Collected poems of Thomas Hardy With a portrait |
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| A SET OF COUNTRY SONGS |
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 | Collected poems of Thomas Hardy |  |
222
A SET OF COUNTRY SONGS
LET ME ENJOY
I
Let me enjoy the earth no lessBecause the all-enacting Might
That fashioned forth its loveliness
Had other aims than my delight.
II
About my path there flits a Fair,Who throws me not a word or sign;
I'll charm me with her ignoring air,
And laud the lips not meant for mine.
III
From manuscripts of moving songInspired by scenes and dreams unknown
I'll pour out raptures that belong
To others, as they were my own.
IV
And some day hence, towards ParadiseAnd all its blest—if such should be—
I will lift glad, afar-off eyes,
Though it contain no place for me.
223
AT CASTERBRIDGE FAIR
I
The Ballad-Singer
Sing, Ballad-singer, raise a hearty tune;
Make me forget that there was ever a one
I walked with in the meek light of the moon
When the day's work was done.
Make me forget that there was ever a one
I walked with in the meek light of the moon
When the day's work was done.
Rhyme, Ballad-rhymer, start a country song;
Make me forget that she whom I loved well
Swore she would love me dearly, love me long,
Then—what I cannot tell!
Make me forget that she whom I loved well
Swore she would love me dearly, love me long,
Then—what I cannot tell!
Sing, Ballad-singer, from your little book;
Make me forget those heart-breaks, achings, fears;
Make me forget her name, her sweet sweet look—
Make me forget her tears.
Make me forget those heart-breaks, achings, fears;
Make me forget her name, her sweet sweet look—
Make me forget her tears.
II
Former Beauties
These market-dames, mid-aged, with lips thin-drawn,
And tissues sere,
Are they the ones we loved in years agone,
And courted here?
And tissues sere,
Are they the ones we loved in years agone,
And courted here?
Are these the muslined pink young things to whom
We vowed and swore
In nooks on summer Sundays by the Froom,
Or Budmouth shore?
We vowed and swore
In nooks on summer Sundays by the Froom,
Or Budmouth shore?
Do they remember those gay tunes we trod
Clasped on the green;
Aye; trod till moonlight set on the beaten sod
A satin sheen?
Clasped on the green;
Aye; trod till moonlight set on the beaten sod
A satin sheen?
They must forget, forget! They cannot know
What once they were,
Or memory would transfigure them, and show
Them always fair.
What once they were,
Or memory would transfigure them, and show
Them always fair.
224
III
After the Club-Dance
Black'on frowns east on Maidon,
And westward to the sea,
But on neither is his frown laden
With scorn, as his frown on me!
And westward to the sea,
But on neither is his frown laden
With scorn, as his frown on me!
At dawn my heart grew heavy,
I could not sip the wine,
I left the jocund bevy
And that young man o'mine.
I could not sip the wine,
I left the jocund bevy
And that young man o'mine.
The roadside elms pass by me,—
Why do I sink with shame
When the birds a-perch there eye me?
They, too, have done the same!
Why do I sink with shame
When the birds a-perch there eye me?
They, too, have done the same!
IV
The Market-Girl
Nobody took any notice of her as she stood on the causey kerb,
All eager to sell her honey and apples and bunches of garden herb;
And if she had offered to give her wares and herself with them too that day,
I doubt if a soul would have cared to take a bargain so choice away.
All eager to sell her honey and apples and bunches of garden herb;
And if she had offered to give her wares and herself with them too that day,
I doubt if a soul would have cared to take a bargain so choice away.
But chancing to trace her sunburnt grace that morning as I passed nigh,
I went and I said “Poor maidy dear!—and will none of the people buy?”
And so it began; and soon we knew what the end of it all must be,
And I found that though no others had bid, a prize had been won by me.
I went and I said “Poor maidy dear!—and will none of the people buy?”
And so it began; and soon we knew what the end of it all must be,
And I found that though no others had bid, a prize had been won by me.
V
The Inquiry
And are ye one of Hermitage—
Of Hermitage, by Ivel Road,
And do ye know, in Hermitage
A thatch-roofed house where sengreens grow?
And does John Waywood live there still—
He of the name that there abode
When father hurdled on the hill
Some fifteen years ago?
Of Hermitage, by Ivel Road,
And do ye know, in Hermitage
A thatch-roofed house where sengreens grow?
225
He of the name that there abode
When father hurdled on the hill
Some fifteen years ago?
Does he now speak o'Patty Beech,
The Patty Beech he used to—see,
Or ask at all if Patty Beech
Is known or heard of out this way?
—Ask ever if she's living yet,
And where her present home may be,
And how she bears life's fag and fret
After so long a day?
The Patty Beech he used to—see,
Or ask at all if Patty Beech
Is known or heard of out this way?
—Ask ever if she's living yet,
And where her present home may be,
And how she bears life's fag and fret
After so long a day?
In years agone at Hermitage
This faded face was counted fair,
None fairer; and at Hermitage
We swore to wed when he should thrive.
But never a chance had he or I,
And waiting made his wish outwear,
And Time, that dooms man's love to die,
Preserves a maid's alive.
This faded face was counted fair,
None fairer; and at Hermitage
We swore to wed when he should thrive.
But never a chance had he or I,
And waiting made his wish outwear,
And Time, that dooms man's love to die,
Preserves a maid's alive.
VI
A Wife Waits
Will's at the dance in the Club-room below,
Where the tall liquor-cups foam;
I on the pavement up here by the Bow,
Wait, wait, to steady him home.
Where the tall liquor-cups foam;
I on the pavement up here by the Bow,
Wait, wait, to steady him home.
Will and his partner are treading a tune,
Loving companions they be;
Willy, before we were married in June,
Said he loved no one but me;
Loving companions they be;
Willy, before we were married in June,
Said he loved no one but me;
Said he would let his old pleasures all go
Ever to live with his Dear.
Will's at the dance in the Club-room below,
Shivering I wait for him here.
Ever to live with his Dear.
Will's at the dance in the Club-room below,
Shivering I wait for him here.
226
VII
After the Fair
The singers are gone from the Cornmarket-place
With their broadsheets of rhymes,
The street rings no longer in treble and bass
With their skits on the times,
And the Cross, lately thronged, is a dim naked space
That but echoes the stammering chimes.
With their broadsheets of rhymes,
The street rings no longer in treble and bass
With their skits on the times,
And the Cross, lately thronged, is a dim naked space
That but echoes the stammering chimes.
From Clock-corner steps, as each quarter ding-dongs,
Away the folk roam
By the “Hart” and Grey's Bridge into byways and “drongs,”
Or across the ridged loam;
The younger ones shrilling the lately heard songs,
The old saying, “Would we were home.”
Away the folk roam
By the “Hart” and Grey's Bridge into byways and “drongs,”
Or across the ridged loam;
The younger ones shrilling the lately heard songs,
The old saying, “Would we were home.”
The shy-seeming maiden so mute in the fair
Now rattles and talks,
And that one who looked the most swaggering there
Grows sad as she walks,
And she who seemed eaten by cankering care
In statuesque sturdiness stalks.
Now rattles and talks,
And that one who looked the most swaggering there
Grows sad as she walks,
And she who seemed eaten by cankering care
In statuesque sturdiness stalks.
And midnight clears High Street of all but the ghosts
Of its buried burghees,
From the latest far back to those old Roman hosts
Whose remains one yet sees,
Who loved, laughed, and fought, hailed their friends, drank their toasts
At their meeting-times here, just as these!
Of its buried burghees,
From the latest far back to those old Roman hosts
Whose remains one yet sees,
Who loved, laughed, and fought, hailed their friends, drank their toasts
At their meeting-times here, just as these!
1902.
“The Chimes” will be listened for in vain here at midnight now, having been abolished some years ago.
227
THE DARK-EYED GENTLEMAN
I
I pitched my day's leazings in Crimmercrock Lane,To tie up my garter and jog on again,
When a dear dark-eyed gentleman passed there and said,
In a way that made all o'me colour rose-red,
“What do I see—
O pretty knee!”
And he came and he tied up my garter for me.
II
'Twixt sunset and moonrise it was, I can mind:Ah, 'tis easy to lose what we nevermore find!—
Of the dear stranger's home, of his name, I knew nought,
But I soon knew his nature and all that it brought.
Then bitterly
Sobbed I that he
Should ever have tied up my garter for me!
III
Yet now I've beside me a fine lissom lad,And my slip's nigh forgot, and my days are not sad;
My own dearest joy is he, comrade, and friend,
He it is who safe-guards me, on him I depend;
No sorrow brings he,
And thankful I be
That his daddy once tied up my garter for me!
TO CARREY CLAVEL
You turn your back, you turn your back,
And never your face to me,
Alone you take your homeward track,
And scorn my company.
And never your face to me,
Alone you take your homeward track,
And scorn my company.
228
What will you do when Charley's seen
Dewbeating down this way?
—You'll turn your back as now, you mean?
Nay, Carrey Clavel, nay!
Dewbeating down this way?
—You'll turn your back as now, you mean?
Nay, Carrey Clavel, nay!
You'll see none's looking; put your lip
Up like a tulip, so;
And he will coll you, bend, and sip:
Yes, Carrey, yes; I know!
Up like a tulip, so;
And he will coll you, bend, and sip:
Yes, Carrey, yes; I know!
THE ORPHANED OLD MAID
I wanted to marry, but father said, “No—
'Tis weakness in women to give themselves so;
If you care for your freedom you'll listen to me,
Make a spouse in your pocket, and let the men be.”
'Tis weakness in women to give themselves so;
If you care for your freedom you'll listen to me,
Make a spouse in your pocket, and let the men be.”
I spake on't again and again: father cried,
“Why—if you go husbanding, where shall I bide?
For never a home's for me elsewhere than here!”
And I yielded; for father had ever been dear.
“Why—if you go husbanding, where shall I bide?
For never a home's for me elsewhere than here!”
And I yielded; for father had ever been dear.
But now father's gone, and I feel growing old,
And I'm lonely and poor in this house on the wold,
And my sweetheart that was found a partner elsewhere,
And nobody flings me a thought or a care.
And I'm lonely and poor in this house on the wold,
And my sweetheart that was found a partner elsewhere,
And nobody flings me a thought or a care.
THE SPRING CALL
Down Wessex way, when spring's a-shine,
The blackbird's “pret-ty de-urr!”
In Wessex accents marked as mine
Is heard afar and near.
The blackbird's “pret-ty de-urr!”
In Wessex accents marked as mine
Is heard afar and near.
He flutes it strong, as if in song
No R's of feebler tone
Than his appear in “pretty dear,”
Have blackbirds ever known.
No R's of feebler tone
Than his appear in “pretty dear,”
Have blackbirds ever known.
Yet they pipe “prattie deerh!” I glean,
Beneath a Scottish sky,
And “pehty de-aw!” amid the treen
Of Middlesex or nigh.
Beneath a Scottish sky,
229
Of Middlesex or nigh.
While some folk say—perhaps in play—
Who know the Irish isle,
'Tis “purrity dare!” in treeland there
When songsters would beguile.
Who know the Irish isle,
'Tis “purrity dare!” in treeland there
When songsters would beguile.
Well: I'll say what the listening birds
Say, hearing “pret-ty de-urr!”—
However strangers sound such words,
That's how we sound them here.
Say, hearing “pret-ty de-urr!”—
However strangers sound such words,
That's how we sound them here.
Yes, in this clime at pairing time,
As soon as eyes can see her
At dawn of day, the proper way
To call is “pret-ty de-urr!”
As soon as eyes can see her
At dawn of day, the proper way
To call is “pret-ty de-urr!”
JULIE-JANE
Sing; how 'a would sing!
How 'a would raise the tune
When we rode in the waggon from harvesting
By the light o'the moon!
How 'a would raise the tune
When we rode in the waggon from harvesting
By the light o'the moon!
Dance; how 'a would dance!
If a fiddlestring did but sound
She would hold out her coats, give a slanting glance,
And go round and round.
If a fiddlestring did but sound
She would hold out her coats, give a slanting glance,
And go round and round.
Laugh; how 'a would laugh!
Her peony lips would part
As if none such a place for a lover to quaff
At the deeps of a heart.
Her peony lips would part
As if none such a place for a lover to quaff
At the deeps of a heart.
Julie, O girl of joy,
Soon, soon that lover he came.
Ah, yes; and gave thee a baby-boy,
But never his name. . . .
Soon, soon that lover he came.
Ah, yes; and gave thee a baby-boy,
But never his name. . . .
—Tolling for her, as you guess;
And the baby too. . . . 'Tis well.
You knew her in maidhood likewise?—Yes,
That's her burial bell.
And the baby too. . . . 'Tis well.
You knew her in maidhood likewise?—Yes,
That's her burial bell.
230
“I suppose,” with a laugh, she said,
“I should blush that I'm not a wife;
But how can it matter, so soon to be dead,
What one does in life!”
“I should blush that I'm not a wife;
But how can it matter, so soon to be dead,
What one does in life!”
When we sat making the mourning
By her death-bed side, said she,
“Dears, how can you keep from your lovers, adorning
In honour of me!”
By her death-bed side, said she,
“Dears, how can you keep from your lovers, adorning
In honour of me!”
Bubbling and brightsome eyed!
But now—O never again.
She chose her bearers before she died
From her fancy-men.
But now—O never again.
She chose her bearers before she died
From her fancy-men.
It is, or was, a common custom in Wessex, and probably other country places, to prepare the mourning beside the death-bed, the dying person sometimes assisting, who also selects his or her bearers on such occasions.
NEWS FOR HER MOTHER
I
One mile more isWhere your door is,
Mother mine!—
Harvest's coming,
Mills are strumming,
Apples fine,
And the cider made to-year will be as wine.
II
Yet, not viewingWhat's a-doing
Here around
Is it thrills me,
And so fills me
That I bound
Like a ball or leaf or lamb along the ground.
231
III
Tremble not nowAt your lot now,
Silly soul!
Hosts have sped them
Quick to wed them,
Great and small,
Since the first two sighing half-hearts made a whole.
IV
Yet I wonder,Will it sunder
Her from me?
Will she guess that
I said “Yes,”—that
His I'd be,
Ere I thought she might not see him as I see!
V
Old brown gable,Granary, stable,
Here you are!
O my mother,
Can another
Ever bar
Mine from thy heart, make thy nearness seem afar?
THE FIDDLER
The fiddler knows what's brewing
To the lilt of his lyric wiles:
The fiddler knows what rueing
Will come of this night's smiles!
To the lilt of his lyric wiles:
The fiddler knows what rueing
Will come of this night's smiles!
He sees couples join them for dancing,
And afterwards joining for life,
He sees them pay high for their prancing
By a welter of wedded strife.
And afterwards joining for life,
He sees them pay high for their prancing
By a welter of wedded strife.
232
He twangs: “Music hails from the devil,
Though vaunted to come from heaven,
For it makes people do at a revel
What multiplies sins by seven.
Though vaunted to come from heaven,
For it makes people do at a revel
What multiplies sins by seven.
“There's many a heart now mangled,
And waiting its time to go,
Whose tendrils were first entangled
By my sweet viol and bow!”
And waiting its time to go,
Whose tendrils were first entangled
By my sweet viol and bow!”
THE HUSBAND'S VIEW
“Can anything avail
Beldame, for my hid grief?—
Listen: I'll tell the tale,
It may bring faint relief!—
Beldame, for my hid grief?—
Listen: I'll tell the tale,
It may bring faint relief!—
“I came where I was not known
In hope to flee my sin;
And walking forth alone
A young man said, ‘Good e'en,’
In hope to flee my sin;
And walking forth alone
A young man said, ‘Good e'en,’
“In gentle voice and true
He asked to marry me;
‘You only—only you
Fulfil my dream!’ said he.
He asked to marry me;
‘You only—only you
Fulfil my dream!’ said he.
“We married o'Monday morn,
In the month of hay and flowers;
My cares were nigh forsworn,
And perfect love was ours.
In the month of hay and flowers;
My cares were nigh forsworn,
And perfect love was ours.
“But ere the days are long
Untimely fruit will show;
My Love keeps up his song,
Undreaming it is so.
Untimely fruit will show;
My Love keeps up his song,
Undreaming it is so.
“And I awake in the night,
And think of months gone by,
And of that cause of flight
Hidden from my Love's eye.
And think of months gone by,
And of that cause of flight
Hidden from my Love's eye.
233
“Discovery borders near,
And then! . . . But something stirred?—
My husband—he is here!
Heaven—has he overheard?”—
And then! . . . But something stirred?—
My husband—he is here!
Heaven—has he overheard?”—
“Yes; I have heard, sweet Nan;
I have known it all the time.
I am not a particular man;
Misfortunes are no crime:
I have known it all the time.
I am not a particular man;
Misfortunes are no crime:
“And what with our serious need
Of sons for soldiering,
That accident, indeed,
To maids, is a useful thing!”
Of sons for soldiering,
That accident, indeed,
To maids, is a useful thing!”
ROSE-ANN
Why didn't you say you was promised, Rose-Ann?
Why didn't you name it to me,
Ere ever you tempted me hither, Rose-Ann,
So often, so wearifully?
Why didn't you name it to me,
Ere ever you tempted me hither, Rose-Ann,
So often, so wearifully?
O why did you let me be near 'ee, Rose-Ann,
Talking things about wedlock so free,
And never by nod or by whisper, Rose-Ann,
Give a hint that it wasn't to be?
Talking things about wedlock so free,
And never by nod or by whisper, Rose-Ann,
Give a hint that it wasn't to be?
Down home I was raising a flock of stock ewes,
Cocks and hens, and wee chickens by scores,
And lavendered linen all ready to use,
A-dreaming that they would be yours.
Cocks and hens, and wee chickens by scores,
And lavendered linen all ready to use,
A-dreaming that they would be yours.
Mother said: “She's a sport-making maiden, my son”;
And a pretty sharp quarrel had we;
O why do you prove by this wrong you have done
That I saw not what mother could see?
And a pretty sharp quarrel had we;
O why do you prove by this wrong you have done
That I saw not what mother could see?
Never once did you say you was promised, Rose-Ann,
Never once did I dream it to be;
And it cuts to the heart to be treated, Rose-Ann,
As you in your scorning treat me!
Never once did I dream it to be;
And it cuts to the heart to be treated, Rose-Ann,
As you in your scorning treat me!
234
THE HOMECOMING
Gruffly
growled the wind on Toller downland broad and bare,
And lonesome was the house, and dark; and few came there.
And lonesome was the house, and dark; and few came there.
“Now don't ye rub your eyes so red; we're home and have no cares;
Here's a skimmer-cake for supper, peckled onions, and some pears;
I've got a little keg o'summat strong, too, under stairs:
—What, slight your husband's victuals? Other brides can tackle theirs!”
Here's a skimmer-cake for supper, peckled onions, and some pears;
I've got a little keg o'summat strong, too, under stairs:
—What, slight your husband's victuals? Other brides can tackle theirs!”
The wind of winter mooed and mouthed their chimney like a horn,
And round the house and past the house 'twas leafless and lorn.
And round the house and past the house 'twas leafless and lorn.
“But my dear and tender poppet, then, how came ye to agree
In Ivel church this morning? Sure, there-right you married me!”
—“Hoo-hoo!—I don't know—I forgot how strange and far 'twould be,
An' I wish I was at home again with dear daddee!”
In Ivel church this morning? Sure, there-right you married me!”
—“Hoo-hoo!—I don't know—I forgot how strange and far 'twould be,
An' I wish I was at home again with dear daddee!”
Gruffly growled the wind on Toller downland broad and bare,
And lonesome was the house and dark; and few came there.
And lonesome was the house and dark; and few came there.
“I didn't think such furniture as this was all you'd own,
And great black beams for ceiling, and a floor o'wretched stone,
And nasty pewter platters, horrid forks of steel and bone,
And a monstrous crock in chimney. 'Twas to me quite unbeknown!”
And great black beams for ceiling, and a floor o'wretched stone,
And nasty pewter platters, horrid forks of steel and bone,
And a monstrous crock in chimney. 'Twas to me quite unbeknown!”
Rattle rattle went the door; down flapped a cloud of smoke,
As shifting north the wicked wind assayed a smarter stroke.
As shifting north the wicked wind assayed a smarter stroke.
“Now sit ye by the fire, poppet; put yourself at ease:
And keep your little thumb out of your mouth, dear, please!
And I'll sing to 'ee a pretty song of lovely flowers and bees,
And happy lovers taking walks within a grove o'trees.”
And keep your little thumb out of your mouth, dear, please!
And I'll sing to 'ee a pretty song of lovely flowers and bees,
And happy lovers taking walks within a grove o'trees.”
Gruffly growled the wind on Toller Down, so bleak and bare,
And lonesome was the house, and dark; and few came there.
And lonesome was the house, and dark; and few came there.
235
“Now, don't ye gnaw your handkercher; 'twill hurt your little tongue,
And if you do feel spitish, 'tis because ye are over young;
But you'll be getting older, like us all, ere very long,
And you'll see me as I am—a man who never did 'ee wrong.”
And if you do feel spitish, 'tis because ye are over young;
But you'll be getting older, like us all, ere very long,
And you'll see me as I am—a man who never did 'ee wrong.”
Straight from Whit'sheet Hill to Benvill Lane the blusters pass,
Hitting hedges, milestones, handposts, trees, and tufts of grass.
Hitting hedges, milestones, handposts, trees, and tufts of grass.
“Well, had I only known, my dear, that this was how you'd be,
I'd have married her of riper years that was so fond of me.
But since I can't, I've half a mind to run away to sea,
And leave 'ee to go barefoot to your d---d daddee!”
I'd have married her of riper years that was so fond of me.
But since I can't, I've half a mind to run away to sea,
And leave 'ee to go barefoot to your d---d daddee!”
Up one wall and down the other—past each window-pane—
Prance the gusts, and then away down Crimmercrock's long lane.
Prance the gusts, and then away down Crimmercrock's long lane.
“I—I—don't know what to say to't, since your wife I've vowed to be;
And as 'tis done, I s'pose here I must bide—poor me!
Aye—as you are ki-ki-kind, I'll try to live along with 'ee,
Although I'd fain have stayed at home with dear daddee!”
And as 'tis done, I s'pose here I must bide—poor me!
Aye—as you are ki-ki-kind, I'll try to live along with 'ee,
Although I'd fain have stayed at home with dear daddee!”
Gruffly growled the wind on Toller Down, so bleak and bare,
And lonesome was the house and dark; and few came there.
And lonesome was the house and dark; and few came there.
“That's right, my Heart! And though on haunted Toller Down we be,
And the wind swears things in chimley, we'll to supper merrily!
So don't ye tap your shoe so pettish-like; but smile at me,
And ye'll soon forget to sock and sigh for dear daddee!”
And the wind swears things in chimley, we'll to supper merrily!
So don't ye tap your shoe so pettish-like; but smile at me,
And ye'll soon forget to sock and sigh for dear daddee!”
December 1901.
| Collected poems of Thomas Hardy | |