University of Virginia Library

Search this document 
  
  
  

collapse section1. 
ACT I.
 1. 
 2. 
 3. 
 4. 
expand section2. 
expand section3. 
expand section4. 
expand section5. 


5

ACT I.

SCENE I.

A Roman Street. A Group of Patricians conversing in front.
CETHEGUS, LENTULUS, ETC.
CETHEGUS
(speaking as he enters).
We loiter here. I come from Catiline,
To give you welcome in his name, and bid
The banquet wait no longer.

LENTULUS.
Has he won?

CETHEGUS.
My life upon't, we're masters of the field!
The people hung on every word he spoke,
As if he were no mortal; but a god,

6

Sent down in the declining age of Rome,
To teach it ancient glory.

LENTULUS.
'Tis told loftily—

CETHEGUS.
Envious as ever!—'Tis told honestly.
You should have seen him in the Campus Martius,—

The Roman elections were conducted with an order and dignity that might make us look to a higher original than Italian barbarism. The Consuls, as the first officers of the state, were chosen with peculiar solemnity. The freemen of Rome were assembled in the Comitia Centuriata, in the Campus Martius, by notice given seventeen days before; and the names of the candidates were declared before the notice. The ceremony was consecrated by religious observances; the auspices were taken; and prayers said by the Consul, followed by the augur; the business then opened in an address from the Curule chair, and the classes proceeded to vote by ballot.

It was the peculiar and honourable distinction of Cicero's election, that, when the people came up with their ballots in their hands, they yet chose him by acclamation. The form of those elections assists the suppostion of a Northern origin of Rome. The magistrate was chosen like the king of a German or Scythian tribe. The people marched to the ground in military array, under military banners; and the Consul, their general in the field, was their president in the Campus Martius. The warlike spirit of this array is clear; for the reason of holding the Comitia without the walls, was the law prohibiting the assemblage of an army within the city.

The stately decorum of those proceedings puts to shame the extravagance of our modern hustings. But human nature has, probably, been always the same; and the popular suffrage was solicited in every mode that inflames the passions, or seduces the cupidity of the multitude. Our election reserves its effervescence for the hustings; the Roman election was in full, and often guilty, activity, for ten years before, the usual period from the quæstorship to the consulate. Personal influence, individual bribery, and popular largesses, of a prodigality at which modern corruption and modern fortunes shrink, were restlessly employed, and undoubtedly with fatal results to the national freedom, strength, and honour. The gladiatorial shows, the feasts of the whole population, the prodigious donatives of wine and corn, broke down the estates of the ancient nobility, who repaid themselves by extortion in their provincial governments, or bloody struggles for supremacy at home. Cæsar covered the floor of the chief theatre of Rome with silver, and reimbursed himself by destroying the republic.

One great evil of the Roman constitution seems to have been this privilege of popular election to all the eminent offices. From the quæstorship, every object of ambition depended on the suffrage of a vast and uncontrolled body, of whom the majority must be purchasable and purchased. Ambitious opulence was thus urged to the ruin of its hereditary wealth, and ambitious poverty to the still more formidable object of stirring up popular insubordination. Yet the usual expedients for repressing corruption were adopted,—office was vacated by the proof of direct bribery,—and of the four quæstiones perpetuæ, for which peculiar judges were appointed, one was De Ambitu. The prodigality of Cæsar surpased that of all his contemporaries,—and he had to contend with mighty donors: Scaurus, when Ædile, had built a theatre for 80,000 persons. Pompey had built another great theatre of stone. Curio had built two, in which he exhibited alternate shows of gladiators and dramas. But Cæsar, who, from early life, must have looked to the sovereignty, was the unequalled purchaser of the people. His Gallic plunder was flung out in every direction that could allure the avarice or the luxury of Rome, and all its offices were thus laid at his feet. In his competition for the high-priesthood, for even this was within popular suffrage, and within the universal ambition of the great soldier, Cæsar swept away the interest of two consulars of the first family and highest personal distinction. Suetonius says:—“Ita potentissimos duos competitores, multumque et ætate et dignitate antecedentes, superavit; ut plura ipse in eorum tribubus suffragia, quàm uterque in omnibus tulerit.” A power in the government to dispose of at least a portion of those offices would have been so far a bulwark against the most dangerous of all corruption—that of the people.


In the tribunal,—shaking all the tribes
With mighty speech. His words seem'd oracles,
That pierced their bosoms; and each man would turn,
And gaze in wonder on his neighbour's face,
That with the like dumb wonder answer'd him:
Then some would weep, some shout; some, deeper touch'd,
Keep down the cry with motion of their hands,
In fear but to have lost a syllable.
The evening came, yet there the people stood,
As if 'twere noon, and they the marble sea,
Sleeping, without a wave. You could have heard
The beating of your pulses while he spoke,—
But, when he ceased, the shout was like the roar
Of Ocean in the storm.


7

LENTULUS.
He lingers yet.
Delay looks ominous.

CETHEGUS.
As I left the plain
That smooth-tongued Cicero was in full harangue;
And, just before I reach'd the walls, I heard
The shouts again. The business must be done.
On, to the palace! On.

[Exeunt.

8

SCENE II.

A Banquet in Catiline's Palace.

A Roman banquet, in the time of Catiline, exhibited the sumptuousness of a nation which had the treasures of the earth at its disposal. The old simplicity, and the brief meal of the Roman, had passed away together,—and the Cœna, beginning at different hours after three, was prolonged frequently till day-break. We find in the Roman entertainment the picturesque spirit and the superstition of modern Italy, but with a statelier display of both. The household gods were generally placed on the table. But the chief homage was for the higher divinities, Jupiter, Juno, and Minerva, whose statues, large as the human figure, sat at the head of the hall. The aspect of the whole entertainment must have been one of extreme costliness and grandeur;—the guests, in the dinner robe of white or scarlet, with chaplets of roses, myrtle, or ivy on their heads, lying by threes on couches covered with purple, or embroidered with gold and silver;—on the fourth side of the immense table a crowd of slaves, chosen for their beauty, and dressed in tunics of various colours, and with chaplets, occupied in attending the table, filling the wine vessels on side-boards loaded with plate, or cooling the room with fans of feathers; and over all a canopy of purple cloth, which must have given the whole room the appearance of a superb tent; one of the most probable purposes of its adoption by this nation of soldiers. The ennui of a modern state dinner seems to have been overcome, or evaded, with great diligence, though by contrivances rather too artificial for our day. The three principal courses were brought up with great form, and sometimes with a regular procession of the attendants to music. Any remarkable dish, a boar's head, a sturgeon, or a peacock, with its tail spread, was ushered in by the sound of flutes, cymbals, &c. The solid courses were frequently relieved with lighter, which sometimes made the entire amount to nine. A president of the table was generally appointed, who regulated the order of the dinner, and wine, and gave the toasts. The names of females were sometimes toasted, with a glass for every letter.

“Nævia sex cyathis, septem Justina bibatur.”

“On this hint spake” the late George Hardinge's celebrated, though rather irregular, jeu d'esprit on the names of Job's daughters:—

“Sex Jemima scyphis, septem Kheziah bibatur;
Ebrius est si quis te Keren-happuch amet.”

In the intervals of the courses the slaves played on different musical instruments; dances followed; and, on peculiar occasions, almost a regular ballet. Sword play, gaming for small sums, the recitation of poetry, and readings from the newest works, were general. Augustus introduced, or patronised, a lottery, in which every ticket was a prize; some of considerable value, but some equivalent to nothing,—a toothpick, &c. Petronius mentions the appearance of a skeleton in the midst of the banquet, to which the master of the house was to say, ‘Let us live well while we can’; a version of the old Egyptian Epicureanism:—Πινε τε και τερπεν, εσσεαι γαρ αποθανων τοιουτοσ?— and both, perhaps, an evidence of that strange and mysterious melancholy, that, in the midst of the gorgeous indulgence of the old world, would often break in upon the heathen mind.

The couches, a great luxury in the enervating climate of Rome, and peculiarly to men who had just bathed after taking the violent exercise which the higher ranks continued to an advanced age, were an Asiatic invention. Yet the first were brought in by a man of a vigorous time and vigorous habits, Scipio Africanus, from Carthage. The old Romans sat on chairs; and even in later days it was the custom to use chairs on occasions of peculiar sorrow. Cato never lay on a couch from the day on which he heard of the battle of Pharsalia. Women were present at those banquets, but the chair was considered essential to female decorum. About the reign of Augustus they reclined on couches; but in the reign of Constantine, a few years before the change of empire, they returned to the chairs. A dissertation of some interest might be written on those diversities. In our day three-fourths of the world recline in different postures on couches, or sit upon the ground. In the Homeric age the Greeks sat on chairs. In later times the Lacedæmonians and the Cretans, the most heroic of the continentals and islanders of Greece, sat on chairs. The sitting statues were on chairs or thrones: yet in Rome, from the age of Scipio till nearly the dissolution of the empire, Jupiter lay at the banquet on a couch, with the attendant goddesses, as females, sitting; and for mortal men to dispense with the couch was a received sign of mourning, or want of means. The Roman tables at those banquets were of extraordinary beauty, and chiefly citron wood, inlaid with ivory, steel, and gold. Cicero speaks of having paid about eighty pounds sterling for one. But this was among the earliest that had been seen in Rome. The plate was such as it might be presumed, from the opulence of the Roman nobles, and from their having the command of that most magnificent of all treasure-houses, Greece. The fashion of a considerable portion of the plate of Crassus cost three pounds sterling an ounce; and for two goblets by Mentor, a celebrated chaser, he paid nearly five hundred pounds: a price, however, which was probably thought too aristocratic for a republic; and which, as Pliny remarks, prevented his allowing them to be seen. Yet with all this prodigal elegance, table-cloths were not invented till the time of Augustus, and every guest brought his own napkin; an object of peculiar and strange cupidity, for it was frequently stolen. Catullus threatens a fellow guest, Asinius, with public disgrace, for having plundered him of his napkin; and Martial, in a bitter epigram, declares, that at a banquet, to which he was invited, no person brought one, through fear of the notorious talons of Hermogenes. To crown all, the Cœna was in the highest part of the house; a striking contrast to the situation of the modern dining-room, but which gave to those insatiable lovers of light, air, and fine prospects, a view from their mansions, built on hills, (tanquam castella,) over the whole marble glory of the queen city of the world.

Couches along the sides. Statues of Jove, Juno, and Minerva, on Thrones at the extremity of the Hall. Singers and Slaves in the distance. The Guests, crowned with Chaplets of Roses and Myrtle, lying on the Couches. The Singers advance and chaunt.

CHORUS.

1

Day is done! Apollo's team
Stems the purple ocean-stream;
And, upon the eastern skies,
Hesper opes his twinkling eyes;
Telling to the weary earth,
Now is come the hour of mirth.

II.

Pour the wine, like golden ore,
Due libation, on the floor;

9

To the Graces, to the Nine!
Venus, be the richest thine;
So, from thine Olympian sphere,
Mayst thou join our banquet here!

Catiline suddenly enters the Hall; the Guests shout, “The Consul!” He advances hastily and moodily to the front: they come from the Couches, and surround him; he flings himself into a Chair.
CATILINE.
Are there not times, Patricians! when great states
Rush to their ruin? Rome is no more like Rome,
Than a foul dungeon's like the glorious sky.
What is she now? Degenerate, gross, defiled;
The tainted haunt, the gorged receptacle
Of every slave and vagabond of earth:
A mighty grave, that luxury has dug,
To rid the other realms of pestilence;
And, of the mountain of corruption there,
Which once was human beings, procreate

10

A buzzing, fluttering swarm; or venom tooth'd,
A viper brood: insects and reptiles only!

[The group draw back in surprise.
CETHEGUS.
We wait to hail you Consul.

LENTULUS
(aside.)
He's undone!

CATILINE.
Consul! Look on me—on this brow—these hands;
Look on this bosom, black with early wounds:
Have I not served the state from boyhood up,
Scatter'd my blood for her, labour'd for, loved her?
I had no chance; wherefore should I be Consul?

LENTULUS.
So: Cicero still is master of the crowd?

CATILINE.
Why not? He's made for them, and they for him:
They want a sycophant, and he wants slaves.
Well, let him have them;—think no more on't, friends.
The wine there! (calls).
—If our tree is stript in Rome,


11

May it not branch elsewhere? Give me a cup:—
Here's to old Teucer's memory!

Teucer was driven from his father Telamon's kingdom of Salamis, for leaving the death of his brother Ajax unavenged. He submitted, and sailed to Cyprus, where he solaced his exile by forming a colony. Horace alludes to his cheerfulness under misfortune, in the fine ode, “Laudabunt alii.”

—“Teucer Salamina patremque
Quum fugeret, tamen uda Lyæo
Tempora populeâ fertur vinxisse corona;
Sic tristes affatus amicos:
Quo nos cunque feret melior fortuna parente,
Ibimus, O socii, comitesque!” &c.

Shakspeare has made the revolt and vengeance of Coriolanus better known.



CETHEGUS
(starting forward with a cup)
Here, I pledge
Coriolanus!

CATILINE.
No! my hasty friend!
Old Teucer!—He, that, when his country's fields
Could find no room for him, let loose his sail
To the first wind; pitch'd his enfranchised tent
On the first desert shore, and drank his cup
As cheerfully upon the pebbled sand,
As in the sculptured halls of Telamon!
Has not the hymn begun? To supper, friends!
[With sudden emotion.
Patricians! they have push'd me to the gulf;
I have worn down my heart, wasted my means,
Humbled my birth, barter'd my ancient name,
For the rank favour of the senseless mass
That frets and festers in your commonwealth:
Ay, stalk'd with bended head and out-stretch'd hand,

12

Smiling on this slave, and embracing that,
Doing the candidate's whole drudgery.

LENTULUS.
Proud Catiline! (aside).
—'Tis but the way with all.


CATILINE
(turning on him).
What is 't to me, if all have stoop'd in turn?
Does fellowship in chains make bondage proud?
Does the plague lose its venom, if it taint
My brother with myself? Is 't victory,
If I but find, stretch'd by my bleeding side,
All who came with me in the golden morn,
And shouted as my banner met the sun?
I cannot think on't.—There's no faith in earth!
The very men with whom I walk'd through life,
Nay, till within this hour, in all the bonds
Of courtesy and high companionship,
They all deserted me; Metellus, Scipio,
Emilius, Cato, even my kinsman Cæsar,—
All the chief names and senators of Rome,
This day, as if the Heavens had stamp'd me black,

13

Turn'd on their heel, just at the point of fate,
Left me a mockery, in the rabble's midst,
And followed their plebeian consul, Cicero!

CETHEGUS.
Nay, Catiline, you take this chance defeat
Too heavily; you'll have 't another year.

CATILINE.
No! I have run my course. Another year!
Why taunt me, sir? No—if their curule chair,
Sceptre, and robe, and all their mummery,
Their whole embodied consulate, were flung,
Here, at my feet,—and all assembled Rome
Knelt to me, but to stretch my finger out,
And pluck them from the dust,—I'd scorn them all.—
This was the day to which I look'd through life;
And it has fail'd me—vanish'd from my grasp,
Like air.
I must not throw the honourable stake,
That, won, is worth the world,—is glory, life;
But, like a beaten slave, must stand aloof,
While others sweep the board!


14

CETHEGUS.
A year is nothing.

CATILINE.
'Tis fix'd!—Past talking now!—By Tartarus!
From this curst day I seek and sue no more:
If there be suing, it shall be by those
Who have awoke the fever in my veins.
No matter!—Nobles, when we deign to kneel,
We should be trampled on. Sinews and swords,—
They're the true canvassers:—The time may come!—
Never for me!—My name 's extinguished—dead—
Roman no more,—the rabble of the streets
Have seen me humbled,—slaves may gibe at me.

LENTULUS.
Then Cicero's victor.

CETHEGUS
(repelling him).
Let him rest.—Away!

CATILINE
(musing).
Crime may be clear'd, and sorrow's eyes be dried;
The lowliest poverty be gilded yet;
The neck of airless, pale imprisonment

15

Be lighten'd of its chains! For all the ills
That chance or nature lays upon our heads,
In chance or nature there is found a cure:
But self-abasement is beyond all cure!
The brand is there, burn'd in the living flesh,
That bears its mark to the grave:—That dagger's plunged
Into the central pulses of the heart;
The act is the mind's suicide, for which
There is no after-health—no hope—no pardon!—
My day is done. What stops the feast?—Come on.

[Exeunt.

16

SCENE III.

A Grove.—Moonlight.
Hamilcar, alone; he enters abruptly and perturbed.
HAMILCAR.
I hate their feastings: 't would have been my death,
To stay in that close room! This air is cool.—
I felt my spirit choked. Gods! was I born
To bear those drunkards' tauntings on my hue,
My garb—Numidia's garb! My native tongue—
Not tunable to their Patrician ears?
Will the blow never fall?
There's not a slave,
Not the most beggar'd, broken, creeping wretch
That lives on alms, and pillows on the ground,
But had done something before now; and I—
A soldier, and a king; the blood of kings,
Afric's last hope;—let months and years pass by,

17

And still live on, a butt for ribald jests—
And more, to let Numidia's injuries sleep,
Like a chid infant's!
This is a mortal hour; the rising wind
Sounds angry, and those swift and dizzy clouds,
Made ghostly by the glances of the moon,
Seem horse and chariot for the evil shapes
That scatter ruin here.
Come from your tombs,
Warriors of Afric!—from the desert sands—
From the red field—the ever-surging sea,
Though ye were buried deeper than the plumb
Of seaman ever sounded.
Hamilcar,—Hannibal,—Jugurtha! Come,
My royal father! from the midnight den,
Where their curst Roman axes murder'd thee!
Ye shall have vengeance! Stoop upon my breast,
Clear it of man, and put therein a heart,
Like a destroying spirit's: make me fire,
The winged passion that can know no sleep,
Till vengeance has been done;—wrap up my soul

18

In darkness stronger than an iron mail,
Till it is subtle, deadly, deep as night,
Close as coil'd aspics, still as tigers couch'd,
But furious as them roused. Let me fill Rome
With civil tumult, hate, conspiracy,
All dissolution of all holy ties,
'Till she has outraged Heaven, while I, unseen,
Move like a spectre round a murderer's bed,
To start upon her dying agony.
Hark! Who disturbs the night?
[He listens.
Cethegus' voice!
One of those drunkards—a hot-headed fool;
Senseless and brave as his own sword.—Hallo!
[He calls.
I'll try what mischief's in his mettle now.

[Cethegus comes in.
CETHEGUS.
Ho! prince of darkness—emperor of the Nile—
Star-gazer!—you are welcome to them all;—
Rome is no place for you! put on your wings,

19

And perch upon the moon! You left us all
Just in our glory.

HAMILCAR.
'Twas a noble set!

CETHEGUS.
Rome has none better;—all patrician blood,
Glowing with Cyprus' wine,

The wines of Greece, and peculiarly of the islands, were in the highest reputation at Rome. The Cyprus and Chian dubiously contested the supremacy; and some kinds of those wines were so costly, that but a single glass was handed round after dinner, even at the highest tables. The great Roman chieftains, however, took advantage of this costliness, for the full glory of their profusion. Lucullus, on his return from Greece, let loose, in the popular feast at his triumph, upwards of a hundred thousand urns of Greek wine; and Cæsar, always first in splendid prodigality as in arms, concluded his memorable celebration of four triumphs in one month by a feast of twenty-two thousand tables, at which the only wines drunk were Falernian and Chian. The luxury of wine grew slowly upon the Romans. In the early ages of the republic it was prohibited to men under thirty; and at a more remote time, Numa's interdict of using wine in libations to the dead, seems to Pliny (Nat. hist.) to have proceeded from the rareness of vineyards in Italy. But the vine, a plant of rapid growth and easy cultivation, soon spread through the south; and it might surprise a Gaul of our day to know that the grape was among the wonders that led his ancestors over the Alps. The district round Capua was allowed to produce the richest and most various wines; and the ruin of Hannibal's army may, with more probability, be attributed to the immediate effect of the grape on the constitutions of his troops, than to the vulgar riot or languid indolence of a provincial town. In early history the masters of the field attributed, with no unnatural vanity, the triumph to their own achievement. But the sudden retreat of the Gauls under Brennus, when they had reduced the Roman dominion to the city walls, is scarcely to be accounted for by the prowess of a hasty levy of peasantry. The grape probably saved the destinies of the empire. Even in our day a great invasion was defeated by the indulgence of the troops in the French vineyards; and a few months earlier or later in the year might have seen the Duke of Brunswick tread down the tumultuary armies of the Republic, in his way to Paris.

For some centuries wine was altogether prohibited, by Roman abstemiousness, to women; and the custom of saluting has been supposed to have arisen from the right of male relatives to ascertain whether trespass had been committed. The prohibition gradually died away, but the custom had found favour, and was retained. At length, however, excess in wine became fashionable, and the women followed the fashion. Seneca (Epistoæ) forgets the moderation of a philosopher in his resentment at this frailty. “Their manners have altogether changed, though their faces are as captivating as ever,” says the tender sage. “They make a boast of their exploits in drinking; they will sit through the night, with the glass in their hands, challenging the men, and often outdoing them.” Some of the dissertations on the Roman vineyard,—for on this subject the industry of scholarship seems to have exerted itself with peculiar and suspicious delight,—argue that the golden age of Italian wine was not much above a century, and that it had reached its middle term about the period of Catiline. Excessive demand had, as usual, produced overgrowth of the commodity, and carelessness in the growers. The Falernian lost its reputation, while some of the finest corn grounds of Italy were covered with vineyards. It is curious to see a lover of all excess, like Domitian, issuing an order to cut down half the vines throughout the empire, and prohibiting all new plantations in Italy. He might, however, have felt for the honour of the wine. It is scarcely less curious to see Julius Cæsar, the most lavish of all entertainers, hazarding his idol popularity to revive the old Licinian and Orchian laws against luxury in banquets; visiting the markets, to prevent the sale of expensive provisions; and even sending lictors into private houses to carry off the dishes which had alarmed the frugality of the past generations.

The Romans were fond of keeping their fuller bodied wines for many years. The author of those singular and amusing books, the “Cook's Oracle”, and the “Art of Invigorating Life”, boldly disputes the taste of the world, ancient and modern, on this point, and limits the perfection of years to about a dozen; but the Roman epicure loved to have his wine aged, and to be accurate in its age. By a custom which might add to the ostentation or the indulgence of a modern table, the silver, ivory, or parchment label on the bottle, gave its exact date, and even its quality. “Falernum, Opimianum, annorum centum!” has been found among those inscriptions.

—wild as young stags—

Bold as bay'd boars—haughty as battle steeds—
Keen as flesh'd hounds—fire-eyed as mounting hawks—

HAMILCAR.
'Twill be a glorious day that lets them soar.
How was 't with Catiline?

CETHEGUS.
He seem'd to feel
The fiercest joy of all; pledged Heaven and Earth
In brimming goblets; talk'd a round of things,
Lofty and rambling as an ecstacy;
Laugh'd, till his very laughter check'd our mirth,
And all gazed on him; then, as if surprised,
Marking the silence, mutter'd some excuse,
And sank in reverie; then, wild again,
Talk'd, drank, and laugh'd—the first of Bacchanals!


20

HAMILCAR.
That looks like madness (aside).
He has been abused:

The consulate was his by right.

CETHEGUS.
By right;
Ay, or by wrong!—had I been Catiline,
I should have knock'd out Cicero's brains.

HAMILCAR
(advancing to him).
Speak low;
The trees in Rome are spies. It may be done.—
The great Patricians hate him, though some few
Lacquey his steps. Were Catiline but roused
To draw the sword, this talker would be left
Bare as his pedigree.

CETHEGUS
(in surprise).
Raise war in Rome?

HAMILCAR.
No,—but take down the consul's haughtiness;
Make the Patricians what they ought to be,
Rome's masters; and restore the forfeitures
Now in plebeian hands.


21

CETHEGUS.
Show me but that;
And I am his, or your's, or any man's.
My fortune's on my back; the usurers
Have my last acre in their harpy hands.

HAMILCAR.
You must have Catiline, for he has all
That makes such causes thrive—a mighty name,
One that the youth will cling to; a bold tongue—
A bolder heart—a soldier's skill in arms—
A towering and deep-rooted strength of soul,
That, like the oak, may shake in summer's wind,
But, stript by winter, stands immoveable.

CETHEGUS.
He's a tried soldier.

HAMILCAR.
A most gallant one!

CETHEGUS.
You've seen him in the field?

HAMILCAR.
Ay, fifty times,—
I'the thickest fight; where all was blood and steel;

22

Plunging through steeds unrider'd, gory men
Mad with their wounds, through lances thick as hail,
As if he took the ranks for idle waves!
Now seen, the battle's wonder; now below,
Mowing his desperate way, till, with wild shrieks,
The throng roll'd back, and Catiline sprang out,
Red from the greaves to the helm.

CETHEGUS.
He shall be ours!
Then, Rome is full of mal-contents; the land
Cumber'd with remnants of the war; the slaves
Will crowd to his first call; then, in his house
He has the banner that the Marian troops
Still worship

The Romans owed their eagles to Marius; their chief original standard was a boar. They had next adopted Etruscan idols, and the rude emblems of a warrior and hunter people; a hand, a sword, a serpent—or a wolf, from the story of their ancestry. But the success of Marius under the eagle made it popular in a superstitious time; and its natural adaptation, as an emblem, to the vivid and invincible ambition of Rome, retained it through every succeeding age. Like the Turkish and Asiatic armies of our day, the Roman line abounded in banners, whose advance guided and stimulated the advance of the troops. Each company had one: but the eagle was the supreme standard of the legion. Marius was considered as the first great tactician of the Republic: educated in the field, his natural sagacity detected the errors of the old three-line formation, and introduced a variety of changes, of which, however, we are without the details. His military habits were, of course, likely to make the more permanent impression on the legions; and of those, his homage for the eagle was among the most memorable. In private he worshipped it, and in public its place was in the centre of the first line, and under the care of a chosen cohort. Cicero, in the first Catilinarian, makes a direct allusion to this formidable idol:—“Sciam pactam et constitutam esse cum Manlio diem? A quo etiam aquilam illam argenteam, quam tibi, ac tuis omnibus perniciosam esse confido et funestam futuram, cui domi tuæ sacrarium scelerum tuorum constitutum fuit, sciam esse præmissam, &c.—Quam venerari, ad cædem proficiscens solebas?—A cujus altaribus sæpe istam dextram impiam ad necem civium transtulisti?” &c.

like a god;—but he will call

The act conspiracy.

HAMILCAR.
Jove save us all!

CETHEGUS.
How now, Hamilcar?

HAMILCAR
(going).
Fare you well, my lord.
[He suddenly returns.

23

Conspiracy! Is not the man undone?
All over bankrupt, broken right and left—
Within this week he'll be without a rood,
A roof, a bed, a robe, a meal to eat!
Conspiracy! He's levell'd;—on the earth!
His last denarius hung upon this day,
And now you have him. This day has dissolved
His last allegiance. Go—you'll find him now
Tormented, like the hound that bays the moon,
Foaming to see the pomp beyond his reach.

CETHEGUS.
He has forsworn the world!

HAMILCAR.
'Tis laughable!

CETHEGUS.
If he draw back!

HAMILCAR.
Draw back! You'll find him flame.
Go to the banquet, ere they all break up;
Yet, should he chill,—provoke him—stir dispute—
Seize on his hasty word. The revellers there

24

Will take it for command; and thus his name
Be mix'd with tumult, till the lion snared
Is forced to battle.

CETHEGUS.
Then, to Catiline!
I may be king or consul yet.

HAMILCAR.
Away!

[Cethegus goes.
HAMILCAR.
The hour of blood's at hand!
[Draws his dagger.
Be thou my god!
Away, bold fool! O, Rome! those are thy men!
Ay—you shall have a crown,—a crown of straw;
Chains for your sceptre; for your honours stripes;
And for your kingly court a maniac's cell;
Where you and your compeers may howl to th'night,
And rave rebellion.

[Exit.

25

SCENE IV.

A Street: the Portal of Cicero's Palace at one Side. A Crowd of Patricians from the Banquet, with Garlands on their Heads, and Torches and Swords in their Hands, rush in tumultuously, led by Cethegus. They stop and gather round him as he addresses them.
FIRST PATRICIAN.
Silence!

CETHEGUS.
Roman youth!

SECOND PATRICIAN
(keeping back the crowd).
Gallant Cethegus speaks—

CETHEGUS.
Patricians! Shall the tale be told in Rome,
That upstarts should engross the consulate?

FIRST PATRICIAN.
By Romulus! it is a common shame
To every nobleman!


26

CETHEGUS.
Who's Cicero?
A peasant; an Arpinian.

Silius Italicus derives Cicero from a royal line,—“Regia progenies, et Tullo sanguis ab alto.” But Cicero speaks of his family as merely of great antiquity, “Orti stirpe antiquissima,” possessing the “majorum multa vestigia,” and having been of the equestrian order from a remote period. His family seat was near Arpinum, a Samnite town, of which Pompey said, that in giving birth to Marius and Cicero, it had twice saved the state. Cicero, in a letter to Atticus, describes this villa, its island in the Fibrenus, its romantic rocks, and secluded shades, with the fondness of early delight. It was one of his favourite retreats till the close of his tempestuous and magnificent career.

No man knows

This Consul's grandfather. A talking slave,
That makes his bread by squabbles in the courts.

SECOND PATRICIAN.
A dastard! that wears armour in the streets,
To make the rabble roar for him.

CETHEGUS.
Come on!
Yonder's the upstart's house. There's not a rogue
That rubs our horses' heels, or sweeps our gates,
But may be consul now. There's not a year,
But some base Sabine, or Apulian clown,
Will beard us at the elections. All he wants
Is cunning, and low flattery of the tribes,
To seize the fasces.

THIRD PATRICIAN.
We must have him down.

FOURTH PATRICIAN.
We'll fire the house, and give the orator,
More than his father had, a funeral pile.


27

CETHEGUS.
Now to your work, Patricians! If his guards—

SECOND PATRICIAN
(recoiling).
Troops in the house?

CETHEGUS.
Ay—lictors, Greeks, and slaves!
We'll storm his garrison; we'll make him show
His generalship!

THIRD PATRICIAN
(laughing).
He was a general once.

FIRST PATRICIAN.
Ay, in Cilicia; where he swears he fought—

CETHEGUS.
The highwaymen!
[Shouts and laughing.
Now strike—for Catiline!

[They rush within the Gates. The Scene closes.
END OF THE FIRST ACT.