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THE Argument of the OPERA.

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THE Argument of the OPERA.

Theseus, Prince of Athens, having conquer'd the Minotaur, and by the Means of Ariadne, Daughter to King Minos, who fell in Love with him, escap'd out of the Labyrinth, brings her along with him to Naxos, she hoping he would marry her, as he had promis'd, before his coming away; tho' at that instant he design'd otherwise, having resolv'd an Expedition to OEbalia to steal away Helena, Daughter to King Tindarus, whom he was in Love with; they arrive at Naxos, where Bacchus is newly come from the Conquest of the Indians, bringing with him Abdalla, and other Indian Kings, Captive; and where he also meets his dear Friend Theseus, accompany'd by Pirithous and Berontus, a Prince of Scythia. Bacchus at Sight of Ariadne falls in Love with her, which Theseus favours, gaining thereby a Pretext of leaving her so well to her Advantage, and furthering his own Pursuit of Helen. This is plotted and done at the Triumph of Bacchus, where Ariadne and her Favourite Cellania, coming to see it, Theseus is miss'd, being gone with Pirithous, Berontus remaining, who is newly fal'n in Love with Cellania; Ariadne rages, weeps, and is in great Distress for some time; but Bacchus appearing with his Glory and Courtship, especially presenting her a Crown, to be made a Constellation, and a Promise of deifying her, her Tears are afterwards turn'd to Joy, and the Marriage with great Solemnity being perform'd, finishes the Opera.