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It may perhaps be necessary to acquaint the reader, that Euripides has written a tragedy upon the same subject. In his Heraclidæ, Macaria is sacrificed in the second act, and never afterwards mentioned; and Acamas is a mute. Indeed the whole conduct of this play is so entirely different from that of the Greek poet, that the author is hardly conscious to himself of having borrowed any thing more from him, than the general idea of the Suppliants taking refuge in the temple, and Macaria's voluntary offer of her own life.