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Elegies and memorials

By A. and L. [i.e. L. C. Shore]

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MEMORIALS.
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25

MEMORIALS.


27

POEMS BY L.

THE MYSTERY OF MYSTERIES.

I

Of all the planets yearning—as they run
In magic round still ending, still begun—
To break the spell that holds them from the sun,
Does any guard the secret of all things?
Does some Star Emperor, other than the one
To which the lark sweet adoration sings,
Draw wiser worlds than ours around his throne?
Or must our hope still further stretch its wings
On to that Point of Mystery, unknown
Magnet of all the suns whose fiery cars
Whirl myriads after them of unimagined stars?

II

Or seek the Cause of Causes far behind,
The grave-clothes of a dateless past unwind,

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Till nothing but an embryo's dust we find,
Which knew not what we know? Say, can we reach,
By footprints faint as these, the Master-mind?
What though primeval atoms dumbly teach
The law of change, which, ere life yet began,
Gave form to formless matter,—can they preach
Of aught that's older than themselves to Man?
Reveal a Presence greater than we see,
Greater than all we are and all we hope to be?

III

Perchance, perchance at last, his toils and tears,
The long death-grapple of his hopes and fears,
And wisdom martyred all the countless years,—
Through deepening soul and heart's enlarged embrace,
And Duty owned sole star of worshippers,—
Shall this day's type of half-formed man efface,
(What time the wrangling Oracles are dumb)
To set the crown of Godhead on our race,
And work the nobler miracles to come.
In vain for ages long we seek a sign
Of any God on earth, till Man becomes divine.

29

LAMENTATIONS.

I.

Oh, that my head were waters,
And fountains were mine eyes,
For all thy sons and daughters,
Thou world of sins and sighs!
Oh, that my heart might speak before it breaks and dies!
Through Youth, through Age, through each
Dead Conscience in its turn,
Wisdom that will not teach,
Folly that will not learn,
Through man and woman too, my words should pierce and burn.
Alas for Youth! because
The heart of Youth is old;
It thrills not for a cause,
But, arrogantly cold,
Turns from the fiery summons as a tale twice told.

30

The holy dangerous ray
It shuns, to join the press
That throngs the gaslit way
Of bare and hard success,
And sinks at last, unmissed, to night and nothingness.
Oh, thou that wouldst not soar,
Methinks 'twere nobler done
To rise, as rose of yore
Resplendent Phaethon,
And fall—but fall, like him, a rival of the sun!
And if I sigh for Age
Because it is too late,
Because it has grown sage,
But cannot mend its fate,
And knows not what Life is till Death is at the gate,
Still more for Age I mourn
Because it is afraid,
With all its vows forsworn,
The world's great cause to aid,
And thinks man will not change, but be as he was made.

31

And Love—man's doom and jest—
What hast thou here to do?
In such disguises dressed,
We know not false from true;
We trust the world to thee, and thou betrayst it too.
Love frivolous and vain,
Love coldly overwise,
Love sensual and profane,
And worshipper of lies—
Traitor, depart from us! True love, awake, arise!

II.

For Woman most my tears
Should set Man's heart on fire,
Whose love and threats and jeers
Have made of her a liar,
That paints her very soul, to win the world's desire.
Oh, Earth! Earth! Mother Earth!
Rise, call upon thy son!—
“I bare twain at a birth,
And thee, the stronger one—
With her I gave to thee, tell me what hast thou done?

32

“When, fresh from Nature's arms,
She first clasped hands with thee,
Her noble infant charms
Announced a queen to be,
Wise, beautiful, and pure, and brave as are the free.
“Thou madst this queen thy slave,
In falsehood, fear, and shame;
The best her mother gave
Was counted her for blame,
And Fame suborned to make a by-word of her name.
“Reared up to toil by blows,
Her childhood pined in fears,
Until, at last, a rose
Of beauty, as the years
Went forward, smiled upon the cruel world through tears.
“Then, crowned and chained and scorned,
When first her head she raised,
A strange new lustre warned
Her master, as he gazed,
That in her eyes a spirit waked and watched, amazed;

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“Against its bars to beat,
With plumage blood-besprent,
Then flutter to his feet,
A guiltless penitent,
And kneel to him for pardon, praise, and punishment.
“Rebellious and reviled,
Or crouching and caressed,
A goddess or a child,
But still a slave confessed,
Caged in the jealous East, toy-sceptred in the West;
“Alike the tale hath been
To-day and long of yore;
The dazzling Eastern queen,
Bending her lord before,
With rubies all a-tremble, and forehead to the floor,
“Still mirrors in old story
My nobler daughter, taught
To bow down all her glory
Of free-born will and thought
Before a spectral terror, conjured out of nought.

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“Thou claim'st to be her god,
To rule her inmost shrine
Of conscience with thy rod;
Thy mockery is her sign
From Heaven that she hath sinned—against thy laws divine.
“But what of Her that fell
To shameless shame for thee?
Hark! from that hidden Hell
Her cry has risen to me,—
How long, oh deaf and blind, how long shall these things be?
“Her soul, that sobs away,
Still, still a wasted breath,
Her heart, that day by day
Bleeds bitterly to death,
While writhing that gay mask of dauntless sin beneath.
“No more, no more for Her
Let Earth cry out in vain;
My depths are all astir,
And every pulse is pain,—
Rise up, a nobler Brother, loose thy Sister's chain!”

35

A REQUIEM.

On reading some verses about a poor woman seen carrying the coffin of her infant in her arms to the burial.

So too, dead darlings of the past
By disappointed souls are borne
Beneath a sky not less forlorn,
Across as desolate a waste.
To no triumphant requiem,
Some love or faith or fancied-crown
Of genius we at last lay down,
And in deep silence bury them.
Perhaps for years we watched them die,
Perhaps they died before we knew;
Perhaps a violet or two
May yet spring up from where they lie.
Ah! some have laid their dead in earth
Where gardens redden o'er with bloom,
To flower from many a magic tomb
Into some new and lovelier birth.

36

There the first passion of the boy,
Buried with all its beauteous folly,
Sublimes to true love's melancholy,
Or true love's vivifying joy.
There rise the nobler dreams of youth,
From childhood's fancies cast aside;
Beliefs that had their day and died
Grow thence to grander forms of truth.
But they who drop by slow degrees,
Gifted in vain, the best they have
Deep in a cold and barren grave—
What shall we say to comfort these?
That happier selves shall gather flowers
From hopes we sowed in ground that seemed
So barren?—fairy tales we dreamed
Be true of other lives than ours?
That poems and that pictures, pent
Once in our souls, shall yet escape,
And in some new transcendant shape
Attain their full accomplishment?

37

Pray for all souls that mourn their dead—
Pray for all souls that they may see
A light from the great time to be
Already streak the East with red.
Behind whose twilight wait unseen
A perfect earth, perfected man,
To finish all that we began,
To be what we would fain have been.

38

POEMS BY A.

“IN MEMORIAM.”

Priest, opening sacred cedar doors
That shrine in dusk a perfect grief,
My secret finds its twin in yours,
And in that twinness its relief.
For Sorrow, in her mirror here,
Now first perceives, self-gazing thus,
As doth a star in water clear,
Her form, though sad, how luminous.
I thank you—love and loss I've felt,
As you, and never word would come;
Till your sweet wand its magic dealt,
I thought this child of tears was dumb.

39

Once home through winding ways went we;
Warm winds breathed through soft gloom, and night
Lay a dark balmy mystery,
Rifting thin clouds for tremulous light.
Your book, just bought, was at my home;
I opened it, and read and read,
Till Night had arched her midway dome,
And her noon-stars were overhead.
When down I lay, in darkness drowned,
Out of your song my fancy drew
Webs of weird music; round and round
The wizard words self-chasing flew.
Whirled breathless after them, I strike
These lines from out my panting brain;
And joy and grief seem all alike,
There's such delirium in the strain.
Yet, should I tell you how I caught
From you these melodies of tears,
I must lead back my faltering thought
Over a long dusk bridge of years.

40

An “In Memoriam” in our hearts,
A marble tablet, ever dwells,
For ever dust to dust departs,
For ever ring our funeral bells.
And one sweet ghost—a love and fear—
Haunts, in the thicket's wild rose isles,
The soft green outburst of the year
With voiceless words and wordless smiles.
In my dim silvery dawn of youth
I saw a sister laid to sleep
Amid geraniums of the south—
Oh, can one think and cease to weep?
She was so young! and yet in her
Death took a too consummate flower;
But it decayed not—and I err,
Mourning her void nook in our bower.
Too full of sky-born graces was
That lily life to pine in clay;
Like perfume in a fairy-vase
Her sweet soul burnt itself away.

41

I will not speak, I will but think,
Of after-steps in walks of pain,
Walks marked by diamonds, link by link,
Dropped from our happy household chain.
Nor will I speak nor think of pangs
That must be fled from, lest we craze;
You know the huge dumb cloud that hangs,
Death-dark, o'er our most azure days.
You know the wants, the doubts that lie
Wedged in the deep white core of thought,
The yearnings stirred we know not why,
That cry out for we know not what;
When, 'mid dusk morn, as in a grave
We wake with consciousness aghast,—
The heart that like a hollow cave
Echoes with voices from the past.
You know it, and you know the art
That can life's rugged passes smooth;
That, speaking for each voiceless heart,
Sets words that grieve to notes that soothe.

42

You lead us to the mountain-top
Where the great God who formed our kind
Sees, nor condemns, the tears that drop
From spirits bounded and half-blind.
He knows, who made us quick with love,
That love must shrink, while walled in clay,
At those sharp blows the walls that move
And strike the soul out to the day.
Oh, tenderest heart! oh, truest friend!
If thou art sad, as fond and true,
The God that did such sadness send
Send thee all comfort with it too.
Thus did the heart you kindled write,
Unknowing Love had oped for you
A sudden blossom of delight,
And brought my mystic wishes true.
If in your joy's deep psalm allowed,
Half notes akin to sorrow falter,
All thoughts will mingle to a cloud
Of incense on the marriage-altar.

43

Nor think your friend from yon sky-land
Scorns your return to earthly ways;
With blessing eyes he sees you stand
A candidate for richer days;
Sees in your heart, where seemed a void,
Love's inmost reddest leaf uncurl,
Long shut in grief, but not destroyed,
Just gleaming with a quiet pearl.
Love on! and twine all lost desires
About this central shaft of Hope;
Love's fairy round, whence Ill retires
For all the gentle sprites has scope.

44

“YOUNG BOATMAN!”

Young Boatman! still, as oft I've done,
I see thy strenuous form; the sun
Turns to gold threads thy brown-waved hair;
Thy cheek blooms deeper in the air.
With open throat, in boyish pride,
On swelling lake and stormy tide,
Thy brave young vigour plies the oar—
The dream is gone, 'tis thou no more.
Young Mountaineer! in Highland plaid
Scaling Helvellyn, undismayed
By winter snows, for very love
Of the cold glories throned above!
Young Shepherd! joying in the free
And thrilling life so meet for thee—
Thou watchest now, poor exile, deep
In far Australia, o'er thy sheep.
Young Poet! to impulsive rhyme
Sparkling at touch of the sublime;

45

Young Dreamer! with thy heart so oft
Mourning o'er thoughts too wild and soft;
And now in night's still visions turning
Toward thy lost home—sweet, bitter yearning!
Whate'er thy task, where'er thou art,
Thou liv'st, the darling of my heart!

46

THE STORY OF WOMAN.

A peerless, piteous thing,
Through every age and clime
Tracked by her radiant wing,
Yet leaving on all time
Only a cry of grief, only a stain of crime!
Jewelled in Eastern lands,
And painted with strange lures;
Carved goddess by Greek hands;
Sung round by Troubadours;
Still is her doom the same, this slave and toy of yours!
A Dalila, a Circe,
A Venus from the sea,
Loved—without faith or mercy,
A Saint—yet scorned is she;
Idol and Priestess both, yet never friend nor free!
False tales of her ye weave,
To make your scorning good,

47

And lo! the concrete Eve
Is abstract Womanhood;
And pilloried with her one half the race hath stood.
Yet since, like Man, she's tasted
The knowledge-bearing fruit,
The life and strength long wasted
That spring from that deep root
Now look and speak through her, no longer blind and mute.
Wide is the world, and scant
Her plot marked out by you;
She asks no royal grant,
For she is free-born too:
Give her her human rights, and see what she can do!

48

DEJECTION AND HOPE.

We, unlike children of one mother,
Began our climbing with each other,
I and my gold-locked, star-eyed brother.
Slow climbed I step by step, while Hope,
With one light bound, an antelope,
Sprang past me up the mountain slope.
A grey-haired toiler, I attain
A half-way height, content, for pain
And weariness, with little gain.
I see, as when I first began,
High up in heaven,—a shining span,—
Aerial cities strange to man.
They drew me on through wastes forlorn,
Seeking the gateways of the morn,
From those green dells where I was born.

49

They drew me on without a sigh,
Till all was desert round mine eye,—
Those glorious cities of the sky.
I ne'er shall reach their dazzling spires,
Yet, stilled at last all vain desires,
I sit and gaze while daylight tires.
Yon winged soarer, where is he?
Look where deep down a chasm you see
Yawn like a hell-mouth dismally.
At sunset, when the eaglet brood
From their rock-turret screaming viewed
A shade across the light intrude,
Swift as he clomb he fell, and lies,
With shattered bones, a sacrifice
To the black cavern-deities.
There comes the prowling wolf, Despair,
At twilight for his wonted fare—
How many hopes hath he found there!

50

SONNETS TO TWO OF THE DEAD.

I.—To Mazzini just out of Prison.

Oh, never nobler, more beloved than now!
The land thy whole life died for lives secure,
Free, crowned—and thou must stand aloof, obscure,
Far off, as one his dearest disavow—
Thy land, but not thy holy dream; for thou
Hadst shrined thy Italy in skies too pure,
Too nobly free had planned her, to endure
Triumphs of statecraft branded on her brow.
And so, the vulgar hero takes a crown;
Pale comes the martyr-saint from prison-blight;
Oh, prophet-glance, be higher, further winged!
Though now in darkness that life-star go down,
Look where it rises—the brute sword unkinged—
O'er all the days to come an orb of light.

51

II.—To John Stuart Mill.

Oh, noble and beloved and lost! how dim
One moment makes the world, glowed through e'en now
With fire from thy great heart. Yet must we vow,
In this dark temple of our grief, a hymn
Of worship in high strivings, must o'erbrim
Our lives from thy deep fount of wisdom, thou
Priest of a wondrous war, with tranquil brow,
Single against the world's leagued Anakim.
Strong champion of the weak! what arms were thine—
Reason sublime, red-hot with passion pure;
If taught by thee, we pierce, aspire, endure,
So art thou fighting still—yet how to bear
The divine triumph of some cause divine
Thou wilt have won for us—who art not there!

52

TWO DIRGES.

I. “Bianca, Bella, Buona, Beata.”

[_]

(Set to the Tune “Farewell Manchester.”)

Blanche the beautiful,
Blanche the good and blest,
Under the cypress trees
Lies far off at rest.
Oh, the weary years!
Oh, the bitter tears!
For Blanche the beautiful,
The good and blest.
When Italian night
Falls on her white tomb,
And in starry dance
Fireflies thread the gloom,
Over land and sea
Back she comes to me,
Me drearily asleep
In my sad room.

53

Smiling, speaking low,
Tenderly carest,
Through the house she glides,
Like a sweet new guest.
But I wake in pain,
And she dies again,
Blanche the beautiful,
The good and blest.
L.
 

From an inscription on a tomb.

II. “Beneath the Cypress' Gloomy Shade.”

Beneath the cypress' gloomy shade,
Deep in a still and leafy glade,
In peace my grey-haired sire is laid,
To wake on earth no more.
None knows save I his quiet tomb;
Each morn with saddened heart I come,
And gaze upon his narrow home,
Till grief's full cup runs o'er.
E.
 

These lines were written by her who is the subject of the first poem in the book, “Elegies.”