University of Virginia Library

1.2. CHAPTER II.

He that writes of himself not easily tir'd. Boys may give Men Lessons. The Author's Preferment at School attended with Misfortunes. The Danger of Merit among Equals. Of Satyrists and Backbiters. What effect they have had upon the Author. Stanzas publish'd by himself against himself.


IT often makes me smile to think how contentedly I have set myself down to write my own Life; nay, and with less Concern for what may be said of it than I should feel were I to do the same for a deceased Acquaintance. This you will easily account for when you consider that nothing gives a Coxcomb more delight than when you suffer him to talk of himself; which sweet Liberty I here enjoy for a


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whole Volume together! A Privilege which neither cou'd be allow'd me, nor wou'd become me to take, in the Company I am generally admitted to; [29.1] but here, when I have all the Talk to myself, and have no body to interrupt or contradict me, sure, to say whatever I have a mind other People shou'd know of me is a Pleasure which none but Authors as vain as myself can conceive. But to my History.

However little worth notice the Life of a Schoolboy may be supposed to contain, yet, as the Passions of Men and Children have much the same Motives and differ very little in their Effects, unless where the elder Experience may be able to conceal them: As therefore what arises from the Boy may possibly be a Lesson to the Man, I shall venture to relate a Fact or two that happen'd while I was still at School.

In February, 1684-5, died King Charles II. who being the only King I had ever seen, I remember (young as I was) his Death made a strong Impression upon me, as it drew Tears from the Eyes of Multitudes, who looked no further into him than I


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did: But it was, then, a sort of School-Doctrine to regard our Monarch as a Deity; as in the former Reign it was to insist he was accountable to this World as well as to that above him. But what, perhaps, gave King Charles II. this peculiar Possession of so many Hearts, was his affable and easy manner in conversing; which is a Quality that goes farther with the greater Part of Mankind than many higher Virtues, which, in a Prince, might more immediately regard the publick Prosperity. Even his indolent Amusement of playing with his Dogs and feeding his Ducks in St. James's Park, (which I have seen him do) made the common People adore him, and consequently overlook in him what, in a Prince of a different Temper, they might have been out of humour at.

I cannot help remembring one more Particular in those Times, tho' it be quite foreign to what will follow. I was carry'd by my Father to the Chapel in Whitehall; where I saw the King and his royal Brother the then Duke of York, with him in the Closet, and present during the whole Divine Service. Such Dispensation, it seems, for his Interest, had that unhappy Prince from his real Religion, to assist at another to which his Heart was so utterly averse. ———I now proceed to the Facts I promis'd to speak of.

King Charles his Death was judg'd by our Schoolmaster a proper Subject to lead the Form I was in into a higher kind of Exercise; he therefore enjoin'd


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us severally to make his Funeral Oration: This sort of Task, so entirely new to us all, the Boys receiv'd with Astonishment as a Work above their Capacity; and tho' the Master persisted in his Command, they one and all, except myself, resolved to decline it. But I, Sir, who was ever giddily forward and thoughtless of Consequences, set myself roundly to work, and got through it as well as I could. I remember to this Hour that single Topick of his Affability (which made me mention it before) was the chief Motive that warm'd me into the Undertaking; and to shew how very childish a Notion I had of his Character at that time, I raised his Humanity, and Love of those who serv'd him, to such Height, that I imputed his Death to the Shock he receiv'd from the Lord Arlington's being at the point of Death about a Week before him. [31.1] This Oration, such as it was, I produc'd the next Morning: All the other Boys pleaded their Inability, which the Master taking rather as a mark of their Modesty than their Idleness, only seem'd to punish by setting me at the Head of the Form: A Preferment dearly bought! Much happier had I been to have sunk my Performance in the general Modesty of declining it. A most uncomfortable Life I led among them for many a Day after! I was so jeer'd, laugh'd at, and hated as a pragmatical Bastard (School-boys Language) who had betray'd the whole Form, that

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scarce any of 'em wou'd keep me company; and tho' it so far advanc'd me into the Master's Favour that he wou'd often take me from the School to give me an Airing with him on Horseback, while they were left to their Lessons; you may be sure such envy'd Happiness did not encrease their Good-will to me: Notwithstanding which my Stupidity cou'd take no warning from their Treatment. An Accident of the same nature happen'd soon after, that might have frighten'd a Boy of a meek Spirit from attempting any thing above the lowest Capacity. On the 23d of April following, being the Coronation-Day of the new King, the School petition'd the Master for leave to play; to which he agreed, provided any of the Boys would produce an English Ode upon that Occasion.———The very Word, Ode, I know makes you smile already ; and so it does me; not only because it still makes so many poor Devils turn Wits upon it, but from a more agreeable Motive; from a Reflection of how little I then thought that, half a Century afterwards, I shou'd be call'd upon twice a year, by my Post, [32.1] to make the same kind of Oblations to an unexceptionable Prince, the serene Happiness of whose Reign my halting Rhimes are still so unequal to—This, I own, is Vanity without Disguise; but Hæc olim meminisse juvat: [32.2] The remembrance of the miserable prospect we had then before

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us, and have since escaped by a Revolution, is now a Pleasure which, without that Remembrance, I could not so heartily have enjoy'd. [33.1] The Ode I was speaking of fell to my Lot, which in about half an Hour I produc'd. I cannot say it was much above the merry Style of Sing! Sing the Day, and sing the Song, in the Farce: Yet bad as it was, it serv'd to get the School a Play-day, and to make me not a little vain upon it; which last Effect so disgusted my Play-fellows that they left me out of the Party I had most a mind to be of in that Day's Recreation. But their Ingratitude serv'd only to increase my Vanity; for I consider'd them as so many beaten Tits that had just had the Mortification of seeing my Hack of a Pegasus come in before them. This low Passion is so rooted in our Nature that sometimes riper Heads cannot govern it. I have met with much the same silly sort of Coldness, even from my Contemporaries of the Theatre, from having the superfluous capacity of writing myself the Characters I have acted.

Here, perhaps, I may again seem to be vain; but if all these Facts are true (as true they are) how can I help it? Why am I oblig'd to conceal them? The Merit of the best of them is not so extraordinary as to have warn'd me to be nice upon it; and the Praise due to them is so small a Fish, it was scarce worth while to throw my Line into the Water for it.


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If I confess my Vanity while a Boy, can it be Vanity, when a Man, to remember it? And if I have a tolerable Feature, will not that as much belong to my Picture as an Imperfection? In a word, from what I have mentioned, I wou'd observe only this; That when we are conscious of the least comparative Merit in ourselves, we shou'd take as much care to conceal the Value we set upon it, as if it were a real Defect: To be elated or vain upon it is shewing your Money before People in want; ten to one but some who may think you to have too much may borrow, or pick your Pocket before you get home. He who assumes Praise to himself, the World will think overpays himself. Even the Suspicion of being vain ought as much to be dreaded as the Guilt itself. Cæsar was of the same Opinion in regard to his Wife's Chastity. Praise, tho' it my be our due, is not like a Bank-Bill, to be paid upon Demand; to be valuable it must be voluntary. When we are dun'd for it, we have a Right and Privilege to refuse it. If Compulsion insists upon it, it can only be paid as Persecution in Points of Faith is, in a counterfeit Coin: And who ever believ'd Occasional Conformity to be sincere? Nero, the most vain Coxcomb of a Tyrant that ever breath'd, cou'd not raise an unfeigned Applause of his Harp by military Execution; even where Praise is deserv'd, Ill-nature and Self-conceit (Passions that poll a majority of Mankind) will with less reluctance part with their Mony than their Approbation. Men of the greatest

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Merit are forced to stay 'till they die before the World will fairly make up their Account: Then indeed you have a Chance for your full Due, because it is less grudg'd when you are incapable of enjoying it: Then perhaps even Malice shall heap Praises upon your Memory; tho' not for your sake, but that your surviving Competitors may suffer by a Comparison. [35.1] 'Tis from the same Principle that Satyr shall have a thousand Readers where Panegyric has one. When I therefore find my Name at length in the Satyrical Works of our most celebrated living Author, I never look upon those Lines as Malice meant to me, (for he knows I never provok'd it) but Profit to himself: One of his Points must be, to have many Readers: He considers that my Face and Name are more known than those of many thousands of more consequence in the Kingdom: That therefore, right or wrong, a Lick at the Laureat [35.2] will

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always be a sure Bait, ad captandum vulgus, to catch him little Readers: And that to gratify the Unlearned, by now and then interspersing those merry Sacrifices of an old Acquaintance to their Taste, is a piece of quite right Poetical Craft. [36.1]

But as a little bad Poetry is the greatest Crime he lays to my charge, I am willing to subscribe to his opinion of it. [36.2] That this sort of Wit is one of the


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easiest ways too of pleasing the generality of Readers, is evident from the comfortable subsistence which our weekly Retailers of Politicks have been known to pick up, merely by making bold with a Government that had unfortunately neglected to find their Genius a better Employment.

Hence too arises all that flat Poverty of Censure and Invective that so often has a Run in our publick Papers upon the Success of a new Author; when, God knows, there is seldom above one Writer among hundreds in Being at the same time whose Satyr a Man of common Sense ought to be mov'd at. When a Master in the Art is angry, then indeed we ought to be alarm'd! How terrible a Weapon is Satyr in the Hand of a great Genius? Yet even


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there, how liable is Prejudice to misuse it? How far, when general, it may reform our Morals, or what Cruelties it may inflict by being angrily particular, [38.1] is perhaps above my reach to determine. I shall therefore only beg leave to interpose what I feel for others whom it may personally have fallen upon. When I read those mortifying Lines of our most eminent Author, in his Character of Atticus [38.2] (Atticus, whose Genius in Verse and whose Morality in Prose has been so justly admir'd) though I am charm'd with the Poetry, my Imagination is hurt at the Severity of it; and tho' I allow the Satyrist to have had personal Provocation, yet, methinks, for that very Reason he ought not to have troubled the Publick with it: For, as it is observed in the 242d Tatler, "In all Terms of Reproof, when the Sentence "appears to arise from Personal Hatred or "Passion, it is not then made the Cause of Mankind, "but a Misunderstanding between two Persons." But if such kind of Satyr has its incontestable Greatness; if its exemplary Brightness may not mislead inferior Wits into a barbarous Imitation of its Severity, then I have only admir'd the Verses, and expos'd myself by bringing them under so scrupulous a Reflexion: But the Pain which the Acrimony of those Verses gave me is, in some measure,

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allay'd in finding that this inimitable Writer, as he advances in Years, has since had Candour enough to celebrate the same Person for his visible Merit. Happy Genius! whose Verse, like the Eye of Beauty, can heal the deepest Wounds with the least Glance of Favour.

Since I am got so far into this Subject, you must give me leave to go thro' all I have a mind to say upon it; because I am not sure that in a more proper Place my Memory may be so full of it. I cannot find, therefore, from what Reason Satyr is allow'd more Licence than Comedy, or why either of them (to be admir'd) ought not to be limited by Decency and Justice. Let Juvenal and Aristophanes have taken what Liberties they please, if the Learned have nothing more than their Antiquity to justify their laying about them at that enormous rate, I shall wish they had a better excuse for them! The Personal Ridicule and Scurrility thrown upon Socrates, which Plutarch too condemns; and the Boldness of Juvenal, in writing real Names over guilty Characters, I cannot think are to be pleaded in right of our modern Liberties of the same kind. Facit indignatio versum [39.1] may be a very spirited Expression, and seems to give a Reader hopes of a lively Entertainment: But I am afraid Reproof is in unequal Hands when Anger is its Executioner; and tho' an outrageous Invective may carry some Truth in it, yet it will never have that natural, easy Credit


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with us which we give to the laughing Ironies of a cool Head. The Satyr that can smile circum præcordia ludit, and seldom fails to bring the Reader quite over to his Side whenever Ridicule and folly are at variance. But when a Person satyriz'd is us'd with the extreamest Rigour, he may sometimes meet with Compassion instead of Contempt, and throw back the Odium that was designed for him, upon the Author. When I would therefore disarm the Satyrist of this Indignation, I mean little more than that I would take from him all private or personal Prejudice, and wou'd still leave him as much general Vice to scourge as he pleases, and that with as much Fire and Spirit as Art and Nature demand to enliven his Work and keep his Reader awake.

Against all this it may be objected, That these are Laws which none but phlegmatick Writers will observe, and only Men of Eminence should give. I grant it, and therefore only submit them to Writers of better Judgment. I pretend not to restrain others from chusing what I don't like; they are welcome (if they please too) to think I offer these Rules more from an Incapacity to break them than from a moral Humanity. Let it be so! still, That will not weaken the strength of what I have asserted, if my Assertion be true. And though I allow that Provocation is not apt to weigh out its Resentments by Drachms and Scruples, I shall still think that no publick Revenge can be honourable where it is not limited by Justice; and if Honour is insatiable in its Revenge it


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loses what it contends for and sinks itself, if not into Cruelty, at least into Vain-glory.

This so singular Concern which I have shewn for others may naturally lead you to ask me what I feel for myself when I am unfavourably treated by the elaborate Authors of our daily Papers. [41.1] Shall I be sincere? and own my frailty? Its usual Effect is to make me vain! For I consider if I were quite good for nothing these Pidlers in Wit would not be concern'd to take me to pieces, or (not to be quite so vain) when they moderately charge me with only Ignorance or Dulness, I see nothing in That which an honest Man need be asham'd of: [41.2] There is many a good Soul who from those sweet Slumbers of the Brain are never awaken'd by the least harmful Thought; and I am


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sometimes tempted to think those Retailers of Wit may be of the same Class; that what they write proceeds not from Malice, but Industry; and that I ought no more to reproach them than I would a Lawyer that pleads against me for his Fee; that their Detraction, like Dung thrown upon a Meadow, tho' it may seem at first to deform the Prospect, in a little time it will disappear of itself and leave an involuntary Crop of Praise behind it.

When they confine themselves to a sober Criticism upon what I write; if their Censure is just, what answer can I make to it? If it is unjust, why should I suppose that a sensible Reader will not see it, as well as myself? Or, admit I were able to expose them by a laughing Reply, will not that Reply beget a Rejoinder? And though they might be Gainers by having the worst on't in a Paper War, that is no Temptation for me to come into it. Or (to make both sides less considerable) would not my bearing Ill-language from a Chimney-sweeper do me less harm than it would be to box with him, tho' I were sure to beat him? Nor indeed is the little Reputation I have as an Author worth the trouble of a Defence. Then, as no Criticism can possibly make me worse than I really am; so nothing I can say of myself can possibly make me better: When therefore a determin'd Critick comes arm'd with Wit and Outrage to take from me that small Pittance I have, I wou'd no more dispute with him than I wou'd resist a Gentleman of the Road to save a little Pocket-


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Money. [43.1] Men that are in want themselves seldom make a Conscience of taking it from others. Whoever thinks I have too much is welcome to what share of it he pleases: Nay, to make him more merciful (as I partly guess the worst he can say of what I now write) I will prevent even the Imputation of his doing me Injustice, and honestly say it myself, viz. That of all the Assurances I was ever guilty of, this of writing my own Life is the most hardy. I beg his Pardon!—-Impudent is what I should have said! That through every Page there runs a Vein of Vanity and Impertinence which no French Ensigns memoires ever came up to; but, as this is a common Error, I presume the Terms of Doating Trifler, Old Fool, or Conceited Coxcomb will carry Contempt enough for an impartial Censor to bestow on me; that my style is unequal, pert, and frothy, patch'd and party-colour'd like the Coat of an Harlequin; low and pompous, cramm'd with Epithets, strew'd with Scraps of second-hand Latin from common Quotations; frequently aiming at Wit, without ever hitting the Mark; a mere Ragoust toss'd up from the offals of other authors: My Subject below all Pens but my own, which, whenever I keep to, is flatly daub'd by one eternal Egotism: That I want

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nothing but Wit to be as accomplish'd a Coxcomb here as ever I attempted to expose on the Theatre: Nay, that this very Confession is no more a Sign of my Modesty than it is a Proof of my Judgment, that, in short, you may roundly tell me, that—-Cinna (or Cibber) vult videri Pauper, et est Pauper.

When humble Cinna cries, I'm poor and low,
You may believe him—-he is really so.

Well, Sir Critick! and what of all this? Now I have laid myself at your Feet, what will you do with me? Expose me? Why, dear Sir, does not every Man that writes expose himself? Can you make me a Blockhead, or perhaps might pleasantly tell other People they ought to think me so too. Will not they judge as well from what I say as what You say? If then you attack me merely to divert yourself, your Excuse for writing will be no better than mine. But perhaps you may want Bread: If that be the Case, even go to Dinner, i' God's name! [44.1]

If our best Authors, when teiz'd by these Triflers, have not been Masters of this Indifference, I should not wonder if it were disbeliev'd in me; but when it is consider'd that I have allow'd my never having


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been disturb'd into a Reply has proceeded as much from Vanity as from Philosophy, [45.1] the Matter then may not seem so incredible: And tho' I confess the complete Revenge of making them Immortal Dunces in Immortal Verse might be glorious; yet, if you will call it Insensibility in me never to have winc'd at them, even that Insensibility has its happiness, and what could Glory give me more? [45.2] For my part, I have always had the comfort to think, whenever they design'd me a Disfavour, it generally flew back into their own Faces, as it happens to Children when they squirt at their Play-fellows against the Wind. If a Scribbler cannot be easy because he fancies I have too good an Opinion of my own Productions, let him write on and mortify; I owe him not the Charity to be out of temper myself merely to keep him quiet or give him Joy: Nor, in reality, can I see why any thing misrepresented, tho' believ'd of me by Persons to whom I am unknown, ought to give me any more Concern than what may be thought of me in Lapland: 'Tis with those with whom I am to live only, where my Character can affect me; and I will venture

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to say, he must find out a new way of Writing that will make me pass my Time there less agreeably.

You see, Sir, how hard it is for a Man that is talking of himself to know when to give over; but if you are tired, lay me aside till you have a fresh Appetite; if not, I'll tell you a Story.

In the Year 1730 there were many Authors whose Merit wanted nothing but Interest to recommend them to the vacant Laurel, and who took it ill to see it at last conferred upon a Comedian; insomuch, that they were resolved at least to shew specimens of their superior Pretensions, and accordingly enliven'd the publick Papers with ingenious Epigrams and satyrical Flirts at the unworthy Successor: [46.1] These Papers my Friends with a wicked Smile would often put into my Hands and desire me to read them fairly in Company: This was a Challenge which I never declin'd, and, to do my doughty Antagonists Justice, I always read them


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with as much impartial Spirit as if I had writ them myself. While I was thus beset on all sides, there happen'd to step forth a poetical Knight-Errant to my Assistance, who was hardy enough to publish some compassionate Stanzas in my Favour. These, you may be sure, the Raillery of my Friends could do no less than say I had written to myself. To deny it I knew would but have confirmed their pretended Suspicion: I therefore told them, since it gave them such Joy to believe them my own, I would do my best to make the whole Town think so too. As the Oddness of this Reply was I knew what would not be easily comprehended, I desired them to have a Days patience, and I would print an Explanation to it: To conclude, in two Days after I sent this Letter, with some doggerel Rhimes at the Bottom,

To the Author of the Whitehall Evening-Post. SIR, THE Verses to the Laureat in yours of Saturday last have occasion'd the following Reply, which I


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hope you'll give a Place in your next, to shew that we can be quick as well as smart upon a proper Occasion: And, as I think it the lowest Mark of a Scoundrel to make bold with any Man's Character in Print without subscribing the true Name of the Author; I therefore desire, the Laureat is concern'd enough to ask the Question, that you will tell him my Name and where I live; till then, I beg leave to be known by no other than that of, Your Servant, Monday, Jan. 11, 1730. FRANCIS FAIRPLAY.

These were the Verses.[48.1]

I.

Ah, hah! Sir Coll, is that thy Way,
Thy own dull Praise to write?
And wou'd'st thou stand so sure a Lay
No, that's too stale a Bite.

I.

Nature and Art in thee combine,
Thy Talents here excel:
All shining Brass thou dost outshine,
To play the Cheat so well.

III.

Who sees thee in Iago's Part,
But thinks thee such a Rogue?

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And is not glad, with all his Heart,
To hang so sad a Dog?

IV.

When Bays thou play'st, Thyself thou art;
For that by Nature fit,
No Blockhead better suits the Part,
Than such a Coxcomb Wit.

V.

In Wronghead too, thy Brains we see,
Who might do well at Plough;
As fit for Parliament was he,
As for the Laurel, Thou.

VI.

Bring thy protected Verse from Court,
And try it on the Stage;
There it will make much better Sport,
And st the Town in Rage.

VII.

There Beaux and Wits and Cits and Smarts,
Where Hissing's not uncivil,
Will shew their Parts to thy Deserts,
And send it to the Devil.

VIII.

But, ah! in vain 'gainst Thee we write,
In vain thy Verse we maul
Our sharpest Satyr's thy Delight,
[49.1] For—Blood! thou'lt stand it all.

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IX.

Thunder, 'tis said, the Laurel spares;
Nought but thy Brows could blast it:
And yet—-O curst, provoking Stars!
Thy Comfort is, thou hast it.

This, Sir, I offer as a Proof that I was seven Years ago [50.1] the same cold Candidate for Fame which I would still be thought; you will not easily suppose I could have much Concern about it, while, to gratify the merry Pique of my Friends, I was capable of seeming to head the Poetical Cry then against me, and at the same Time of never letting the Publick know 'till this Hour that these Verses were written by myself: Nor do I give them you as an Entertainment, but merely to shew you this particular Cast of my Temper.

When I have said this, I would not have it thought Affectation in me when I grant that no Man worthy the Name of an Author is a more faulty Writer than myself; that I am not Master of my own Language [50.2]


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I too often feel when I am at a loss for Expression: I know too that I have too bold a Disregard for that Correctness which others set so just a Value upon: This I ought to be ashamed of, when I find that Persons, perhaps of colder Imaginations, are allowed to write better than myself. Whenever I speak of any thing that highly delights me, I find it very difficult to keep my Words within the Bounds of Common Sense: Even when I write too, the same Failing will sometimes get the better of me; of which I cannot give you a stronger Instance than in that wild Expression I made use of in the first Edition of my Preface to the Provok'd Husband; where, speaking of Mrs. Oldfield's excellent Performance in the Part of Lady Townly, my Words ran thus, viz. It is not enough to say, that here she outdid her usual Outdoing. [51.1] —A most vile Jingle, I grant it! You may well ask me, How could I possibly commit such a Wantonness to Paper? And I owe myself the Shame of confessing I have no Excuse for it but that, like a Lover in the Fulness of his Content, by endeavouring to be floridly grateful I talk'd Nonsense. Not but it makes me smile to remember how many flat Writers have made themselves brisk upon this single Expression; wherever the

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Verb, Outdo, could come in, the pleasant Accusative, Outdoing, was sure to follow it. The provident Wags knew that Decies repetita placeret: [52.1] so delicious a Morsel could not be serv'd up too often! After it had held them nine times told for a Jest, the Publick has been pester'd with a tenth Skull thick enough to repeat it. Nay, the very learned in the Law have at last facetiously laid hold of it! Ten Years after it first came from me it served to enliven the eloquence of an eloquent Pleader before a House of Parliament! What Author would not envy me so frolicksome a Fault that had such publick Honours paid to it?

After this Consciousness of my real Defects, you will easily judge, Sir, how little I presume that my Poetical Labours may outlive those of my mortal Cotemporaries. [52.2]

At the same time that I am so humble in my Pretensions to Fame, I would not be thought to undervalue it; Nature will not suffer us to despise it, but she may sometimes make us too fond of it. I have known more than one good Writer very near ridiculous from being in too much Heat about it. Whoever instrinsically deserves it will always have a proportionable


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Right to it. It can neither be resign'd nor taken from you by Violence. Truth, which is unalterable, must (however his Fame may be contested) give every Man his Due: What a Poem weighs it will be worth; nor is it in the Power of Human Eloquence, with Favour or Prejudice, to increase or diminish its Value. Prejudice, 'tis true, may a while discolour it; but it will always have its Appeal to the Equity of good Sense, which will never fail in the End to reverse all false Judgment against it. Therefore when I see an eminent Author hurt, and impatient at an impotent Attack upon his Labours, he disturbs my Inclination to admire him; I grow doubtful of the favourable Judgment I have made of him, and am quite uneasy to see him so tender in Point he cannot but know he ought not himself to be judge of; his Concern indeed at another's Prejudice or Disapprobation may be natural; but to own it seems to me a natural Weakness. When a Work is apparently great it will go without Crutches; all your Art and Anxiety to heighten the Fame of it then becomes low and little. [53.1] He that will bear no Censure must be often robb'd of his due Praise. Fools have as good a Right to be Readers as Men of Sense have, and why not to give

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their Judgments too? Methinks it would be a sort of Tyranny in Wit for an Author to be publickly putting every Argument to death that appear'd against him; so absolute a Demand for Approbation puts us upon our Right to dispute it; Praise is as much the Reader's Property as Wit is the Author's; Applause is not a Tax paid to him as a Prince, but rather a Benevolence given to him as a Beggar; and we have naturally more Charity for the dumb Beggar than the sturdy one. The Merit of a Writer and a fine Woman's Face are never mended by their talking of them: How amiable is she that seems not to know she is handsome!

To conclude; all I have said upon this Subject is much better contained in six Lines of a Reverend Author, which will be an Answer to all critical Censure for ever.

Time is the Judge; Time has nor Friend nor Foe;
False Fame must wither, and the True will grow.
Arm'd with this Truth all Criticks I defy;
For, if I fall, by my own Pen I die;
While Snarlers strive with proud but fruitless Pain,
To wound Immortals, or to slay the Slain.[54.1]

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[[29.1]]

Cibber is pardonably vain throughout at the society he moved in. His greatest social distinction was his election as a member of White's. His admission to such society was of course the subject of lampoons, such as the following:—

"The BUFFOON, An EPIGRAM.

Don't boast, prithee Cibber, so much of thy State,
That like Pope you are blest with the smiles of the Great;
With both they Converse, but for different Ends,
And 'tis easy to know their Buffoons from their Friends."
[[31.1]]

Arlington did not, however, die till the 28th July, 1685, surviving Charles II. by nearly six months.

[[32.1]]

Cibber was appointed Poet-Laureate on the death of Eusden. His appointment was dated 3rd December, 1730.

[[32.2]]

"Forsan et hæc olim meminisse juvabit."—Virg. Æneid, i. 207.

[[33.1]]

As Laureate, and as author of "The Nonjuror," Cibber is bound to be extremely loyal to the Protestant dynasty.

[[35.1]]

Curiously enough, Cibber's praise of his deceased companion-actors has been attributed to something of this motive.

[[35.2]]

Bellchambers prints these words thus: "Lick at the Laureat," as if Cibber had referred to the title of a book; and notes: "This is the title of a pamphlet in which some of Mr. Cibber's peculiarities have been severely handled." But I doubt this, for there is nothing in Cibber's arrangement of the words to denote that they represent the title of a book; and, besides, I know no work with such a title published before 1740. Bellchambers, in a note on page 114, represents that he quotes from "Lick at the Laureat, 1730;" but I find the quotation he gives in "The Laureat," 1740 (p. 31), almost verbatim. As it stands in the latter there is no hint that it is quoted from a previous work, nor, indeed, do the terms of it permit of such an interpretation. I can, therefore, only suppose that Bellchambers is wrong in attributing the sentence to a work called "A Lick at the Laureat."

[[36.1]]

The principal allusions to Cibber which, up to the time of the publication of the "Apology," Pope had made, were in the "Dunciad":—

"How, with less reading than makes felons 'scape
Less human genius than God gives an ape,
Small thanks to France and none to Rome or Greece,
A past, vamp'd, future, old, reviv'd, new piece,
'Twixt Plautus, Fletcher, Congreve, and Corneille,
Can make a Cibber, Johnson, or Ozell."
Second edition, Book i. 235-240.
"Beneath his reign, shall Eusden wear the bays,
Cibber preside, Lord-Chancellor of Plays."
Second edition, Book iii. 319, 320.

In the "First Epistle of the Second Book of Horace" (1737), Cibber is scurvily treated. In it occur the lines:—

"And idle Cibber, how he breaks the laws.
To make poor Pinkey eat with vast applause!"
[[36.2]]

Cibber's Odes were a fruitful subject of banter. Fielding in "Pasquin," act ii. sc. I, has the following passage:—

"2nd Voter. My Lord, I should like a Place at Court too; I don't much care what it is, provided I wear fine Cloaths, and have something to do in the Kitchen, or the Cellar; I own I should like the Cellar, for I am a divilish Lover of Sack.

Lord Place. Sack, say you? Odso, you shall be Poet-Laureat.

2nd Voter. Poet! no, my Lord, I am no Poet, I can't make verses.

Lord Place. No Matter for that—you'll be able to make Odes.

2nd Voter. Odes, my Lord! what are those?

Lord Place. Faith, Sir, I can't tell well what they are; but I know you may be qualified for the Place without being a Poet."

Boswell ("Life of Johnson," i. 402) reports that Johnson said, "His [Cibber's] friends give out that he intended his birth-day Odes should be bad: but that was not the case, Sir; for he kept them many months by him, and a few years before he died he shewed me one of them, with great solicitude to render it as perfect as might be."

In "The Egotist" (P. 63) Cibber is made to say: "As bad Verses are the Devil, and good ones I can't get up to—-"

[[38.1]]

"Champion," 29th April, 1740: "When he says (Fol. 23) Satire is angrily particular, every Dunce of a Reader knows that he means angry with a particular Person."

[[38.2]]

Cibber's allusion to Pope's treatment of Addison is a fair hit.

[[39.1]]

Juvenal, i. 79.

[[41.1]]

Davies ("Dram. Misc.," iii. 511) says: "If we except the remarks on plays and players by the authors of the Tatler and Spectator, the theatrical observations in those days were coarse and illiberal, when compared to what we read in our present daily and other periodical papers."

[[41.2]]

"Frankly. Is it not commendable in a Man of Parts, to be warmly concerned for his Reputation?

Author [Cibber]. In what regards his Honesty or Honour, I will make you some Allowances: But for the Reputation of his Parts, not one Tittle!"— "The Egotist: or, Colley upon Cibber," p. 13.

Bellchambers notes here: "When Cibber was charged with moral offences of a deeper dye, he thought himself at liberty, I presume, to relinquish his indifference, and bring the libeller to account. On a future page will be found the public advertisement in which he offered a reward of ten pounds for the detection of Dennis."

[[43.1]]

"Frankly. It will be always natural for Authors to defend their Works.

Author [Cibber]. And would it not be as well, if their Works defended themselves?"—"The Egotist: or, Colley upon Cibber," p. 15.

[[44.1]]

In his "Letter to Pope," 1742, p. 7, Cibber says: "After near twenty years having been libell'd by our Daily-paper Scriblers, I never was so hurt, as to give them one single Answer."

[[45.1]]

"Frankly. I am afraid you will discover yourself; and your Philosophical Air will come out at last meer Vanity in Masquerade.

Author [Cibber]. O! if there be Vanity in keeping one's Temper; with all my Heart."—"The Egotist: or, Colley upon Cibber," p. 13.

[[45.2]]

In his "Letter to Pope," 1742, p. 9, Cibber says: "I would not have even your merited Fame in Poetry, if it were to be attended with half the fretful Solicitude you seem to have lain under to maintain it."

[[46.1]]

The best epigram is that which Cibber ("Letter," 1742, p. 39) attributes to Pope:—

"In merry Old England, it once was a Rule,
The King had his Poet, and also his Fool.
But now we're so frugal, I'd have you to know it,
That Cibber can serve both for Fool and for Poet."

Dr. Johnson also wrote an epigram, of which he seems to have been somewhat proud:—

"Augustus still survives in Maro's strain,
And Spenser's verse prolongs Eliza's reign;
Great George's acts let tuneful Cibber sing;
For Nature form'd the Poet for the King."
Boswell, i. 149.

In "Certain Epigrams, in Laud and Praise of the Gentlemen of the Dunciad," p. 8, is:—

EPIGRAM XVI.
A Question by ANONYMUS.

"Tell, if you can, which did the worse,
Caligula, or Gr—n's [Grafton's] Gr—ce?
That made a Consul of a Horse,
And this a Laureate of an Ass."

In "The Egotist: or, Colley upon Cibber," p. 49, Cibber is made to say: "An Ode is a Butt, that a whole Quiver of Wit is let fly at every Year!"

[[48.1]]

"The Laureat" says: "The Things he calls Verses, carry the most evident Marks of their Parent Colley."—p. 24.

[[49.1]]

A Line in the Epilogue to the Nonjuror.

[[50.1]]

This allusion to time shows that Cibber began his "Apology" about 1737.

[[50.2]]

Fielding has many extremely good attacks on Cibber's style and language. For instance:—

"I shall here only obviate a flying Report...That whatever Language it was writ in, it certainly could not be English in the following Manner. Whatever Book is writ in no other Language, is writ in English. This Book is writ in no other Language, Ergo, It is writ in English."—"Champion," 22nd April, 1740.

Again ("Joseph Andrews," book iii. chap. vi.), addressing the Muse or Genius that presides over Biography, he says: "Thou, who, without the assistance of the least spice of literature, and even against his inclination, hast, in some pages of his book, forced Colley Cibber to write English."

[[51.1]]

In later editions the expression was changed to "She here out-did her usual excellence."

[[52.1]]

"Decies repetita placebit."—Horace, Ars Poetica, 365.

[[52.2]]
"For instance: when you rashly think,
No rhymer can like Welsted sink,
His merits balanc'd, you shall find,
The laureat leaves him far behind."
Swift, On Poetry: a Rhapsody, l. 393.
[[53.1]]

"Frankly. Then for your Reputation, if you won't bustle about it, and now and then give it these little Helps of Art, how can you hope to raise it?

Author [Cibber]. If it can't live upon simple Nature, let it die, and be damn'd! I shall give myself no further Trouble about it."—"The Egotist: or, Colley upon Cibber," p. 9.

[[54.1]]

Young's second "Epistle to Mr. Pope."