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228

MISCELLANEOUS PIECES.

THE HOMES OF ENGLAND.

“Where's the coward that would not dare
To fight for such a land?”
Marmion.

The stately Homes of England,
How beautiful they stand!
Amidst their tall ancestral trees,
O'er all the pleasant land.
The deer across their greensward bound,
Through shade and sunny gleam,
And the swan glides past them with the sound
Of some rejoicing stream.
The merry Homes of England!
Around their hearths by night,
What gladsome looks of household love
Meet in the ruddy light!
There woman's voice flows forth in song,
Or childhood's tale is told,
Or lips move tunefully along
Some glorious page of old.

229

The blessed Homes of England!
How softly on their bowers
Is laid the holy quietness
That breathes from Sabbath hours!
Solemn, yet sweet, the church-bell's chime
Floats through their woods at morn;
All other sounds, in that still time,
Of breeze and leaf are born.
The Cottage Homes of England!
By thousands on her plains,
They are smiling o'er the silvery brooks,
And round the hamlet fanes.
Through glowing orchards forth they peep,
Each from its nook of leaves,
And fearless there the lowly sleep,
As the bird beneath their eaves.
The free, fair Homes of England!
Long, long, in hut and hall,
May hearts of native proof be rear'd
To guard each hallow'd wall!
And green for ever be the groves,
And bright the flowery sod,
Where first the child's glad spirit loves
Its country and its God!

230

THE SICILIAN CAPTIVE.

“I have dreamt thou wert
A captive in thy hopelessness; afar
From the sweet home of thy young infancy,
Whose image unto thee is as a dream
Of fire and slaughter; I can see thee wasting,
Sick for thy native air.”
L. E. L.

The champions had come from their fields of war,
Over the crests of the billows far—
They had brought back the spoils of a hundred shores,
Where the deep had foam'd to their flashing oars.
They sat at their feast round the Norse king's board;
By the glare of the torch-light the mead was pour'd;
The hearth was heap'd with the pine-boughs high,
And it flung a red radiance on shields thrown by.
The Scalds that chanted in Runic rhyme
Their songs of the sword and the olden time;
And a solemn thrill, as the harp-chords rung,
Had breathed from the walls where the bright spears hung.
But the swell was gone from the quivering string,
They had summon'd a softer voice to sing,
And a captive girl, at the warriors' call,
Stood forth in the midst of that frowning hall.
Lonely she stood:—in her mournful eyes
Lay the clear midnight of southern skies;

231

And the drooping fringe of their lashes low,
Half-veil'd a depth of unfathom'd woe.
Stately she stood—though her fragile frame
Seem'd struck with the blight of some inward flame
And her proud pale brow had a shade of scorn,
Under the waves of her dark hair worn.
And a deep flush pass'd, like a crimson haze,
O'er her marble cheek by the pine-fire's blaze;
No soft hue caught from the south wind's breath,
But a token of fever, at strife with death.
She had been torn from her home away,
With her long locks crown'd for her bridal-day,
And brought to die of the burning dreams
That haunt the exile by foreign streams.
They bade her sing of her distant land—
She held its lyre with a trembling hand,
Till the spirit its blue skies had given her, woke,
And the stream of her voice into music broke.
Faint was the strain, in its first wild flow;
Troubled its murmur, and sad, and low;
But it swell'd into deeper power erelong,
As the breeze that swept o'er her soul grew strong.
“They bid me sing of thee, mine own, my sunny land! of thee!
Am I not parted from thy shores by the mournful sounding sea?

232

Doth not thy shadow wrap my soul?—in silence let me die,
In a voiceless dream of thy silvery founts, and thy pure, deep sapphire sky;
How should thy lyre give here its wealth of buried sweetness forth?
Its tones of summer's breathings born, to the wild winds of the north?
“Yet thus it shall be once, once more!—my spirit shall awake,
And through the mists of death shine out, my country, for thy sake!
That I may make thee known, with all the beauty and the light,
And the glory never more to bless thy daughter's yearning sight!
Thy woods shall whisper in my song, thy bright streams warble by,
Thy soul flow o'er my lips again—yet once, my Sicily!
“There are blue heavens—far hence, far hence! but, oh! their glorious blue!
Its very night is beautiful, with the hyacinth's deep hue!
It is above my own fair land, and round my laughing home,
And arching o'er my vintage hills, they hang their cloudless dome;
And making all the waves as gems, that melt along the shore,
And steeping happy hearts in joy—that now is mine no more.

233

“And there are haunts in that green land—oh! who may dream or tell
Of all the shaded loveliness it hides in grot and dell!
By fountains flinging rainbow-spray on dark and glossy leaves,
And bowers wherein the forest dove her nest untroubled weaves;
The myrtle dwells there, sending round the richness of its breath,
And the violets gleam like amethysts, from the dewy moss beneath.
“And there are floating sounds that fill the skies through night and day—
Sweet sounds! the soul to hear them faints in dreams of heaven away!
They wander through the olive woods, and o'er the shining seas—
They mingle with the orange scents that load the sleepy breeze;
Lute, voice, and bird, are blending there;—it were a bliss to die,
As dies a leaf, thy groves among, my flowery Sicily!
I may not thus depart—farewell! yet no, my country! no!
Is not love stronger than the grave? I feel it must be so!
My fleeting spirit shall o'ersweep the mountains and the main,
And in thy tender starlight rove, and through thy woods again.

234

Its passion deepens—it prevails!—I break my chain— I come
To dwell a viewless thing, yet blest—in thy sweet air, my home!”
And her pale arms dropp'd the ringing lyre—
There came a mist o'er her eye's wild fire—
And her dark rich tresses, in many a fold,
Loosed from their braids, down her bosom roll'd.
For her head sank back on the rugged wall—
A silence fell o'er the warriors' hall;
She had pour'd out her soul with her song's last tone;
The lyre was broken, the minstrel gone!

IVAN THE CZAR.

“Gieb diesen Todten mir heraus. Ich muss
Ihn wieder haben! [OMITTED] [OMITTED]
Trostlose Allmacht,
Die nicht einmal in Gräber ihren arm
Verlängern, eine kleine Übereilung
Mit Menschenleben nicht verbessern kann!”
Schiller.


235

He sat in silence on the ground,
The old and haughty Czar,
Lonely, though princes girt him round,
And leaders of the war:
He had cast his jewell'd sabre,
That many a field had won,
To the earth beside his youthful dead—
His fair and first-born son.
With a robe of ermine for its bed,
Was laid that form of clay,
Where the light a stormy sunset shed,
Through the rich tent made way;
And a sad and solemn beauty
On the pallid face came down,
Which the Lord of nations mutely watch'd,
In the dust, with his renown.
Low tones, at last, of woe and fear
From his full bosom broke—
A mournful thing it was to hear
How then the proud man spoke!
The voice that through the combat
Had shouted far and high,
Came forth in strange, dull, hollow tones,
Burden'd with agony.
“There is no crimson on thy cheek,
And on thy lip no breath;
I call thee, and thou dost not speak—
They tell me this is death!

236

And fearful things are whispering
That I the deed have done—
For the honour of thy father's name,
Look up, look up, my son!
“Well might I know death's hue and mien,
But on thine aspect, boy!
What, till this moment, have I seen
Save pride and tameless joy?
Swiftest thou wert to battle,
And bravest there of all—
How could I think a warrior's frame
Thus like a flower should fall?
“I will not bear that still cold look—
Rise up, thou fierce and free!
Wake as the storm wakes! I will brook
All, save this calm, from thee!
Lift brightly up, and proudly,
Once more thy kindling eyes!
Hath my word lost its power on earth?
I say to thee, arise!
“Didst thou not know I loved thee well?
Thou didst not! and art gone,
In bitterness of soul, to dwell
Where man must dwell alone.
Come back, young fiery spirit!
If but one hour, to learn
The secrets of the folded heart
That seem'd to thee so stern.

237

“Thou wert the first, the first, fair child
That in mine arms I press'd:
Thou wert the bright one, that hast smiled
Like summer on my breast!
I rear'd thee as an eagle,
To the chase thy steps I led,
I bore thee on my battle-horse,
I look upon thee—dead!
“Lay down my warlike banners here,
Never again to wave,
And bury my red sword and spear,
Chiefs! in my first-born's grave!
And leave me!—I have conquer'd,
I have slain—my work is done!
Whom have I slain?—ye answer not—
Thou too art mute, my son!”
And thus his wild lament was pour'd
Through the dark resounding night,
And the battle knew no more his sword,
Nor the foaming steed his might.
He heard strange voices moaning
In every wind that sigh'd;
From the searching stars of heaven he shrank—
Humbly the conqueror died.

238

CAROLAN'S PROPHECY.

Thy cheek too swiftly flushes, o'er thine eye
The lights and shadows come and go too fast;
Thy tears gush forth too soon, and in thy voice
Are sounds of tenderness too passionate
For peace on earth; oh! therefore, child of song!
'Tis well thou shouldst depart.

A sound of music, from amidst the hills,
Came suddenly, and died; a fitful sound
Of mirth, soon lost in wail.—Again it rose,
And sank in mournfulness.—There sat a bard
By a blue stream of Erin, where it swept
Flashing through rock and wood; the sunset's light
Was on its wavy, silver-gleaming hair,
And the wind's whisper in the mountain-ash,

239

Whose clusters droop'd above. His head was bow'd,
His hand was on his harp, yet thence its touch
Had drawn but broken strains; and many stood,
Waiting around in silent earnestness,
Th' unchaining of his soul, the gush of song—
Many and graceful forms!—yet one alone
Seem'd present to his dream; and she, indeed,
With her pale, virgin brow, and changeful cheek,
And the clear starlight of her serious eyes,
Lovely amidst the flowing of dark locks
And pallid braiding flowers, was beautiful,
E'en painfully!—a creature to behold
With trembling 'midst our joy, lest aught unseen
Should waft the vision from us, leaving earth
Too dim without its brightness!—Did such fear
O'ershadow in that hour the gifted one,
By his own rushing stream?—Once more he gazed
Upon the radiant girl, and yet once more
From the deep chords his wandering hand brought out
A few short festive notes, an opening strain
Of bridal melody, soon dash'd with grief,
As if some wailing spirit in the strings
Met and o'ermaster'd him; but yielding then
To the strong prophet-impulse, mournfully,
Like moaning waters o'er the harp he pour'd
The trouble of his haunted soul, and sang—
Voice of the grave!
I hear thy thrilling call;
It comes in the dash of the foaming wave,
In the sere-leaf's trembling fall!

240

In the shiver of the tree,
I hear thee, O thou voice!
And I would thy warning were but for me,
That my spirit might rejoice.
But thou art sent
For the sad earth's young and fair,
For the graceful heads that have not bent
To the wintry hand of care!
They hear the wind's low sigh,
And the river sweeping free,
And the green reeds murmuring heavily,
And the woods—but they hear not thee!
Long have I striven
With my deep foreboding soul,
But the full tide now its bounds hath riven,
And darkly on must roll.
There's a young brow smiling near,
With a bridal white rose wreath—
Unto me it smiles from a flowery bier,
Touch'd solemnly by death!
Fair art thou, Morna!
The sadness of thine eye
Is beautiful as silvery clouds
On the dark blue summer sky!
And thy voice comes like the sound
Of a sweet and hidden rill,
That makes the dim woods tuneful round—
But soon it must be still!

241

Silence and dust
On thy sunny lips must lie—
Make not the strength of love thy trust,
A stronger yet is nigh!
No strain of festal flow
That my hand for thee hath tried,
But into dirge notes wild and low
Its ringing tones have died.
Young art thou, Morna!
Yet on thy gentle head,
Like heavy dew on the lily's leaves,
A spirit hath been shed!
And the glance is thine which sees
Through nature's awful heart—
But bright things go with the summer breeze,
And thou too must depart!
Yet shall I weep?
I know that in thy breast
There swells a fount of song too deep,
Too powerful for thy rest!
And the bitterness I know,
And the chill of this world's breath—
Go, all undimm'd, in thy glory go!
Young and crown'd bride of death!
Take hence to heaven
Thy holy thoughts and bright,
And soaring hopes, that were not given
For the touch of mortal blight!

242

Might we follow in thy track,
This parting should not be!
But the spring shall give us violets back,
And every flower but thee!
There was a burst of tears around the bard:
All wept but one, and she serenely stood,
With her clear brow and dark religious eye
Raised to the first faint star above the hills,
And cloudless; though it might be that her cheek
Was paler than before.—So Morna heard
The minstrel's prophecy.
And spring return'd,
Bringing the earth her lovely things again,
All, save the loveliest far! A voice, a smile,
A young sweet spirit gone.
 

Founded on the following circumstance related in the Percy Anecdotes of imagination.

“It is somewhat remarkable that Carolan, the Irish bard, even in his gayest mood, never could compose a planxty for a Miss Brett, in the county of Sligo, whose father's house he frequented, and where he always met with a reception due to his exquisite taste and mental endowments. One day, after an unsuccessful attempt to compose something in a sprightly strain for this lady, he threw aside his harp with a mixture of rage and grief; and addressing himself in Irish to her mother, “Madam,” said he, “I have often, from my great respect to your family, attempted a planxty in order to celebrate your daughter's perfections, but to no purpose. Some evil genius hovers over me; there is not a string in my harp that does not vibrate a melancholy sound when I set about this task. I fear she is not doomed to remain long among us; ‘nay,’ said he, emphatically, ‘she will not survive twelve months.’ The event verified the prediction, and the young lady died within the period limited by the unconsciously prophetic bard.”

THE LADY OF THE CASTLE.

FROM THE “PORTRAIT GALLERY,” AN UNFINISHED POEM.

If there be but one spot upon thy name,
One eye thou fear'st to meet, one human voice
Whose tones thou shrink'st from—Woman! veil thy face,
And bow thy head—and die!

Thou see'st her pictured with her shining hair,
(Famed were those tresses in Provencal song,)
Half braided, half o'er cheek and bosom fair
Let loose, and pouring sunny waves along
Her gorgeous vest. A child's light hand is roving
'Midst the rich curls; and, oh! how meekly loving
Its earnest looks are lifted to the face
Which bends to meet its lip in laughing grace!

243

Yet that bright lady's eye, methinks, hath less
Of deep, and still, and pensive tenderness,
Than might beseem a mother's;—on her brow
Something too much there sits of native scorn,
And her smile kindles with a conscious glow,
As from the thought of sovereign beauty born.
These may be dreams—but how shall woman tell
Of woman's shame, and not with tears?—She fell!
That mother left that child!—went hurrying by
Its cradle—haply not without a sigh,
Haply one moment o'er its rest serene
She hung—but no! it could not thus have been,
For she went on!—forsook her home, her hearth,
All pure affection, all sweet household mirth,
To live a gaudy and dishonour'd thing,
Sharing in guilt the splendours of a king.
Her lord, in very weariness of life,
Girt on his sword for scenes of distant strife;
He reck'd no more of glory:—grief and shame
Crush'd out his fiery nature, and his name
Died silently. A shadow o'er his halls
Crept year by year; the minstrel pass'd their walls;
The warder's horn hung mute:—mean time the child
On whose first flowering thoughts no parent smiled,
A gentle girl, and yet deep-hearted, grew
Into sad youth; for well, too well, she knew
Her mother's tale! Its memory made the sky
Seem all too joyous for her shrinking eye;
Check'd on her lip the flow of song, which fain
Would there have linger'd; flush'd her cheek to pain,

244

If met by sudden glance; and gave a tone
Of sorrow, as for something lovely gone,
E'en to the spring's glad voice. Her own was low
And plaintive.—Oh! there lie such depths of woe
In a young blighted spirit! Manhood rears
A haughty brow, and age has done with tears;
But youth bows down to misery, in amaze
At the dark cloud o'ermantling its fresh days—
And thus it was with her. A mournful sight
In one so fair—forshe indeed was fair—
Not with her mother's dazzling eyes of light,
Hers were more shadowy, full of thought and prayer,
And with long lashes o'er a white rose cheek,
Drooping in gloom, yet tender still and meek,
Still that fond child's—and oh! the brow above
So pale and pure! so form'd for holy love
To gaze upon in silence!—But she felt
That love was not for her, though hearts would melt
Where'er she moved, and reverence mutely given
Went with her; and low prayers, that call'd on Heaven
To bless the young Isaure.
One sunny morn
With alms before her castle gate she stood,
'Midst peasant groups; when, breathless and o'erworn,
And shrouded in long weeds of widowhood,
A stranger through them broke:—the orphan maid,
With her sweet voice and proffer'd hand of aid,
Turn'd to give welcome; but a wild sad look
Met hers—a gaze that all her spirit shook;

245

And that pale woman, suddenly subdued
By some strong passion, in its gushing mood,
Knelt at her feet, and bathed them with such tears
As rain the hoarded agonies of years
From the heart's urn; and with her white lips press'd
The ground they trod; then, burying in her vest
Her brow's deep flush, sobb'd out—“Oh! undefiled!
I am thy mother—spurn me not, my child!”
Isaure had pray'd for that lost mother; wept
O'er her stain'd memory, while the happy slept
In the hush'd midnight: stood with mournful gaze
Before yon picture's smile of other days,
But never breathed in human ear the name
Which weigh'd her being to the earth with shame.
What marvel if the anguish, the surprise,
The dark remembrances, the alter'd guise,
Awhile o'erpower'd her?—from the weeper's touch
She shrank—'twas but a moment—yet too much
For that all-humbled one; its mortal stroke
Came down like lightning, and her full heart broke
At once in silence. Heavily and prone
She sank, while o'er her castle's threshold stone,
Those long fair tresses—they still brightly wore
Their early pride, though bound with pearls no more—
Bursting their fillet, in sad beauty roll'd,
And swept the dust with coils of wavy gold.
Her child bent o'er her—call'd her—'twas too late—
Dead lay the wanderer at her own proud gate!

246

The joy of courts, the star of knight and bard—
How didst thou fall, O bright-hair'd Ermengarde!

THE MOURNER FOR THE BARMECIDES.

“O good old man! how well in thee appears
The constant service of the antique world!
Thou art not for the fashion of these times.”
As You Like It.

Fallen was the House of Giafar; and its name,
The high romantic name of Barmecide,
A sound forbidden on its own bright shores,
By the swift Tigris' wave. Stern Haroun's wrath,
Sweeping the mighty with their fame away,
Had so pass'd sentence: but man's chainless heart
Hides that within its depths which never yet
Th' oppressor's thought could reach.
'Twas desolate
Where Giafar's halls, beneath the burning sun,
Spread out in ruin lay. The songs had ceased;
The lights, the perfumes, and the genii tales
Had ceased; the guests were gone. Yet still one voice
Was there—the fountain's; through those eastern courts,
Over the broken marble and the grass,
Its low clear music shedding mournfully.
And still another voice!—an aged man,
Yet with a dark and fervent eye beneath

247

His silvery hair, came day by day, and sate
On a white column's fragment; and drew forth,
From the forsaken walls and dim arcades,
A tone that shook them with its answering thrill
To his deep accents. Many a glorious tale
He told that sad yet stately solitude,
Pouring his memory's fulness o'er its gloom.
Like waters in the waste; and calling up,
By song or high recital of their deeds,
Bright solemn shadows of its vanish'd race
To people their own halls: with these alone,
In all this rich and breathing world, his thoughts
Held still unbroken converse. He had been
Rear'd in this lordly dwelling, and was now
The ivy of its ruins, unto which
His fading life seem'd bound. Day roll'd on day,
And from that scene the loneliness was fled;
For crowds around the grey-hair'd chronicler
Met as men meet, within whose anxious hearts
Fear with deep feeling strives; till, as a breeze
Wanders through forest branches, and is met
By one quick sound and shiver of the leaves,
The spirit of his passionate lament,
As through their stricken souls it pass'd awoke
One echoing murmur.—But this might not be
Under a despot's rule, and, summon'd thence,
The dreamer stood before the Caliph's throne:
Sentenced to death he stood, and deeply pale,
And with his white lips rigidly compress'd;
Till, in submissive tones, he ask'd to speak
Once more, ere thrust from earth's fair sunshine forth.

248

Was it to sue for grace?—His burning heart
Sprang, with a sudden lightning, to his eye,
And he was changed!—and thus, in rapid words,
Th' o'ermastering thoughts, more strong than death, found way.
“And shall I not rejoice to go, when the noble and the brave,
With the glory on their brows, are gone before me to the grave?
What is there left to look on now, what brightness in the land?
I hold in scorn the faded world, that wants their princely band!
“My chiefs! my chiefs! the old man comes that in your halls was nursed—
That follow'd you to many a fight, where flash'd your sabres first—
That bore your children in his arms, your name upon his heart:—
Oh! must the music of that name with him from earth depart?
“It shall not be! a thousand tongues, though human voice were still,
With that high sound the living air triumphantly shall fill;
The wind's free flight shall bear it on as wandering seeds are sown,
And the starry midnight whisper it, with a deep and thrilling tone.

249

“For it is not as a flower whose scent with the dropping leaves expires,
And it is not as a household lamp, that a breath should quench its fires;
It is written on our battle-fields with the writing of the sword,
It hath left upon our desert sands a light in blessings pour'd.
“The founts, the many gushing founts, which to the wild ye gave,
Of you, my chiefs, shall sing aloud, as they pour a joyous wave!
And the groves, with whose deep lovely gloom ye hung the pilgrim's way,
Shall send from all their sighing leaves your praises on the day.
“The very walls your bounty rear'd for the stranger's homeless head,
Shall find a murmur to record your tale, my glorious dead!
Though the grass be where ye feasted once, where lute and cittern rung,
And the serpent in your palaces lie coil'd amidst its young.
“It is enough! mine eye no more of joy or splendour sees—
I leave your name in lofty faith, to the skies and to the breeze!

250

I go, since earth her flower hath lost, to join the bright and fair,
And call the grave a kingly house, for ye, my chiefs, are there!”
But while the old man sang, a mist of tears
O'er Haroun's eyes had gather'd, and a thought—
Oh! many a sudden and remorseful thought—
Of his youth's once loved friends, the martyr'd race,
O'erflow'd his softening heart.—“Live! live!” he cried,
“Thou faithful unto death! live on, and still
Speak of thy lords—they were a princely band!”

THE SPANISH CHAPEL.

“Weep not for those whom the veil of the tomb,
In life's early morning, hath hid from our eyes,
Ere sin threw a veil o'er the spirit's young bloom,
Or earth had profaned what was born for the skies.”
Moore.

I made a mountain brook my guide
Through a wild Spanish glen,
And wander'd on its grassy side,
Far from the homes of men.
It lured me with a singing tone,
And many a sunny glance,
To a green spot of beauty lone,
A haunt for old romance.

251

A dim and deeply bosom'd grove
Of many an aged tree,
Such as the shadowy violets love,
The fawn and forest bee.
The darkness of the chestnut-bough
There on the waters lay,
The bright stream reverently below
Check'd its exulting play;
And bore a music all subdued,
And led a silvery sheen
On through the breathing solitude
Of that rich leafy scene.
For something viewlessly around
Of solemn influence dwelt,
In the soft gloom and whispery sound,
Not to be told, but felt;
While sending forth a quiet gleam
Across the wood's repose,
And o'er the twilight of the stream,
A lowly chapel rose.
A pathway to that still retreat
Through many a myrtle wound,
And there a sight—how strangely sweet!
My steps in wonder bound,
For on a brilliant bed of flowers,
E'en at the threshold made,

252

As if to sleep through sultry hours,
A young fair child was laid.
To sleep?—oh! ne'er on childhood's eye
And silken lashes press'd,
Did the warm living slumber lie
With such a weight of rest!
Yet still a tender crimson glow
Its cheek's pure marble dyed—
'Twas but the light's faint streaming flow
Through roses heap'd beside.
I stoop'd—the smooth round arm was chill,
The soft lip's breath was fled,
And the bright ringlets hung so still—
The lovely child was dead!
“Alas!” I cried, “fair faded thing!
Thou hast wrung bitter tears,
And thou hast left a woe, to cling
Round yearning hearts for years!”
But then a voice came sweet and low—
I turn'd, and near me sate
A woman with a mourner's brow,
Pale, yet not desolate.
And in her still, clear, matron face,
All solemnly serene,
A shadow'd image I could trace
Of that young slumberer's mien.

253

“Stranger! thou pitiest me,” she said
With lips that faintly smiled,
“As here I watch beside my dead,
My fair and precious child.
“But know, the time-worn heart may be
By pangs in this world riven,
Keener than theirs who yield, like me,
An angel thus to Heaven!”
 

Suggested by a scene beautifully described in the Recollections of the Peninsula.

THE KAISER'S FEAST.

The Kaiser feasted in his hall—
The red wine mantled high;
Banners were trembling on the wall,
To the peals of minstrelsy:
And many a gleam and sparkle came
From the armour hung around,
As it caught the glance of the torch's flame,
Or the hearth with pine-boughs crown'd.

254

Why fell there silence on the chord
Beneath the harper's hand?
And suddenly from that rich board,
Why rose the wassail band?
The strings were hush'd—the knights made way
For the queenly mother's tread,
As up the hall, in dark array,
Two fair-hair'd boys she led.
She led them e'en to the Kaiser's place,
And still before him stood;
Till, with strange wonder, o'er his face
Flush'd the proud warrior blood:
And “Speak, my mother! speak!” he cried,
“Wherefore this mourning vest?
And the clinging children by thy side,
In weeds of sadness drest?”
“Well may a mourning vest be mine,
And theirs, my son, my son!
Look on the features of thy line
In each fair little one!
Though grief awhile within their eyes
Hath tamed the dancing glee,
Yet there thine own quick spirit lies—
Thy brother's children see!
“And where is he, thy brother, where?
He in thy home that grew,
And smiling, with his sunny hair,
Ever to greet thee flew?

255

How would his arms thy neck entwine,
His fond lips press thy brow!
My son! oh, call these orphans thine!—
Thou hast no brother now!
“What! from their gentle eyes doth nought
Speak of thy childhood's hours,
And smite thee with a tender thought
Of thy dead father's towers?
Kind was thy boyish heart and true,
When rear'd together there,
Through the old woods like fawns ye flew—
Where is thy brother—where?
“Well didst thou love him then, and he
Still at thy side was seen!
How is it that such things can be
As though they ne'er had been?
Evil was this world's breath, which came
Between the good and brave!
Now must the tears of grief and shame
Be offer'd to the grave.
“And let them, let them there be pour'd!
Though all unfelt below—
Thine own wrung heart, to love restored,
Shall soften as they flow.
Oh! death is mighty to make peace;
Now bid his work be done!
So many an inward strife shall cease—
Take, take these babes, my son!”

256

His eye was dimm'd—the strong man shook
With feelings long suppress'd;
Up in his arms the boys he took,
And strain'd them to his breast.
And a shout from all in the royal hall
Burst forth to hail the sight;
And eyes were wet 'midst the brave that met
At the Kaiser's feast that night.

TASSO AND HIS SISTER.

“Devant vous est Sorrente; là démeuroit la sœur de Tasse, quand il vint en pélérin demander à cette obscure amie, un asyle contre l'injustice des princes.—Ses longues douleurs avaient presque egaré sa raison; il ne lui restoit plus que son génie.”—Corinne.

She sat, where on each wind that sigh'd,
The citron's breath went by,
While the red gold of eventide
Burn'd in the Italian sky.
Her bower was one where daylight's close
Full of sweet laughter found,
As thence the voice of childhood rose
To the high vineyards round.
But still and thoughtful, at her knee,
Her children stood that hour,
Their bursts of song and dancing glee
Hush'd as by words of power.
With bright fix'd wondering eyes, that gazed
Up to their mother's face,
With brows through parted ringlets raised
They stood in silent grace.

257

While she—yet something o'er her look
Of mournfulness was spread—
Forth from a poet's magic book
The glorious numbers read;
The proud undying lay, which pour'd
Its light on evil years;
His of the gifted pen and sword,
The triumph—and the tears.
She read of fair Erminia's flight,
Which Venice once might hear
Sung on her glittering seas at night
By many a gondolier;
Of him she read, who broke the charm
That wrapt the myrtle grove;
Of Godfrey's deeds, of Tancred's arm,
That slew his Paynim love.
Young cheeks around that bright page glow'd,
Young holy hearts were stirr'd;
And the meek tears of woman flow'd
Fast o'er each burning word.
And sounds of breeze, and fount, and leaf,
Came sweet, each pause between;
When a strange voice of sudden grief
Burst on the gentle scene.
The mother turn'd—a way-worn man,
In pilgrim garb, stood nigh,

258

Of stately mien, yet wild and wan,
Of proud yet mournful eye.
But drops which would not stay for pride,
From that dark eye gush'd free,
As pressing his pale brow, he cried,
“Forgotten! e'en by thee!
“Am I so changed?—and yet we two
Oft hand in hand have play'd;—
This brow hath been all bathed in dew,
From wreaths which thou hast made;
We have knelt down and said one prayer,
And sung one vesper strain;
My soul is dim with clouds of care—
Tell me those words again!
“Life hath been heavy on my head,
I come a stricken deer,
Bearing the heart, 'midst crowds that bled,
To bleed in stillness here.”
She gazed, till thoughts that long had slept
Shook all her thrilling frame—
She fell upon his neck and wept,
Murmuring her brother's name.
Her brother's name!—and who was he,
The weary one, th' unknown,
That came, the bitter world to flee,
A stranger to his own?—
He was the bard of gifts divine
To sway the souls of men;
He of the song for Salem's shrine,
He of the sword and pen!
 

It is scarcely necessary to recall the well-known Italian saying, that Tasso, with his sword and pen, was superior to all men.


259

ULLA, OR THE ADJURATION.

“Yet speak to me! I have outwatch'd the stars,
And gazed o'er heaven in vain, in search of thee.
Speak to me! I have wander'd o'er the earth,
And never found thy likeness. Speak to me!
This once—once more!”
Manfred.

Thou'rt gone!—thou'rt slumbering low,
With the sounding seas above thee;
It is but a restless woe,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.
There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!—thou'rt surely of them—come!”
'Twas Ulla's voice—alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.
“I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?

260

Come to me thence, and say
If thou thought'st on me in dying?
I will not shrink to see thee with a bloodless lip and cheek—
Come to me from the ocean's dead!—thou'rt surely of them—speak!”
She listen'd—'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it startled from its cave.
“I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song—
My voice shall stir the sea
By love—the deep, the strong!
By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!—by the vows we pledged—arise!”
Again she gazed with an eager glance,
Wandering and wildly bright;—
She saw but the sparkling waters dance
To the arrowy northern light.

261

“By the slow and struggling death
Of hope that loathed to part,
By the fierce and withering breath
Of despair on youth's high heart—
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight—
By all that from my weary soul thou hast wrung of grief and fear—
Come to me from the ocean's dead—awake, arise, appear!”
Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?
“Have the depths heard?—they have!
My voice prevails—thou'rt there,
Dim from thy watery grave—
O thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!
Where the long lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead—stay for me, stay!—I come!”

262

There was a sullen plunge below,
A flashing on the main;
And the wave shut o'er that wild heart's woe,
Shut, and grew still again.

TO WORDSWORTH.

Thine is a strain to read among the hills,
The old and full of voices;—by the source
Of some free stream, whose gladd'ning presence fills
The solitude with sound; for in its course
Even such is thy deep song, that seems a part
Of those high scenes, a fountain from their heart.
Or its calm spirit fitly may be taken
To the still breast, in sunny garden bowers,
Where vernal winds each tree's low tones awaken,
And bud and bell with changes mark the hours.
There let thy thoughts be with me, while the day
Sinks with a golden and serene decay.
Or by some hearth where happy faces meet,
When night hath hush'd the woods, with all their birds,
There, from some gentle voice, that lay were sweet
As antique music, link'd with household words;
While, in pleased murmurs, woman's lip might move,
And the raised eye of childhood shine in love.
Or where the shadows of dark solemn yews
Brood silently o'er some lone burial-ground,

263

Thy verse hath power that brightly might diffuse
A breath, a kindling, as of spring, around;
From its own glow of hope and courage high,
And steadfast faith's victorious constancy.
True bard and holy!—thou art e'en as one
Who, by some secret gift of soul or eye,
In every spot beneath the smiling sun,
Sees where the springs of living waters lie:
Unseen awhile they sleep—till, touch'd by thee,
Bright healthful waves flow forth to each glad wanderer free.

A MONARCH'S DEATHBED.

A monarch on his deathbed lay—
Did censers waft perfume,
And soft lamps pour their silvery ray,
Through his proud chamber's gloom?
He lay upon a greensward bed,
Beneath a darkening sky—
A lone tree waving o'er his head,
A swift stream rolling by.
Had he then fallen as warriors fall,
Where spear strikes fire with spear?
Was there a banner for his pall,
A buckler for his bier?

264

Not so—nor cloven shields nor helms
Had strewn the bloody sod,
Where he, the helpless lord of realms,
Yielded his soul to God.
Were there not friends with words of cheer,
And princely vassals nigh?
And priests, the crucifix to rear
Before the glazing eye?
A peasant girl that royal head
Upon her bosom laid,
And, shrinking not for woman's dread,
The face of death survey'd.
Alone she sat:—from hill and wood
Red sank the mournful sun;
Fast gush'd the fount of noble blood—
Treason its worst had done.
With her long hair she vainly press'd
The wounds, to stanch their tide—
Unknown, on that meek humble breast,
Imperial Albert died!

TO THE MEMORY OF HEBER.

“Umile in tanta gloria.” Petrarch.

If it be sad to speak of treasures gone,
Of sainted genius call'd too soon away,
Of light from this world taken, while it shone
Yet kindling onward to the perfect day—

265

How shall our grief, if mournful these things be,
Flow forth, O thou of many gifts! for thee?
Hath not thy voice been here amongst us heard?
And that deep soul of gentleness and power,
Have we not felt its breath in every word,
Wont from thy lip, as Hermon's dew, to shower?
Yes, in our hearts thy fervent thoughts have burn'd—
Of heaven they were, and thither have return'd.
How shall we mourn thee?—With a lofty trust,
Our life's immortal birthright from above!
With a glad faith, whose eye, to track the just,
Through shades and mysteries lifts a glance of love,
And yet can weep!—for nature thus deplores
The friend that leaves us, though for happier shores.
And one high tone of triumph o'er thy bier,
One strain of solemn rapture be allow'd!
Thou, that rejoicing on thy mid career,
Not to decay, but unto death hast bow'd;
In those bright regions of the rising sun,
Where victory ne'er a crown like thine had won.
Praise! for yet one more name with power endow'd,
To cheer and guide us, onward as we press;
Yet one more image on the heart bestow'd
To dwell there, beautiful in holiness!
Thine, Heber, thine; whose memory from the dead,
Shines as the star which to the Saviour led!
St Asaph, Sept. 1826.

266

THE ADOPTED CHILD.

Why wouldst thou leave me, O gentle child?
Thy home on the mountain is bleak and wild,
A straw-roof'd cabin, with lowly wall—
Mine is a fair and a pillar'd hall,
Where many an image of marble gleams,
And the sunshine of picture for ever streams.”
“Oh! green is the turf where my brothers play,
Through the long bright hours of the summer day;
They find the red cup-moss where they climb,
And they chase the bee o'er the scented thyme,
And the rocks where the heath-flower blooms they know—
Lady, kind lady! O, let me go.”
“Content thee, boy! in my bower to dwell,
Here are sweet sounds which thou lovest well;
Flutes on the air in the stilly noon,
Harps which the wandering breezes tune,
And the silvery wood-note of many a bird,
Whose voice was ne'er in thy mountains heard.”
“Oh! my mother sings, at the twilight's fall,
A song of the hills far more sweet than all;
She sings it under our own green tree,
To the babe half slumbering on her knee;
I dreamt last night of that music low—
Lady, kind lady! O, let me go.”

267

“Thy mother is gone from her cares to rest,
She hath taken the babe on her quiet breast;
Thou would'st meet her footstep, my boy, no more,
Nor hear her song at the cabin door.
Come thou with me to the vineyards nigh,
And we'll pluck the grapes of the richest dye.”
“Is my mother gone from her home away?—
But I know that my brothers are there at play—
I know they are gathering the foxglove's bell,
Or the long fern leaves by the sparkling well;
Or they launch their boats where the bright streams flow—
Lady, kind lady! O, let me go.”
“Fair child, thy brothers are wanderers now,
They sport no more on the mountain's brow;
They have left the fern by the spring's green side,
And the streams where the fairy barks were tried.
Be thou at peace in thy brighter lot,
For thy cabin home is a lonely spot.”
“Are they gone, all gone from the sunny hill?—
But the bird and the blue-fly rove o'er it still;
And the red-deer bound in their gladness free,
And the heath is bent by the singing bee,
And the waters leap, and the fresh winds blow—,
Lady, kind lady! O, let me go.”

268

INVOCATION.

“I call'd on dreams and visions, to disclose
That which is veil'd from waking thought; conjured
Eternity, as men constrain a ghost
To appear and answer.”
Wordsworth.

Answer me, burning stars of night!
Where is the spirit gone,
That past the reach of human sight,
As a swift breeze hath flown?—
And the stars answer'd me—“We roll
In light and power on high;
But, of the never-dying soul,
Ask that which cannot die.”
Oh! many-toned and chainless wind!
Thou art a wanderer free;
Tell me if thou its place canst find,
Far over mount and sea?
And the wind murmur'd in reply—
“The blue deep I have cross'd,
And met its barks and billows high,
But not what thou hast lost.”
Ye clouds, that gorgeously repose
Around the setting sun,
Answer! have ye a home for those
Whose earthly race is run?
The bright clouds answer'd—“We depart,
We vanish from the sky;
Ask what is deathless in thy heart,
For that which cannot die.”

269

Speak then, thou voice of God within,
Thou of the deep, low tone!
Answer me, through life's restless din,
Where is the spirit flown?
And the voice answer'd—“Be thou still!
Enough to know is given;
Clouds, winds, and stars their part fulfil,
Thine is to trust in Heaven.”

KÖRNER AND HIS SISTER.

Green wave the oak for ever o'er thy rest,
Thou that beneath its crowning foliage sleepest,

270

And, in the stillness of thy country's breast,
Thy place of memory as an altar keepest;
Brightly thy spirit o'er her hills was pour'd,
Thou of the Lyre and Sword!
Rest, bard! rest, soldier!—by the father's hand
Here shall the child of after years be led,
With his wreath-offering silently to stand
In the hush'd presence of the glorious dead.
Soldier and bard! for thou thy path hast trod
With freedom and with God.
The oak waved proudly o'er thy burial rite,
On thy crown'd bier to slumber warriors bore thee,
And with true hearts thy brethren of the fight
Wept as they veil'd their drooping banners o'er thee;
And the deep guns with rolling peal gave token,
That Lyre and Sword were broken.
Thou hast a hero's tomb:—a lowlier bed
Is hers, the gentle girl beside thee lying—
The gentle girl, that bow'd her fair young head
When thou wert gone, in silent sorrow dying.
Brother, true friend! the tender and the brave—
She pined to share thy grave.
Fame was thy gift from others;—but for her,
To whom the wide world held that only spot,
She loved thee!—lovely in your lives ye were,
And in your early deaths divided not.

271

Thou hast thine oak, thy trophy:—What hath she?
Her own bless'd place by thee!
It was thy spirit, brother, which had made
The bright earth glorious to her youthful eye,
Since first in childhood 'midst the vines ye play'd,
And sent glad singing through the free blue sky.
Ye were but two—and when that spirit pass'd,
Woe to the one, the last!
Woe, yet not long!—She linger'd but to trace
Thine image from the image in her breast—
Once, once again to see that buried face
But smile upon her, ere she went to rest.
Too sad a smile! its living light was o'er—
It answer'd hers no more.
The earth grew silent when thy voice departed,
The home too lonely whence thy step had fled;
What then was left for her the faithful-hearted?
Death, death, to still the yearning for the dead!
Softly she perish'd:—be the Flower deplored
Here with the Lyre and Sword!
Have ye not met ere now?—so let those trust
That meet for moments but to part for years—
That weep, watch, pray, to hold back dust from dust—
That love, where love is but a fount of tears.
Brother, sweet sister! peace around ye dwell:
Lyre, Sword, and Flower, farewell!
 

The following lines, recently addressed to the author of the above, by the venerable father of Körner, who, with the mother, still survives the “Lyre, Sword, and Flower,” here commemorated, may not be uninteresting to the German reader.

Wohllaut tönt aus der Ferne von freundlichen Lüften getragen,
Schmeichelt mit lindernder Kraft sich in der Trauernden Ohr,
Stärkt den erhebenden Glauben an solcher Seelen Verwandschaft,
Die zum Tempel die Brust nur für das Würdige weihn.
Aus dem Lande zu dem sich stets der gefeyerte Jungling
Hingezogen gefühlt, wird ihm ein gläzender Lohn.
Heil dem Brittischen Volke, wenn ihm das Deutsche nicht fremd ist!
Über Länder und Meer reichen sich beyde die Hand.

Theodor Körner's Vater.


272

THE DEATH-DAY OF KÖRNER.

A song for the death-day of the brave—
A song of pride!
The youth went down to a hero's grave,
With the Sword, his bride.
He went, with his noble heart unworn,
And pure, and high;
An eagle stooping from clouds of morn,
Only to die.
He went with the lyre, whose lofty tone
Beneath his hand
Had thrill'd to the name of his God alone,
And his father-land.

273

And with all his glorious feelings yet
In their first glow,
Like a southern stream that no frost hath met
To chain its flow.
A song for the death-day of the brave—
A song of pride!
For him that went to a hero's grave,
With the Sword, his bride.
He hath left a voice in his trumpet lays
To turn the flight,
And a guiding spirit for after days,
Like a watchfire's light.
And a grief in his father's soul to rest,
'Midst all high thought;
And a memory unto his mother's breast,
With healing fraught.
And a name and fame above the blight
Of earthly breath,
Beautiful—beautiful and bright,
In life and death!
A song for the death-day of the brave—
A song of pride!
For him that went to a hero's grave,
With the Sword, his bride!
 

On reading part of a letter from Körner's father, addressed to Mr Richardson, the translator of his works, in which he speaks of “The Death-day of his son.”

See The Sword Song, composed on the morning of his death.


274

AN HOUR OF ROMANCE.

“I come
To this sweet place for quiet. Every tree,
And bush, and fragrant flower, and hilly path,
And thymy mound that flings unto the winds
Its morning incense, is my friend.”
Barry Cornwall.

There were thick leaves above me and around,
And low sweet sighs like those of childhood's sleep,
Amidst their dimness, and a fitful sound
As of soft showers on water;—dark and deep
Lay the oak shadows o'er the turf, so still
They seem'd but pictured glooms; a hidden rill
Made music, such as haunts us in a dream,
Under the fern tufts; and a tender gleam
Of soft green light, as by the glowworm shed,
Came pouring through the woven beech-boughs down,
And steep'd the magic page wherein I read
Of royal chivalry and old renown,
A tale of Palestine. —Meanwhile the bee
Swept past me with a tone of summer hours,
A drowsy bugle, wafting thoughts of flowers,
Blue skies, and amber sunshine: brightly free,
On filmy wings, the purple dragon-fly
Shot glancing like a fairy javelin by;
And a sweet voice of sorrow told the dell
Where sat the lone wood-pigeon:
But ere long,

275

All sense of these things faded, as the spell
Breathing from that high gorgeous tale grew strong
On my chain'd soul:—'twas not the leaves I heard;—
A Syrian wind the lion-banner stirr'd,
Through its proud floating folds:—'twas not the brook
Singing in secret through its grassy glen;—
A wild shrill trumpet of the Saracen
Peal'd from the desert's lonely heart, and shook
The burning air.—Like clouds when winds are high,
O'er glittering sands flew steeds of Araby,
And tents rose up, and sudden lance and spear
Flash'd where a fountain's diamond wave lay clear,
Shadow'd by graceful palm-trees. Then the shout
Of merry England's joy swell'd freely out,
Sent through an eastern heaven, whose glorious hue
Made shields dark mirrors to its depths of blue;
And harps were there—I heard their sounding strings,
As the waste echo'd to the mirth of kings.—
The bright mask faded. Unto life's worn track,
What call'd me from its flood of glory back?
A voice of happy childhood!—and they pass'd,
Banner, and harp, and Paynim's trumpet's blast;
Yet might I scarce bewail the splendours gone,
My heart so leap'd to that sweet laughter's tone.
 

The Talisman—Tales of the Crusaders.


276

A VOYAGER'S DREAM OF LAND.

“His very heart athirst
To gaze at nature in her green array,
Upon the ship's tall side he stands possess'd
With visions prompted by intense desire;
Fair fields appear below, such as he left
Far distant, such as he would die to find:—
He seeks them headlong, and is seen no more.”
Cowper.

The hollow dash of waves!—the ceaseless roar!—
Silence, ye billows!—vex my soul no more.
There's a spring in the woods by my sunny home,
Afar from the dark sea's tossing foam;
Oh! the fall of that fountain is sweet to hear,
As a song from the shore to the sailor's ear!
And the sparkle which up to the sun it throws,
Through the feathery fern and the olive boughs,
And the gleam on its path as it steals away
Into deeper shades from the sultry day,
And the large water-lilies that o'er its bed
Their pearly leaves to the soft light spread,
They haunt me! I dream of that bright spring's flow,
I thirst for its rills like a wounded roe!
Be still, thou sea-bird, with thy clanging cry!
My spirit sickens as thy wing sweeps by.
Know ye my home, with the lulling sound
Of leaves from the lime and the chestnut round?

277

Know ye it, brethren! where bower'd it lies,
Under the purple of southern skies?
With the streamy gold of the sun that shines
In through the cloud of its clustering vines,
And the summer breath of the myrtle flowers,
Borne from the mountain in dewy hours,
And the fire-fly's glance through the dark'ning shades
Like shooting stars in the forest glades,
And the scent of the citron at eve's dim fall—
Speak! have ye known, have ye felt them all?
The heavy rolling surge! the rocking mast!
Hush! give my dream's deep music way, thou blast.
Oh, the glad sounds of the joyous earth!
The notes of the singing cicala's mirth,
The murmurs that live in the mountain pines,
The sighing of reeds as the day declines,
The wings flitting home through the crimson glow
That steeps the wood when the sun is low,
The voice of the night-bird that sends a thrill
To the heart of the leaves when the winds are still—
I hear them!—around me they rise, they swell,
They call back my spirit with Hope to dwell—
They come with a breath from the fresh spring-time,
And waken my youth in its hour of prime.
The white foam dashes high—away, away!
Shroud my green land no more, thou blinding spray!
It is there!—down the mountains I see the sweep
Of the chestnut forests, the rich and deep,

278

With the burden and glory of flowers that they bear,
Floating upborne on the blue summer air,
And the light pouring through them in tender gleams,
And the flashing forth of a thousand streams!
Hold me not, brethren! I go, I go
To the hills of my youth, where the myrtles blow,
To the depths of the woods, where the shadows rest,
Massy and still, on the greensward's breast,
To the rocks that resound with the water's play—
I hear the sweet laugh of my fount—give way!
Give way!—the booming surge, the tempest's roar,
The sea-bird's wail shall vex my soul no more.

THE EFFIGIES.

“Der rasche Kampf verewigt einen Mann:
Er falle gleich, so preiset ihn das Lied.
Allein die Thränen, die unendlichen
Der überbliebnen, der verlass'nen Frau,
Zählt keine Nachwelt.”
Goethe.

Warrior! whose image on thy tomb,
With shield and crested head,
Sleeps proudly in the purple gloom
By the stain'd window shed;
The records of thy name and race
Have faded from the stone,
Yet, through a cloud of years, I trace
What thou hast been and done.

279

A banner, from its flashing spear,
Flung out o'er many a fight;
A war-cry ringing far and clear,
And strong to turn the flight;
An arm that bravely bore the lance
On for the holy shrine;
A haughty heart and a kingly glance—
Chief! were not these things thine?
A lofty place where leaders sate
Around the council board;
In festive halls a chair of state
When the blood-red wine was pour'd;
A name that drew a prouder tone
From herald, harp, and bard;
Surely these things were all thine own—
So hadst thou thy reward.
Woman! whose sculptured form at rest
By the arm'd knight is laid,
With meek hands folded o'er a breast
In matron robes array'd;
What was thy tale?—O gentle mate
Of him, the bold and free,
Bound unto his victorious fate,
What bard hath sung of thee?
He woo'd a bright and burning star—
Thine was the void, the gloom,
The straining eye that follow'd far
His fast receding plume;

280

The heart-sick listening while his steed
Sent echoes on the breeze;
The pang—but when did Fame take heed
Of griefs obscure as these?
Thy silent and secluded hours
Through many a lonely day
While bending o'er thy broider'd flowers,
With spirits far away;
Thy weeping midnight prayers for him
Who fought on Syrian plains,
Thy watchings till the torch grew dim—
These fill no minstrel strains.
A still, sad life was thine!—long years
With tasks unguerdon'd fraught—
Deep, quiet love, submissive tears,
Vigils of anxious thought;
Prayer at the cross in fervour pour'd,
Alms to the pilgrim given—
Oh! happy, happier than thy lord,
In that lone path to heaven!

THE LANDING OF THE PILGRIM FATHERS IN NEW ENGLAND.

“Look now abroad—another race has fill'd
Those populous borders—wide the wood recedes,
And towns shoot up, and fertile realms are till'd;
The land is full of harvests and green meads.”
Bryant.

The breaking waves dash'd high
On a stern and rock-bound coast,

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And the woods against a stormy sky
Their giant branches toss'd;
And the heavy night hung dark,
The hills and waters o'er,
When a band of exiles moor'd their bark
On the wild New England shore.
Not as the conqueror comes,
They, the true-hearted, came;
Not with the roll of the stirring drums,
And the trumpet that sings of fame;
Not as the flying come,
In silence and in fear;—
They shook the depths of the desert gloom
With their hymns of lofty cheer.
Amidst the storm they sang,
And the stars heard and the sea;
And the sounding aisles of the dim woods rang
To the anthem of the free!
The ocean eagle soar'd
From his nest by the white wave's foam;
And the rocking pines of the forest roar'd—
This was their welcome home!
There were men with hoary hair
Amidst that pilgrim band;—
Why had they come to wither there,
Away from their childhood's land?

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There was woman's fearless eye,
Lit by her deep love's truth;
There was manhood's brow serenely high,
And the fiery heart of youth.
What sought they thus afar?
Bright jewels of the mine?
The wealth of seas, the spoils of war?—
They sought a faith's pure shrine!
Ay, call it holy ground,
The soil where first they trode.
They have left unstain'd what there they found—
Freedom to worship God.

THE SPIRIT'S MYSTERIES.

“And slight, withal, may be the things which bring
Back on the heart the weight which it would fling
Aside for ever;—it may be a sound—
A tone of music—summer's breath, or spring—
A flower—a leaf—the ocean—which may wound—
Striking th' electric chain wherewith we are darkly bound.”
Childe Harold.

The power that dwelleth in sweet sounds to waken
Vague yearnings, like the sailor's for the shore,
And dim remembrances, whose hue seems taken
From some bright former state, our own no more;
Is not this all a mystery?—Who shall say
Whence are those thoughts, and whither tends their way?

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The sudden images of vanish'd things,
That o'er the spirit flash, we know not why;
Tones from some broken harp's deserted strings,
Warm sunset hues of summers long gone by;
A rippling wave—the dashing of an oar—
A flower scent floating past our parents' door;
A word—scarce noted in its hour perchance,
Yet back returning with a plaintive tone;
A smile—a sunny or a mournful glance,
Full of sweet meanings now from this world flown;
Are not these mysteries when to life they start,
And press vain tears in gushes from the heart?
And the far wanderings of the soul in dreams,
Calling up shrouded faces from the dead,
And with them bringing soft or solemn gleams,
Familiar objects brightly to o'erspread;
And wakening buried love, or joy, or fear—
These are night's mysteries—who shall make them clear?
And the strange inborn sense of coming ill,
That ofttimes whispers to the haunted breast,
In a low tone which nought can drown or still,
'Midst feasts and melodies a secret guest;
Whence doth that murmur wake, that shadow fall?
Why shakes the spirit thus?—'tis mystery all!
Darkly we move—we press upon the brink
Haply of viewless worlds, and know it not;

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Yes! it may be, that nearer than we think
Are those whom death has parted from our lot!
Fearfully, wondrously, our souls are made—
Let us walk humbly on, but undismay'd!
Humbly—for knowledge strives in vain to feel
Her way amidst these marvels of the mind;
Yet undismay'd—for do they not reveal
Th' immortal being with our dust entwined?—
So let us deem! and e'en the tears they wake
Shall then be blest, for that high nature's sake.

THE DEPARTED.

“Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise—the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre.”
Bryant.

And shrink ye from the way
To the spirit's distant shore?—
Earth's mightiest men, in arm'd array,
Are thither gone before.
The warrior kings, whose banner
Flew far as eagles fly,
They are gone where swords avail them not,
From the feast of victory.
And the seers who sat of yore
By orient palm or wave,
They have pass'd with all their starry lore—
Can ye still fear the grave?

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We fear! we fear!—the sunshine
Is joyous to behold,
And we reck not of the buried kings,
Nor the awful seers of old.
Ye shrink!—the bards whose lays
Have made your deep hearts burn—
They have left the sun, and the voice of praise,
For the land whence none return.
And the beautiful, whose record
Is the verse that cannot die,
They too are gone, with their glorious bloom,
From the love of human eye.
Would ye not join that throng
Of the earth's departed flowers,
And the masters of the mighty song
In their far and fadeless bowers?
Those songs are high and holy,
But they vanquish not our fear;
Not from our path those flowers are gone—
We fain would linger here!
Linger then yet awhile,
As the last leaves on the bough!—
Ye have loved the light of many a smile
That is taken from you now.
There have been sweet singing voices
In your walks, that now are still;

286

There are seats left void in your earthly homes,
Which none again may fill.
Soft eyes are seen no more,
That made Spring-time in your heart;
Kindred and friends are gone before—
And ye still fear to part?
We fear not now, we fear not!
Though the way through darkness bends;
Our souls are strong to follow them,
Our own familiar friends!

THE PALM-TREE.

It waved not through an eastern sky,
Beside a fount of Araby;
It was not fann'd by southern breeze
In some green isle of Indian seas;
Nor did its graceful shadow sleep
O'er stream of Afric, lone and deep.
But fair the exiled palm-tree grew
'Midst foliage of no kindred hue;
Through the laburnum's dropping gold
Rose the light shaft of orient mould,
And Europe's violets, faintly sweet,
Purpled the moss-beds at its feet.

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Strange look'd it there!—the willow stream'd
Where silvery waters near it gleam'd;
The lime bough lured the honey-bee
To murmur by the desert's tree,
And showers of snowy roses made
A lustre in its fan-like shade.
There came an eve of festal hours—
Rich music fill'd that garden's bowers:
Lamps, that from flowering branches hung,
On sparks of dew soft colour flung,
And bright forms glanced—a fairy show—
Under the blossoms to and fro.
But one, a lone one, midst the throng,
Seem'd reckless all of dance or song:
He was a youth of dusky mien,
Whereon the Indian sun had been,
Of crested brow and long black hair—
A stranger, like the palm-tree, there.
And slowly, sadly, moved his plumes,
Glittering athwart the leafy glooms:
He pass'd the pale green olives by,
Nor won the chestnut flowers his eye;
But when to that sole palm he came,
Then shot a rapture through his frame!
To him, to him its rustling spoke,
The silence of his soul it broke!
It whisper'd of his own bright isle,
That lit the ocean with a smile;

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Ay, to his ear that native tone
Had something of the sea wave's moan!
His mother's cabin home, that lay
Where feathery cocoas fringed the bay;
The dashing of his brethren's oar—
The conch-note heard along the shore;
All through his wakening bosom swept—
He clasp'd his country's tree and wept!
Oh, scorn him not!—the strength whereby
The patriot girds himself to die,
Th' unconquerable power which fills
The freeman battling on his hills—
These have one fountain deep and clear—
The same whence gush'd that childlike tear!
 

This incident is, I think, recorded by De Lille, in his poem of Les Jardins.

THE CHILD'S LAST SLEEP.

SUGGESTED BY A MONUMENT OF CHANTREY'S.

Thou sleepest—but when wilt thou wake, fair child?
When the fawn awakes in the forest wild?
When the lark's wing mounts with the breeze of morn?
When the first rich breath of the rose is born?—
Lovely thou sleepest, yet something lies
Too deep and still on thy soft-seal'd eyes;
Mournful, though sweet, is thy rest to see—
When will the hour of thy rising be?

289

Not when the fawn wakes—not when the lark
On the crimson cloud of the morn floats dark—
Grief with vain passionate tears hath wet
The hair, shedding gleams from thy pale brow yet;
Love, with sad kisses unfelt, hath press'd
Thy meek dropt eyelids and quiet breast;
And the glad Spring, calling out bird and bee,
Shall colour all blossoms, fair child! but thee.
Thou'rt gone from us, bright one!—that thou shouldst die,
And life be left to the butterfly!
Thou'rt gone as a dewdrop is swept from the bough:
Oh! for the world where thy home is now!
How may we love but in doubt and fear,
How may we anchor our fond hearts here;
How should e'en joy but a trembler be,
Beautiful dust! when we look on thee?
 

A butterfly, as if resting on a flower, is sculptured on the monument.

THE SUNBEAM.

Thou art no lingerer in monarch's hall—
A joy thou art, and a wealth to all!
A bearer of hope unto land and sea—
Sunbeam! what gift hath the world like thee?
Thou art walking the billows, and ocean smiles;
Thou hast touch'd with glory his thousand isles;

290

Thou hast lit up the ships, and the feathery foam,
And gladden'd the sailor, like words from home.
To the solemn depths of the forest shades,
Thou art streaming on through their green arcades;
And the quivering leaves that have caught thy glow,
Like fire-flies glance to the pools below.
I look'd on the mountains—a vapour lay
Folding their heights in its dark array:
Thou brakest forth, and the mist became
A crown and a mantle of living flame.
I look'd on the peasant's lowly cot—
Something of sadness had wrapt the spot;
But a gleam of thee on its lattice fell,
And it laugh'd into beauty at that bright spell.
To the earth's wild places a guest thou art,
Flushing the waste like the rose's heart;
And thou scornest not from thy pomp to shed
A tender smile on the ruin's head.
Thou takest through the dim church aisle thy way,
And its pillars from twilight flash forth to day,
And its high, pale tombs, with their trophies old,
Are bathed in a flood as of molten gold.
And thou turnest not from the humblest grave,
Where a flower to the sighing winds may wave;
Thou scatterest its gloom like the dreams of rest,
Thou sleepest in love on its grassy breast.

291

Sunbeam of summer! oh, what is like thee?
Hope of the wilderness, joy of the sea!—
One thing is like thee to mortals given,
The faith touching all things with hues of heaven!

BREATHINGS OF SPRING.

Thou givest me flowers, thou givest me songs;—bring back
The love that I have lost!

What wakest thou, Spring!—sweet voices in the woods,
And reed-like echoes, that have long been mute;
Thou bringest back, to fill the solitudes,
The lark's clear pipe, the cuckoo's viewless flute,
Whose tone seems breathing mournfulness or glee,
E'en as our hearts may be.
And the leaves greet thee, Spring!—the joyous leaves,
Whose tremblings gladden many a copse and glade,
Where each young spray a rosy flush receives,
When thy south wind hath pierced the whispery shade,
And happy murmurs, running through the grass,
Tell that thy footsteps pass.
And the bright waters—they too hear thy call,
Spring, the awakener! thou hast burst their sleep!
Amidst the hollows of the rocks their fall
Makes melody, and in the forests deep,

292

Where sudden sparkles and blue gleams betray
Their windings to the day.
And flowers—the fairy-peopled world of flowers!
Thou from the dust hast set that glory free,
Colouring the cowslip with the sunny hours,
And penciling the wood anemone;
Silent they seem—yet each to thoughtful eye
Glows with mute poesy.
But what awakest thou in the heart, O Spring!
The human heart, with all its dreams and sighs?
Thou that givest back so many a buried thing,
Restorer of forgotten harmonies!
Fresh songs and scents break forth where'er thou art,
What wakest thou in the heart?
Too much, oh! there too much!—we know not well
Wherefore it should be thus, yet roused by thee,
What fond, strange yearnings, from the soul's deep cell,
Gush for the faces we no more may see!
How are we haunted, in the wind's low tone,
By voices that are gone!
Looks of familiar love, that never more,
Never on earth, our aching eyes shall meet,
Past words of welcome to our household door,
And vanish'd smiles, and sounds of parted feet—
Spring! 'midst the murmurs of thy flowering trees,
Why, why revivest thou these?

293

Vain longings for the dead!—why come they back
With thy young birds, and leaves, and living blooms?
Oh! is it not, that from thine earthly track
Hope to thy world may look beyond the tombs?
Yes! gentle spring; no sorrow dims thine air,
Breathed by our loved ones there!

THE ILLUMINATED CITY.

The hills all glow'd with a festive light,
For the royal city rejoiced by night:
There were lamps hung forth upon tower and tree,
Banners were lifted and streaming free;
Every tall pillar was wreath'd with fire;
Like a shooting meteor was every spire;
And the outline of many a dome on high
Was traced, as in stars, on the clear dark sky.
I pass'd through the streets; there were throngs on throngs—
Like sounds of the deep were their mingled songs;
There was music forth from each palace borne—
A peal of the cymbal, the harp, and horn;
The forests heard it, the mountains rang,
The hamlets woke to its haughty clang;
Rich and victorious was every tone,
Telling the land of her foes o'erthrown.
Didst thou meet not a mourner for all the slain?
Thousands lie dead on their battle plain!

294

Gallant and true were the hearts that fell—
Grief in the homes they have left must dwell:
Grief o'er the aspect of childhood spread,
And bowing the beauty of woman's head:
Didst thou hear, 'midst the songs, not one tender moan,
For the many brave to their slumbers gone?
I saw not the face of a weeper there—
Too strong, perchance, was the bright lamp's glare!—
I heard not a wail 'midst the joyous crowd—
The music of victory was all too loud!
Mighty it roll'd on the winds afar,
Shaking the streets like a conqueror's car;
Through torches and streamers its flood swept by—
How could I listen for moan or sigh?
Turn then away from life's pageants, turn,
If its deep story thy heart would learn!
Ever too bright is that outward show,
Dazzling the eyes till they see not woe.
But lift the proud mantle which hides from thy view
The things thou shouldst gaze on, the sad and true;
Nor fear to survey what its folds conceal—
So must thy spirit be taught to feel!

295

THE SPELLS OF HOME.

“There blend the ties that strengthen
Our hearts in hours of grief,
The silver links that lengthen
Joy's visits when most brief.”
Bernard Barton.

By the soft green light in the woody glade,
On the banks of moss where thy childhood play'd,
By the household tree through which thine eye
First look'd in love to the summer sky,
By the dewy gleam, by the very breath
Of the primrose tufts in the grass beneath,
Upon thy heart there is laid a spell,
Holy and precious—oh! guard it well!
By the sleepy ripple of the stream,
Which hath lull'd thee into many a dream,
By the shiver of the ivy leaves
To the wind of morn at thy casement eaves,
By the bee's deep murmur in the limes,
By the music of the Sabbath chimes,
By every sound of thy native shade,
Stronger and dearer the spell is made.
By the gathering round the winter hearth
When twilight call'd unto household mirth,
By the fairy tale or the legend old
In that ring of happy faces told,
By the quiet hour when hearts unite
In the parting prayer and the kind “Good-night!”
By the smiling eye and the loving tone,
Over thy life has the spell been thrown.

296

And bless that gift!—it hath gentle might,
A guardian power and a guiding light.
It hath led the freeman forth to stand
In the mountain battles of his land;
It hath brought the wanderer o'er the seas
To die on the hills of his own fresh breeze;
And back to the gates of his father's hall
It hath led the weeping prodigal.
Yes! when thy heart, in its pride, would stray
From the pure first loves of its youth away—
When the sullying breath of the world would come
O'er the flowers it brought from its childhood's home—
Think thou again of the woody glade,
And the sound by the rustling ivy made,
Think of the tree at thy father's door,
And the kindly spell shall have power once more!

ROMAN GIRL'S SONG.

“Roma, Roma, Roma!
Non è più come era prima.”

Rome, Rome! thou art no more
As thou hast been!
On thy seven hills of yore
Thou satt'st a queen.
Thou hadst thy triumphs then
Purpling the street,
Leaders and sceptred men
Bow'd at thy feet.

297

They that thy mantle wore,
As gods were seen—
Rome, Rome! thou art no more
As thou hast been!
Rome! thine imperial brow
Never shall rise:
What hast thou left thee now?—
Thou hast thy skies!
Blue, deeply blue, they are,
Gloriously bright!
Veiling thy wastes afar
With colour'd light.
Thou hast the sunset's glow,
Rome, for thy dower,
Flushing tall cypress bough,
Temple and tower!
And all sweet sounds are thine,
Lovely to hear,
While night, o'er tomb and shrine,
Rests darkly clear.
Many a solemn hymn,
By starlight sung,
Sweeps through the arches dim,
Thy wrecks among.
Many a flute's low swell,
On thy soft air

298

Lingers, and loves to dwell
With summer there.
Thou hast the south's rich gift
Of sudden song—
A charm'd fountain, swift,
Joyous, and strong.
Thou hast fair forms that move
With queenly tread;
Thou hast proud fanes above
Thy mighty dead.
Yet wears thy Tiber's shore
A mournful mien:—
Rome, Rome! thou art no more
As thou hast been!

THE DISTANT SHIP.

The sea-bird's wing, o'er ocean's breast
Shoots like a glancing star,
While the red radiance of the west
Spreads kindling fast and far;
And yet that splendour wins thee not—
Thy still and thoughtful eye
Dwells but on one dark distant spot
Of all the main and sky.
Look round thee!—o'er the slumbering deep,
A solemn glory broods;

299

A fire hath touch'd the beacon-steep,
And all the golden woods;
A thousand gorgeous clouds on high
Burn with the amber light!—
What spell, from that rich pageantry,
Chains down thy gazing sight?
A softening thought of human cares,
A feeling link'd to earth!
Is not yon speck a bark which bears
The loved of many a hearth?
Oh! do not Hope, and Grief, and Fear,
Crowd her frail world even now,
And manhood's prayer and woman's tear
Follow her venturous prow?
Bright are the floating clouds above,
The glittering seas below;
But we are bound by cords of love
To kindred weal and woe.
Therefore, amidst this wide array
Of glorious things and fair,
My soul is on that bark's lone way—
For human hearts are there.

THE BIRDS OF PASSAGE.

Birds, joyous birds of the wandering wing!
Whence is it ye come with the flowers of spring?—
“We come from the shores of the green old Nile,
From the land where the roses of Sharon smile,

300

From the palms that wave through the Indian sky,
From the myrrh-trees of glowing Araby.
“We have swept o'er cities in song renown'd—
Silent they lie with the deserts round!
We have cross'd proud rivers, whose tide hath roll'd
All dark with the warrior-blood of old;
And each worn wing hath regain'd its home,
Under peasant's roof-tree or monarch's dome.”
And what have ye found in the monarch's dome,
Since last ye traversed the blue sea's foam?—
“We have found a change, we have found a pall,
And a gloom o'ershadowing the banquet's hall,
And a mark on the floor as of life-drops spilt—
Nought looks the same, save the nest we built!”
O joyous birds, it hath still been so;
Through the halls of kings doth the tempest go!
But the huts of the hamlet lie still and deep,
And the hills o'er their quiet a vigil keep:
Say what have ye found in the peasant's cot,
Since last ye parted from that sweet spot?—
“A change we have found there—and many a change!
Faces, and footsteps, and all things strange!
Gone are the heads of the silvery hair,
And the young that were have a brow of care,
And the place is hush'd where the children play'd—
Nought looks the same, save the nest we made!”

301

Sad is your tale of the beautiful earth,
Birds that o'ersweep it in power and mirth!
Yet through the wastes of the trackless air
Ye have a guide, and shall we despair?
Ye over desert and deep have pass'd—
So may we reach our bright home at last!

THE GRAVES OF A HOUSEHOLD.

They grew in beauty, side by side,
They fill'd one home with glee;—
Their graves are sever'd, far and wide,
By mount, and stream, and sea.
The same fond mother bent at night
O'er each fair sleeping brow;
She had each folded flower in sight—
Where are those dreamers now?
One, 'midst the forest of the west,
By a dark stream is laid—
The Indian knows his place of rest,
Far in the cedar shade.
The sea, the blue lone sea, hath one—
He lies where pearls lie deep;
He was the loved of all, yet none
O'er his low bed may weep.
One sleeps where southern vines are drest,
Above the noble slain:

302

He wrapt his colours round his breast
On a blood-red field of Spain.
And one—o'er her the myrtle showers
Its leaves, by soft winds fann'd;
She faded 'midst Italian flowers—
The last of that bright band.
And parted thus they rest, who play'd
Beneath the same green tree;
Whose voices mingled as they pray'd
Around one parent knee!
They that with smiles lit up the hall,
And cheer'd with song the hearth—
Alas! for love, if thou wert all,
And nought beyond, O earth!

MOZART'S REQUIEM.


303

“These birds of Paradise but long to flee
Back to their native mansion.”
Prophecy of Dante.

A requiem!—and for whom?
For beauty in its bloom?
For valour fallen—a broken rose or sword?
A dirge for king or chief,
With pomp of stately grief,
Banner, and torch, and waving plume deplored?
Not so—it is not so!
The warning voice I know,
From other worlds a strange mysterious tone;
A solemn funeral air,
It call'd me to prepare,
And my heart answer'd secretly—my own!
One more then, one more strain,
In links of joy and pain,
Mighty the troubled spirit to inthrall!
And let me breathe my dower
Of passion and of power
Full into that deep lay—the last of all!
The last!—and I must go
From this bright world below,
This realm of sunshine, ringing with sweet sound!
Must leave its festal skies,
With all their melodies,
That ever in my breast glad echoes found!
Yet have I known it long:
Too restless and too strong

304

Within this clay hath been th' o'ermastering flame;
Swift thoughts, that came and went,
Like torrents o'er me sent,
Have shaken, as a reed, my thrilling frame.
Like perfumes on the wind,
Which none may stay or bind,
The beautiful comes floating through my soul;
I strive with yearnings vain
The spirit to detain
Of the deep harmonies that past me roll!
Therefore disturbing dreams
Trouble the secret streams
And founts of music that o'erflow my breast;
Something far more divine
Than may on earth be mine,
Haunts my worn heart, and will not let me rest.
Shall I then fear the tone
That breathes from worlds unknown?—
Surely these feverish aspirations there
Shall grasp their full desire,
And this unsettled fire
Burn calmly, brightly, in immortal air.
One more then, one more strain;
To earthly joy and pain
A rich, and deep, and passionate farewell!
I pour each fervent thought,
With fear, hope, trembling, fraught,
Into the notes that o'er my dust shall swell.

305

THE IMAGE IN LAVA.

Thou thing of years departed!
What ages have gone by,
Since here the mournful seal was set
By love and agony?
Temple and tower have moulder'd,
Empires from earth have pass'd,
And woman's heart hath left a trace
Those glories to outlast!
And childhood's fragile image,
Thus fearfully enshrined,
Survives the proud memorials rear'd
By conquerors of mankind.
Babe! wert thou brightly slumbering
Upon thy mother's breast,
When suddenly the fiery tomb
Shut round each gentle guest?
A strange, dark fate o'ertook you,
Fair babe and loving heart!
One moment of a thousand pangs—
Yet better than to part!
Haply of that fond bosom
On ashes here impress'd,

306

Thou wert the only treasure, child!
Whereon a hope might rest.
Perchance all vainly lavish'd
Its other love had been,
And where it trusted, nought remain'd
But thorns on which to lean.
Far better, then, to perish,
Thy form within its clasp,
Than live and lose thee, precious one!
From that impassion'd grasp.
Oh! I could pass all relics
Left by the pomps of old,
To gaze on this rude monument
Cast in affection's mould.
Love, human love! what art thou?
Thy print upon the dust
Outlives the cities of renown
Wherein the mighty trust!
Immortal, oh! immortal
Thou art, whose earthly glow
Hath given these ashes holiness—
It must, it must be so!
 

The impression of a woman's form, with an infant clasped to the bosom, found at the uncovering of Herculaneum.


307

CHRISTMAS CAROL.

O lovely voices of the sky,
That hymn'd the Saviour's birth!
Are ye not singing still on high,
Ye that sang, “Peace on earth?”
To us yet speak the strains
Wherewith, in days gone by,
Ye bless'd the Syrian swains,
O voices of the sky!
O clear and shining light, whose beams
That hour Heaven's glory shed
Around the palms, and o'er the streams,
And on the shepherds' head;
Be near, through life and death,
As in that holiest night
Of Hope, and Joy, and Faith,
O clear and shining light!
O star which led to him whose love
Brought down man's ransom free;
Where art thou?—'Midst the hosts above
May we still gaze on thee!
In heaven thou art not set,
Thy rays earth might not dim—
Send them to guide us yet,
O star which led to him!

308

A FATHER READING THE BIBLE.

'Twas early day, and sunlight stream'd
Soft through a quiet room,
That hush'd, but not forsaken seem'd,
Still, but with nought of gloom.
For there, serene in happy age,
Whose hope is from above,
A father communed with the page
Of Heaven's recorded love.

309

Pure fell the beam, and meekly bright,
On his grey holy hair,
And touch'd the page with tenderest light,
As if its shrine were there!
But oh! that patriarch's aspect shone
With something lovelier far—
A radiance all the spirit's own,
Caught not from sun or star.
Some word of life e'en then had met
His calm, benignant eye;
Some ancient promise, breathing yet
Of Immortality!
Some martyr's prayer, wherein the glow
Of quenchless faith survives:
While every feature said—“I know
That my Redeemer lives!”
And silent stood his children by,
Hushing their very breath,
Before the solemn sanctity
Of thoughts o'ersweeping death.
Silent—yet did not each young breast
With love and reverence melt?
Oh! blest be those fair girls, and blest
That home where God is felt!

310

THE MEETING OF THE BROTHERS.

—“His early days
Were with him in his heart.”
Wordsworth.

The voices of two forest boys,
In years when hearts entwine,
Had fill'd with childhood's merry noise
A valley of the Rhine:
To rock and stream that sound was known,
Gladsome as hunter's bugle-tone.
The sunny laughter of their eyes,
There had each vineyard seen;
Up every cliff whence eagles rise,
Their bounding step hath been:
Ay! their bright youth a glory threw,
O'er the wild place wherein they grew.
But this, as day-spring's flush, was brief
As early bloom or dew;
Alas! 'tis but the wither'd leaf
That wears the enduring hue:
Those rocks along the Rhine's fair shore,
Might girdle in their world no more.
For now on manhood's verge they stood,
And heard life's thrilling call,
As if a silver clarion woo'd
To some high festival;

311

And parted as young brothers part,
With love in each unsullied heart.
They parted—soon the paths divide
Wherein our steps were one,
Like river-branches, far and wide,
Dissevering as they run;
And making strangers in their course,
Of waves that had the same bright source.
Met they no more?—once more they met,
Those kindred hearts and true!
'Twas on a field of death, where yet
The battle-thunders flew,
Though the fierce day was wellnigh past,
And the red sunset smiled its last.
But as the combat closed, they found
For tender thoughts a space,
And e'en upon that bloody ground
Room for one bright embrace,
And pour'd forth on each other's neck
Such tears as warriors need not check.
The mists o'er boyhood's memory spread
All melted with those tears,
The faces of the holy dead
Rose as in vanish'd years;
The Rhine, the Rhine, the ever blest,
Lifted its voice in each full breast!

312

Oh! was it then a time to die?
It was!—that not in vain
The soul of childhood's purity
And peace might turn again:
A ball swept forth—'twas guided well—
Heart unto heart those brothers fell!
Happy, yes, happy thus to go!
Bearing from earth away
Affections, gifted ne'er to know
A shadow—a decay.
A passing touch of change or chill,
A breath of aught whose breath can kill.
And they, between whose sever'd souls,
Once in close union tied,
A gulf is set, a current rolls
For ever to divide;
Well may they envy such a lot,
Whose hearts yearn on—but mingle not.
 

For the tale on which this little poem is founded, see L'Hermite en Italie.

THE LAST WISH.

“Well may I weep to leave this world—thee—all these beautiful woods, and plains, and hills.” Lights and Shadows.

Go to the forest shade,
Seek thou the well-known glade,
Where, heavy with sweet dew, the violets lie,
Gleaming through moss-tufts deep,
Like dark eyes fill'd with sleep,
And bathed in hues of Summer's midnight sky.

313

Bring me their buds, to shed
Around my dying bed
A breath of May and of the wood's repose;
For I in sooth, depart
With a reluctant heart,
That fain would linger where the bright sun glows.
Fain would I stay with thee—
Alas! this may not be;
Yet bring me still the gifts of happier hours!
Go where the fountain's breast
Catches, in glassy rest,
The dim green light that pours through laurel bowers.
I know how softly bright,
Steep'd in that tender light,
The water-lilies tremble there e'en now;
Go to the pure stream's edge,
And from its whisp'ring sedge
Bring me those flowers to cool my fever'd brow!
Then, as in Hope's young days,
Track thou the antique maze
Of the rich garden to its grassy mound;
There is a lone white rose,
Shedding, in sudden snows,
Its faint leaves o'er the emerald turf around.
Well know'st thou that fair tree—
A murmur of the bee
Dwells ever in the honey'd lime above;

314

Bring me one pearly flower
Of all its clustering shower—
For on that spot we first reveal'd our love.
Gather one woodbine bough,
Then, from the lattice low
Of the bower'd cottage which I bade thee mark,
When by the hamlet last,
Through dim wood lanes we pass'd,
While dews were glancing to the glowworm's spark.
Haste! to my pillow bear
Those fragrant things and fair;
My hand no more may bind them up at eve—
Yet shall their odour soft
One bright dream round me waft
Of life, youth, summer—all that I must leave!
And, oh! if thou would'st ask
Wherefore thy steps I task,
The grove, the stream, the hamlet vale to trace—
'Tis that some thought of me,
When I am gone, may be
The spirit bound to each familiar place.
I bid mine image dwell
(Oh! break not thou the spell!)
In the deep wood and by the fountain side;
Thou must not, my beloved!
Rove where we two have roved,
Forgetting her that in her Spring-time died!

315

FAIRY FAVOURS.

------Give me but
Something whereunto I may bind my heart:
Something to love, to rest upon, to clasp
Affection's tendrils round.------

Would'st thou wear the gift of immortal bloom?
Would'st thou smile in scorn at the shadowy tomb?
Drink of this cup! it is richly fraught
With balm from the gardens of genii brought;
Drink, and the spoiler shall pass thee by,
When the young all scatter'd like rose leaves lie.
And would not the youth of my soul be gone,
If the loved had left me, one by one?
Take back the cup that may never bless,
The gift that would make me brotherless;
How should I live, with no kindred eye
To reflect mine immortality!
Would'st thou have empire, by sign or spell,
Over the mighty in air that dwell?
Would'st thou call the spirits of shore and steep
To fetch thee jewels from ocean's deep?
Wave but this rod, and a viewless band,
Slaves to thy will, shall around thee stand.
And would not fear, at my coming then,
Hush every voice in the homes of men?
Would not bright eyes in my presence quail?
Young cheeks with a nameless thrill turn pale?
No gift be mine that aside would turn
The human love for whose founts I yearn!

316

Would'st thou then read through the hearts of those
Upon whose faith thou hast sought repose?
Wear this rich gem! it is charm'd to show
When a change comes over affection's glow;
Look on its flushing or fading hue,
And learn if the trusted be false or true!
Keep, keep the gem, that I still may trust,
Though my heart's wealth be but pour'd on dust!
Let not a doubt in my soul have place,
To dim the light of a loved one's face;
Leave to the earth its warm sunny smile—
That glory would pass could I look on guile!
Say, then, what boon of my power shall be,
Favour'd of spirits! pour'd forth on thee?
Thou scornest the treasures of wave and mine,
Thou wilt not drink of the cup divine,
Thou art fain with a mortal's lot to rest—
Answer me! how may I grace it best?
Oh! give me no sway o'er the powers unseen,
But a human heart where my own may lean!
A friend, one tender and faithful friend,
Whose thoughts' free current with mine may blend,
And leaving not either on earth alone,
Bid the bright calm close of our lives be one!