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ODE XXVIII.
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41

ODE XXVIII.

[Best of Painters, hear my prayer]

Best of Painters, hear my prayer,
Best of Painters, now prepare,
Master of the Rhodian art,
To paint the mistress of my heart,
Tho' she be absent, yet attend,
And paint from me my lovely friend.
Paint me the hair in tender state,
The hair both black and delicate,
And, if art so far can dare,
Breathing odours through the air;
And paint me from the perfect brow
The pure and ivory forehead now,
Only more holy, chaste, and fair,
O'ershaded by the violet hair.
For me the eyebrow neither part,
Nor wholly mingle by thy art;

42

But like herself the brows design,
Undiscernibly to join;
The circling eyelids black as night
Make for my divine delight;
And make the eye of living fire,
The soul and fountain of desire,
At once, like arm'd Minerva's, grey,
Shedding feminine dismay,
And wet, like beauty's queen above,
And trembling with inconstant love.
Paint me the cheeks, and arched nose,
Let milk be mingled with the rose:
Paint me the lip, persuasion's throne,
And pouting to be kiss'd anon.
Paint me the delicate chin below;
And let the neck like marble glow,
Stately, and fair as nascent day,
And every grace around it play.

43

And, Painter, what may yet remain,
Stole her in robe of purple grain,
Through which some part of her may shine
Of all, that's lovely and divine:
Enough: her very self I see:
Picture, perhaps, thou'lt speak to me!

44

[_]

There is no version of Ode XXIX.