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The Serpent Play

A Divine Pastoral
  
  

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Scene I.
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Scene I.

—The Paradise of Cœlis.
Cœlis, alone.
CŒLIS.
‘Summer and winter changing hands
The green leaves hang mid red and yellow;
The fruits are over-ripe and mellow;
Cracked to the core their germ expands
And hope is heir to nature's sway,
Though now embowelled in decay.

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Even while they vanish, Nature drapes
In her autumnal pride their lovely shapes.
Beyond the forest's brink pale clouds
Float o'er the foliage to take up its blaze,
While the sun glittering through the woods
Steeps their last beauty in his slumbering rays.
But he that set the stamp of death on man
At the fate-haunted tree still guards the portal
To thwart my soul that would escape the ban
And upon earth recover days immortal.
Nature's High Fast begins: life's latter stage
Glows in the ruddiness of age;
Then, as the pomp of dying holds the scene
In slow procession, proud that it has been,
All drops; the wondrous death its heritage.
So we approach the end; o'er sodden leaves
The naked boughs stretch forth their dripping eaves,
Sapless and dark; their potent virtue spent
Whose leaf-dome was the world's green firmament.
The skies are humbled in their grey attire,
And from the tree of life the fruit is gone;
The flowers no more put forth their meek desire:
All things, one with another; yet alone!


‘She is eternal,’ so all being cries,
‘Whose hope this wreck of summer underlies;
Still is the scene mortality! The day
That comes is not the one that passed away;
The summer festival, so late outspread,

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Was new as though no other had been kept;
But hope has not among its remnants slept,
And hope is older than the dead.
The life I seek while this brief being wanes
She gives me; she this deathless hope sustains;
She is the Soul of All; she permeates
Winter and spring, and, nowhere wholly hidden,
In me these restless watchings undertakes:
I seek her not unbidden.’
In death new changes still arise;
The air hangs thick upon his paradise;
The brook-waves lie in waves of ice.
Where is now the flight of graces,
Sighing bosoms, happy faces,
Hands beckoning to some exalted goal
Which, never reached, with rapture filled his soul?
Volupsa, is her human charm forgot?
In this deep hour of love it flashes not!
A dream translates his self-exalted sense
Into the phrenzy of omnipotence.
‘But,’ cries he, ‘dreams that come to pass are true:
Through them, the early messengers of doom
Forewarn us, ere the day is due,
Though they abide their time in the maturing womb.
Those spirit forms I saw; though they elude
My touch they come and live within my sight:
On their fond images I brood
Now as a future, now a past delight.

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As they return to me, uncalled, I gain
Assurance of a life for ever real,
That he shall covet not in vain
Who seeks it once through his beloved ideal.
But when shall my slow-filling vision see
The one, O Soul! whose likeness is of Thee?
When, gazing in the mirror of her love,
Shall I, beyond it, find the one above,
Who holds this grave of nature that the dead
Awake once more in summer garmented?
Reveal thyself, O Psyche, soul supreme,
With whom these calm and awful systems teem!
If, through long seeking, I thy love may claim,
Divulge to me thy most mysterious name,
That by these lips the one ecstatic word,
Be spoken, and to Thee again outpoured.’
Then answers him the Soul of All;
The name is on his ears descending,
In strains that surely towards him fall,
And end in inward harmonies unending.
Her name as from a holy choir is springing;
He overhears the distant minstrelsy,
That seems as of departing spirits singing,
But leaves his frame in ecstasy to be;
Bliss chiselled from eternal harmony.