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1. VOLUME ONE


70

TWO SONNETS

I. ON RECEIVING A LAUREL CROWN FROM LEIGH HUNT

Minutes are flying swiftly, and as yet
Nothing unearthly has enticed my brain
Into a delphic labyrinth—I would fain
Catch an immortal thought to pay the debt
I owe to the kind poet who has set
Upon my ambitious head a glorious gain.
Two bending laurel sprigs—'tis nearly pain
To be conscious of such a coronet.
Still time is fleeting, and no dream arises
Gorgeous as I would have it—only I see
A trampling down of what the world most prizes,
Turbans and crowns and blank regality;
And then I run into most wild surmises
Of all the many glories that may be.

71

II. TO THE LADIES WHO SAW ME CROWN'D

What is there in the universal earth
More lovely than a wreath from the bay tree?
Haply a halo round the moon—a glee
Circling from three sweet pair of lips in mirth;
And haply you will say the dewy birth
Of morning roses—ripplings tenderly
Spread by the halcyon's breast upon the sea—
But these comparisons are nothing worth.
Then is there nothing in the world so fair?
The silvery tears of April? Youth of May?
Or June that breathes out life for butterflies?
No—none of these can from my favorite bear
Away the palm—yet shall it ever pay
Due reverence to your most sovereign eyes.

274

SONG

[You say you love; but with a voice]

You say you love; but with a voice
Chaster than a nun's, who singeth
The soft Vespers to herself
While the chime-bell ringeth—
O love me truly!
You say you love; but with a smile
Cold as sunrise in September,
As you were Saint Cupid's nun,
And kept his weeks of Ember.
O love me truly!
You say you love,—but then your lips
Coral tinted teach no blisses,
More than coral in the sea—
They never pout for kisses—
O love me truly!
You say you love; but then your hand
No soft squeeze for squeeze returneth,
It is, like a statue's, dead,
While mine to passion burneth—
O love me truly!

275

O breathe a word or two of fire!
Smile, as if those words should burn me.
Squeeze as lovers should—O kiss
And in thy heart inurn me!
O love me truly!

290

APOLLO TO THE GRACES

[_]

Written to the tune of the air in Don Giovanni.

Apollo
Which of the fairest three
To-day will ride with me?
My steeds are all pawing at the threshold of morn:
Which of the fairest three
To-day will ride with me
Across the gold Autumn's whole Kingdom of corn?

The Graces
all answer
I will, I—I—I—
O young Apollo let me fly along with thee
I will—I, I, I,
The many many wonders see
I—I—I—I—
And thy lyre shall never have a slackened string
I, I, I, I,
Thro' the golden day will sing.


321

THE CASTLE BUILDER: A FRAGMENT

CASTLE BUILDER
In short, convince you that however wise
You may have grown from Convent libraries,
I have, by many yards at least, been carding
A longer skein of wit in Convent garden.

BERNARDINE
A very Eden that same place must be!
Pray what demesne? Whose Lordship's legacy?
What have you convents in that Gothic Isle?
Pray pardon me, I cannot help but smile. [OMITTED]

CASTLE BUILDER
Sir, Convent Garden is a monstrous beast,
From morning, four o'clock, to twelve at noon,
It swallows cabbages without a spoon,
And then, from 12 till two, this Eden made is
A promenade for cooks and ancient ladies;
And then for supper, 'stead of soup and poaches,
It swallows chairmen, damns, and Hackney coaches.
In short, Sir, 'tis a very place for monks,

322

For it containeth twenty thousand punks,
Which any man may number for his sport,
By following fat elbows up a court. [OMITTED]

In such like nonsense would I pass an hour
With random Friar, or Rake upon his tour,
Or one of few of that imperial host
Who came unmaimed from the Russian frost.
To-night I'll have my friar—let me think
About my room,—I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;

323

A viol-bow, strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower;—just in time there sails
A cloud across the moon,—the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old “Mene, Mene, Tekel, Upharsin.”
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be

324

With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine—O good! 'tis here at my desire,
And I must sit to supper with my friar. [OMITTED]