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Life and Phantasy

by William Allingham: With frontispiece by Sir John E. Millais: A design by Arthur H. Hughes and a song for voice and piano forte

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 I. 
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II.—BY THE POND.
  
  
 III. 
 IV. 
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II.—BY THE POND.

“These walls of green, my guarded Queen!
A labyrinth of shade and sheen,
Bar out the world a thousand miles,
Helping the pathway's winding wiles
To pose you to the end. Now think,

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What thanks might one deserve for this—
Which lately was a swamp, and is
An elfin lake, its curving brink
Embost with rhododendron bloom,
Azaleas, lilies, jewelries,
(Ruby and amethyst grow like these
Under our feet) on fire to dress,
Round every little glassy bay,
The sloping turf with gorgeousness?
As right, we look our best to-day;
No petal dropt, no speck of gloom.
Emmeline, this faery lake
Rose to its margins for your sake;
As yet without a name, it sues
Your best invention; think and choose.
Its flood is gather'd on the fells,
(Whose foldings you and I shall trace)
Hid in many a hollow place;
But through Himalayan dells,
Where the silvery pinnacles
Hanging faint in furthest heaven
Catch the flames of morn and even,
Round their lowest rampart swells
The surge of rhododendron flow'rs,
Indian ancestry of ours:
And the tropic woods luxuriantly
By Oronooko's river-sea
Nurtured the germs of this and this;
And there's a blossom first was seen
In dragon-vase of white and green
By the sweetheart of a mandarin,
Winking her little eyes for bliss.
Look, how these merry insects go
In rippling meshes to and fro,
Waltzing over the liquid glass,
Dropping their shadows to cross and travel
Like ghosts, on the pavement of sunny gravel.

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Maybe to music, whose thrills outpass
Our finest ear,—yes, even yours,
Whom the mystery of sound allures
From star to star. In this gulf beyond,
Silent people of the pond
Slip from noonday glare, to win
Their crystal twilights far within.
See the creatures glance and hide,
Turn, and waver, and glimmer, and glide,
Jerk away, ascend, and poise,
Come and vanish without noise,
Mope, with mouth of drowsy drinking,
Waving fins and eyes unwinking,
Flirt a tail, and shoot below.
How little of their life we know!
Or these birds' life that twittering dart
To the shrubbery's woven heart.
Which is happier, bird or fish?
Have they memory, hope, and wish?
Various temper? perverse will—
That secret source of boundless ill?
Why should not human creatures run
A careless course through shadow and sun?
Ah, Love, that may never be!
We are of a different birth,
Of deeper sphere than the fishes' home,
Higher than bird's wings may roam,
Greater than ocean, air, and earth.
The Summer's youth is now at prime.
Swiftly a season whirls away.
Two days past, the bladed corn
Whisper'd nothing of harvest-time;
Already a tinge of brown is born
On the barley-spears that lightly sway;
The plumes of purple-seeded grass,
Bowing and bending as you pass,

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Our mowers at the break of day
Shall sweep them into swaths of hay.
So the season whirls away.
And every aspect we must learn,
Every changing mood discern;
All sides, over the country speed,
‘She upon her milk-white steed,
And he upon his gray,’ to roam
Gladly, turn more gladly home;
Plan, improve, and see our tenants;
Visit neighbours, for pleasure or penance;
Excellent people some, no doubt,
And the rest will do to talk about.
June, July, and August: next
September comes; and here we stand
To watch those swallows some clear day
In a birdish trouble, half perplex'd,
Bidding adieu their tribe's old way,
Tho' the sunbeam coaxes them yet to stay;
Swinging through the populous air,
Dipping, every bird, in play,
To kiss its flying image there.
And when Autumn's wealthy heavy hand
Paints with brown gold the beechen leaves,
And the wind comes cool, and the latest sheaves,
Quivers fill'd with bounty, rest
On stubble-slope,—then we shall say
Adieu for a time our fading bow'rs,
Pictures within and out-of-doors,
And all the petted greenhouse flow'rs.
But, though your harp remains behind
To keep the piano company,
Your light-strung Sprite of Serenades
Shall watch with us how daylight fades
Where sea and air enhance their dyes
A thousand-fold for lovers' eyes.
And we shall fancy on far-off coast

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The chill pavilions of the frost,
And landscapes in a snow-wreath lost.
—You, the well-fended nun like child,
I, the bold youth, left loose and wild,
Join'd together for evermore,
To wander at will by sea and shore,—
Strange and very strange it seems!
More like the shifting world of dreams.
Choose at will your path, my Queen,
Through this labyrinth of green,
As tho' 'twere life's perplexing scene.
To go in search of your missing book,
You careless girl? one other search?
Wood or garden, which do you say?
'Twere only toil in vain; for, look—
I found it, free of spot or smirch,
On a pillow of wood-sorrel sleeping
Under the Fox's Cliff to-day.
Not so much as your place is lost,
Given to this delicate warden's keeping,—
Jasmin that deserves to stay
Enshrined there henceforth, never toss'd
Like other dying blooms away.
Summer, autumn, winter—yes,
And much will come that we cannot guess;
Every minute brings its chance.
Bend we now a parting glance
Down through the peaceful purity,
The shadow and the mystery,
As old saints look into their grave.
Water-elves may peep at me;
Only my own wife's face I see,
Like sunny light within the wave,
Dearer to me than sunny light.
It rose, and look'd away my night;
Whose phantoms, of desire or dread,
Like fogs and shades and dreams are fled.”