In reading popular stories and seeing plays, asserted Carol, she had found only two traditions of the American small town. The first tradition, repeated in scores of magazines every month, is that the American village remains the one sure abode of friendship, honesty, and clean sweet marriageable girls. Therefore all men who succeed in painting in Paris or in finance in New York at last become weary of smart women, return to their native towns, assert that cities are vicious, marry their childhood sweethearts and, presumably, joyously abide in those towns until death.

The other tradition is that the significant features of all villages are whiskers, iron dogs upon lawns, gold bricks, checkers, jars of gilded cat-tails, and shrewd comic old men who are known as "hicks" and who ejaculate "Waal I swan." This altogether admirable tradition rules the vaudeville stage, facetious illustrators, and syndicated newspaper humor, but out of actual life it passed forty years ago. Carol's small town thinks not in hoss-swapping but in cheap motor cars, telephones, ready-made clothes, silos, alfalfa, kodaks, phonographs, leather-upholstered Morris chairs, bridge-prizes, oil-stocks, motion-pictures, land-deals, unread sets of Mark Twain, and a chaste version of national politics.

With such a small-town life a Kennicott or a Champ Perry is content, but there are also hundreds of thousands, particularly


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women and young men, who are not at all content. The more intelligent young people (and the fortunate widows!) flee to the cities with agility and, despite the fictional tradition, resolutely stay there, seldom returning even for holidays. The most protesting patriots of the towns leave them in old age, if they can afford it, and go to live in California or in the cities.

The reason, Carol insisted, is not a whiskered rusticity. It is nothing so amusing!

It is an unimaginatively standardized background, a sluggishness of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment . . . the contentment of the quiet dead, who are scornful of the living for their restless walking. It is negation canonized as the one positive virtue. It is the prohibition of happiness. It is slavery self-sought and self-defended. It is dullness made God.

A savorless people, gulping tasteless food, and sitting afterward, coatless and thoughtless, in rocking-chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world.