Madeline :: :: University of Virginia Library

Madeline

With other poems and parables: By Thomas Gordon Hake

Hake, Thomas Gordon (1809-1895)

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MADELINE.

PROLOGUE.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

EPILOGUE.

THE WORLD'S EPITAPH.

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MADELINE.

PROLOGUE.

VALCLUSA.

A twilight breaks in tints of sober gray
Between the last of night and first of day:
The pallid dusk a straggling horror brings
On ebbing rush of midnight's ruffled wings.
In Nature's absence, by what hand is cleft
This sleep asunder and this terror left?
Our eyes, confused, we all at once unclose,
To find each other severed from repose.
What miss we wildly staring out of sleep
While towards the dreamy side our senses keep?

The not long barren sky, like spring-time, flowers;
Its red and aureate bloom a perfume showers
To mollify the scent of curdled gore,
That what has been may seem to be no more.
But no thin sorcery, skimmed off stagnant breath
That fathoms deep lies gathered over death,
Can put a deed aside and clear the track,
Or drive the ghost-like memory of it back.
Though silence bind the vale, the shining dews
Have cleansed the sky and dropped the chilling news
On silvery cobwebs, o'er the meadows spun
To catch the fire-flies hatched upon the sun.
The while we slept beneath the sorcerer's spell
A deed was done that waked a wish in hell,
A deed was done that startled paradise:
Nor hell nor heaven recovers its surprise.
The fresh done deed begins to canker time,
Then be it fixed in some symbolic rhyme
Ere yet too late, the traces too far spent
To dedicate a song to its lament.

Sweet as the pipe's, loud as the clarion's blast,
There is a voice, heard oftenest in the past;
It warbles like a nightingale's whose thrill
Shakes as a reed the honey-gurgler's bill,
And sets the foliage rustling as it rings,
While every bush has turned its leaves to wings:

The voice of Nature, never wholly spent!
Shall we invoke its notes for our lament?
Then throat to throat shall songsters rend the grove
And share with us the trouble and the love;
Consenting rhymes shall touch the brink of bliss,
And end each fairy couplet with a kiss.
Ours be the rapture while to them belong
The willing tones of this enchanted song,
That so to distant streams the news disperse
While culminates in love the modest verse.
Or will the sickened Muse heaven's panpipe stop
And in oblivion's mist the memory drop?

CHORUS OF NYMPHS.

That voice, once heard, is mute,
And stringless is the lute.
The chords no more the note of love prolong
That swept the cadent rhyme,
And twice bemoaned a wrong:
In pity and in chime.
Lost too the choral lay
Whose music once gave solace to the day.
Spirits no longer crowd the air
That wistful bent, with finger on the lip,
Sad thoughts to sip;
To cull the softer tones of harsh despair.

VALCLUSA.
A fearless sun rips up a crimson cloud,
Of deeds fresh done in night the loosened shroud.
He runs his course, too busy on his way
To tell a tale of deeds not done in day,
Or should he glare upon the hardening clot
He plunges on, the secret heeding not.
Though now man's blood attaints the breath of space
Soon shall its fine evincement leave no trace:
Be it assized, then, ere its aspect pale
To match the simpler colours of the vale.
Let us the heaving cause of conscience plead,
Till the grand key-note sounded takes the lead;
The chorus lift till all the earth repeat
To music's heart the palpitating beat.
Let us evoke the souls whose bodies stay
To yet identify the suffering clay,
Recal the voice that quivers like a tear
Unable all its heaviness to bear,
Recal the sobs all troubled as they fall;
Fragments of love, all feeling pain for all.

CHORUS.

What hand arrests the fire
That lingers in the lyre?

The nuptial strain of love and music wed
Was rapture to the ear;
The fierce desires it fed
To smite them with a tear.
Who now partakes the spell?
Whom once it moved in sleepy marble dwell.
A ripple dreams upon the rill
Beside the Muses' tomb and murmurs not
Of joys forgot,
But to the dead imparts a deeper chill.

Cold is the hand that smote
The once melodious note
Whose themes, the pride and glory of the past,
Yet stir the fount of love:
The words that ever last
In song immortal wove.
O deep-toned Sympathy!
Where is the heart that cares for woman's cry?
A pity came from heaven of yore,
When suppliant maid for safe asylum trod
The floor of God,
But now her hapless lot shall none deplore!

VALCLUSA.
Be it our part, sweet nymphs, through second sight,
To drag the deeds, now over, back to light.
Let me declare the theme, while all around
The hymn prolong, for this is hallowed ground.
Here Sorga's stream is sacred as of old,
Loved by the Muses: here the tale be told.
But let us first to them address the vow:
If they assist us smooth the verse shall flow,
Should they impede us wayward must it stray,
And gurgle wildly on its wavy way.

CHORUS.

O ye who once redressed
The wrongs of the distressed;
Turned into pity by the crystal tear,
Attune this verse to song!
A sister's troubles hear,
Ye who to heaven belong!
And may the anthem swell
With deeper woe than that vexed child befel!
To terror may the strain arise,
The warblings blended with her lover's cry
As death sweeps by
To claim him for the final sacrifice!

The nymphs of Sorga sing:
To heaven their voices cling.
Up to the Giver of all poesy
Higher and higher wends
The message through the sky,
And Heaven the answer sends!
Who drink of Sorga's wave,
Shall not in vain divine assistance crave.
As eventide comes quickly on,
The shade of sleep is followed by a beam,
The shade of dream;
And Sorga's brook ascends to Helicon!

Sorga, O seat of Love!
The softest airs that rove
The soul, with thee are set in unison;
But now by rustling waves
That soul is hurried on;
A melody that raves
Is mingled in its thrill,
Not at the heart love's promise to fulfil.
Thou noted brook that here abid'st,
A rapture at thy brink thou waftest high,
With frequent sigh,
And to the heavens thy lowly lot confid'st!

VALCLUSA.

Behold the ether opens clear and wide;
The mountain is before us in its pride.
Above the pendant stream which glistens still,
A torrent swells, now rushes o'er the rill;
Another spouts, it tracks the frothy way,
To whence it fell returning back the spray.
The joining waters through the forest dash,
Torrents on torrents on the valley flash,
Reclaim the dried-up gorge where pine and rock
Lie under sentence of an earthquake's shock.
Wedged in by stones and trees in mingled heaps,
One billow eddies and another leaps;
One scoops the delf, another sweeps the wood,
And bears all onward; every wave a flood:
A cascade now, and now a foaming spire,
More fierce than flame these conquerors of fire.
O glorious emblems sent us to display
The human passions on their thoughtless way;
Bent now on conquest, now with victory flushed,
Now smooth as death—as motionless, as hushed.
Yes, this is Nature, proudly as she chafes:
The sign to her beloved the Muse vouchsafes.
Heard is the prayer, deep-toned; the answer felt;
Sent by the good before whose house we knelt.

Step forth, ungentle form,
Who shak'st the unwieldy storm!
Evoke thy actors marshalled to pursue
Too far the lethal torch;
Its failing flame to rue
At the sepulchral porch.
Tread thou the troubled stage
To move remorse, not anguish to assuage!
Graceless behind the scenes appear
The mask, the timbrel, the wild fantasies
Of wicked eyes.
Is she divine who honours not the tear?

Shall her loose smile prevail,
And none the lost bewail?
The woven thread of woe asunder snapped,
Her hands above her head
Like silent cymbals clapped
To speed the youthful dead!
Shall slowly melting sorrow
Be hustled into newly risen morrow?
Yet now the thong would one unlash,
Let go the heart fresh leaping from its seat
To freedom's beat;
The soughing wind drowned in the timbrel's crash.

CHORUS.

Is now not heard a chaunt
Within the sacred haunt?
A faltering echo falls into the plain
To sweeten life below:
The Muses wake again
In its return and flow!
But why among the Nine
Takes Comedy the lead in life divine?
Seen is her quaint and smiling face,
While, as of old, her genial look extends
O'er all that ends,
To cheer the world with its bewitching grace.

The grieving, absent gaze
When lost in dreamy maze,
She measures with the meaning of her eyes.
If with the tear she pleads,
The smile upon it lies.
All joy in heaven she leads!
She mimics human rage
With cheeks that burn and shrivel up to age,
While yet the holy laughter rings.
And when with sorrow and its kindred ills
Her mould she fills,
About the cast her gladsome spirit clings.

Her tones an echo start
Within the silent heart.
The gnawing worm the warder of that cell
Beneath her look recoils;
And, stiffening in the spell,
Ends its eternal toils.
She throws up souls at play,
And wins them life for yet another day!
She lights on truth as by surprise.
What tongue-tied Nature artfully conceals
Her laugh reveals:
Mirth for the simple, wisdom for the wise.

No cloud with fleecy rim
Her face serene can dim,
Nor give her brow a transitory shade.
Nor, save in mockery,
Can fear that face invade,
Or sadness dull that eye.
Prophetic is her gaze;
No portents sent as omens, her amaze.
She takes the choice of loss and gain!
Let human love be offered up to vice
In sacrifice,
She snatches pleasure from the bed of pain.

To the seduced who grieve
Their error to retrieve,
Yet sink in sin and sorrow till they die,
She knows the magic art,
Not Nature to deny,
But rapture to impart.
The deeper set the wrong,
The nobler glow the thoughts that round it throng.
The ills of life she reconciles,
In scornful words that tragedy transcend,
Yet oddly blend
In the infection of her dubious smiles.

All ending well at last,
Into her net is cast.
She tangles rage within the lyric strain:
To some she gives the song,
To some the soft refrain
Its burden to prolong.
They hymn the sister's fate;
The love-worn tale of terror they relate:
They act the parts, to Nature true,
Till sunset gathers and expiring day
Breathes its last ray,
This dream investing in its sombre hue.

I. I.

VALCLUSA.
Were they the shadeless figures of a dream
By fancy lighted at the silver beam?
A broken moon bends over us asleep;
One half above, one sunken in the deep.
Or were they shadows of the golden ray
That graced our eyes at last decline of day?
Yet as the leaf and flower our vision stain
And, once beheld, for evermore remain,
So has this tale our senses overgrown,
To be like Nature evermore our own.
A maid too fair to own a better fate,
Her thirst of love quenched in pernicious hate;
At eve seduced, upon the morrow roused
To maiden shame amid the disespoused;
Was Madeline, whom all spirits glorify
Above the vestals who unblemished die.

This end achieved by him whose hidden arts
A jealous power to intellect imparts:
A sage who watched for Nature's fickle mood
To bend her adverse attitude to good.
But who of Hermes oft has not heard tell,
The sorcerer whom this partial lot befel?
He knew all spirits, nymphs who still frequent
These streams whose mainspring is the firmament,
Or who, translated to another sphere,
Still their lost world to ecstasy revere.
One, Daphne named, he loved; on one same field
Pale-wise their hearts were set as in a shield.
Her birth, eventful deemed by loving eyes
That looked upon it through the anxious skies;
Her sudden flight, called up lest heart so fond
So soon to love should reach the pang beyond;
All this, euphonious metre let express,
And mortal ears with thoughts of her address.
Let us recal, though little time below
She stayed her first affections to bestow,
Let us recal to life her happy face,
That seemed with heaven for ever changing place!

CHORUS.

This is the vale whose name,
Dear to the lists of fame,

Valclusa bears; the secrets locked in sleep
Are here divulged to all:
How some in slumber weep
Though ills may not befal;
How some by dreams are bent
On anger adverse to their soul's intent.
How some with eyes fast shut converse;
How some with every sense but one confin'd
Within the mind,
Their lily hands in human gore immerse.

VALCLUSA.

Within this happy vale
Is Sorga's bed—the tale
Valclusa tells, herself a happy bride;
Her time one joyous day,
She lingers by its side
And whiles her life away.
Now hear Valclusa's dream:
It shall light up the banks of Sorga's stream.
Queen of the Nymphs whose fadeless charms
Bathe in the spring that sparkles through her fields,
She rapture yields
In sweet embrace to Sorga's constant arms.

Rocks that the blood congeal
The river-god conceal.

He rushes forth enamoured of her grove.
In eddying light he glides,
And ever with his love
In ecstasy abides.
Nymphs thence their days begin
And life, not mortal, from her bosom win.
Behold in every leaping beam
That sucks the wave, a spark of life has clomb
Valclusa's womb,
Baptised at birth upon her native stream.

Sorga is never still;
The banks partake its thrill.
Enchanted clumps of laurel arch its sky,
And cool the rushing glades,
As souls from Nature fly
To these protecting shades.
'Twas here a moon-lit wave
Daphne, the laurel nymph, her being gave.
With sighs that waft contagious fire,
Hermes beheld her in the light of love
That filled the grove;
And taught her earth's affections on his lyre.

Daphne her simple name,
Not she of classic fame

Whom the young god, beholding with desire,
Pursued from east to west,
And with too hot a fire
The virgin charms carest,
Dissolving her in flame,
A laurel only to preserve her name;
Not she, but one as undefil'd;
In virgin thought and chastity of heart
Her counterpart;
Of river-god and earth, like her, the child.

CHORUS.

The fiery god whose days
Were scantier than his rays,
No more with arts, though in full lustre orbed,
Unwary nymph allures,
Nor, in himself absorbed,
Her simple love conjures;
Let only to display
His grace and beauty to the light of day.
For Fate was crowded in the cast,
Consigning gods to sepulchres divine,
To ever shine
As monuments of power that ruled the past.

As once, in heaven-fought wars,
No longer clash the stars,
But sweep the endless orbits, each apart,
Still fiefs of hidden Fate,
Whom nothing lives to thwart,
Whom none can penetrate.
Imaged in bold relief
As more than Nature's independent chief,
Is now the influx of a wave,
Where floats a new and solitary throne,
For One alone,
His turn wide Nature's suffrages to brave.

II. II.

VALCLUSA.

Why in that breast of tepid clay, whose shape
The soul assumes to soon or late escape,
Didst thou, O Hermes, thy affections train:
For constant joy can never there remain!
In Daphne's image why thy soul attire,
To waste away in impotent desire,
To wait, as others wait whom death assails,
For unreturning hope whose errand fails?
Thou diest, so canst not parley with the fair
Who touch not what they tread on, earth or air:
They see thy face, O Hermes, they admire
Thy human vastness, thy enrapturing fire,
They see thy form with eyes they cannot wean;
They hear thy voice, thy voice's cadence glean,
Though not with ears that deafen in the blast,
Though not with hearts that vanish in the past.

O Hermes, rather faint than so infect
Thy soul with love's immortal dialect!
We die not who hold converse in its strain,
Though like to thee beset with other's pain:
But thou wilt in the midst of it expire
And leave behind its uttermost desire.
Shouldst thou the love of nymph immortal win,
Thy loss exceeds the penalty of sin:
That, time condones, erasing with a blot;
But love eternal man recovers not,
Unless perchance he bear a thousand pains
Before a foretaste of delight he gains,
While we exist for only life's excess,
Born happy to live on in happiness.

Now are the hours alone;
They mourn for Daphne gone.
Nature the silent obsequy attends
When spirits pure depart,
And some slight token sends
Consoling to the heart.
But Daphne's days begun,
She took fond leave of earth at set of sun,
And went on the returning beams,
With holy art to decorate above
The dome of love,
And paint its sober disc with coloured dreams.

Hermes loved her alone;
Daphne the only one.
Ideal rapture, that consumes in fire
All utterances of thought,
All breathings of desire,
The only dower she brought.
Nature is sad around:
A mourning voice that utters not a sound!
Where was the tenant of his mind?
In every laurel with a love divine
He saw her shrine:
An empty heaven by Daphne left behind.

CHORUS.

But now was Daphne's part
To tend the broken heart!
As in her hand a vase some vestal bears,—
On its translucid glow
Her finger's shade appears,
As there to stanch the flow;
For love itself she saw
Ooze at the irremediable flaw.
And still against her breast she kept
The broken heart, its bursting love to stay,
Its smart allay,
As at the well of sympathy it wept.

Her sisters, fair and bright,
Within the arch of light
Depict earth's sorrow on the canopy,
And graceful hours beguile,
That angels, passing by,
May sadden as they smile.
Her sisters, born of day
To gild humanity and pass away,
Are there the well-known sigh to tend,—
The earnest part of mortal man's alloy,
Though not his joy,—
And in the distant choir its sweetness spend.

Begot as fancy broods
In Nature's dreamy moods,
On them the world imprints its early trace.
They wear a look of love
In sadness on their face,
To plead man's griefs above.
Like Daphne, good and fair,
Children of joy though natives of despair,
Art dwells in their seraphic eyes,
Transposing all they gaze upon with pain,
To that vast plain
Which holds the drifted glory of the skies.

VALCLUSA.

These days in heaven begin
Without a wish to sin.
Thence Daphne, by no wayward fancy led,
Her wondering look bestows
On tears by woman shed,
And so all pity knows.
O symbols of distress!
Why hide your meaning from the angel's guess?
But no repining heart replies,
While anguish that no likeness has above,
Is borne for love
That brighter burns the surer that it dies.

Her eyes meander long
Her olden haunts among.
At length they spy a woman on the road,
With looks beset with fear:
No place to rest the load
That broken hearts must bear.
Not one for pity's sake
Her single sorrow willing to partake.
Madeline the name the wanderer bore,
Told to the sky above, to earth below,
For all to know
Her maiden name accorded her no more.

CHORUS.

Shall, then, no hand of love,
Save only that above,
Alight with healing touch the wound to hide?
No gentle breath be nigh,
Like comfort at her side,
With sigh to mingle sigh
O'er the soul-setting blush?
That shadow virtue casts herself to crush!
O for a voice, a single tone
To move the lover in his steadfast pride
Toward that sweet bride,
And soothe the power to vengeance slowly prone!

VALCLUSA.

Not wedded to his lore
Should man his help implore,
Was Hermes, summoned now his prince to brave,
To brook his cold disdain,
The innocent to save
From virtue's mystic stain.
Unknown to earthly power,
His utmost gift as yet the poet's dower,
The prince in terror held his race,
And barred at his approach the castle-gate,
Until too late
To snatch the victim of defiled embrace.

Those turrets old as war
Outvie the heights afar.
A potentate wields all their dreaded power,
Inherits all their frown;
Lord of a conqueror's tower:
Upon his brow a crown.
Armour, deserted shell,
Behind whose vizor ghostly heroes dwell,
Haunts every nook in mute array;
Skulls drive their antlers through the upper space,
And hail the chase:
Ensigns of peace and war on holiday.

How long outlast man's life
These weapons of his strife!
On iron arm the battered shield is slung
That broke the axe's fall;
On iron hands are hung
Spears pointing to the wall.
The helmet's shivered crest
Records the blow that gave a spirit rest.
Here link to link of woven chain,
There scale to scale, is mailèd coat, akin
To serpent's skin,
Cast by the young in haste of battle slain.

In carved and gilded case,
Rare relics of a race,
Bestowed with care, their fabled story tell.
The empty tankard stands,
As if beneath a spell,
In fast tradition's hands.
The gentle crucifix
With it and baser emblems deigns to mix.
In panels hung, to likeness true,
Are saints and soldiers, counting back their crimes
To farthest times,
With dauntless eyes that outrage still pursue.

Oft there did Hermes' feet
A lively welcome greet:
Nor now the prince could long deny a name
Whose praise the nations spoke,
Whose words like waves of flame
On every listener broke.
But lawless love had lit
The prince's breast, and yet must ravage it.
Could words avert its blind intent,
Could they instate, where fed a lustful fire,
The just desire,
Or set a bound to his impetuous bent?

Still at no distant day,—
More earnest by delay,—
The poet greets the despot face to face,
With look that look refutes:
With less than wonted grace
His eye the crime imputes.
And then comes sense of right
To wrestle, singly, with a ruler's might.
What though with honest prayer he try
To touch the icy heart, as with the rays
Of summer days;
A frozen shield can radiant souls defy.

O Waste of Words! how guile
Can cross thee with a smile;
Thy storms repress, thy thunder-signs deride,
Thy lightning-stroke repel,
And turn its flash aside,
Though vengeance it foretel!
But had some prophet raved
His oracles had not the victim saved.
So high the sphere of his estate,
The prince heard, unabashed, the words that blame,
To bring no shame,
And Hermes he dismissed with courteous hate.

What hand outstretched shall move
The heart to beat in love?
This Hermes asks of tower-embattled skies,
Beyond where banners float.
Below he bends his eyes.
A vision fills the moat:
No hand outstretched to save;
Skies, tower-embattled, trembling with the wave.
The absent hand he understood;
The sign was given, of it the portent found,
That he should sound
The bearings of a yet unfathomed flood!

III. III.

VALCLUSA.

When sages speak how graceful is debate;
Their words the ministers, themselves the state.
As heaven disposes so the work is done,
The trust consigned to human hands alone.
But where the prince, propped up with equal might
For good or harm, who bends himself to right?
Yet on the meanest scenes that pass below
May Heaven her utmost vigilance bestow,
With constant aid the weaker may surprise,
The more when man the wrong cannot chastise.
Then Nature's rule may make a solemn pause,
And Heaven insert her peremptory clause.
So is it now; the titled Sire who reigns,
For one brief hour a puny struggle feigns.
Not in a word his wonders he creates;
Not in a word his works he desolates.

Yet if once slow to choose a fitting site
For worlds that number now the infinite,
There may be days when seeming to vacate
A home so far, so kingly an estate,
He journeys thence to cast a tyrant down,
And turn to dust his sceptre and his crown.
In storms of fire, as lightning's aspect stern
That many orbs his orders may discern,
In storms of light, the lightnings split in twain
That man may seek his purposes in vain,
Kind in his ire, the harmless dove he spares;
His bounty with the lone and helpless shares.
When rains descend, when to and fro are driven
Tempests of spray from kindred waters riven,
When sulky night herself the earth invest,
He turns the half-fledged sparrow in its nest.
So now a harvest droops, now lowers a sky,
And air sails under stress of sorcery.
Meteors let loose, from their allegiance rush;
The paler planets like the redder flush;
The shut-up lava-spouts resume their scope,
And mortal dread is in the place of hope.
Yet farther off, beyond the golden belt
Of habitable heaven, a doom is felt.
Nymphs, angels now, who earth remember well,
Are moved to tears by the prevailing spell.

As when the wind from o'er the mountain flows
Man weeps and yet no cause for sorrow knows,
Tears from their sobered hearts, spontaneous flung,
Course down their cheeks as fast as pearls unstrung.
So dense the blight the very angels mope:
And Daphne knows the sudden loss of hope.
Unused before to feel the drag of doom,
She paces heaven as in a convent-room,
Till her sad thoughts towards Madeline oscillate,
And point at her, the loadstone of her fate.

By Eden's drooping site,
Fit scene of many a rite,
Freighted with doom by Nature's titled Sire,
A star was on its road
Bristling with quills of fire
'Neath its unwonted load,—
As if the orb of day
Drove night before it on the solar way.
The magi, from their holy hill
Looked up towards Oromasdes' paveless seat,—
Unreached retreat!
Prompt to observe and minister his will.

Then, mystic figures ran
Across the talisman,

While travelled past that meteor of fire,
The symbol pure and blessed
Of Nature's titled Sire,
To the elect addressed.
They followed it with eyes
Fixed on its glory as it clove the skies:
At length the marvel, boding good,
Rested above, enconing half its glow
On all below,
While over Hermes' lowly home it stood.

“Since thy bright horoscope
Reflects wing-gifted hope
Where glory wanders; where its toils expire
For ever-growing joy,
And infinite desire
That earth cannot alloy;
We bear thee great reward:
‘From Oromasdes to the new-born bard!’
We (so they spake) thy genius greet!
We, the proud magi of an ancient creed,
To meet thy need,
Lay now our priceless offerings at thy feet.

“The East, that fades not, wears
An aspect of old years.

The empty crater, the ash-littered mount,
But more, the legend rife
That here was Nature's fount,
Her crucible of life,
Ere yet extinct the spells
Wherein the magic of creation dwells,
To man in sad rehearsal plead;
The more that now his days are hoary grown,
And youth is flown:
Gone first, the avant-courier to the dead.

“Skies soft as amethyst,
Where floats the golden mist,
(As when the order of man's days began),
Shower down the planet's rays
To gild the talisman
While the magician prays,
And with their influent gleams
Transfix the coruscating disc with beams.
Through this the magian works the charm
To speed a noble sorrow, or consign
To stars malign
The cruel heart that asks another's harm.

“Skilled in all magic gear,
The blazoned seal we bear.

By its occult divinings, not for ill,
The inmates of the grave
Are subject to our will;
Beneath the naked wave
The passionless who sleep,
As past their bier the breaking waters creep,
Give up their startled souls in fright
At its enchantments; hurried from their rest
At our behest,
And in pale terror visioned on the night.

“On this true talisman,
Fate's pre-concerted plan
And the celestial circle harmonise.
On it the clusters burn
That nightly set and rise,
And in their orbits turn.
So let its magic spell
Henceforth in thee as in the planets dwell!”
Thus spake the magi and the prize
Gave up that from a distant land they bore,
Fraught with a lore
Of times to come transcending man's surmise.

IV. IV.

CHORUS.

Can such a tale of love
Fail human hearts to move?
Have not the old a tear for Madeline;
For the frail infant riven
From virtue's ancient shrine
And into exile driven?
A wanderer with her shame,
In far-off lands she hides her maiden name!
The young may stray; O break their fall,
Not the weak soul its nursery expel
If it rebel,
But take it back ere lost beyond recal!

VALCLUSA.

The watchful angels crave
That lovely soul to save.

Said Daphne: “Hermes once my love desired:
Nor would my wish deny,—
By nobler love inspired,—
To fetch her to the sky.”
This thought her peace devours;
It wings with sympathy the new-born hours.
Nor vain the web of grace it wove:
She held the thread that turned at ebb of tide
A fate aside,
To drag the drowning from the wreck of love.

CHORUS.

Let drop no word of scorn
On Madeline the forlorn,
But mourn her; yet her name may be divine;
Her sin may be condoned:
There is a Madeline
Among the saints enthroned.
This earthly flower, so fair,
Exhaled a perfume as it rode the air;
In modesty was hung its head.
But one who saw the early bud expand
Put out his hand
And plucked the nestled germ ere it had spread.

VALCLUSA.

Then Daphne's sweet desire
Was flashed on Hermes' lyre,
Whose throb replied: To Madeline's succour hie!
She of celestial race
Who wished for once to die,
As saints have done in grace,
Leaves heaven without a sigh
To bear young Madeline back with her on high.
Rejoicing in her course she chose
The poet's soul for her nativity,
To live and die
Environed by his glory to the close.

She long had pined in vain
To share in woman's pain,
With longings that in virtue only burn;
To taste for once of death,
And share the poet's urn;
And share the withered wreath.
Now, her loved task to keep
A soul pursued in waking and in sleep,
She blushed into the poet's sight,
Born at the moment to the good decreed;
The hour of need;
Cleaving with luminosity the night.

V. V.

VALCLUSA.

Now with a sense that opens on the space
Of scenes too far for vision to retrace,
Shall Hermes with his spells half Nature bind,
At least where laws run counter to his mind.
He bids the wheel of fate make half a round:
How many hearts fall palsied on the ground!
But one which in its socket quivers still,
Adverse to justice and its grinding will,
Hermes reserves for yet one more appeal,
Ere the last writ of fate receive its seal.
Then shall the wheel, which at his order turns,
Crush the hard heart that human nature spurns.

It was the hour of night
When stars defer their light,

And moons to some far hiding-place retire,
But in the poet's mind
Leave all their dreamy fire.
There, paths the comets find;
There, suns that rule the day
Extend the utmost uses of their ray.
There angels, wont his soul to range,
Pass in and out; perhaps to where they stray
The nearer way;
And in abstraction lost scarce note the change.

Nor know they how to hide
The thoughts on which they glide,
Their inmost visions opened to his eyes
With all the love they dream:
Heaven's fondest reveries
Allowed on him to gleam.
The story in their face,
The poet's simple task its plot to trace,
It tells itself from first to last,
And in their heart he reads the episode,
Its blest abode,
That bids them on their errand wander past.

Though night all else devour
It is the poet's hour.

All sinking Nature singly to sustain,
He things anew creates;
But haunted still by pain
That never dissipates,
And summoned still by sin,
While rapt discourse and minstrelsy begin.
As the world's splendour sinks away,
And drowsy mortals in the drug of sleep
Their senses steep,
He gathers up the fragments of a day.

Nor in those solitudes
Madeline his sight eludes.
She pensive leans against the baffling blast,
While only he is left
To watch, to pray, to fast,
To mourn for the bereft.
Sustained by love, he pours
The wisdom of his soul along the hours
To save her from a worse estate;
While her the warning mocks to sin no more,
And long deplore
The one false step that made her desolate.

In that bewildering storm
He viewed her half-nude form.

She poured out no lament, but sorely wept,
As woman only weeps
O'er others' vows unkept,
While hers she fondly keeps,
And at her heart retains,
The more another's pride her love disdains.
To save her, not as man provides,
For heaven to every human aim appends
Her private ends,
The envied task to Daphne he confides.

So comes this sylph of song
Where earth's fair daughters throng
Their virgin hours in chastity to spend;
The passions, as they glow,
With holiness to blend,
And turn from life below.
They breathe their first desire
Like angels with an evangelic fire,
But soon or late, with loving arms,
Accept a partner in the dance of sin,
To death begin,
And drift away from heaven's dissolving charms.

In tinted marble shaped,
In tinted vesture draped,

Leans Daphne's statue o'er her natal stream,
When, like the northern light
Filtering through evening's dream,
Her face grows rosy bright.
The wings irradiate,
And ever as they glow new soul create.
“Behold,” said she, “I come again
By thy consent, to beckon artless vice
To paradise,
And link by link whirl back its broken chain.”

The poet scarce replies,
Yet thinks how soon the ties
Are loosed that bind an angel to her home,
Though with a silent pride,
That echoes worlds to come,
He sees her sorrow's bride,
“Ah! sad,” said he, “the day:
Madeline, like thee, from home is far away,
But, brooding over woes untold,
She sits in mourning like a haughty saint
Without complaint,
Roofless as pilgrims in the time of old.”

Meantime his heart that strove
With a seditious love,

Did he deny its rapture to betray.
To more than mortal gain
The angel points the way:
Nor his vexed heart in vain
To charity had grown,
And to another's woes subscribed its own.
Enlisted in the sacred cause,
His love is on the altar, where, like gusts,
All mortal lusts,
By holiness surprised, for ever pause.

VI. VI.

VALCLUSA.

Genius of heart, that fags and never tires,
The source of all beneficent desires,
That not for love's award in beauty lives,
Or those delights which wealth or glory gives;
Not lured to sip an angel's tepid kiss
Lest the mild rapture reach forbidden bliss:
Why thus from selfish joys thy spirit turn,
While yet for others' good its cravings burn?
Man for himself an ample treasure hides
Ere for his meanest neighbour he provides.
In charity both rise and set thy days,
And so thy ways transcend all others' ways.
Nature thy sister rather than thy spouse,
In purity sustains thy noble house.

Be there abodes above the untouched sky,
Of these soft filtering vales the canopy,
Beyond the lofty shrine whereby our eyes
Are drawn up in half-conscious reveries
Whereof we find no purpose, yet adore,
Nor care, when freed, their meaning to explore;
Be there abodes for which must ever pine
A sacred heart endowed with love like thine,
May'st thou ascend, embalmed in sweets and spice,
And better life attain in paradise!

Now that her sandalled feet
The earth's chill surface meet,
Is Daphne conscious of her heart's rebound.
It pulsates in the fear,
That hems a virgin round,
Of dangers ever near,
Some that the darkness hides,
Some that the conscience to the soul confides.
And she must shudder with the dread
Of ghostly passions, visitants of sleep,
In forms that weep;
And do harsh penance in another's stead.

On angel-errantry
Proudly she takes the sky.

Soaring she kens with large-eyed glance a seat
Where steps like wave on wave
A portal seemed to beat;
Where few admittance crave.
There sat a girlish form
Wrecked on a convent by the driving storm.
Her fingers shaped in beauty's dream
Languished in grief, of all their play bereft,
As in their cleft
They held a cheek, the bed of sorrow's stream.

Her arms like columns fair
Were shrouded by her hair.
As the torn ivy hangs disconsolate,
The locks were tossed and blown,
And beat against the gate
A music of their own.
Youths hurrying by the spires
That upward point the frigid nun's desires
From cloistered hearths to skies that burn,
Pause at her charms as things put in their way
For pleasant play,
Easy to take as easy to return.

Before that convent gate
No suppliant she sate;

Her sins as yet for penitence too few.
Her lover's cherished wiles
On her their spell renew,
And stop but when she smiles.
An interval of pain,
And they rehearse their witchery again.
Deep lies the well of misery,
But deeper still its spring that yet must flow
Through rocks below,
Till sorrow's source has run its waters dry.

With gentle words that strove
To feign the voice of love,
Intoned in other tongues to pity's sound,
Youths stopped their suit to press,
To open wide her wound,
To prey on her distress.
Not long their wit they task
To find she little dreams of what they ask!
No providence their steps decreed
To solace or seduce the broken heart,
And they depart;
Leaving to droop and die the bended reed.

Vice in a tongue unknown
Now claims her for its own.

But on a rack her soul already lies
Its torture to endure,
Nor shall love's votaries
Its tainted use procure.
They feel for her distress
Yet sigh to damn her more, themselves to bless.
But to enticing gestures blind,
Her eyes are fondly sunk in memory's pit,
To fathom it,
And in its cheerless gulf her lover find.

And as she sits unmoved,
So loving, so unloved,
And lone as only love can lonely be,
The youths walk to and fro,
And turn her face to see,
And ask for yes or no.
Too mild in words to chide,
With piteous glance her eyes she opens wide.
See they in hers a sister's end?
The dread strikes home and they return no more,
Smit to the core,
Lest equal shame on their own house descend.

CHORUS.

And must she now, still pure,
The shocks of vice endure?

O that her ears could to her soul disclose
The one once loving sound!
But farewell now repose
Except in holy ground!
Let her the vigil keep
Till at the grave her heart sinks into sleep,
And her last tears put out its flame.
Then shall the reddened eyes be turned to stone;
And grief alone
In marble live to weep her mortal shame.

VALCLUSA.

Must the deserted one
Be ever thus alone?
Not if her soul emerge again from night
To face its former pride,
To question it aright
And its resolves abide!
Akin to her distress
The weeping sky pours on her its caress;
And she, so beautiful in form,
Drips like a naiad watered by a cloud;
Her spirit proud
Baited by gusts set at her by the storm.

But why should she complain?
The lilies bear the rain,
And courteous earth absolves the heaven of wrong.
Will no kind sky restrain
The lowering thoughts that throng
To flood her breast with pain?
Above the mountain crests,
Above the storm, the watchful angel rests.
The mists aside their curtain throw;
Her glance descends and like the lightning's ball
Pursues its fall,
And Madeline's face illumines in its glow.

VII. VII.

VALCLUSA.

Be memory the soul that dieth not
Lest love, the only joy, should be forgot,
Be memory the life beyond the grave
That beareth hence the little it would save,
Then Madeline surely saw all anguish close;
Saw love as one who from the dead arose.

Pure is the Alpine snow;
Not night can hide its glow:
Self-luminous along the rayless waste!
Yet eyes than frosted light
More lustrous and more chaste,
On Madeline pour their sight.
Round her the angel flings
Two loving arms, while droop two silvery wings.

Still Madeline all that love repels,
Though it was missed beyond the firmament,
Whence it was sent
To save for heaven the favourite who rebels.

Madeline, still sick and chill,
Was prone to brood on ill;
But not for this an angel's love she spurned:
A shame, with eyes abashed,
Her cheeks to hectic turned,
And through their pallor flashed.
Then spoke with artless skill
That draws a weaker to a firmer will,
The looks that mourn a soul's distress.
Nor words, though more than syren-like their strain,
Can tell again
The epithets that holy eyes express!

And these could Madeline bear,
Still unreleased the tear?
Yet why renew the sympathetic tie
If hope in her be dead?
Her soul's sad malady
To one so taintless spread?
More easy to impart
The sure infection than allay its smart!

So thought she volubly, so spoke
Within her soul, that tablet which records
The silent words.
At length the noiseless dialogue she broke.

“Not like to mine thy race!
Thy steps imprint no trace.
Mine sink into the mire; an outcast's feet
Their naked stamp betray
The curious eye to greet,
Though lonesome be their way.
Yet was I never poor
Till he who loved me forced my father's door.
Thou knowest the tale of my disgrace:
The ruby ring that this wan finger wore
His image bore.
Now pale its glow and dim its living face.

“O messenger of love
Thy gentle arms remove!
Not all thy purity can re-engraft
The flower that buds no more;
Not all thy heavenly craft
Its virtue can restore.
Ah blest were it to lie
Upon thy neck, these eyelids close, and die!

Few tears these spendthrift eyes can spare.
Alone the ways of confidence are sweet
When equals meet:
But joy and sorrow little have to share.

“Leave me that I may rove
Unwatched by others' love,
And drag my load of life from all away,
To every eye unknown.
Leave me alone to stray,
Till death shall take his own.
No blush can then retrace
The crimson cloud that drifts before my face,
Nor more the pallid cheek assail.
In kindness leave me to resign my breath
Alone to death;
In solitude of soul his coming hail!

“From home I turn my face
Where tears my name displace.
Here is the vagrant welcome to a tomb,
With her memorial shame
Inscribed within her womb:
Beyond the reach of blame.
O leave me on this spot;
Or where I yet may wander, follow not!

For thou art decked in newest light;
A pity in thine eye that ever dwells
Thy nature tells:
Not death's cold angel on her downward flight!

“Leave me, yet with thee take,
For both my parents' sake,
This broken heart, to them its love return.
Be thou its sanctuary,
Be thou its vital urn;
But leave me here to die.
No child to them is left:
Of honour robbed of all are they bereft.
And if their prayer by thee be blest,
And they their child have asked thee to restore,
Return no more
Till thou canst say her spirit is at rest.

“O guardian of my home,
Say not that thou hast come
To lead me hence: my father's voice I hear
And dread its stifled tone!
My mother's love I fear
When left with her alone!
On death my prayer remains,
That they may weep once more then end their pains.

And couldst thou to the loved again
His peace of mind restore, when I am dust,
In heaven his trust;
Then should immortal hope my end sustain.”

As dreams o'er conscience sweep
Ere closed the gates of sleep;
As winds the flooded meadow brush along
Where water-blossoms bloom,
She poured her raptured song,
And wailed her maiden doom.
Within the angel's car
Sank deep the words, to her than heaven more dear.
Madeline had told her tale again,
But now the choking, intermittent sob
With piteous throb,
Drowns in its swell the current of her pain.

As thus her heart repines
On Daphne she reclines.
Now with a gasp she yields her panting breath,
Now in rehearsal slow
Repeats the sigh of death:
Life's ending ebb and flow.
O'er her the angel bends
To learn how ever-sobbing languor ends:

She fears the life may suffer wreck,
And glide, unconscious, past its level brink,
To sink and sink,
Until the universe seem but a speck.

Madeline has ceased to stray
Along the conscious way,
She sinking lightly on oblivion's car,
With loosened reins her palm
Entangled, as afar
She skims the ethereal calm.
Her yet tremendous fate
No obstacles betray, no dreams relate:
But hushed in that mysterious sleep,
Her passions in unbroken billows rest,
Nor foams their crest:
Forbade to stir on the enchanted deep.

Now safe across the bar,
No shoals her course to mar,
The soul has rest, that daily else must die.
And as its living flame
Within the tomb may lie
To answer to its name,
Her body she enshrouds
Beside the tempest in the passing clouds,—

Those cerements of a troubled night!
So takes she part with universal rest,
And like the blest
Her inner temple guards with lamp and light.

Becalmed the moments creep;
Her tears drop off, asleep.
Her couching eyelids fringe the placid cheek.
A holy fervour feeds
Her bosom orbed and meek:
The peace her spirit needs.
The giver of all alms
With thrill of strange delight her heart cmbalms.
Like music on the wane, she drops
Into a wondrous pause, and, full of life
Without its strife,
Absorbs the bliss of heaven while being stops.

VIII. VIII.

VALCLUSA.

Now clinging ice-like are those marble arms
To Daphne's neck, while Daphne's bosom warms
Both hearts, and both to sympathy confides:
With twofold grace from death the dying hides.
The bard exults in that benign embrace:
Madeline with peace eternal face to face.
He turns his eyes, obstructed by a tear,
On scenes she shared, a stranger then to fear,
Now such as in a dream the glance retakes
When at a passing thought the past awakes:
Returned from sleep again the pleasance seen,
Yet still the past, the something which has been.
But as in body she is far removed
From him who robbed her, far from scenes she loved,
So her seducer gives to her no thought,
But masked in revels sets her woes at nought.

Through her inured yet more to virgin pain,
He plots the like immaculate to stain;
His riper vows on innocence to thrust:
The purer found, the sweeter to his lust.
So fresh affections dreams he to decoy,
And swell the numbers ever lost to joy!
But now a warning hand is raised to strike,
And Heaven, who governs justly all alike,
Scatters a misty blight that gathers round,
Than lust more deadly, denser than the ground;
A blight that in the east like fog begins,
But is a remnant of man's early sins.
No moon stands half-way towards the seat of war
Unseen the lazulite and inlaid star,
Along the sable-blue no spark betrays
The candid halo of so many rays.
Heaven has retired, mankind to stupefy
Like heaps of wretches buried ere they die.
As if despair had grown within the land
Erect in night the bristled forests stand;
The leafless boughs like arms dart into space,
To feel their way while death comes on apace;
The waters hide their flow, their murmurs hush,
For silence hearkening, conscious of its gush.
A one last light remembered, from that spot
Irradiates the universal blot,

That none may look upon their future home:
The sky dismantled like a cindered dome.
One heavenless depth where souls may laugh or pray:
From God to man a silence all the way.

Illustrious for crime
Through centuries of time,
Its sanctuary the moated castle rears;
But there no memory weeps:
The drudgery of tears
Scorned by the lord who sleeps.
Dreams he a poet's powers
Can rule him in his solitary towers?
Now summoned to atone for sin
Harsh incantations reach him from afar
With threats of war,
Whose harbingers the sullen strife begin.

To those who truly grieve
The world yields some reprieve:
It shares a slumber where all censures end.
To those who ought to weep
Can that same world extend
The liberty of sleep?
Her once fond lord might tell!
As Madeline sank to rest a meteor fell

From tower-embattled skies, and shone
Upon the waters that his home intrenched;
Within them quenched:
Circling the billows in their spreading zone.

Within those towers remote
The drowsy lord it smote;
The shores of sleep uprooting from repose.
As Madeline sank to bliss,
On him the waves arose.
In their retreating hiss
He hears the knell of fate,
And its far echo, woman's dreaded hate.
He listens to the distant chime:
When its last tremor strikes the silent sense
To impotence,
He travels still the desert path of time.

The warning strikes more deep
Poured on him in his sleep.
And as he hears the waves in their rebound,
And feels their surging boom,
He sees the spray surround
The messengers of doom,
Who stand in ranks to wage
On him the menace, wrapped in choral rage.

And as his soul these scenes embroil,
The serpents tangled in the Furies' hair
Desert their lair,
Fall to the couch and round his forehead coil.

A deadly sweat bestrews
His face with icy dews.
Thick as the tears that wet a cavern wall,
And race the dripping rain,
From off his brow they fall;
Swell up and drop again.
Like tendrils of a vine
He feels the reptiles round his conscience twine
And revel in a future state,
The Furies mustered in the circling row,
With looks that glow,
And hearts that riot in the pangs of hate.

Their eyes, that inly brood,
Run down with molten blood,
Whose splash corrodes the armour of his sleep:
Bent over him like age,
Not knowing that they weep,
They empty out their rage.
They curse him by the skies,
They curse him by the towers whereinhe lies.

He trembles at the words of fate,
And draws the hot infection of their breath,
Whose touch brings death
His pride to blight, his house to desolate.

They scatter in his path
The emblems of their wrath.
Aghast, his soul beholds their lurid brands
Point out the exile's way
To lone, untravelled lands
That never look on day.
Nor youth, nor beauty's charm,
Their just intent can soften or disarm.
What they dispose must needs befal;
More drear than the funereal pomp of man
The work they plan:
Lightning their torch and night their sable pall.

They lay the fatal hand,
They set its tightened band
Upon his heart; they barter nod for nod,
And fix, with fingers tall,
The fiat of a god
Against his chamber wall.
The shadow of his doom
He gazes on till twilight spans the room.

Across his heart a hand remains,
Whence hourly grows the superstitious fear
That death is near;
A dread that to the end his soul retains.

IX. IX.

VALCLUSA.

Now from the orgies held at dead of night,
By him contrived, the bard averts his sight,
Loth long to watch how that malignant crew
Performed a task best never to renew.
The warning over, which unaided sleep
Had not evoked, though left to phrensy's keep,
There let it work and of the soul regain
A seed of righteous love, a sand-sized grain;
There let it burst and strike, there bud and blow,
And what its holy worth in blossom show.
Meantime,—to where two flowers exude their light,
Fluttering like burrs upon the edge of flight,
Let us return, and with the Furies' hiss
Contrast the silent scenery of bliss.

On Madeline's peaceful eyes
Drops fresh as from the skies
A tropical affection with its rays.
The angel's watchful face
Leans over her and prays;
And like the moon in space
With inspiration burns,
Reflecting light whichever way it turns.
The hour that Daphne waits is come:
Two swan-like wings with equal grace expand
At her command,
To bear the sleeper to the poet's home.

Where lie the hopeful lands
On which his palace stands?
Whither now tends the flight of this fond pair?
Beyond the mountain chains,
Those cities of the air;
Beyond the cereal plains.
They reach the sky-blue clime
That bubbles round a theatre of crime,
The scenes expanding as they rise;
Above one star, under another stray;
And on their way,
Not stopping, brush the verge of paradise.

Not from the azure dome
Is seen his lowly home;
Yet where the poet finds an earthly rest
Cones of prophetic light
Obey his mild behest,
As escorts of his sight;
Couriers that lead afar
Into the colours of the double star.
Else wasted in the ephemeral way,
The wonders as they cease, like gusts that blew,
In him renew
The transient glories of their mild decay.

That hour a message brings
Fresh from the angel's wings
Whose downy stroke has checked the tempest's stride.
The problem it resolves,
Why, moving side by side,
A double soul revolves
Within the upper night.
There all is dark, save where salutes his sight
That shape, meandering as a cloud,
Whirled like the driven snow athwart some heath,
Where wintry death
In wild perennial flowerets decks the shroud.

His soul the vision greets;
In prayer the hour he meets.
But whence his faith in holy courts to pray?
Can he the lost defend,
The sentence passed, delay;
The broken spirit mend?
Alas, in sober thought,
What mortal yet a miracle has wrought?
Beyond a poet's utmost skill!
Now slow revenge must Madeline's will controul,
And bend her soul
Some deed of utmost horror to fulfil.

But this was a decree
No prescience could foresee.
The world of fate in distant darkness dwells,
Its ways to vision sealed:
Nor mortal ever spells
What there lies unrevealed.
But Madeline past it sweeps,
She drowns within its ether while she sleeps,
Unheard the breaking of its waves.
Meantime, in mercy for affections riven,
Is pardon given
At heaven's high font to her whose soul it laves.

And now knows Madeline
A change to life divine.
The ever-sure elixir that distils
Through her, in rising dew,
Condones all mortal ills;
Those who partake it few.
Fate holds an empire here;
To all occult the marches of her sphere.
The foe of life her virtue stuns,
Incanting, in the passing of a breath,
The sting of death,
Which shrivels up before its poison runs.

Immortal ecstasy
Fills the all-bracing sky;
It clings to those who once its ether taste,
That they to endless time
May perish not, nor waste
In energy sublime.
But she who now has clomb
The purple arch that overlaps the tomb,
Is made amenable to fate,
To be her own avenger; not unscathed!
Her fingers bathed
In human gore, the implements of hate.

X. X.

VALCLUSA.

Like stars that settle in the firmament,
On Sorga's bank there glitters many a tent.
In one lies Madeline yet in slumber stilled;
Those round about by guardian angels filled.
Such was the poet's thought, though heaven's the plan:
The holy scene invisible to man.
For Madeline now has not a mortal's place
But shares while yet on earth an equal grace
With those whose tents her hospital surround,
Left here till fully healed her smarting wound!
The indignant sense retained as just and fit
To do the deed that best avenges it;
The human impulse held, and left to time;
Her soul no more responsible for crime.
Even now on her oblivious eyes are shed,
In mock appearance, joys for ever fled,
That when her life may back to sense return
The maddening wrong in her may deeper burn.

Sleep in his sluggish folds
The favoured captive holds,
Till earth for the adopted of the sky
Fit resting-place provides;
She, there unsensed, to lie
As some pale cloud that strides,
Belated on its way,
The purple vault at early break of day.
She dreads no sun whose arrows stream
Along the east to pierce her eyes with light,
And give to flight
The now fair phantoms of her childish dream.

Seven streams of light had run
In glory from the sun,
As open curtains over her who sleeps,
Drawn by the sorcerer's hand
Who at her slumber peeps
To touch her with his wand,
And at its magic stroke
The morning dream ere waking to invoke.
The early days which yet she knew,
Like pictures in the spirit's looking-glass,
Her gaze repass,
And elder tidings of her love renew.

Scenes fresh as yester-morn
Her pleasant state adorn,
As if the lovely hours, not wholly gone,
But only overcast,
In fresh enchantment shone,
As evermore to last.
Joys tiring of their urn,
Too perfect in their parts, to life return.
With them the play its curtain lifts,
An instant scarce permitted to engage
The airy stage,
Lest in it melt the phantoms ere it shifts.

Yet it was like a play
On some long holiday.
The scenes once blest and once the raptures known,
Return to her untold,
As if they were her own,
And purest days unfold.
Not strange the poor pretence
They offer back to her of innocence.
The false to clasp, the true evade,
Through Nature's mask she looks on paradise
Without surprise;
Trailing her soul alongside as her shade.

CHORUS.

What company is sleep
For lonely hearts to keep!
The dream is day when truth walks out of sight;
When it comes back again,
The dream sinks into night,
Its pleasure into pain.
Young memory runs away
As in the sunny meads the children play.
Is rapture, then, let out on hire,
To sink into its sorrow like a tide
In all its pride,
And in its flush of ecstasy expire?

A chorus softly sang,
The sober warning rang,
But only joy could listen to the strain,
And not the meaning catch.
The warning rang again
But not the sense to match.
The penalty of sleep,
To smile in sorrow and in joy to weep!
O magical deceiver, stay;
Illusion all, though true thy mocking mime,
Except to time:
Of all that happens thou canst change the day!

Why should the sleeper mourn?
All leads to sorrow's bourn!
She sees a youth like her of tender years.
Is it his air of grace,
The charm her lover wears?
She gazes on his face;
The lineaments the same;
But when she hears his voice she knows his name.
O beautiful deceiver, stay!
Illusion all, yet true, except to time,
The mocking mime:
Of all that happens thou canst change the day!

Why are her eyeballs hid,
Why downcast is their lid?
Her cheek is smarting with a lover's tear.
Her lips the kiss retain,
The ring he bade her wear
Her finger takes again.
Her glance he fails to find:
She dares not look, lest it betray her mind.
Oft while she listens to his tale,
She feels her hand to touch the ring he gave,
The blush to save:
Does it desert her finger wan and pale?

Heard was the tinkling bell
Before the curtain fell.
The hidden chorus sang the warning strain
But not the sense to reach;
It died away again,
But not the sense to teach.
O penalty of sleep,
To smile in sorrow and in joy to weep!
And yet, O cold deceiver, stay!
Illusion all, but true the mocking mime,
Except to time:
Of all that happens thou canst change the day!

VALCLUSA.

When sleep at length expires,
The dream her eye attires
And brings her lover with her to the light.
But soon his image flies
The rapture of her sight,
And in her presence dies.
Before her senses play
The mists in which his phantom melts away.
One scream, and she is heard no more;
Unconscious left, and snatched beyond the scope
Of one frail hope;
Nor all the angel's love can sense restore.

XI. XI.

VALCLUSA.
Strange are all toils, most strange the toils of breath
To suck in being or succumb to death!
The weeds of thought about each other twin'd
That grow as on a common o'er the mind,
Are by a breeze sustained, a breath of air,
And this cut off no art can life repair.
Precarious being, spark that scarce belongs
To those in whom its world of passion throngs.
Man's days are few and yet how sad to some;
What should be present always yet to come.
Man living so, his life too soon begins;
What later is to be too late he wins.
Better like us ere birth to lag behind
Till all is fitted to delight the mind.

CHORUS.

Shall fate a passage shape
That leaves her no escape;
Deathless is she that pain may yet endure?
A sickness hourly grows,
That time may reach the cure
No sudden art bestows.
Ah! less than mortal prize
Is that which sorrow would immortalise!
What can avail the boon unblest
If the eternal opens to begin
With deadly sin?
While distance hides the city of her rest!

But justice is to be:
Stamped is the hard decree,
Nor deem the law inequitable still
When she, whom it requites,
Is chosen to fulfil
Its all-abhorrent rites.
Love now its fealty keeps,
Though on the gem exhausted passion sleeps.
Far from her thoughts is hate removed:
Its shape not yet has argued with her eyes
Its heresies;
It points no poniard at the heart she loved.

O smile of truth, betray'd,
How is thy loss repaid?
Whence comes new virtue, whence its fresh delight?
In vain the soul shall fast,
For deeper sinks the blight,
The farther from the past!
The memory of sin
Is nursed by famished thoughts that droop within,
And Heaven in vain the lost deplores:
Not all the coffered treasure of her grace
A resting-place
Provides, or fallen innocence restores.

VALCLUSA.

Daphne had seen and wept
The joys of her who slept.
She marked the smile disporting on the lip;
Beheld the bosom move,
With sudden heave and dip
In wantonness of love;
And with her softer sigh
Strove to appease a jealous power on high.
Though levity on slumber gain,
Should there be due a debt of penitence
Heaven takes offence:
For stolen joy has its allotted pain.

Now trance has boundless sway;
Madeline it bears away
To share the thoughtless void. No rest she takes,
But lingers low and faint;
Nor night nor day she wakes.
Heard is her mournful plaint
At every breath she plies,
To jar the cord of life until she dies!
From moan to moan the cruel spell
Escorts her drowsy feelings as they move
To strains of love,
And in Æolian sighs to passion swell.

Her arms of ease despoiled,
Now on her bosom coiled,
Now tossed about in turn from side to side,
Like music softly rove:
Their troubles they divide,
Then meet again in love.
Her gilded tresses blend;
In wild delirium on her breast descend
To hide from shame its ravished lot!
The wasted hands no more, with nimble grasp,
Those riches clasp:
As emblems of despair their charms forgot.

In trance from day to day
Her sacred body lay.
The eyes with fringing lash to heaven upturned,
In lifeless beauty stare;
But, like two lamps unburned,
No ray with her they share,
And only ask the light,
With blind appeal, to give them back their sight.
Orbs unobservant, that appear
On leave of absence, while the groping mind
No path can find
Through the blue rainbow of their parting tear.

The pendule of the will
Now vibrates now hangs still,
Swayed like an incense, whose ecstatic fire
Her smothered soul devours:
Though still her fond desire
Its plaintive note outpours,
In moans subdued and slow
Which murmur back her sorrow as they flow.
Not conscious, her sweet body cries
For yet a little love in its distress;
Her wretchedness
Shrill to all hearts, benumbing to all eyes.

CHORUS.

Has mercy, like the sky,
For all one same reply?
One round of good that bends on none in vain,
But deigns to none a choice,
Though rueful he complain,
Though hopeful he rejoice!
As well were it to plead
Along the twilight pomp that shades the dead,
As now of heaven a boon implore
For her who launched upon the angered tide
Must there abide
The better morrow yet for her in store.

XII. XII.

VALCLUSA.

From mountain chain, snow-capped, to mountain chain,
The encampment floats above the sacred plain.
But now the standard droops in listless folds,
Though every tent a watchful spirit holds:
Hid in its azure plaits the signal star
More sad in truce than spirit-stirring war.

Now by the mountain side,
Where thoughts like waters glide,
Sits Daphne in a lustrous tissue draped,
Knotted at either arm.
In waving beauty shaped,
It consecrates the charm
While down her breast it gleams,
And circles to her lap in fulgent streams.

There on the eddying garment rests
A woman's elbow, in its flood immersed,
Ere thence dispersed
Its floating fold the parted knees invests.

Her nude right arm ascends
And o'er the wretched bends
Whose cheek the open palm its shadow yields:
An attitude divine!
Her love the helpless shields
Who leans on her supine,
With rounded shoulder shelved
Upon the plaint breast where it had delved.
Recumbent in the sultry shade,
Madeline at length enjoys, in languid grace,
A resting-place;
Her truce awhile with feeble Nature made.

The kiss still haunts her lip
Its ecstasy to sip,
And on voluptuous beauty hold a feast.
Yet love might turn to hate
Within a calmer breast,
The past to expiate.
What in that face so dear
Whispers to Daphne, now, the thrilling fear?

Can love the longing lips divide,
The listless features govern with its spell,
And yet foretel
The subtlety of hate, the lull of pride?

But though of placid mood,
The Furies round her brood;
And, when she sleeps, they sleep beside their prey;
And when she dreams, her dream
They urge her to obey,
With rusted looks that gleam:
Like hounds before the chase,
Their instincts whetted for the hungry race.
To Daphne's eyes not hard to prove,
For love ranks foremost of prophetic powers,
What tempest lowers,
Held in the net necessity had wove.

How gentle is she now!
No line disturbs her brow;
Her bosom pendant, like a setting orb,
Its throb from anger weans,
Thoughts holier to absorb.
On peace her spirit leans
Encircled by its wings,
Like the paternal planet by its rings.

Weak through affliction, in the bliss
Of sympathy she revels like a dove
Beside its love:
And oft her placid cheek receives a kiss.

But in the distance brood
Thoughts not to be withstood,
That to the virgin wound untimely haste.
Is love or hate most dear
Where sweet affections waste?
The mellow fruits they bear
From one same bough may drip
Their luscious poison on the thirsting lip.
Hid from her vision, as she lies,
Ascend high towers, her lover's ancient hold,
With turrets bold,
That furnish grandeur to the modest skies.

The robe that round her flows
Is stirred like drifted snows;
Its restless waves her marble figure drape,
And all its charms express,
In ever-changing shape,
To zephyrs that caress
Her limbs, and lay them bare,
And all their grace and loveliness declare.

Nor modesty itself could chide
The soft enchanters as they past her breathe,
And beauty wreathe
In rippling forms that ever onward glide.

Breezes from yonder tower,
Loosed by the avenging power,
Her senses hurry, and a dread impart.
In tremor she beholds
Her fluttering raiment start
In ribbed and bristled folds.
Its texture close and fine
With broidery sweeps the bosom's heaving line,
Then trickles down as from a wound,
Curdling across the heart as past it steals,
Where it congeals
In horrid clots her quivering waist around.

Now from her cincture weep,
As limpid waters creep,
The gentle folds that her sweet body bathe,
Ere coursing to her feet
The nether limbs to swathe.
What charms the eye to greet!
The modest bosom's slant,
The bended knees, the shoulder petulant.

Can art midst all her marbles show
Ideal orbs that rise like hill on hill
With heaving thrill;
And vales that with a living vesture glow?

Sounds, as the cadence sweet
When verse and music meet,
Distract her ear; but in her clouded eyes,
Where lash and shadow play,
A sadness deeper lies
Than dims their blue array;
A weary look that tells
Of sorrow past, and on new sorrow dwells!
She lists as Daphne's words express
All that her love can utter save a tear,
And that is near;
The accessory yet the soul's excess.

“Oft didst thou hear me tell,—
O mark my warning well!—
Ere thou canst cross the purple dome again
To touch the happy shore,
Exempt from future pain
And sinned against no more,
To live where angels live,—
The one ordeal yet is to forgive!

But at thine eyes the thought divine
In one sad glance recedes from paradise,
When it might rise
To catch the glories destined to be thine!”

Words not too mild to chide
The weak one at her side,
Prompted by hope that warbles as it sinks
Into its own despair!
How human nature shrinks
From scenes than life more fair!
Madeline saw not the prize,
Held not the hope its worth to realise.
Her soul as earthly dew was cold.
Glory broke on her, but with jaggèd ray,
And turned away,
When her despair in Daphne's ear she told:

“How can I want to die
And hie where spirits hie?
Thy tones my senses in their sweetness steep;
The transports of thy voice
My soul from sinking keep.
O that I had the choice
To rest as now with thee,
And as I am, thy own to ever be!

Safe by thy side I murmur not;
No wish beyond, if it were mine to choose,
Lest thee I lose:
So blest thy love there is no better lot!

“Sad though my days may be,
Am not I still with thee?
Thou wouldst recal how once my spirit clomb,
While sleeping by thy side,
To heaven, its living tomb:
But monsters round me glide
And snatch my hopes away,
And mock my prayer the more I seek to pray.
They drive my supplications hence,
Combing their fingers through the snaky curls
Their head unfurls,
And crimson tears shed o'er my penitence.”

“Forgive!” the angel's word:
Where thrilled its answering chord?
Heard was its echo as a sad farewell
To all with love akin.
A fluted ear the knell
Heard strike and sink within:
To memory it clung
Like ill-timed syllables at random rung.

As oft the drear, autumnal wind
Whistles to ghosts to hear its doleful whine,
On Madeline
The warning fell, and died within her mind.

In half eclipse her gaze
Veiled by the filmy haze,
Moves in its transit, as a glowworm meek.
Her spirit goes alone
The exiled hope to seek,
That has already gone.
Still, holding by one ray,—
The last to linger in the wake of day,—
She turns her captive look about
That wanders like a trouble of the brain
In search of pain,
Before her dimmest light, despair, goes out.

With Madeline's sinking sun
The angel's course had run:
What thence befel was like departing day.
So Daphne drooped in night,
And gave her soul away
To hers that took its flight.
Was her sad sister gone?
Yet not to wake and say she died alone!

But Madeline first the death-watch broke:
A moan was heard, the fire within her burned,
Her pangs returned;
The old despair once more the angel woke.

In Madeline's mind she saw
A dull, unringing flaw:
Muffled the once ecstatic note of wo!
In sullen doubt and dread,
With looks that come and go,
The angel's soul she read.
So that ill-fated love
Receding through the past had yet to rove,
And heavenly consolation spurn!
Must vengeance, now at large, full length recoil,
Balked of its spoil,
And still unsated on the avenger turn?

CHORUS.

O that a milder fate
The past might expiate,
And her unholy penance ever cease!
Alas, the hate that clings
No penance can appease
But human offerings!
These work a spell on pain
When all appeal to justice is in vain.

Fate then assumes the single sway,
Lest the tried soul, to utmost fury wrought,
Rend thought from thought,
And on itself the debt of vengeance pay.

VALCLUSA.

Sleep, saucy, hovering drone,
Can sceptred soul dethrone
And rifle of its thought, ephemeral flower
That loves the drowsy wing,
And welcomes it to power,
Oblivion though it bring.
Yet to the soul deposed
Clear sight, mysterious gift, may be disclosed
To filch unwary thoughts that stray
In other souls, and gambol in disguise,
Nor fear surprise;
But deem all hid their solitary way.

Clear sight on Daphne fell,
The workings of the spell
Transporting, as in trance, her senses keen
To Madeline's inmost mind;
To gaze on worlds unseen
With eyes else stony blind,
And secrets to descry
Wondrous as scenes revealed in prophecy.

O sleep, thy wave, at best to tire,
Breaks in successive dreams with night-long zeal,
For woe for weal;
But now is tipped with phosphorescent fire!

Daphne that sleep conjures,
Daphne that sleep endures
Whose hollow eyes survive to gaze at fate,
The darkness to illume,
The madness penetrate;
The misery to exhume
Within the spirit's seat;
To watch the wail its monody repeat.
For sympathy, divinely grand,
Can bridge ethereal ocean and escort,
From port to port,
The visionary sleeper by the hand.

To that ordeal set
Daphne her trial met:
The cup of sorrow crossed her ruby lip;
The dregs of earth she drained!
Who can that chalice sip
By its contents unstained?
Yet did she drink it dry,
To pledge her soul to human charity,

To sink into the bitter death:
Her glazing eyes dilated as they face,
In chill embrace,
The sharp concussion of its rimy breath.

Where fury touched its prime,
Not conscious of its crime,
Her eyes in patient wonder fix their sight;
Like serpents on their prey
On Madeline they alight.
They see the will obey,
Not long to oscillate,
The final cast that dooms her soul to hate.
They see with horror's bristled stare
In angry shade the orb of conscience sweep
The spirit's deep,
And with the passion in its triumph share.

Nor is her view confin'd
To the tormented mind,
Uttering as it ferments a tongue of flame.
She sees what gestures dire
Distort the sufferer's frame,
And register its ire.
Madeline in frantic rage
Enacts these antics on a holy stage,

An angel sleeping in her room.
In its unbridled fires her soul finds vent,
On murder bent;
Led surely on to meet her settled doom.

Her hand a poniard holds
Hid in the restless folds
That from the cincture at her waist descend,
To rustle as they flow;
And with her fury blend;
And with her phrensy glow.
Lit by the vengeful mind,
Their glare is tossed and maddened by the wind.
The flash, with scintillating rays,
Around her robe, asbestos-woven, sweeps;
And as it creeps
To her bright fingers, on the weapon plays.

From Daphne's pallid lid,
A full-grown tear had slid,
Her cheek with sorrow's seed to early sow.
And now the braided tress
In curls begins to flow
Stirred by the wilderness;
While trickle from each pore
Dew-drops that stain their track with limpid gore.

Sighs spread their fluctuating wings
To call down pity on the present hour,
As they outpour
The melody of prayer from broken strings.

Her hands are clasped in pain,
A shrill, heart-rending strain
Impinges terror on the startled air.
Madeline aroused in fright
Beholds her own despair
The angel's visage blight;
The pangs her heart that rack,
A face divine on her reflecting back.
Her eyes transfixed in stony fear,
Through horror's mask she gazes on the trance,
Until her glance
Is clouded over by a frozen tear.

Such anguish well she knows
From her own bosom flows:
And it disarms the rage that gores her brain.
On Daphne's neck she hangs;
Her love implores again:
Benumbed her recent pangs.
She wipes away the tears
One sorrow for another sorrow bears,

And in mute agony relates;
Asks, in remorse, the angel to revive;
Once more to live,
And look upon the one she consecrates!

As from a soul's repose
The angel's eyes unclose.
They open on their morrow; thither led
Lest present they deplore
The vision that had fled,
And sleep on earth no more.
Those scenes had they outrun
As fast as shadows dip before the sun.
Though moth-like scorched those loving eyes,—
Too sentient to endure the world of pain
And life sustain,—
Foreclosed in darkness were their agonies.

XIII. XIII.

VALCLUSA.
So did the Furies in their rage abate,
But left the soul adept though desolate.
Tranquil once more in that too short release,
Madeline regains an interval of peace.
Like the vast ocean struggling fate behaves:
Her course one stream, while intermit the waves.

CHORUS.

Who on the ruffled tides
Before the tempest glides,
No upward gaze to face the polar star
That yet the bark had saved?
Whose end, now not afar
Is on the tempest graved?
The bark with fluttering sail
Still scuds along in lonely passion's trail!

100

Madeline, whom fate all chance denied,
Had struggled as no other strove for love,
Nor rose above
The vulgar lot to suffer till she died.

She long was drawn from harm;
No unavailing charm
The angel's faith that long the wreck delayed!
With doom she wrestled on,
And oft its anger stayed,
And oft its pity won.
Yet she who keeps her pure
Scarce aids her soul its tortures to endure.
Sad is the presence of a saint!
Placed in its light is wailed the early sin,
That shrinks within,
Till self-repression chafes at all restraint.

So time drags on the chain.
The morn comes home again,
The even rests upon the weary globe:
The sun in spangles gay,
The moon in vestal robe,
Had each its holiday.
The winds still gently blew,
The groves their laurels wove in wreaths anew.

101

The rocks frowned o'er the stream untired,
The bard still watched his Daphne not afar,
His true lode-star;
And Madeline's wrong his quenchless anger fired.

VALCLUSA.

Reclining side by side
Two loving hearts divide
One peaceful beat, and share the self-same smile;
One time in breathing keep;
One dream along defile
Within the world of sleep:
Like symbols of the mind
Their rosy arms around each other twined.
In this new sympathetic state
They hold discourse, in question and reply,
And oft say, Why?
As with closed lids and open hearts they prate.

Each other's words they chase
In aptly chiming pace,
Then long they pause and cut the dream in twain;
Then, where they parted, meet,
And recommence the strain,
By absence rendered sweet.
Ideas with trouble fraught
Down in the filmy arms of sleep are caught;

102

Ideas, by these displaced below,
Uprise and to the level surface speed,
Like floating weed,
And the translucent margin overflow.

The spirit's ebbing tide
With buoyant thoughts they ride,
And take their pleasure to its listless falls.
One to another's eyes
A happy scene recals;
A happy scene replies;
One to another's ears
Invokes a better world, and heaven appears.
And now their steps the rise ascend:
In prints of angels' feet they run away,
At first in play;
But stop for breath before their journey's end.

The will on nothing set,
They turn without regret
To give their lips and tongues a faster play,
That lighter truth resolves;
And all they think they say
As memory revolves:
The future and the past
In novel moulds of mingled feeling cast.

103

“Once more to choose should it be thine,
Wouldst thou to earth this kindly visit pay?”
The answer, Nay!
But not with earnest smile although divine.

“Born to diffuse the grace
Of thy celestial race,
Yet truly wouldst thou, man himself to save,
Revisit earth and me?
To languish by the grave,
Though brief the term might be,
Then sum up all, above,
In one deep sigh of unrequited love!
Oh, if to choose once more were thine,
Wouldst thou, indeed, this tristful visit pay?”
The answer, Nay!
With yet less earnest smile, though more divine.

“Thou who didst pine to know
The pains endured below,
Couldst never more to this sad scene return,
To taste again of death;
To share the poet's urn,
To share the poet's wreath!
Let fate the suppliant keep,
And still pursue in waking and in sleep!”

104

But as the thought o'er slumber crept
The angel turned; in her a jarring note
Its utterance smote,
And her bruised ear in silent reverie kept.

On her begins to gleam
A dream within a dream.
An unborn slumber strangely felt in sleep
Lies quickening in the mesh
That drags oblivion's deep.
Nor came its breathings fresh.
It held her whom she served;
The dagger poised, the heart to vengeance nerved.
But that blank look which gazer chides
Ruled in the eyeball; as a statue's, bold
As it is cold:
Madeline in that hereafter which it hides.

And not less harsh a stream
Ran through the other's dream.
Her feet meandered with a pebbly shoal
Whose waters, seen before,
Were striving for some goal,
Though beating on its shore.
It was the golden beach
She long had tried, she long had failed to reach.

105

Then asked she, They who here begin,
Strict to the hour of prayer, the hour of song,
Lost in the throng,
Can they forget the memory of sin?

She paused on that sad thought,
For no response it brought.
Then from the broken theme she tasked discourse
Up to its babbling spring.
Unguarded was the source,
Nor thence 'twas hard to wring
A secret safely kept
Till wisdom in the angel's bosom slept.
“Tell me who dwells in yonder tower!
The restless winds flow thence across my brain
In gusts of pain:
Who can express the terror of their power!”

Unwary in her rest,
In thrilling tones addrest,
The angel whispers the seducer's name.
Now twangs the chord of hate:
The hour designed for shame
Struck by a watchful fate.
Shame, with a sudden rush,
Drowns the fair sleeper in its purple blush.

106

Silent she lies, her efforts vain
To speak or move; too early or too late,
For on her sate
An incubus and bound her with a chain.

A lifetime intervenes
With its few chequered scenes;
And these begin, glide on, and touch her prime;
Take fortune's rapid turns;
All in a flash of time
That scarce a moment burns.
An age appears its gleam;
The whole past blank relighted by a dream.
She enters now an hour unborn,
Bursting the future track that fate's decree
Had ruled to be:
The way untrod and yet for footsteps worn.

After a lapse of time
She utters thus her chime:
“He walks a sea of blood with ruby shore,
All carmine to the sky.
He sinks to rise no more.
Will he be let to die?
He drowns as now I gaze:
My eyes look on, intoxicate and glaze.

107

I must be gone, not idle stand
On these enchanted sands to count the beats
My heart repeats;
The loud reveillé tells the hour at hand!”

At this a trumpet's sound
The angel's heart winds round;
It echoes through her present memory
To when her life began:
In heaven was its reply.
The ghosts that slumber span,
Like voidings from the grave,
In terror pass; her soul becomes their slave.
By their relentless power appalled,
She looks on death, and to its dread event
Her will is bent,
As one whom fate had conquered and enthralled.

She who had lived to bless,
Gazed on the pitiless,
In anguish clinging to her mortal state.
Above her stood the Form,
Her heart to immolate
And scatter in the storm,
To dust her beauty change:
Her grave to be the whirlwind's sunless range.

108

Yet, as she swooned in sight of Death,
Her eyes saw heaven, not merciless or cold,
Its clouds unfold;
And in that trance she sighed away her breath.

CHORUS.

Ah, not in wanton mood
She gave up selfish good,
When none had envied her, though rich her store!
She pined her heart to train
In seats of human lore
And minister to pain.
Was there not much to learn?
The prize, now won, how hard alas, to earn!
But through her passport ran the grace
To meet this hour, to triumph at its end
As woman's friend,
And better than she left, her path retrace.

109

XIV. XIV.

VALCLUSA.

The trump of doom that Daphne's spirit rends
From her sweet body, and her trouble ends,
Is heard along the camp, where, slumber-bound,
The angels tremble in its piercing sound.
Startled as one, they straightway strike their tents:
It is the close of these divine events.
Accomplished is their task; the word of power
Has visible possession of the hour,
And to his last account has summoned hence,
To expiate in death his deep offence,
Him who knew passion yet no pity knew,
And with his love its human ties withdrew.
As they depart cloud-storms forthwith arise
From hidden seas; the frighted moon surprise.
The blowing mists and their wild shadows fly
Against the clinging colours of the sky,

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To now eclipse, now liberate their light:
A scene resembling not the day or night.
At length they rush before the heavenly queen
Who falls behind and is no further seen.

The angel's hour of peace
Saw not the struggle cease,
For it foretold the scarce less sudden close
Of one yet sadder lot.
Madeline in sleep arose
Her slumber waking not,
Bound to its purpose still
The work of fate to prosper and fulfil.
On Madeline's ear unnoticed fell
Those dying moans, her sense towards one event
Omnipotent,
Held in the grasp of one resistless spell.

Her tongue the silence keeps:
Her voice for ever sleeps;
But her fierce dream the stirring impulse moves,
With purpose blind and mute,
To act as fate approves,
And helps to execute.
Low rustlings of a wind
That in ravines remote had lagged behind,

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Attend her, mourning, on her path.
Her arm outstretched to grasp the dagger's hilt,
This slave of guilt
Resigns her footsteps to the weapon's wrath.

The poniard in her hand,
Poised like a fiery brand,
She glides to where it leads; her naked feet
In safety trace their way:
No obstacle they meet
Her journey to delay,
While rising like a star
The weapon lights her on her path afar.
From danger's way she nimbly turns;
Swayed by the winds she overhangs the gap;
Her garments flap;
But on its destined track her spirit burns.

She leaps from rock to rock
Unconscious of the shock;
Her tender feet by crystals cut and bled!
She fords the raging flood,
And leaves the ripple red
With traces of her blood.
She climbs the harrowing steep;
Now up, now down her wary footsteps creep.

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Along the brink, whose icy drip
In the abyss a roaring torrent finds,
Her course she winds,
Nor shuns the glacier in its headlong slip.

Again, her figure frail
The howling gusts assail;
Beside her track the precipice outspread.
But as in fairy dance
The nymphs on music tread,
Her well-timed steps advance.
Her magic guide is mute;
More safe to follow than the fulsome flute.
The very storms whose sudden gush
Thus vent aloud their undiscerning rage,
The fates engage
To poise her in the scale as past they rush.

Within the thunder's peal,
Her glory to reveal,
She stops, unshaken by the aimless crash.
She moves another pace
Into the lightning's flash,
Averting not her face.
Old votaries of fate,
Above her all the waters congregate:

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But not on heaven her eyes are bent,
Though there, to devastate the earth again
In ruin's train,
The ancient deluge rears a monument.

And where the lightnings smite
A world of day they write,
Then shut the page of their immortal book.
They smite upon the rock,
They smite upon the brook,
The fountains to unlock,
The hill-tops to display;
To show the night the equal of the day.
The high despotic vault they rive;
They marshal clouds of thunder to advance
And seize the chance
To plunder heaven of its prerogative.

With heavy fall and bound
Rain sweeps the troubled ground;
The playing waters froth the busy mud
Where amber-bubbles rush,
And airy vessels scud;
Their streams the gangway flush.
The leafy vine is riven
And from its moorings down the current driven.

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Queen of the storm, the sleeper wends
Along its van, and in the lightning's beam
Conducts her dream.
Disordered Nature on her rage attends.

Now comes with sphinx-like face
Ineffable in grace,
The ample moon encircled by her spell,—
Her own by right divine,—
The elements to quell,
They watch her glory shine.
She seems to bear in state
The secret of inexorable fate.
Nor she the rising towers conceals,
While Madeline, at the bridge that spans the moat,
In robes that float,
Walks in the flood of splendour she reveals.

In light and shadow told,
Are there the days of old.
Unwelcome is the stranger at the gate.
A watch-dog guardant lies
That in unsleeping hate
With mortal more than vies;
But when in measured grace
The sleeper's fearless steps his threshold pace

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'Tis he who feels the mortal dread.
He pours along the under-vaulted way
His hollow bay,
To warn the mighty living through the dead.

When through the gate she flits,
One at the portal sits
Encased in mail and armed with shield and spear.
As past his eyes she trips
They follow her in fear,
And silent are his lips.
Others the passage line
And with like awe look on her as divine.
Along the ranks her poniard's glare
Conveys no threat: but only seen the ghost
That threads the host,—
She of their solemn muster unaware.

The unclosed doorway leads
To where the banquet spreads;
And on the daïs, gay at the festal hour,
The guests in knightly grace
The red libation pour,
Each in his bannered place.
Why does the flowing wine
Congeal like clusters hung upon the vine?

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Why pass those looks of horror round?
Pale every face, one pale no more to flush.
They hear the gush,
The blood that gurgles from a mortal wound.

And in that self-same sleep,
So mystic, wild, and deep,
Madeline returns and by the angel lies.
Nor has the wound that bled,
Across her heavy eyes
Its ruby lustre shed.
That sleep, by justice sent
With dreams that ever echoed its intent,
Had worked for her its ample spoil.
And the seduced, the once seductile maid,
All hate allay'd,
Resumes her virgin slumber through its toil.

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EPILOGUE.

VALCLUSA.

Is she unhappy? No!
Hers is a hidden wo.
She loves him still, now free of passion's snare.
So let her conscience lie
Coiled up exempt from care,
As if uncast the die!
Heaven is at times content
To hide from view what man might else repent,
Though far removed from his controul:
Whence, in this act, was memory set at rest,
Not to attest
To deeds committed in the dark of soul.

Urged onward in her fate
To dream her love to hate,
Shall reason blame her in discourses vain,
With its poor sayings why:

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A fester called the brain
The laws eternal try?
These words the angels spake:
We saw the wave of retribution wake
With Madeline on its swollen crest,
Pillowed in dream and mounted to disband,
With guided hand,
An unrelenting sinner to his rest.

Fate was within all change;
Far sweeping was its range;
When Madeline, conscious of her heart's repose,
By Daphne's side reclined,
Till from that tomb she rose.
Two souls in death entwined
No more to separate:
Nor long they lay locked up in marble state.
Then timely rent the mortal seam,
That they at length in purity might vie,
As once they die,
And leave in sculpture their immortal dream.

One silent day is all
That bears in heaven their pall.
They winter in its sunshine, though its fire
Warm not their cold remains.

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On the funereal pyre,
Set free all mortal pains,
The relict Slander springs
And consecrates to death his burning wings.
Reluctant to survive the end!
That none the broken shaft hereafter throw,
Or palsied bow
Across the ashes of the dead distend.

Unknown to them their sleep,
As unborn Nature deep,
The angel first broke through its solid gloom.
Her gaze the dawn renewed
Within the sleeper's room,
When Madeline's breast she strewed
With green-winged budded rose,
Soon like her eyes its petals to unclose.
And not to greet that joy alone,
Upon a mother's heart, then cold as clay,
A babe she lay,
Its smiles on her to shower when morrow shone.

The angel early gave
A signal at the grave:
Morn's virgin ray had scarcely crossed the face
Of her who held her breath

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In soft sepulchral grace,
That figured early death,
When she the trumpet blew,
The bud once plucked in blossom to renew.
Three angels in advance arise;
They lead the narrow way, to earth unseen
That lies between
Immortalising forms and paradise.

Their arms each other round,
Those three in one are bound,
And face to face they drag their comely rays
Along a sunlit sky,
That scarce their path betrays.
Yet, like a galaxy,
Vast wonders they display;
New heavens create for earths that pass away.
And ever they reveal fresh charms,
In circling beauty, to each other's love;
And float above
Linked in the sweetness of each other's arms.

CHORUS.

Faith is the name of one:
In soul the most alone.

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A cross her vision fills and unerased
Within her ever burns:
By her its symbol chased
On cinerary urns.
No doubt her being chills
That with its raptures all creation fills.
The elder of this triple throng,
Her eyes as marble dim, and cold her sight
To Nature's light,
She seems scarce kin to those she dwells among.

Then Hope with beams that dance
Athwart her pearly glance!
As through the leaves the fitful glimmer plies,
She lights the shades of love
With sun-drops from her eyes,
And draws all hearts above.
They who desire to live,
Though fleeting be the wish, in her survive.
The voice of Nature calls on her
From the round earth, and when she is not near
Is she most dear;
And all aspire to be her passenger.

And how less dreamy she
The younger of the three!

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She envies not, and all her bounty hides
The more all hearts to move.
She vaunts not, nor she chides,
For all her words are love.
Charity never fails,
She all outlives and over all prevails.
And she alone can never die!
With a career and destiny sublime
That outstrips time,
She lingers ever in eternity.

VALCLUSA.

Their path the pilgrims find,
And with no careworn mind
As when the euthanasia was at hand.
For films of fancy spun
By the sweet triple band,
Are into traces run
To drag a load of love;
The web by heavenly machinations wove.
The gossamer in glistening strings
Drawn out like ray from ray and thought from thought,
So finely wrought,
Waves to and fro on its ethereal wings.

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The three, with welcome, greet
The way-worn pilgrims' feet,
And bear them upwards as they pass the knell.
Burst then was Nature's tie;
But garbs were left to tell
Of those for once who die.
Their stoles they leave behind,
And in the phosphor clouds their members bind.
There they abide the frisky team,
Broke in the sun for pilgrims on their way
To distant day,
Whence earth seems gilded over like a dream.

Soft beads of evening dew
The jointed cords bestrew,
And glisten with an image of a star.
The loose, tenacious thread
Gets tangled in the car
Which holds the souls once dead,
Who, through the realm of night,
Take with the laughing babe their rapid flight,
Bound for the verge of paradise.
They give one look at earth before they move;
One look of love;
Then, like a wain, in right ascension rise.