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PREFACE TO THE ENCHANTED ISLAND.

The writing of Prefaces to Plays, was, probably, invented by some very ambitious Poet, who never thought he had done enough: Perhaps by some Ape of the French Eloquence, which uses to make a business of a Letter of Gallantry, an examen of a Farce; and, in short, a great pomp and ostentation of words on every trifle. This is certainly the Talent of that Nation, and ought not to be invaded by any other. They do that out of gaiety, which would be an imposition upon us.

We may satisfie our selves with surmounting them in the Scene, and safely leave them those trappings of writing, and flourishes of the Pen, with which they adorn the borders of their Plays, and which are indeed no more than good Landskips to a very indifferent Picture. I must proceed no farther in this Argument, lest I run my self beyond my excuse for writing this. Give me leave therefore to tell you, Reader, that I do it not to set a value on any thing I have written in this Play, but out of gratitude to the memory of Sir William Davenant, who did



me the honour to joyn me with him in the alteration of it.

It was originally Shakespear's: a Poet for whom he had particularly a high veneration, and whom he first taught me to admire. The Play it self had formerly been acted with success in the Black-Friers: and our excellent Fletcher had so great a value for it, that he thought fit to make use of the same Design, not much varied, a second time. Those who have seen his Sea-Voyage, may easily discern, that it was a Copy of Shakespear's Tempest: the Storm, the Desart Island, and the Woman who had never seen a Man, are all sufficient Testimonies of it. But Fletcher was not the onely Poet who made use of Shakespear's Plot: Sir John Suckling, a profess'd admirer of our Authour, has follow'd his footsteps in his Goblins; his Regmella being an open imitation of Shakespear's Miranda; and his Spirits, though counterfeit, yet are copied from Ariel. But Sir William Davenant, as he was a man of quick and pierceing imagination, soon found that somewhat might be added to the Design of Shakespear, of which neither Fletcher nor Suckling had ever thought: and therefore to put the last hand to it, he design'd the Counter-part to Shakespear's Plot, namely, that of a Man who had never seen a Woman; that, by this means, those two Characters of Innocence and Love might the more illustrate and commend each other. This excellent contrivance he was pleas'd to communicate to me, and to desire my assistance in it. I confess, that from the very first moment it so pleas'd me, that I never writ any thing with more delight. I must likewise do him that justice to acknowledge,



that my writing received daily his amendments, and that is the reason why it is not so faulty, as the rest which I have done, without the help or correction of so judicious a Friend. The Comical parts of the Saylers were also of his invention, and for the most part his writing, as you will easily discover by the Style. In the time I writ with him, I had the opportunity to observe somewhat more nearly of him than I had formerly done, when I had onely a bare acquaintance with him: I found him then of so quick a fancy, that nothing was propos'd to him, on which he could not suddenly produce a thought extreamly pleasant and surprising: and those first thoughts of his, contrary to the old Latine Proverb, were not always the least happy. And as his fancy was quick, so likewise were the products of it remote and new. He borrowed not of any other; and his imaginations were such as could not easily enter into any other man. His Corrections were sober and judicious: and he corrected his own writings much more severely than those of another man, bestowing twice the time and labour in polishing, which he us'd in invention. It had perhaps been easie enough for me to have arrogated more to my self then was my due, in the writing of this Play, and to have pass'd by his name with silence in the Publication of it, with the same ingratitude which others have us'd to him, whose Writings he hath not onely corrected, as he hath done this, but has had a greater inspection over them, and sometimes added whole Scenes together, which may as easily be distinguish'd from the rest, as true Gold from counterfeit by the weight. But besides


the unworthiness of the Action, which deterr'd me from it, (there being nothing so base as to rob the dead of his reputation) I am satisfi'd I could never have receiv'd so much honour, in being thought the Authour of any Poem, how excellent soever, as I shall from the joyning my imperfections with the merit and name of Shakespear and Sir William Davenant.

Decemb. 1.
1669.

JOHN DRIDEN.