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The Poetical Works of the Rev. George Croly

In Two Volumes
Croly, George (1780-1860)

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VOL. I.
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PARIS IN 1815.
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PART I.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL.
 XLI. 
XLI.
 XLII. 
XLII.
 XLIII. 
XLIII.
 XLIV. 
XLIV.
 XLV. 
XLV.
 XLVI. 
XLVI.
 XLVII. 
XLVII.
 XLVIII. 
XLVIII.
 XLIX. 
XLIX.
 L. 
L.
 LI. 
LI.
 LII. 
LII.
 II. 
PART II.
  
THE DEATH OF LEONIDAS.
  
ON THE BUST OF THE LATE QUEEN OF PRUSSIA, IN THE KING'S CHAMBER AT BERLIN, 1812.
  
NOON.
  
THE PEN.
  
THE POET'S HOUR.
  
CZERNI GEORGE.
  
THE ANGEL OF THE WORLD.
  
ON THE GRAVE OF MAJOR SCHILL,
  
ON THE DEATH OF ORPHEUS.
  
SANDT, THE MURDERER.
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GEMS, FROM THE ANTIQUE;
  
PERICLES AND ASPASIA.
  
THE GENIUS OF DEATH.
  
A WOMAN CONTEMPLATING A HOUSEHOLD GOD.
  
LEONIDAS.
  
CASTOR AND POLLUX.
  
CUPID BREAKING THE THUNDERBOLT.
  
A FAUN.
  
CUPID CARRYING PROVISIONS. A.D. 1600.
  
SAPPHO.
  
DIANA.
  
GENIUS BOUND.
  
BACCHUS ON A PANTHER.
  
THESEUS.
  
A TRITON AND NEREID.
  
ATALANTA.
  
SILENUS LOOKING AT A GOBLET.
  
VENUS CLIPPING THE WINGS OF CUPID.
  
FLORA.
  
THE EDUCATION OF BACCHUS.
  
PINDAR.
  
INSCRIPTION FOR AN ANTIQUE CASKET, CONTAINING A RING.
  
THE BATTLE SONG.
  
DEATH.
  
THE MAGIC LAMP.
  
NELSON'S PILLAR, AT YARMOUTH.
  
THE INDIAN GIRL AND SERPENT.
  
A SKETCH FROM LIFE.
  
ON A GRAVE AT WATERLOO.
  
ON A PORTRAIT, BY MASQUERIER, OF A LADY STANDING BEFORE A GLASS.
  
INSCRIPTION ON AN URN.
  
SEGUIDILLA.
  
NAPOLEON. 1820.
  
THE WINTER'S EVENING.
  
AN ÆSTUARY.
  
MIDNIGHT.
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VOL. II.
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CATILINE;
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
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ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
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ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
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ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
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SEBASTIAN.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V. THE HYMN.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII.
 XXXVIII. 
XXXVIII.
 XXXIX. 
XXXIX.
 XL. 
XL. ZEPHYR AND THE ROSE-NYMPH .
 XLI. 
XLI.
 XLII. 
XLII.
 XLIII. 
XLIII.
 XLIV. 
XLIV.
 XLV. 
XLV.
 XLVI. 
XLVI.
 XLVII. 
XLVII.
 XLVIII. 
XLVIII.
 XLIX. 
XLIX.
 L. 
L.
 LI. 
LI.
 LII. 
LII.
 LIII. 
LIII.
 LIV. 
LIV.
  
LORENZO DE' MEDICI.
  
THE ARTIST'S CHAMBER.
  
EPITAPH.
  
SATAN.
  
THE PROPHET'S SCIMITAR.
  
THE SONG OF ANTAR.
  
INSCRIPTION ON ALEXANDER OF MACEDON.
  
INSCRIPTION FOR THEMISTOCLES.
  
ROSOLIA.
  
REBELLION.
  
EPITAPH ON AN OLD CULTIVATOR.
  
THE ENTRY INTO JERUSALEM.
  
THE LILY OF THE VALLEY.
  
THE PAINTER.
  
JACOB'S DREAM.
  
ON THE RUINS OF MESOLONGHI.
  
INSCRIPTION FOR A GROTTO.
  
THE SIBYL'S TOMB.
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LINES ON THE DEATH OF HER ROYAL HIGHNESS THE PRINCESS CHARLOTTE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.

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266

THE ARTIST'S CHAMBER.

A SKETCH ON THE SPOT.

The room was low and lone, but linger'd there,
In careless loveliness, the marks of mind;
The page of chivalry, superb and drear,
Beside a half-fill'd vase of wine reclined,
Told how romance and gaiety combined.
And there, like things of immortality,
Stood statues, in their master's soul enshrined,
Venus with the sweet smile and heavenly eye,
And the sad solemn brow of lovely Niobe.
267

And scatter'd round, by wall and sofa, lay
Emblems of thoughts that love from earth to spring.
Upon a portrait fell the evening ray,
Touching with splendour many an auburn ring
That veil'd a brow of snow; and crimsoning
The bending Spanish cheek with living rose;
And there lay a guitar, whose silvery string
Breathed to the wind; like beauty in repose;
Sighing the lovely sounds that bade her blue eye close.
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