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Household Verses

By Bernard Barton
Barton, Bernard (1784-1849)
  
[epigraph]
  
[dedication]

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HOUSEHOLD VERSES.
  
TO THE QUEEN.
  
BIRTH-DAY VERSES.
  
THE STATUE OF MEMNON.
  
SONNET,
  
HYMN,
  
VERSES,
  
TO A PROFESSIONAL FRIEND,
  
ON THE PRAYER OF THE POOR PUBLICAN.
  
SONNET, IN MEMORY OF MARY JESUP, OF HALSTEAD.
  
A REQUIEM,
  
NEW-YEAR VERSES, 1841.
  
SONNET.
  
THE YELLOW-HAMMER;
  
TO THE MEMORY OF ELIZABETH HODGKIN.
  
A CHARADE SONNET.
  
STANZAS,
  
FARNHAM CASTLE.
  
SELBORNE.
  
TO E. F.
  
“A CHRISTIAN IS THE HIGHEST STYLE OF MAN.”
  
SONNET,
  
ON THE GOING OUT OF THE OLD YEAR.
  
THE SHUNAMMITE WOMAN.
  
HOPE FOR THE MOURNER.
  
SONNET,
  
THE DESCENT FROM THE CROSS.
  
THE BIBLE.
  
SONNET,
  
A SLIGHT MEMORIAL
  
RECOLLECTIONS OF A VISIT TO AMWELL
  
STANZAS,
  
TO THE B. B. SCHOONER,
  
TO EDITH LUCY S.
  
FIRE-SIDE VERSES.
  
THE POOL OF BETHESDA.
  
SONNET,
  
A WORD FOR PEACE.
  
TO A FRIEND ON HER BIRTH-DAY
  
STANZAS,
  
TO MY DAUGHTER ON HER BIRTH-DAY,
  
A LAMENT.
  
STANZAS,
  
SONNET.
  
A SEA-SIDE SONNET.
  
ONE MORE TRIBUTE
  
A STRANGER'S MEMORIAL.
  
STANZAS.
  
SONNET,
  
TO THE DEAD IN CHRIST.
  
A POET'S MITE TO A BAZAAR.
  
SONNET,
  
SONNET,
  
WHAT IS SLAVERY?
  
EGYPT AND THE NILE.
  
STANZAS,
  
TRIPLETS,
  
TO THE PENATES.
  
SUNSET.
  
A THOUGHT.
  
VERSES,
  
SCOTTISH SCENERY;
  
EMMA:
  
TO------.
  
ON A DRAWING OF THE COTTAGE AT ALDBOROUGH,
  
THE MEMORY OF THE DEAD.
  
ON A PORTRAIT OF JOHN BUNYAN.
  
SPRING FLOWERS.
  
A POET'S MEMORIAL
  
FAITH, HOPE, AND CHARITY.
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SONNETS, WRITTEN AT BURSTAL.
  
INTRODUCTORY VERSES.
 I. 
SONNET I. BERRY'S HILL.
 II. 
SONNET II. THE SEAT AT BERRY'S HILL.
 III. 
SONNET III. THE SAME SCENE, CONTINUED.
 IV. 
SONNET IV. IN THE SHRUBBERY, NEAR THE COTTAGE.
 V. 
SONNET V. THE BURSTAL LAKELET.
 VI. 
SONNET VI. THE TWO OAKS.
 VII. 
SONNET VII. EVENING EFFECT ON THE VALLEY.
 VIII. 
SONNET VIII. BURSTAL, IN THE FOUR SEASONS.
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[section]
  
TO I. AND G. H.
  
FRAMLINGHAM CASTLE.
  
HELMINGHAM HALL.
  
MARY'S DIRGE.
  
A POET'S MEMORIAL
  
“JESUS CHRIST THE SAME YESTERDAY, TO-DAY, AND FOR EVER!”
  
TO ANNA---.
  
A POSTSCRIPT;
  
STANZAS.
  
A CHILD'S DREAM.
  
JOHN EVELYN.
  
A COLLOQUY WITH MYSELF.
  
ORFORD.
  
ORFORD CASTLE.
  
THE DEPARTED.
  
ON A DRAWING OF NORWICH MARKET-PLACE
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FOR THE QUEEN'S ALBUM.
  
Introductory Note to the two following Album Verses.
  
[section]
  
[section]
  
TO THE DEBEN.
  
TO A VERY YOUNG HOUSE-WIFE.
  
SONNET, TO THE MEMORY OF GAINSBOROUGH;
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SILENT OR QUAKER GRACES.
  
[To these Thy gifts, and all to Thee we owe]
  
[Father, we thank Thee! from Thy bounteous store]
  
[Whether we eat, or drink, or whatsoever]
  
IN PROSPERITY.
  
IN ADVERSITY—OF GOD'S APPOINTING.

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187

SONNET II. THE SEAT AT BERRY'S HILL.

It was a happy thought—upon the brow
Of this slight eminence, abrupt and sheer,
This artless seat and straw-thatched roof to rear;
Where one may watch the labourer at his plough;
Or hear, well-pleased, as I am listening now,
The song of wild birds falling on the ear,
Blended with hum of bees, or sound more drear,
The solemn murmur of the wind-swept bough.
Tent-like the fabric! in its centre stands
The sturdy oak, that spreads its boughs on high
Above its roof; while to the unsated eye
Beauteous the landscape which below expands!
Where grassy meadows, richly cultured lands,
With leafy woods and hedge-row graces vie.
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