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The Second Brother

an Unfinished Drama
  
  
  

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Scene II.
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15

Scene II.

A saloon in Orazio's palace, brilliantly lighted: at the bottom of the stage open folding-doors, through which a banqueting-room is seen, with a table, at which Orazio and his guests, feasting, are partially visible.

Music and Song.
Will you sleep these dark hours, maiden,
Beneath the vine that rested
Its slender boughs, so purply-laden,
All the day around that elm
Nightingale-nested,
Which yon dark hill wears for an helm,
Pasture-robed and forest-crested?
There the night of lovely hue
Peeps the fearful branches through,
And ends in those two eyes of blue.

Orazio and Armida come forward.
Armid.
What! wrap a frown in myrtle, and look sad
Beneath the shadow of an ivy wreath?
This should not be, my lord.

Oraz.
Armida dear,

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I'm weary of their laughter's empty din.
Methinks, these fellows, with their ready jests,
Are like to tedious bells, that ring alike
Marriage or death. I would we were alone—
Asleep, Armida.

Armid.
They will soon be gone:
One half-hour more—

Oraz.
No, it could not be so:—
I think and think—Sweet, did you like the feast?

Armid.
Methought, 'twas gay enough.

Oraz.
Now, I did not.
'Twas dull: all men spoke slow and emptily.
Strange things were said by accident. Their tongues
Uttered wrong words: one fellow drank my death,
Meaning my health; another called for poison,
Instead of wine; and, as they spoke together,
Voices were heard, most loud, which no man owned:
There were more shadows too than there were men;
And all the air, more dark and thick than night,
Was heavy, as 'twere made of something more
Than living breaths.—

Armid.
Nay, you are ill, my lord:
'Tis merely melancholy.

Oraz.
There were deep hollows
And pauses in their talk; and then, again,
On tale, and song, and jest, and laughter rang,
Like a fiend's gallop. By my ghost, 'tis strange.—

Armid.
Come, my lord, join your guests; they look with wonder

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Upon your lonely mood.

Oraz.
It is the trick
Of these last livers to unbuild belief:
They'd rob the world of spirit. Then each look,
Ay, every aspect of the earth and sky,
Man's thought and hope, are lies.—Well; I'll return,
And look at them again.

(He approaches the door of the inner room: from which Michele advances.)
Mich.
You're tired, my lord.
Our visit's long: break off, good gentlemen:
The hour is late.

Oraz.
Nay, I beseech you, stay:
My pleasure grows on yours. I'm somewhat dull;
But let me not infect you.
(Exeunt Michele and Armida through the folding door: Orazio is following them, but is stopped by the entry of an Attendant, from the side.
What with you?

Attend.
A lady, in the garment of a nun,
Desires to see you.

Oraz.
Lead her in: all such
I thank for their fair countenance.
Enter Valeria, introduced by Attendant, who withdraws.
Gentle stranger,

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Your will with me?

Valer.
I am the bearer of another's will:
A woman, whose unhappy fondness yet
May trouble her lord's memory,—Valeria,—
Your's for a brief, blessed time, who now dwells
In her abandoned being patiently,
But not unsorrowing, sends me.

Oraz.
My wronged wife!
Too purely good for such a man as I am!
If she remembers me, then Heaven does too,
And I am not yet lost. Give me her thoughts,—
Ay, the same words she put into thine ears,
Safe and entire, and I will thank thy lips
With my heart's thanks. But tell me how she fares.

Valer.
Well; though the common eye, that has a tear,
Would drop it for the paleness of her skin,
And the wan shivering of her torch of life;
Though she be faint and weak, yet very well:
For not the tincture, or the strength of limb,
Is a true health, but readiness to die.—
But let her be, or be not.—

Oraz.
Best of ladies!
And, if thy virtues did not glut the mind,
To the extinction of the eye's desire,
Such a delight to see, that one would think
Our looks were thrown away on meaner things,
And given to rest on thee!


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Valer.
These words, my lord,
Are charitable; it is very kind
To think of her sometimes: for, day and night,
As they flow in and out of one another,
She sits beside and gazes on their streams,
So filled with the strong memory of you,
That all her outward form is penetrated,
Until the watery portrait is become
Not hers, but yours:—and so she is content
To wear her time out.

Oraz.
Softest peace enwrap her!
Content be still the breathing of her lips!
Be tranquil ever, thou blest life of her!
And that last hour, that hangs 'tween heaven and earth,
So often travelled by her thoughts and prayers,
Be soft and yielding 'twixt her spirit's wings!

Valer.
Think'st thou, Orazio, that she dies but once?
All round and through the spaces of creation,
No hiding-place of the least air, or earth,
Or sea, invisible, untrod, unrained on,
Contains a thing alone. Not e'en the bird,
That can go up the labyrinthine winds
Between its pinions, and pursues the summer,—
Not even the great serpent of the billows,
Who winds him thrice around this planet's waist,—
Is by itself, in joy or suffering.
But she whom you have ta'en, and, like a leaven,

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With your existence kneaded, must be ever
Another—scarce another—self of thine.

Oraz.
If she has read her heart aloud to you,
Or you have found it open by some chance,
Tell me, dear lady, is my name among
Her paged secrets? does she, can she love me?—
No, no; that's mad:—does she remember me?

Valer.
She breathes away her weary days and nights
Among cold, hard-eyed men, and hides behind
A quiet face of woe: but there are things,—
A song, a face, a picture, or a word,—
Which, by some semblance, touch her heart to tears.
And music, starting up among the strings
Of a wind-shaken harp, undoes her secresy,—
Rolls back her life to the first starry hour
Whose flower-fed air you used, to speak of love;
And then she longs to throw her bursting breast,
And shut out sorrow with Orazio's arms,—
Thus,—O my husband!

Oraz.
Sweetest, sweetest woman!
Valeria, thou dost squeeze eternity
Into this drop of joy. O come, come, come!
Let us not speak;—give me my wife again!—
O thou fair creature, full of my own soul!
We'll love, we'll love, like nothing under heaven,—
Like nought but Love, the very truest god.
Here's lip-room on thy cheek:—there, shut thine eye,
And let me come, like sleep, and kiss its lid.

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Again.—What shall I do? I speak all wrong,
And lose a soul-full of delicious thought
By talking.—Hush! Let's drink each other up
By silent eyes. Who lives, but thou and I,
My heavenly wife?

Valer.
Dear Orazio!

Oraz.
I'll watch thee thus, till I can tell a second
By thy cheek's change. O what a rich delight!
There's something very gentle in thy cheek,
That I have never seen in other women:
And, now I know the circle of thine eye,
It is a colour like to nothing else
But what it means,—that's heaven. This little tress,
Thou'lt give it me to look on and to wear,
But first I'll kiss its shadow on thy brow.
That little, fluttering dimple is too late,
If he is for the honey of thy looks:
As sweet a blush, as ever rose did copy,
Budded and opened underneath my lips,
And shed its leaves; and now those fairest cheeks
Are snowed upon them. Let us whisper, sweet,
And nothing be between our lips and ears
But our own secret souls.—

(A horn without.
Valer.
Heaven of the blest, they're here!

Oraz.
Who, what, Valeria?
Thou'rt pale and tremblest: what is it?

Valer.
Alas!

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A bitter kernel to our taste of joy,
Our foolish and forgetful joy. My father!
Destruction, misery—

Enter Varini and attendants.
Varin.
Turn out those slaves,—
Burst the closed doors, and occupy the towers.—

Oraz.
Varini's self! what can his visit bring!

Valer.
Look there; he's walking hither like a man,
But is indeed a sea of stormy ruin,
Filling and flooding o'er this golden house
From base to pinnacle, swallowing thy lands,
Thy gold, thine all.—Embrace me into thee,
Or he'll divide us.

Oraz.
Never! calm thyself.—
Now, Count Varini, what's your business here?
If as a guest, though uninvited, welcome!
If not, then say, what else?

Varin.
A master, spendthrift!
Open those further doors,—

Oraz.
What? in my palace!

Varin.
Thine! what is thine beneath the night or day?
Not e'en that beggar's carcase,—for within that
The swinish devils of filthy luxury
Do make their stye.—No lands, no farms, no houses,—
Thanks to thy debts, no gold. Go out! Thou'rt nothing,

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Besides a grave and a deep hell.

Valer.
Orazio,
Thou hast Valeria: the world may shake thee off,
But thou wilt drop into this breast, this love,—
And it shall hold thee.

Oraz.
What? lost already!
O that curst steward! I have fallen, Valeria,
Deeper than Lucifer, though ne'er so high,—
Into a place made underneath all things,
So low and horrible that hell's its heaven.

Varin.
Thou shalt not have the idiot, though she be
The very fool and sickness of my blood.—
Gentlemen, here are warrants for my act,—
His debts, bonds, forfeitures, taxes and fines,
O'erbalancing the worth of his estates,
Which I have bought: behold them!—For the girl,
Abandoned, after marriage, by the villain,—
I am her father: let her be removed;
And, if the justice of my rightful cause
Ally you not, at least do not resist me.

Mich.
What are these writings?

Batt.
Bills under the Duke's seal,
All true and valid.—Poor Orazio!

Oraz.
Why, the rogue pities me! I'm down indeed.

Valer.
Help me! Oh! some of you have been beloved,
Some must be married.—Will you let me go?
Will you stand frozen there, and see them cut

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Two hearts asunder?—Then you will,—you do.—
Are all men like my father? are all fathers
So far away from men? or all their sons
So heartless?—you are women, as I am;
Then pity me, as I would pity you,
And pray for me! Father! ladies! friends!—
But you are tearless as the desart sands.—
Orazio, love me! or, if thou wilt not,
Yet I will love thee: that you cannot help.

Oraz.
My best Valeria! never shalt thou leave me,
But with my life. O that I could put on
These feeble arms the proud and tawny strength
Of the lion in my heart!

Varin.
Out with the girl at once!

Rosaur.
Forgive them, sir, we all of us beseech.

Varin.
Lady, among you all she's but one sire,
And he says no.—Away!

Valer.
Have pity, my sweet father! my good father!
Have pity, as my gentle mother would,
Were she alive,—thy sainted wife! O pardon,
If I do wish you had been rent asunder,
Thus dreadfully; for then I had not been;—
Not kissed and wept upon my father's hand,
And he denied me!—you can make me wretched:—
Be cruel still, but I will never hate you.—
Orazio, I'll tell thee what it is:
The world is dry of love; we've drunk it all
With our two hearts—


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Oraz.
Farewell, Valeria!
Take on thy last dear hand this truest kiss,
Which I have brought thee from my deepest soul.—
Farewell, my wife!—

Valer.
They cannot part us long.—
What's life? our love is an eternity:
O blessed hope!

(She is forced out.
Oraz.
Now then, sir; speak to me:
The rest is sport,—like rain against a tower
Unpalsied by the ram. Go on: what's next?

Varin.
Your palaces are mine, your sheep-specked pastures,
Forest and yellow corn-land, grove and desart,
Earth, water, wealth: all, that you yesterday
Were mountainously rich and golden with,
I, like an earthquake, in this minute take.
Go, go: I will not pick thee to the bones:
Starve as you will.

Oraz.
How, sir! am I not wealthy?
Why, if the sun could melt the brazen man
That strode o'er Corinth, and whose giant form
Stretched its swart limbs along sea, island, mountain,
While night appeared its shadow,—if he could,—
Great, burning Phœbus' self—could melt ought of him,
Except the snow-drift on his rugged shoulder,
Thou hast destroyed me!

Varin.
Thanks to these banquets of Olympus' top
From whence you did o'erturn whole Niles of wine,

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And made each day as rainy as that hour
When Perseus was begot, I have destroyed thee,
Or thou thyself; for, such a luxury
Would wring the gold out of its rocky shell,
And leave the world all hollow.—So, begone;
My lord, and beggar!

Batt.
Noble, old Varini,
Think, is it fit to crush into the dirt
Even the ruins of nobility?
Take comfort, sir.

Oraz.
Who am I now?
How long is a man dying or being born?
Is't possible to be a king and beggar
In half a breath? or to begin a minute
I'th' west, and end it in the furthest east?
O no! I'll not believe you. When I do,
My heart will crack to powder.—Can you speak?
Then do: shout something louder than my thoughts,
For I begin to feel.

Enter a Messenger.
Mess.
News from the court:
The Duke—

Oraz.
My brother—speak—
Was he not ill, and on a perilous bed?
Speak life and death,—thou hast them on thy tongue,—
One's mine, the other his:—a look, a word,
A motion;—life or death?


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Mess.
The Duke is dead.

(Battista and the other guests kneel to Orazio,
Batt.
Then we salute in thee another sovereign.

Oraz.
Me then, who just was shaken into chaos,
Thou hast created! I have flown, somehow,
Upwards a thousand miles: my heart is crowned.—
Your hands, good gentlemen; sweet ladies, yours:—
And what new godson of the bony death,—
Of fire, or steel, or poison,—shall I make
For old Varini?

Varin.
Your allegiance, sirs,
Wanders: Orazio is a beggar still.

Batt.
Is it not true then that the duke is dead?

Oraz.
Not dead? O slave!

Varin.
The Duke is dead, my lords;
And, on his death-bed, did bestow his crown
Upon his second brother, Lord Marcello,—
Ours, and Ferrara's, Duke.

Oraz.
I'll not believe it:
Marcello is abroad.

Varin.
His blest return,
This providential day, has saved our lives
From thine abhorred sway. Orazio, go:
And, though my clemency is half a crime,
I spare your person.

Oraz.
I'll to the palace.
When we meet next, be blessed if thou dost kiss
The dust about my ducal chair.

(Exit.

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Varin.
I shall be there,
To cry Long live Marcello! in thine ear.—
Pray pardon me the breaking of this feast,
Ladies,—and so, good night.

Rosaur.
Your wish is echoed by our inmost will:
Good night to Count Varini.

(Exeunt guests.
Attend.
My lord—

Varin.
What are they, sirrah?

Attend.
The palace-keys.
There is a banquet in the inner room:
Shall we remove the plate?

Varin.
Leave it alone:
Wine in the cups, the spicy meats uncovered,
And the round lamps each with a star of flame
Upon their brink; let winds begot on roses,
And grey with incense, rustle through the silk
And velvet curtains:—then set all the windows,
The doors and gates, wide open; let the wolves,
Foxes, and owls, and snakes, come in and feast;
Let the bats nestle in the golden bowls,
The shaggy brutes stretch on the velvet couches,
The serpent twine him o'er and o'er the harp's
Delicate chords:—to Night, and all its devils,
We do abandon this accursed house.

[Exeunt.