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The Age Reviewed

A Satire: In two parts: Second edition, revised and corrected [by Robert Montgomery]

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 I. 
 II. 
PART II.
  


161

II. PART II.

“------ now
I mean to show things really as they are,
Not as they ought to be: for I avow,
That, till we see what's what,—we're far
From much improvement with that virtuous plough
Which skims the surface, leaving scarce a scar
Upon the black loam, long manured by Vice,
Or to keep its corn at the old price.”
Byron.


163

------ θρασυ μοι τοδ' ειπειν
[OMITTED] Μαλακα μεν φρονεων εσλοις
Τραχυς δε παλιγκοτοις εφεδρος
Πινδ. Nem. VII.—4.

Have mercy Smith! —what novels bend the shelves,
In fat octavoes and in flimsy twelves!

164

Those printed gew-gaws to defile the crude,
Where Fashion yearns to cuckold or be woo'd;
And sentimental misses and coquettes,
Like sucking pigs, whine out their soft regrets:—
Here school girls learn the load-stone of their eyes,
The flush of feeling and exchange of sighs;
Each heart-felt twitch romantic love endures,
Till passion tickles,—and elopement cures!
E'en sluttish housemaids crib a farthing light,
To whimper o'er the novel's page by night;
And then, like heroines, scorning to be wed,
Next night make John the hero of their bed!

165

How sweetly tempting, flounce the florid troop
Of pleasing sinners in the novel group,
While sensual mewlings charm the easy ear,
Till every crime is worshipped with a tear!
A wanton maid, voluptuous, sweet as May,
Shaped like a Venus from the ocean spray,
Is doomed, (frail thing!) to pluck her virgin flower,
For some young rake, within a moonlit bower:—
Severe to judge, such simple nature there!
“Bewail! sobs Léfanú —an injured fair!”

166

Each week turns out a garbled lump of shame,—
Some pand'ring novel with a far-fetched name,—
Or wind-blow from disorder'd craniums blown,
The filthy brain-work of the small “Unknown:”
High-pric'd the venal grubs their varnish sell,
'Twill warm old maids and titillate the belle;
From them will Jerdan peck, and Colburn puff,
Till all but author cry out,—“quantum suff!
Thou book-worn hack of Swansea, cease to write,
May each vile volume wither from our sight;

167

And with thee, Helme, and all the junto end,
That live by lech'ry, and for sluggards vend.
The season buds with boundless book-supply,
New hacks to barter, and new fools to buy;
Lo! on the fly-leaf of each awful page,
What pen-born wonders to astound the age!
Now for a harvest of seven-shilling dowers,—
Now for the puff whose promise overpowers!
Select old bundles of remember'd lies,
A genteel plan for making mutton pies;—
The tales of vagabonds, on land and sea,
And rhyme by furlongs,—treatises on tea:—
But oh! turn liquid all ye mouths of ton!—
What nice new novel prate the times upon?

168

'Tis buzzed by blues from Bond Street to May Fair,—
The papers hint, —the novel-shops declare—
A flashy hodge-podge, by a certain dame
Of ancient kennel and reputed fame,
From Colburn's winter stock, will straight appear,—
Ye wittals tremble, and ye beldames fear!

169

'Tis out!—the sland'rous tattle of each room,—
Belinda's ancle, and Theresa's plume,—
The sweet soft mewlings of each luckless bawd,
The eye that melted and the frown that awed;
All the stewed malice of each flirt-famed street,—
Within three tomes of scribble most complete!
The gifted parent of this heavenly lore?—
D'Israeli,—Hook,—or any vain-struck bore.
Dull Vivian Grey, that fluster'd for awhile,
Tremaine, whose vapours made the Deist smile;

170

Cosnétt's fine trump'ry, furbished for the fop,
Approved Matilda—smelling of the shop:—
The monster Frankenstein, from Shelley's brain,
Enjoyed, like other trash, a spurious reign:
But bungling blasphemy concealed in “Truth,”
Came, culled by Hunt, to taint unheedful youth!
Thou cankered Pagan! never may'st thou win
By impious sneers, one convert to thy sin.
One word to thee, whose cheap-bought brains supply
The lettered garbage for each reading stye:

171

Will not the hoarded heaps within thy chest
Feed the vile cravings of a selfish breast?
Go, monger,—all thy manufact'ry stop,
And drive the novel-panders from thy shop;
Yet, ere thou leave the fetid mass of lies
The minion of thy Pallas press supplies;
Think on the taintless hearts thy dross defiled,—
Think on the youthful ones thy hacks have wiled!
In thy lewd leaves how many pens have taught,
The filth of fancy, and the lust of thought;
The cackled wailings of lascivious lore,—
The heart to perjure, and the tact to whore.
Since Harriet's terse aristocratic tale,
Improved the ton with memoirs of the frail,

172

Lo, grey-haired vanity has mimed the dame,
By printing records of forgotten shame.
Now, gouty dramatists, whose brains run o'er,
Concoct for sale an egotistic store;—
Some prime bon mots, or puns of Adam's time,
Some sweet remembrances of youthful crime;—
Thus handsome Reynolds in two prurient tomes,
Reveals his black-eyed strumpet, plots and homes;

173

Next, Keefe, at fourscore, piles loquacious chaft,
In praise of jorums, green rooms, self, and raff;
While vapid Craven, though a Margravine,
Pourtrays her phiz—not all that she has been!
The last mean vamper of recorded trash,
Comes sleepy Boaden —sniffing for the cash.
Columbian deeds in story scarcely reign,
E'en Cook and Otaheite are on the wane;

174

So fast learn'd vagabonds defame the earth,
So fast their blund'ring quartos spring to birth!

175

Pleased with the Pole, brave Parry sticks in ice,
Where Behring Straits and shaggy bears entice,

176

Awhile, with grog and whiskey, warms the year—
Can John Bull deem a three-pound quarto dear?
Disturbed at Parry's fame, a moon-struck race,
Forsake at once their creditors and place;—
To measure pyramids,—descend a tomb,
And filch a mummy from its catacomb;—
Or traverse deserts on a camel's back,
And prove that China's walls kept Tartars back!—
Dispose the Nile, and hear a sea-pig roar,
Convert a Mussulman, or shoot a boar:
Sail over Dover's Straits, with book to note,
Observe each sign-post,—get each inn by rote,
With Denham's glance, survey the land and sky,
How gluttons gobble, and how French cooks fry,
Ransack the Louvre, yawn at classic plays,
Depict Parisian modes, and Sabbath-days,
Mark priest-blind Charles his ivory cross adore,
Contrive three volumes, and denote them “Tour,”

177

“A Tour to France!” the crazy public cries,
Reviewers gape—and Prince Puff Colburn buys.
There are who scribble till their brain is sore,
And filter folly from their dregs of yore;
And such art thou, now lagging through the scene,
Mighty in talent, and in moral mean!
Acute in books, yet blund'ring at the heart,
Prating on truth, yet acting falsehood's part:
Misguided, miserably gifted man,
Be wisely free, a patriot if thou can!
What! hath not sad experience raised thy soul
From passion's sink, to purity's control?
Hath not Affliction's adamantine rod
Burst every bolt that barred thee from thy God?
In vain—in vain—like an uneasy door,
Thou creak'st, and harp'st upon the times of yore,

178

When blood and blasphemy defiled mankind,
And France became an image of thy mind.
Then wipe pollution from thy weary pen,
Refine, and not debase, thy fellow-men;
If not,—then know, though England sullied be,
She's good and wise enough to laugh at thee!
But, who art thou, that with lascivious eye,
Stand'st looking on, with neck and nose awry?
Off!—off!—debased, defiled, and truly dear
To those alone who'd plant Rebellion here:
Out on thee! unsex'd, unbelieving jade,
For blasphemy and revolution made;
And shame upon that highly-gifted mind,
That ought to be a bulwark for mankind;
But now degraded to the dirty task
Of cloaking meanness with a patriot's mask:
And scrawling volumes on Hibernian eyes,
To swell imagination's harlot sighs!

179

Pierce Egan! —thou, whose polished pen can throw
Round bulls and asses a descriptive glow;
Poetic painter of the proud delight,
When ruby noses rattle at the fight,—
While lords and lubbers emulate their grooms,
Thy name on every hunting bonnet blooms!
When dead, thine image hung on “Pussy's” tail,
Will raise the jehu's sob, and jockey's wail;
To thy clean page of never-hidden sense,
Our Berkley blossoms owe each fine pretence;
There, dung-rear'd minions learn manuring lore,
And giggling Jerries to be Toms no more!
From authors, turn we to the critic tribe,
Well panoplied with serpent eye and gibe;

180

The canine, noisome, unrepenting herd,
That snarl, like bull-dogs, o'er each luckless word;
Skilled but to jeer, or like poltroons assault,
Commit the blunder, and create the fault;—
Save frown and censure softly sink away
In the full languishment of balmy pay!
Who reads to trust?—who dreams the dies of heaven
Will last unchanged from morning to the even?
Who thinks to split a rainbow with a straw,
Or find a gem in every goose's maw?
Such puling puppets are the critics turned,
By craft and perjury, their bread is earn'd;
Lurked back, like spiders in their dismal holes,
They mangle merit, and belie their souls.

181

To mark the glow of fancy on the page,
The lucid picture and conception sage,
Those genial graces of vivacious style,
That deck the subject while the truths beguile;
To trace the fearless beauties of each line,
Dissect the parts, and then the whole combine;
Unwarped by hate or parasitic zeal,
Chastise all faults, and yet all merits feel,—
Thus should the critic o'er the book preside,
While taste selects, and wisdom leads the guide.
The Quarter's Oracle, —of Whigs the fear,
Where Tories fumble, and apostates sneer;

182

What fawning fools compose the scribbling crew,
What brainless bantams strut in John's Review!
Three-fourths o'erspread with ministerial fume,
And only one to knell the author's doom!
Here, cackling noodles tuned to Lockhart's croak,
At sixteen pounds per sheet, the Whigs provoke;
Or vap'ry vengeance on some victim wreak,
And wither genius for a paltry pique;
Minions to Lockhart and to Murray's wink,
For hire, they hack and howl, and forge and think!

183

Ram of the flock, apostate Southey there,
For fifty pounds purveys a double share;—
Sometimes a lump of Gifford's fiendish hate,
Completes a volume, and upholds the state;
Next Milman, cresting up his full-blown self,
Defames for envy, and reviews for pelf;
And grins, like Croker, when his curse o'erthrows
The minds that rival his ten-footed prose:

184

Coleridge and Barrow, in their equal turn,
For proper dabs the Murray stipend earn.
Let Croker now depicting notice share,
That Aristarchian prig from Russell Square;
So orthodox in apish Brummell's creed,
His virgin eye can scarce another read!
If frothy pertness and presuming taste,
Ironic venom and resentful haste,
Create the critic now—then thou art he;
In these, smug Croker, who can rival thee?
Was Pope ne'er wanton,—peevishly impure,
Desire too raging for his strength to cure?
Did Blount not dawdle with the “thinking rake,”
And Wortley's naked limbs his transport wake;

185

Or send, when asked, the fair “Circassian” girl?
Did Pope chicane not with contracting Curl?
With jargon framed by folly and by spite,
And all his hatred stealing into light;
This pouncing scribbler, in a fulsome rage,
Raked up perverting lies for Roscoe's page;
And mauled the dregs that Gilchrist left behind,
To squeeze the innate poison from his mind!
Alack, for Roscoe! when so base a pen
Protects that Cruscan bard of “wooden men,”

186

Who, beat by Bowles, bemoan'd for critic strength,
And sneaked, and cring'd, till Croker whin'd at length!
Delicious task! —to wipe pollution clean,
And mete the moral by the verse obscene;

187

To pile up slanders on a virtuous head,
And stab the living to support the dead!

188

While genius flowing from a source refined,
And all the gentler graces of the mind;
While spotless age, more reverend as more grey,
Adorn our isle, and consecrate their day,—
Thy honours, Bowles, shall wear perennial bloom,
And Fame her halo shed around thy tomb:

189

When all this bribe-fed gang shall sleep forgot,
And dust unhonour'd strew their burial spot,
Relenting Time shall pay its just arrears,
Thy soul in heaven, thy memory in our tears!
That bloated reveller on poor Longman's purse,
Reviewing laird of English prose and verse,
Self-loving Jeffrey,—butchers still content,
Pleased with his hire, and proud of his descent:
Around him crawl the insects of his will,
With blushless zeal to prostitute their quill;
Or torture talent, and profanely hack
The hunted victims of their pen and pack.

190

Though all the knaves of Edinburgh confess,
Their Scotch Review the censor of the press,
The froth and fury of this reckless league,
Betray the infamies of Whig intrigue:
Whose heath'nish tongue praised Europe's murd'ring foe,
Who wiped the blood-stains of his frequent blow;
And, linked with Jacobins, have vilely sneer'd
At England's glories, and her rites revered?
Whose Jesuistic rant has tried to fan,
And raise up rebels from the vulgar clan?—
The Scotch Review!—th' accursed vamp for all
That surly Brougham, or simpering Sidney scrawl,
For all the inebriate lies of party rage,
And dunghill democrats that soil the age;—
Oh! might discerning Truth her foes surpass,
And fling from England's isle, this vip'rous mass!

191

Blest is the bard, who far from J---'s frown,
Secures a column for a week's renown;
How “grand,”—“delightful,”—“beautiful,”—“divine,”—
“Most charming,”—“rich,”—“surpassing,”—“superfine:”—
All, all the epithets to poets dear,
Pour from his quill, and melt the reader's ear:
Ye precious darlings, whose ingenuous stuff
Has winged upon the pinions of a puff,

192

Be cautious, careful, how and where you write,
Some little truth which should not see the light!
Or else the fury of his vial flames!
Woe to your drivel, and your ding-dong claims!
Hark!—hark!—his Aristarchian thunders roar,
And ye are damned for ever—evermore!
But who is he that with sardonic smile,
And jealous eye, and lip weighed down with guile,
Sneaks by, with pedlar sketches at his back?
The monarch of the small-beer poet pack!
The mighty would-be cock of prose and rhyme,
Like Balaam's donkey, moaning the sublime!—
Alike so hated by his friend and foe,
That they applaud who would not dare the blow:
Then, let the truth be heard, although on me
He dash his thunderbolts of obloquy!

193

For friend, and printer, artist,—all aver
Thee, Alaric, a true poetic cur:
Delighted, when revengeful envy throws
Thy bilious drivel, on some verse, or prose,—
Entranced, if Jerdan yield a barter'd page,
Where, on young merit thou canst vomit rage,—
In heaven itself, when callous lies can doom,
Emerging talent to thy former gloom!
Did Byron's laurels feel thy blackening slime,
And forged detection of his thought and rhyme?
Did Wisdom thank thee for the fierce lampoon,
Or dub thee, “Pasquin,” and a worse poltroon?
How well the grov'ling task adorn'd thy fame,—
To link a Byron to piratic shame!
For this dull deed, may ne'er thy rhyme again
Crawl through a page, or hobble in a strain;
But injured genius blast thy venal muse,
And drive thee, snarler, to thy fostering blues;

194

Remorseful there, dissect thy feeble line,
And print us all the tinsel, purely thine.
We hail that day, when Romish fetters ceased
To slave the press,—and candid powers released,
Allowed each Briton honest truth to cite,
And strength and weakness, their alternate right;

195

But now, the press with lawless sway outgoes,
Denouncing private, more than public foes;
The good and great, the noble and the mean,
Alike endure the arrows of its spleen.
Lord of the squib, and primate of the pun,
Fat Theodore, thy wreaths for these are won!

196

The ton's hired Comus thou,—thy brains each week
Can void in columns, puns thou dar'st not speak;
Who, prompt, like thee, can hatch an unclean joke,
Or give to bawdy wit the master stroke?
So meaningly, who throw the smutty hint,—
Thou punning improvisator in print?
May George enrol thee for his Windsor fool,
A dinner wit, surpassing Villiers' school!
The meanest carle that vends a Sunday sheet,
Whose pen can perjure till the lie's complete,

197

Lampooning Hunt,— with fiendish growl appeals,
And licks the refuse shook from Cobbett's heels;

198

Traducive hack! still vent, perversely vile,
Each feeling fester'd with malignant bile;
In slang and bawd'ry vomit forth abuse,
Too virulently vile for London stews,—
Invigorate each Pagan joke that's stale,
And trim the musty filthiness of Bayle;
Re-mould the sceptic dust of dead Voltaire,
And in his vileness trace thy portrait there;
Be all, and more, than Virtue can detest,—
The rabble's patron, and the empire's pest!
Are bards and editorial tools alone,
To malice pliant, and to trick'ry prone?
Let crews that comment on the classic page,
Approve their claim—book-harpies of the age!

199

Or, breeding man-moths, with eternal notes,—
Whose purging mania ev'ry line devotes:
Heaven help the scholar, whom their frauds allure
To read the author, cleans'd by texts impure!
No Roman poet now,—no useless piece
Of mouldy nonsense filch'd from ancient Greece;
Creeps forth in print,—without a turgid mass
Of notes, from English, or from German ass:
To graduate, the hopeful firstling flies
To Cam, or where Oxonia's turrets rise;—
There quaffs his “Massic,” drives a borrowed gig,
Games high, and bows before each powder'd wig;
Reads Ovid's Loves, Petronius, the Unclean,
And rivals Flaccus in his midnight scene;

200

Then leaves his girl for Plato's ethic sweets,
Or else, in Longus half his fellow greets;—
Till primed with metre's true constructive laws,
And all the lore of “ictus” and of “pause,”—
The sharp-eyed pedant clears the college nooks,
And foists purgations into perfect books!
Ye insect Porsons! whose defrauding plan
Re-binds each blunder of confus'd Hermánn;
Look round, and see your classic tomes perplex'd,
With darkening comments, and corrupted text!

201

And thou, dear Valpy, whose Delphinic trade,
Through Bloomfield's critic crash, began to fade,—
No more such variorum'd lumber vamp,
But, sated with thy present gains, decamp;
Let Priestley's pickled notes awhile succeed,
And gain, as thine did,—surreptitious meed.
Shall none be praised,—no all-presiding mind
Illum'd by Heaven, to better human kind?—
Let powerful Turner's philosophic page
Still teach his country, and this letter'd age;

202

And prigs, and dunces, rank from Greece or Rome,
To leave their ancients, and observe at home:
Unequalled Irving, with pathetic art,
Still, chaste describer, melt the British heart;
And Scott, thy fame undying as thy soul,
Blest is the feeling struck by thy control!
Look where we please, there is a sad decline,
From human, to realities divine;
Religion, morals,—all but vice, decay,
And Fashion leads, while Folly blinds the day.
No more the Thespian art's improving power,
Lights up the mind, and lures a vacant hour;

203

Nor forceful talent sway with Passion's rod,
Where Kemble spoke, and Shakspeare's heroes trod!
Ere patch-work dramas, and their tawdry train,
Prologued the mumm'ries of an impure reign,—
Our stage was evening bliss, where Britons sought
The flash of Genius and the fire of thought,—
Where guilt was imag'd to the musing eye,
And dread example drew the gentle sigh,
Till worth triumphant breath'd its hallowed prayer,
And Virtue smiled to see her semblance there!
While fumbling dramatists employ their pen,
Sublimely careless of the where and when,
Let Britain blush for her degraded stage,—
The scenic fripp'ries of a bloated age:
A flag far-streaming, with coruscant sheen,
The rose-wreath'd trees to dance along the scene,—

204

A pensive fountain lolling on a rock,
A squirt of lightning, and a copper shock;—
The clash of pewter, and the raw recruit,
Whose gilded scabbard dangles to his foot;
And then, the lean procession's limping throng,
Like white-wash'd puppets, wheeling slow along;—
All these,—with clouds to fatten up the sky,
And mid-day moons to ope the sawney's eye,—
Drawl out the ling'ring life of plays purvey'd,
And hash'd-up melodrams to serve the trade!
But most, the clap-trap's heart-convulsive cant,
Conducive “damns,” and well-timed mouthing rant;
With smutty meanings, wrapt in puns and grins,
The hand's wide sweep, the shoulder-work, and shins—
Prelude the music of a gall'ry squall,—
Well-earn'd applause for Beazely, Pool or Ball!
The Comic vein has ceased its merry flow,
And Satire aims no more th' instructive blow;

205

Though faithful guardians of the moral spell,
Forbid a Shakspeare for a Marmontel! —
Look back on proud Eliza's peerless reign,
And will not our dramatic contrast pain?
Then playful Congreve kindled humour's fire,
And Beaumont sparkled in the wit's attire;
While Massinger, with eloquential charm,
And Forde pathetic, forced the sweet alarm;—
But, these are exiled for a sullied verse,
Indecent niceness proves their genius coarse!—
Yes!—“Hallers” mourning for a kindred whore,
Hook their nice noses at the taste of yore!—
When false decorum takes a hoaxing trip,
And flies the heart, to shelter in the lip.
Awake thee, Kemble, from thy sluggish trance,
And drive dramatic flumm'ry to France;

206

No more, let poachers of exotic trash,
For Farce and trick, monopolize thy cash;
Shall fustian flourish, where thy brother paced,
And Shakspeare's boards, by mummers be disgraced!
Shall piping Roscius represent his king,
And tragic bull dogs bay the crowded ring!
Though emptied buckets mimic Ocean's fall,
And sooty jugglers whirl the brazen ball,—
While ragged scenes, refresh'd with horn and drum,
Secure the shillings of the London scum,—

207

These mean buffoon'ries blot thy Thespian name,
And barter genius for a worthless fame;
O, yet revive the Drama's purer part,
And scout each mess of pantomimic art;
Let no dull toaders wheedle off thy pay,
While baffled talent shrinks unseen away; —
Not cawing Kenny's everlasting quill,
Or plund'ring Pocock's, more eternal still.
Our manufactur'd plays,—peruse, who list!
The worst abortions audience ever hissed;
From Egan's hundred heaps of dross obscene,
To all the trump'ry plaster'd up by Green.

208

Peep forth! thou son of genius, prying Pool,
Unrivalled filcher from the witless school;
Though kicked behind, prolific as before,
To gull each season with thy smutty store;
While driv'ling colloquies, and borrowed jokes,
A baseless plot, and vulgar equivoques,—
While hems, and funny squints, and calf-like nods
Delight the doltish, and transport the “gods,”—
Our stage shall hail thee her amusive scribe,
And critic boobies puff thee for a bribe.
Enchanting master of the wry grimace,
How well thy pieces suit an ugly face!
O'er all the kingdom mark thy glories fly,
See, shops and buggies bear immortal “Pry”!—

209

His nose cocked up with pertinacious pride,
And bagged in breeches, clinging round his side,—
The goggling puppet served for Liston's use,
And limped, like Poole, from Elliston let loose,—
It met no frown—no truth-awakening sneer,
For “Pry” incessant ding'd the nation's ear!
Alas! for Waverly's discover'd bays,
When Pocock minces novels into plays!
With dull contrivance, murd'ring sense and plot,
To stew a melodrame from Walter Scott;

210

Or, operatic mess of tinsel caps, and coats,
To live on Sapio's, or on Stephens' notes:—
Though Horne, nor clumsy Serle, could save his “Peake,”
An unwept death, to close its gaudy week!
Of equal fame, melodious Plànchè's quill,
Purloins his hum-drum to swell out the bill;
And, hir'd by managers for French bombast,
He cribs each play, more owlish than the last.
Kind friend to Laureate Southey's epic fame,
Prolific Ball,—in nonsense, half as tame,—
Dramatic patron to rejected verse,
Try thou some wonder from “Kehama's Curse;”

211

Then, borne on “Hunchbacks,” bid the stage adieu,
And with thee take thy whole be-devil'd crew.
Sure, all the tribe by Beazely was outdone,
Who made, for novelty, a midnight sun!
The purblind cocknies liked this wond'rous spell,
So plenteous plaudits greeted Avenel:—
O! would that Satire's lash, “at one fell swoop,”
Might level all this play-supplying troop,
Then should the fanes of Thespis cease to groan,
With dross from Farren, or with trash from Soane.
So long have melo-drame, and pilfer'd farce,
Made taste corrupted, and true genius scarce,
That classic models win no patron's eye,
And outlawd tragedies forgotten lie;

212

To win the president of Drury's fane,
Could any but his bloated hirelings deign?—
Compound some proverbs of obscurest growth,
The mouldy remnants of the dust and moth;
Add quantums due, of powder, flash, and smoke,
The scenic whistle, and the poinard's stroke,—
With all appliances of fort and gun,
Dish up five acts—the tragedy is done!

213

Six times, shall thund'ring sticks and hired huzzas,
Force the vile stuff, and wake the slow applause.
Ye managerial knaves, whose nod decides,
Whose pocket judges, and whose whim provides;
Before whose glance the manuscript must shake,
And shirtless authors feel a fellow quake,—
While throned on high, by British boobies paid,
Let no mean tricks reveal the trust betrayed,—
Though patronage e'er be a blind-struck dupe,
And sotted thousands to your verdict stoop!—
Renounce all greedy arts, that end in shame,
Refine the Drama, and its force reclaim;
No more, let thick-brained poachers, dull and crude,
Their scribbled bantlings on the stage protrude;
Or ape Mazurier climb the box, from France,—
Or Ducrow's stud on scenic stables prance;
Nor bribe your bawling mouths to aid a cheat,
And fill with riff-raff ev'ry vacant seat;—

214

Dramatic dignity and wit restore,
Till Genius reign, and Mumm'ry be no more!
Why should the pertly vulgar cry with scorn,
“Thank heaven, I'm not a paltry player born!”
Why should the sleek-mouth'd saint appoint his doom,
And moral prophets damn him round the room?

215

There may be virtue in an actor's heart,
Beyond the reach of pharasaic art;—
He often does, what “saints dare seldom do,”
Display the bad, and keep the good from view.
Not unremember'd now, shall genius bide,—
Arouse thee, Kean! be still the drama's pride,

216

From nature fresh, with spirit in each vein,
To thrill with pleasure, or delight with pain;—
Though modest England drove thee from her shore,
While favour'd strumpets footed on thy floor:
Next princely Kemble, Young, with heart-deep voice,
And proud Macready first of classic choice,—
Three mighty masters, still supremely great,
Long grace the boards,—our stage-triumvirate!
'Tis not their art, but its professors, soil,
By low debauch, the triumphs of their toil;
Transplanting parts with all an actor's rage,
To play their whoredoms on a worldly stage!
Here, turned Lotharian pests, in midnight crews,
They strut the bright aristocrats of stews;
Or, more select, some buskined heroes burn
For peeresses, and city wives, by turn:—

217

One plucks a darling from the lower row,
Whence plumes and billet-doux procure a beau;
And frowsy beldames eye their fav'rite face,
Till boundless bribes hush up a foul disgrace!
No Moorish taste voluptuous, hath divined
More harem bliss than waits the scenes behind,

218

Where waddling dotards, unresisted, get
Sweet virgin flow'rs to grace their coronet,—
And glimm'ring belles, ere all their bloom is past,
Roll the wild gaze, and yield the ghost at last!
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That vouch for all the eye hereafter sees;

219

These, blazon'd well, with scientific sighs,
Attract the noble, and lead off the prize;—
Though, now and then an Amazonian belle,
Flogs back the victim of her beauty's spell.
Who blames the actor, when rich harlots pay,
Or beastly Colonels bribe the maid away?
Let the rank country fester in its shame,
When prov'd impures partake the highest fame,
And mothers, steeled against parental fears,
Unblushing, feast the prostitutes of peers!
Thus, still ye, Cyprians,—still be splendid whores,
And stalk our stage, amid triumphant roars!—

220

Now to the Opera turn, where ballets please,
And foppish Fashion fumes away at ease;
There, what fine ear can list the lewd-breath'd sounds,
What decent eye survey the wanton bounds,
The passion-swelling breast, denuded—------
And gauzy robe to fix the straining eyes,—
Each warm lascivious twirl of panting lust,
Nor feel the burning fever of disgust?
Bedaub'd with paint, here jewell'd herds compose,
Their pustul'd persons in the steamy rows;
Pile luscious fancies on transparent limbs,
Move with each form, and languish as it swims;
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221

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Patrons of vice, from dunghill or from court,
In mercy, cease such Operatic sport!
Caress no Boschas in your costly home,
No whisker'd knave, no eunuch scamp'd from Rome;
O! let the lavish'd millions feed the poor,
The wan-eyed paupers fainting at your door,—
With pity mark, what home-bred mis'ries stare,
Let Britons born, an unask'd bounty share,—
Then sickness, want, and woe, would bless the gift,
And orphan babes, their tear-moist hands uplift.
What line shall Fashion paint?—that creed of fools
Whose flighty doctrine, half the empire rules:—

222

Queen of the rich,—Minerva of the vain,
Begot by Folly,—cleav'd from Falsehood's brain?
'Tis Fashion dies the beldame's blister'd cheek,
Lives in her errant gaze, and kitten squeak;
'Tis Fashion rolls the lech'ry of the eye,
Breathes in the tone, and wantons in the sigh,—
Deals with the gambler, pilfers with the rogue,
And gives to wealth, a new-made decalogue!
Shall satire dread the judgment of a frown,
When monsters brave, and villains lead the town!—
When foreign strumpets dare the public gaze,
And English mothers think they grace our plays!
The times are come, when arts Parisian please,
And Britons, to be Englishmen must cease:
To Gallic shores our demi-reps resort,—
Return again—and all their filth import;
Then like French apes, these scented mongrels talk,
Feast like the French, and like the Frenchmen walk.

223

And can it be, that Albion's deemed no more
A fairer, nobler clime, than Gallia's shore?—
Must England stoop to be the mime of France,
Beget her toaders, and adopt her dance?
For novel crimes, need English spendthrifts roam
And kindly teach them to us boors at home?
What morals mark that blood-presuming rank,
Where cultured villains emulate each prank!—
Who best can guzzle down the nineteenth glass,
Denounce a wittal, and select a lass;
Genteely damn, or sprawl a low lampoon.
And pipe the bawdry of a stable tune;
Or, growl in cock-pits, shuffle at the “Hell,”
Supply a harem, and proclaim it well!

224

E'en women patronize the vice in vogue,
And hail the triumphs of a rakish rogue;
Or pat his cheek, in love-resenting play,
While oglings ask, what lips would blush to say.
A mother's love,—resistless speaks that claim,
When first the cherub lisps her gentle name!
And looking up, it moves its little tongue,
In passive dalliance to her bosom clung;—
'Tis sweet to view the sinless baby rest,
To drink its life-spring from her nursing breast;
And mark the smiling mother's mantling eyes,
While hush'd beneath, the helpless infant lies;—
How fondly pure that unobtruding pray'r,
Breathed gently o'er the listless sleeper there!
'Tis nature this!—the forest beast can hug,
And cubs are nestled 'neath its milky dug;

225

But Fashion petrifies the human heart,
Scar'd at her nod, see ev'ry love depart!
In Rome's majestic days, long fleeted by,
Did not her mighty dames sing lullaby?—
No mean-bred hags then nurs'd the guiltless child,
No kitchen slang its innocence despoiled;
'Twas deem'd a glory, that the babe should rest
In slumb'ring beauty, on the mother's breast;—
But England's mighty dame is too genteel,
To nurse, and guard, and like the mother feel!

226

Fond bands of love,—how seldom can they bind,
When sordid wishes rankle in the mind!
The fret of av'rice soon distempers all,
Till peevish languor bursts the sullen thrall:
Not so, when Love, the child of Fondness born,
Breathes on, to its own parent faithful sworn;
Weaving for wedded hearts a mystic chain,
That feel the sorrow, and partake the pain;
Each true to each, as echo to the sound,—
One changeless two, through life's precarious round:
Oh, happy pair! thus link'd for smiles and tears,
Whom absence binds, and grief but more endears;
'Tis your's, one common hope and fear to know,
Through the long pilgrimage of joy and woe.
Miss Prostitution, hail! now buck and rake,
From female marts such ready fair may take,

227

As mothers bred up from a ripe eighteen,
To pant for wooers, and their husbands glean;
Or chant love-lies, and curtsey with a grace,
While lust meanders through each bloodless face;—
Then, like their dams, arrayed in patch and plume,
To blaze the leading strumpets of the room!
Train'd by some venal, match-contriving jade,
In palsied arms what lovely maidens fade!

228

Like flowers transplanted to a sandy heath,
Where vapours wither, and pollutions breathe:
Great heaven!—and must youth's summer fleet away,
In cheerless union with the bald and grey?
Must blooming forms, and stainless bosoms press,
Where passion mocks, and nature cannot bless!
What eye can such a loathsome scene behold,
Nor curse the rottenness preserv'd in gold?
To marry wealth, what anguish will be borne?
A crooked log by night—a child by morn!

229

His parchment sealed?—the wife attends each whim,
Starts at his groan, and chafes the flannell'd limb;
Hangs round his knee, and whimpers at his wrath,
Secures his tucker, and spoons out his broth;
A vigil, down to periwig and cap,
She prays for death,—and sees it in his nap!
O Love!—exhaustless theme for print and pen,
Thou dream of women, and thou joke of men,
We will not curse thee for thy cruel crimes,
In distant regions, or in darker times,—
But turn to Britain, blessed with blooming arts,
And hear her tearful tales of stricken hearts;
Of beauty, blemish'd by seduction's stain,
Of with'ring sorrow, and unpitied pain:
Where mailed in rank, seducers boast the deed,
While female lechers smile applausive meed,

230

And ticklish flirts a pretty pardon grant,
Or fusty dow'gers on the tale descant!
O, I have seen, the young and trusting maid,
By love beguil'd—enraptured—and betrayed,
Fade day by day, in unregarded gloom,
And greet the shelter of an early tomb:
To virtue lost,—her sex's chilling frown,
Forbad the smile, and awed her spirit down;
Abandoned thus, oh, where could hope appear?
None felt her throb—none wiped the mourner's tear!

231

When blushing Love first breathes its virgin sigh,
And fond devotion glitters in the eye;
How soon it steals an unsuspecting mind,
That melts away, like perfume on the wind!
Not half so fondly does the bud repose,
Its drooping beauty on the parent rose;
Not half so tenderly the dew-lit gem
At morning, hang upon the languid stem,—
As woman's maiden love,—when true and warm,
Rests on the plighted vow, and lover's charm:
How base the bosom then, with treach'ry fraught,
For her who claims the homage of each thought!
England, full rare thy decent matrons now,
Though Time has delved his wrinkles on the brow!
Shame on't!—to see thine unrepenting jades,
The female blacklegs,—filch like “Hell”-taught blades,
When fourscore years have bronz'd their mummied face,
And ev'ry furrow is a theme's disgrace:—

232

Mark! at their table, how the beldames sigh,
Turn their brown neck, and blink the sunken eye;
Anon, their wither'd carcase heave and puff,—
With pustuled cheeks, and lips befouled with snuff;
Squat round the pack, they gamble and they grin,
Rub their lean hands, and sweat their brows to win!
In wint'ry age, how sadly drear the lot
Of Fashion's hack, by Fashion's host forgot!—
Bowed down by crippled age, impurely grey,
To mental throes, and peevish qualms a prey:

233

Dimm'd now the youthful gleams of love-lit eyes,
And cold the filmy lid that o'er them lies;
O, where are they that throng'd her matin court,
Plann'd out the day's intrigue, and shared its sport,—
Who praised her plumes, her love-attracting gait,
And ball-room glance, that bade the proudest wait?
Alas! the parasites of youth have fled,
Some mope like her, some fill their wormy bed.
How rank has lost by condescending crimes,
That birth-right influence felt in purer times,

234

When titled greatness won respectful awe,
And lowly ranks a worthy peerage saw;
While lineal honours bloomed without disgrace,
And every heir begat a better race;—
Now, rank bequeath'd to high-begotten shame,
But hands the mirror to degen'rate fame.
Review thy thickening peerage, Albion, now,
And rare the peer, that lifts an honoured brow!
Where spring such crimes of undecaying growth,
Such innate vileness, and voluptuous sloth?—
The bestial panders of Domitian's reign,
Now mark, thy mindless,—bloated,—titled train!

235

St. Giles and Billingsgate are horrid holes,
And Newgate shelters some atrocious souls;
But scour out England's most polluted spots,
Convene her bullies, and select her sots,—
And let presiding Truth, unmoved, declare,
Will not our peerage match the vilest there?—
Peers of the realm—the autocrats that shine,
With lineage reckon'd up to Cæsar's line!
But still, though vile,—the peerage read some books,
To smooth their manners and refine their looks;
Soft Little's verse—or any am'rous chime,
To tickle fancy, and toy off the time:
While now and then, to train both fop and peer,
And furnish scandal to enlive the year,
Select confessions of exemplive cast,
From first-rate hacks, whose hour of glory's past;
Come forth, and meet a most abundant sale,—
For what so pleasing as a harlot's tale?

236

Contrast the hour of Fashion's brief delight,
With that, of fearful Death's unhallow'd night;
When life and time are ebbing to their close,
And martyr'd pleasure dreads the tomb's repose:—
Alone and fever'd, on his sleepless bed,
Yon dying libertine supports his head;
There is an awe—a silence in the gloom,
As if the fiend were cow'ring o'er the room:
A faintly-glimm'ring taper flickers there,
Tinting his livid cheek with hectic glare;
While throbs of guilt are quivering thro' each limb:—
Thus Folly consummates her reign in him!
Days were, when beauty, love, saloon and ball,
Found him the gayest, wildest, rake of all;
Unmanly wreck! all blanch'd and blighted now,
With hollow cheek, and anguish-moisten'd brow,
Oft turns he round, to feel his throbbing brain,
Grind his dark teeth, and root his locks for pain;—

237

Then tears the garment from his heated breast,
And lifts in vain, his pale-clench'd hands, for rest;
No tears of sad remorse bedew his face,
But penitential woe is in each trace;
Those burning lips that breathe a dismal sigh,
The phrenzies flashing from his fretful eye,
That wild convulsion through each feature spread,—
All speak of pangful guilt, and hopeless dread!
And thou, Religion, heaven-descended maid,
What crews molest thee, and thy shrine invade?
Where all thy pristine grace unsoiled with art,—
The offer'd incense of a glowing heart?
On most, how toilsome steals the Sabbath day,
How few can worship, though their fingers pray!
Sabbatic rites are deemed but prudish ties,
While penitence contents itself with sighs.
A lolling bliss where scented loungers meet,
And lip-wide grins all round the velvet seat;

238

The fretful mumbling of an unfelt prayer,
Or snoozing godsend in a padded chair,—
These, with the practice of the Sunday moan,
Are Fashion's off'rings at Jehovah's throne!
Fresh Christian locusts, whose unfetter'd cant,
Provides the fuel for deistic rant,—

239

Arise each day,—besotted, wild, or mad,
To craze the holy, and augment the bad;
Who trace the Godhead in each trick of life,
And hear his thunders rolling for their strife!
First, see the addle-headed Ranters, try
To wake St. Peter, with a hideous cry;
Sublime their doctrines, when unloosen'd jaws
Are baying heaven, like congregate Macaws!—
While, sprightlier still, the jolly Jumper squalls;
For God inspires high-leaping Bacchanals!!—
What more! Yes;—here they creep with psalm and song,
The dipping Baptist, and Moravian throng.

240

Last, Huntingdon's cold, pharasaic herd,
Self-loving dolers of the grace and word,—
Pourtray the gospel in their sour grimace,
Or prove its pureness by a smutty face;
Election swells their puritanic breast,—
For them, salvation smiles the soul to rest:
Cant in each word, and “Bible” for each boast,
They paint “Old Nick”—as if they loved him most!
With lanky locks upon a sheepish head,
And visage stolen from the mould'ring dead,
While ghostly terrors bend the bile-ting'd brow,—
His black chin lolled in sleepy lump below,—
The methodistic preacher heads his clan,
A precious sample of angelic man:
Perch'd in the pulpit, how he frowns beneath,
What heavenly phrenzies wet his clatt'ring teeth!
His chisell'd features, seem but granite stone,—
And snivel sanctifies each grunted moan;

241

The saintly curl upon his quiv'ring lip,
Whence awful threats in rich saliva drip,—
That pharasaic rankness in his sneer,
And donkey voice, betrayful of the seer,—
All prove him dropp'd from heaven, the world to save.
To picture Hell, and realise the grave!
How loathes the eye! to see the babbler preach,
And shoot his neck, to frighten and to teach;
To mark him spread about his clammy palms,
And sputter forth in cant, celestial qualms,
Now, wild-struck, turning to the chapel's roof,—
Now down to Hades for sublimer proof:
Great God!—and should Religion's awful aim,
Be thus unravell'd by the fool's acclaim,—
Or, hoaxing zealots, pluck'd from shop or cell,
Rant forth, like mountebanks, on “heaven and hell!”
Since venalism rules both head and heart,
The Church hath dwindled to Ambition's mart,

242

And av'rice soils that fane, supposed to be
The earthly temple of the Deity:
Some stick the righteous “Rev'rend” to their name,
To prop its meanness, and obtrude its fame:
While others, drawl an unpresuming strain,
While lawn and mitres dance about their brain:—
Who knows, when powder'd well, and stol'd in white,
If God, or livings form their best delight?
Next, see the Rectors, whose ancestral worth,
Secures a “good fat” living, at their birth;
From college ripe, they chaunt the hunter's song,
Drink, chase, and shoot the wood's wild “feather'd throng”
Let the lean Curate, in his white-wash'd room,
Gulp the small beer, and preach the sinner's doom,—
With foggy throat three sermons growl a day,
And, thankful, feast on sixty pounds for pay!

243

What now is Irving, —he who heav'd his tongue,
As if a world upon its ravings hung?
He gave a trinket to redeem the Jews,—
(Sure, such a Scotchman, Heav'n will not refuse!)
And nobly vow'd, his pious craft should make,
His best orations for the bauble's sake:
Wo! to Isaiah,—and his rostrum too,
Deserted now, but by the cockney few!—
There, let the vaunter pant, and puff, and sneer,
And rattle doctrines through the splitting ear.

244

More honest, and less stern, wags merry Hill,
A grey-locked joker, in the pulpit still,
Whose John Bull sermons wake the chapel's grin,
When smiling Conscience owns her tickled sin:
How tender he, to Adam's recreant race,
When “putrid sores” depict our need for grace,—
While softly wiling off each hungry grief,
He carves the gospel into rounds of “beef!”
O Rowland, Rowland!—cease thy wink and nod,
Nor be a pulpit punch, to joke for God.

245

Not preaching Bedlamites alone arise,
To force the gospel, and astound with cries,—
But rank revilers, headed by Carlile,
Blaspheming, pour their poison through the isle;
While foul-mouth'd Ign'rance spits her impious gibes,
And London swarms with Atheistic tribes!
Now for the apex of polluted souls,
No shame subdues, no reverence controuls,

246

Puff'd into pertness, pand'ring to the time,
Two pinnacles of blasphemy and crime;—
Come, godless, blushless—England's vilest pair,
Blots on her land, and pestful to the air,—
C--- and T---!—may each kindred name,
Be linked to one eternity of shame!
First, thou, the cap'ring coxcomb of the two,
With head upshooting from thy coat of blue,—
Say, what has “Reverend” to do with thee,
Though big and bloated with effrontery?
Wert Reverend, when round thee lolled a gang,
To drink the poison of thine impious slang;
And on Heav'n's book, thy cursed feet then trod,
To foam thy foulness at the throne of God?—
Wert Reverend, when from the pot-house turn'd,
And drunken fevers through thy bosom burn'd,—
Mean to the larc'ny of a paltry pot,
At once a rogue, an Atheist, and a sot!

247

Or, Reverend,—when to each Christian fane,
Thou lead'st the barking bull-dogs of thy train,
In mean and native brutishness of mind,
To growl thy dogmas, and pervert the blind?—
Go, caitiff!—put a mask upon that face,
The staring mirror of thy soul's disgrace,
Go, seek some dunghill to harangue thy breed,
And there enjoy the dark satannic creed:—
Though stiff in port, and stately with thy glass,
May good men frown, whene'er they see thee pass,
Till even infant tongues shall lisp thee, “vile,”
And Britons hoot thee from their tainted isle!
The base we've had, of ev'ry kind and hue,
The bloody, lech'rous, and unnat'ral too—
But never, yet, the wretch that equall'd thee,
Thou synonyme of all depravity;
Thy mind as canker'd as thy columns vile,—
Thou pois'nous, poor polluted thing,—C---!

248

For thee, must heaven's empyreal portals close,
And Hope be buried in her dead repose!—
For thee must glorious aspirations cease,
Nor Faith, still vision, out her heav'n of peace,
And minds no longer dare to feel divine,
But turn distorted, fester'd, lewd as thine!—
If yet within thee dwell one thought of shame,
If the least true feeling for thy country's claim,
And common nature but preserve her right,—
Then tear thy hellish pictures from our sight;
If vile thou must be,—hie thee to some den,
To feast the fancies of thy fellow-men;
But stand not forth to Britain's public eye,
The monger-fiend of painted blasphemy;
Now go!—and quickly end thy course perverse,
Hung on the gibbet of a nation's curse!
Ascendant God, still let unslumb'ring love,
Gaze down from thine all-glorious throne above;

249

Expel illusion from each erring mind,
Thine be the judgment, ours the will resigned;
O, long from Britain keep that fearful hour,
When unrelenting crime shall curse thy power;—
When hearts shall cease to plead to be forgiv'n,
And banished Faith unveil no future heav'n!
Thou flower of cities, Earth's imperial mart,
Unequal'd London!—Britain's mighty heart;
That, like our blood-spring with reversive tide,
Receiving, pour'st to empires far and wide,—
To thee, the nations look, like Magi bowed
Before their fire-god, in his burning shroud:
There is a living spell around thee spread,
That wakes the shadows of thy peerless dead;—
Within thy walls, we tread enchanted ground,
By sages, poets, martyrs,—made renowned!
What heroes here, what kings have sprung to birth,
What martyr'd minds of unexhausted worth,—

250

What gifted ones of heaven's congenial sphere,
Have liv'd and struggl'd—starv'd and triumph'd here!
O, never can I press one stone of thine,
Nor think of feet that trod, where now tread mine,—
Of unforgotten greatness that hath been,
Of genius weeping, perhaps, where I am seen.
While bagatelles in ev'ry distant clime,
Receive the sacrifice of prose and rhyme,
And gaping pilgrims leave their English home,
With wonder-searching eye for Greece and Rome;—
Must London share no patriot's glowing theme?—
Can none sing ancient Thamis' freighted stream;

251

Meand'ring far through sun-bright meads, and rifts;
'Neath beetling hills, and Henley's chalky clifts,
With grass-green banks, where cluster'd villas peep,
In sylvan beauty, from their laurel'd steep?—
Her piles of glory, and her pillar'd halls,
Her tow'ring mansions and historic walls?
While speeds the crowd, how oft I pause to view,
The fairy scene from thy Bridge, Waterloo!—
And rest my arms upon the massy stone,
Till spell-blind fancy dreams I stand alone;
Soft whisp'ring flows thy spread of infant waves,
While far along the dizzy sunshine laves,—
Dancing as light and mellow on the stream,
As Hope's first glimmer on a youthful dream!—
Fleet down the river skip the careless boats,
While o'er its bosom tremble flute-breath'd notes;
Or, light barks cluster near its heaving side,
Whose tangled oars are imaged in the tide;—

252

Upraise the glance,—majestic to the eyes,
Above the amber'd stream, the bridges rise;
While slumb'ring near, with unpartaking smile,
Behold the massive, many-windowed pile.
For thoughts sublime, aloft the Abbey rears
Its towers, in all the majesty of years;
Unawed, no British patriots here can tread,
The dim cold fane where sleep the mighty dead;—
But, while each dome and ancient fane conspire,
To rouse the poet, and attune his lyre;

253

Compel'd, we mark, where London scenes entice,
This queen of cities in the sink of vice!
To London—now so Babylonian grown,
That half is scarce to genuine cocknies known;—
What errant mongrels of exotic breed,
What motly knaves from Ganges to the Tweed,—
Advent'rous tramp, with mother, brat, and spouse,
Quite scripless all, as to some pauper house?
From Ludgate Hill,—see myriads throng in view,—
Turk, Swiss, and Gaul, John Bull and howling Jew;
The world assembled from each far-off clime,
All passing swiftly to the goal of time;

254

Here, as the buzzing crowds collected meet,
Behold the living drama of the street! —
The greasy trader paddling with his arms,
The rustic monarch furious for his farms,
The hawk-eyed bailiff, clerk, and jobber grey,
With currish boobies, fumbling for their way, —
The flying porters, and the ballad throng,
That pick the pocket with a venal song,

255

With all the melody of whips and wheels,
Of bellmen, pawing hoofs, and mud-splash'd heels;—
No melodrames, though hash'd by Pool or Peake,
Such mingled droll'ry, and true pathos speak!
Parade the streets!—what countless wonders rise,
Eternal changing to the changing eyes!
Fresh sights unrival'd by Niag'ra's Fall,—
Miverva pigs, and tigers from Bengal,
Brobdignag heroes,—Lilliputian dwarfs,
And breeches languishing near ladies' scarfs!
The lame in dog-cars—giants on their stilts,
And matrons fing'ring out the ruffled quilts!—
Here, Hunt turns shoe-black to his dear-lov'd land,
And poisonous Eady dirts the lazy hand;

256

Here, round some pander's lust-purveying shop,
The peering urchins strain their necks, and stop,—
While coal-hole sermons, when the walls are bare,
With smug enticement catch the lounger's stare.
From vulgar scenes, sometimes a gilded change,
When paunchy shrieves enjoy their wat'ry range;
Now bells are cracked! and fat the turtle flames,—
For proudly sails the charlatan of Thames!
The sinking river sweats beneath its weight,
And bubbles anger at the capon'd freight;
While wond'ring ideots stare along the shore,
Sigh for the soup, or watch the dipping oar.
When decent nonsense lures the listless throng,
Small Waithman's speech, or blund'ring Beazeley's song
Repugnant Sense, disdainful of the town,
Collects her censure in a passing frown;

257

When tumbling Gilchrist tortures men and girls,
To twist their bodies for gymnastic twirls,
All laugh, to think that morning streets are left,
And wives, through humbug, of their mates bereft,—
But shall we smile, when filthy imports bless
A nation's eye with bony nakedness?—
How flocked the ton, and curious virgin clan,
To view the skinless mirror of a man,

258

Shipped off from Gaul—where skeletons abound—
To show its beastly zone on British ground!
Lascivious Gaul! in mercy send no more
Disgustful sweepings, from thy baleful shore;
Keep all such filth, to please thine own foul race,
Mean without shame, and lewd without disgrace!
But while the rich, the vicious, and the vain,
Pursue their pleasure till it turn to pain,—
While Rank rolls on, and Pride upturns her eye,
What hapless, houseless, wretches wander by,—

259

From babes, whose tongue cannot repeat their woe,
To Age, that totters on with locks of snow!
Where'er we move, some wailings strike the ear,
And melt humanity into a tear!—
My countrymen,—though famished, friendless, poor,
Or trembling tatter'd, at the spurner's door,—
Like Stoics, bear an uncomplaining grief,
Till Government shall bring its slow relief!
Will Pity aid?—oh, here are pangless hearts,
Where sympathy no tender pain imparts;
Eyes, that can mark, like dead ones, fixed as glass,
The tearful Britons, fainting as they pass!—

260

Unnoticed here, the pauper lorn and pale,
With bleeding feet, may shiver to his tale,—
Unfed, the sailor with his quiv'ring lip
Recal the ocean, by a painted ship, —
Unwept, a suckling Niobé may plead,
While clinging infants lisp their early need!
And sadly faint, the shredless and unknown,
May chalk their fortunes on their bed of stone.
To this huge capital,—the dream of youth,
That paradise till Fancy melt in truth,—

261

The young advent'rer, kindling for a name,
Repairs to offer at the shrine of Fame:
Parental lips have sealed their parting kiss,
And fond farewells have omen'd future bliss,—
Then proudly pure, his panting bosom glows,
While Hope around him all her magic throws;
Thus comes he to the crowded capital,
Where toil-worn genius fades, and talents fall;
And hate and rivalship alike conspire,
To crush the spirit, and exhale its fire.

262

Deluding weakness! here did Goldsmith roam,
And Chatterton could share no shelt'ring home;
Here, martyred Otway hunger'd to his grave,
And toiling Johnson drudg'd a printer's slave!
The lurking satire of each stranger's eye,
The bribe-fed sycophants that swagger by,—
The knaves that cozen, and the fools that goad,
With all the thorns on life's precarious road,—
Commingled, these oft balk the firstling thrown
On life, to steer his little bark alone:

263

How many a flower of dear domestic pride,
In wasted fragrance here, has drooped and died!
Yet better far, to languish on and die,
Than live to pen the page of infamy,
Like those dull tools that browse on mean-got pay,
And furbish libels to supply the day,—
Too vain to labour where their fathers did,
Turned letter'd dolts in gloomy garrets hid;
Where, unbeheld, their fev'rish lungs can drink,
The smoky airs that whistle through each chink:
A bed, whose bronzing blankets sweep the ground,
Amid dismember'd chattels mourning round;
One fusty board, where rare the grub is placed,
A desk, and shelf with mildew'd volumes graced—
And lamp and filth—complete the stenching room,
Where Cockney paper-minions mope and fume.
Fine rapes and murders—acted in the brain,—
And sudden fires quenched out by sudden rain;
A magic quill, for pand'ring party lies,
To heap on virtuous heads foul calumnies;

264

The art to wrench a pun, or slimy bit
Of cobbled nonsense clench'd up into wit,
Or, pinch a puff—indite a paragraph,
Or Tookish squib to make the Tookites laugh,—
Insures a living where detraction's fed,
A “free admission,” and a lousy bed.
The skinny lip, moist eye, and thread-worn dress,
And lean long visage, soap can seldom bless,—
Announcing mark, like Cain's base-branded brow,
These plodding elves, from Grub-street to the Row.
Sure, England's climate more diseaseful grows,
And every gust a fresh distemper blows!

265

Since Æsculapians now, like mushrooms rise,
And physic sickens on the sated eyes.
No art is quackless now;—from College skill,
To Lambert's Balm, and Abernethy's pill:
What lives are ravag'd by the baleful craft,
Of canker'd powders, and blood-pois'ning draught!
Who knows what hapless victims yearly fall,
By lancing lubbers, and cathartic ball;—

266

Hack'd, swill'd, and purg'd, till physic stifle breath,—
Though such mistakes ne'er hap till after death!
Our flesh seems priceless after parted life,
And feeling shudders at the murd'rous knife;
That worms should feast upon primeval earth,—
This doctrine Nature speaks, to mark our birth;
But human thieves, to mawl th' uncoffin'd clay,
And tear men up before the judgment day!—
Such putrid horrors for the Christian dead,
Become a cannibal's,—or Cooper's head;

267

Though Abernethy sniff his awful nose,
And College puppies plant their bloody blows!
“An honest man's the noblest work of God;”
So lectur'd Pope, who swayed the critic's rod;—
He's prais'd by matron, moralist and don,
Though seen more rarely than the coal-black swan!
True Honesty!—where is it in these days,
When rogues repeat, and villains beg their praise?—
Not in the full-blown unassuming face,
Where honesty is but a smiling grace;
Nor in the glossy candour of their tones,
Who pule and gabble what the heart disowns;—
Nor in prim proverbs daub'd with moral paint,
Where unfelt goodness whimpers from the saint,
Or mumbling drones, that foster secret vice,
But blazon Virtue, and define her nice:

268

In truth, the honest man scarce lives at all,
The last I saw, was on a church-yard wall! —
If ev'ry knave must have his reprimand,
Then take a rope, and gibbet half the land.
A tribe there is,—the tribe of every street,
That steal unhang'd, yet help to hang the cheat;

269

A plague so direful, Egypt never saw,—
The money-gulping vermin of the law:
The perjur'd banes to aught sincere and good,
Who prowl for jobs, and filch for daily food:
No doubt, if Satan roams his kindred earth,
He finds a lawyer's cranium for his birth!
Down that long lane, whose time-encrusted porch
Leads care-worn clients to a dubious lurch,

270

In woeful wigs, and wavy robes resort,
Our budding Eldons, to beseige the court;
With fretful step, and circumambient glance,
And wrinkled brow, and bag, all slow advance;
Grim, lean, and hunger'd,—pond'ring on their cause,
And prompt to spy the loop-holes of the laws.
But see! what dapper caitiffs bustling come,
Whose teeth-grip'd lips compress the mutter'd hum?
A savage grin plays on the sallow cheek,
While knitting eye-brows, augur'd pillage speak;
Beneath their hugging arms, tied briefs repose,
And free behind, the ruby tape-string flows:
These are the scurvy minions of a breed,
Whose sateless mouths on thwarted justice feed,—
A cringing, tricky, over-bearing host,
Whose law is quibble, and whose cheat's a boast;
Who twist fair reason to a crooked shape
Teach fraud to flourish, and the rogue to'scape,
Conceal a contract deed, from orphans wrench,
And help the thief, both in and out the bench;

271

A baser tribe, three kingdoms cannot nurse,
To well-stocked clients, bowing, sneaking, terse;
To lowlier ones, presumptive braggarts they,—
Tap-room Moguls, and despots of the day:
E'en round the cup they'll pant to twine the laws,
And plot a quarrel, to create a cause!
Now leave the law, for that which must allure,—
For modesty—so docile and so pure!
Marked in the gait, and seated on the front,
And just now gallicised to, mauvaise honte,—
Of ev'ry home and ev'ry clime a part,
But rarely templed in the taintless heart:
The French (a southern clime is apt to warm,)
Perceive its presence in each filthy charm:—

272

Their wanton beauties daunt the bravest eye,
Nor blush, when petticoats ascend too high,
No further,—'tis but artlessness revealed,—
Their honour's guarded by the stoic shield:
In Britain, (were she, faithful to her name,
Un-French in manner, as un-French in fame!)
True modesty and love are threadbare themes,
For moral mouths, and sanctimonious dreams;—
Yes! here behold it in a wax-doll maid,
With minc'd palaver, and a step delayed,—
In squeaks of sentiment, and lips that sigh
A dismal death-dirge o'er a bleeding fly,—
Or eyes that dribble buckets full of tears,
And heads that droop down like dead donkies' ears!
How modest too, those plaintive mouths that share
No bliss colloquial, save 'tis simpering there?—

273

How modest Coutts! that with an awkward shame,
Does good by stealth, and frowns to find it fame.
Now titles seldom shine without a spot,
Start not, to find distinctive rank forgot;
That pert Intrusion levels all the town,
And ev'ry rascal wears a kingly frown:
Securely panoplied in birth-right brass,
Our spurious “gentles” undiscover'd pass;
And swagger on with autocratic sneer,
The first to babble, and the last to hear.—
“What titled Nabob he, that quizzes there,
With braided bosom, and Macassar'd hair?
The creamy glove, and supercilious shoe,
That glossy garment of imperial blue,—
Those taper'd fingers, and unwholesome skin,
Betray patrician spirit shrined within?”—

274

O, that's a tailor, kneaded to a fop,
Obliged Sir T. with loans,—and left his shop!
“And who is he, with punchy cheek, and nose,
Whose vermeil tip with pompous grandeur glows?”—
A bouncing huckster,—in the Commons now,
Who piles his honour on a brazen brow.
Revealing day has fled;—and foggy Night,
With mist, and lamp-light, claims alternate right:
Now, perch'd in coaches, whirl to see the play,
The stiff-neck'd traders, weary of their day;
Clad in the motley hues of dressy skill,
How sweet to lose the meanness of a till!

275

Alack! each grumble, posture, gabbling flow,
Announce the shop,—though in the lower row;
The frowsy Hottentots that puff and stare,
The snip that paws his chin, and ruffs his hair,
The sleek apprentice, balancing his side,
And fumbling hucksters, big with watch-chain pride,
Poor mimics!—show amid their “bran new” dress,
The direful struggles of vain littleness.
How time must lag, where Fashion sits the queen,
Nor heart, nor soul, commingles with the scene;
Where each succeeding hour is but the last,
And Folly stagnates, by herself surpass'd:—

276

To scribble, leave the card's diurnal lie,
Watch Christie's grin, or pinch a noon-tide pie,
Create importance in a matin call,
Unpack a tradesman's shop—nor buy at all,—
Crawl forth each morn, and so yawn out the day,
Growl, smile, and guzzle,—sorrowing, to be gay;
Thus, Fashion dupes her addle-headed slaves,
Until, like dogs, they shrivel to their graves!
How sweet those hours! where beldames, fine and fat,
Enjoy the curtsey, and the thumb-worn hat;
Now, fools assembled for a tongue-born strife,
In nimble nonsense talk away their life;
What Miss elop'd?—Whose paroquet has died?—
The mighty trash a solemn hint implied;
How gross Duke D---! how famine thins the land!
What future “Boleyn” groans 'neath Milman's hand?
Of C---m's amours, Fitzherbert's right,—
What new-made whore shall kick the stage to-night?

277

Here, tender Wellesley and enamour'd Bligh,
With kid-napp'd Turner, rouse each Wakefield's sigh;
Here pug-like Brummells wince, and Berkleys walk,
While eager Pagets linger as they talk;
And holy Clóghers preach of skies above,
Or wink a lecture on illegal love:
Old maids are prim'd—the coxcombs cough perfume,
And belles and albums please the fool-cramm'd room,
While naked Cupids, frisking on a screen,
Make staring widows pant for what has been!
When chilling mists, within a yellow cloud,
Creep on the Strand, and dense the street enshroud,
And floating filth, from each Mac Adam's road,
Lights on the cheek, as swift the drivers goad, —

278

Then London, like a chrysalis, unrolls,
And dark December greets her winter souls:
Fleet rush the chariots,—flash the whisker'd host,
Poole loads the wall, and Hafiz daubs the “Post”—
Returning gadders soon the tour-race run,
And Margate follies thrive at Kensington.
While tawdry Fashion struts her idle way,
Let's pause, and sketch some models of the day:
First stalks the coxcomb, flimsy,—frothy—vain,
In step a Brummell, and in look a Hayne;
“From head to toe,” perfum'd like Rowland shops,
He's every inch the paragon of fops!
A porkish whiteness pales his plastic skin,
And muslin halters hold the pimpl'd chin;
A gleaming spy-glass dangles from his neck,
And ev'ry honor hangs upon his beck!

279

A goatish thing—he lives on ogling eyes,
On scented handkerchiefs, and woman's sighs!
Its door-acquirements, and revolving limb,
Its luscious prate, and bawdy hints so trim,—
Secure each beldame's patronizing smile,
And feast the Bacchanals of lewd Argyle!
The foppish soldier, pining for a ball,
Comes clinking next, the cynosure of all:

280

Though boastless he of W---'s war-nose,
Like him, in uniform, his valour glows;
For him, will titled Harriets melt and frown,
And rank him darling puppy of the town:
Big lips, and clanking chains, and polished spurs,
And sword—that rarely from its scabbard stirs,
The war-like foot fall, and the hairy glue,
All fit him for another Waterloo!—
Although from blood and smoke his hands are clean,
And all his actions fought on Brighton Steyne.
While these bedizen'd fools in daylight pass,
And even Wisdom peeps in Fashion's glass,
Pray not, ye Brummells, for King Charles' times,
We have far sleeker knaves, and courtly crimes;

281

Our tom-fool Haynes, our Theodores for wits,
The court-bred bevy, and the whore-famed cits,—
His gilded puppies, when the wars are o'er,
His heroes whimp'ring at a strumpet's door!
As blinded Fortune's artful wheel went round,
And crafty Bish made prize or blank abound,
So Fashion's umpires plot their doubtful sway,
Now puppies rule—now grooms command the day;
Still, let them take due rank and place,
Now modest Berkely lends them all his grace!
And spitting Harb'rough cracks the heated stone,
While ling'ring Stanhope sighs to share his throne;—
O! mark the red nosed Jehu, awe the street,
With file-thinn'd teeth, and “benjamin” complete;
His balanc'd hat, and far equestrian gaze,
The val'rous spume that round his muzzle plays;
That cock-pit air, and fine Herculean fist,
Where Belcher science turns the flexile wrist;

282

The look from Tatterstall's,—the snorted “hail,”—
All shew him tallied for the horse's tail:
Had heaven, in pity, doomed the vulgar fool
In fitter rank the whip and wheel to rule,
How would his stable mien adorn the place,
And add new dignity to coachee's grace!
Be proud, be greatly proud of Jehu's fame,
Great Albion, worthy now of Argos' name:
Each high-born ass—each “bit of blood” can breed,
Or whip with critic lash, the glossy steed;
Far round the world thy titled greatness blooms,
Thy barons whips, thy peerage raised to grooms!

283

There are some brutal dolts of Huntish schools,
Who deem all women born for sensual tools;
As if no chasteness hallowed female breasts,
And love and constancy but liv'd in jests!—
Some colder tastes approve the priggish Blues,
Who shift their sex, and snarl like quack reviews,
Blight every gentle grace that Nature gave,
And stifle loveliness in learning's grave;—
But, where's the heart, that has not said farewell
To each pure feeling—that approves the “belle”?
That living lie, to wanton and decoy,
The puppy's play-thing, and the ball-room toy;

284

The one whom flippant thousands dream their own,
The love of all, and yet a friend in none!
Such now the Frenchy belles of Britain's isle,
Begot to dress, to dazzle, and beguile,—
Or slabber royal palms, and gaily flaunt,
At steamy Bath, —that Bedlamitish haunt;

285

There, taught by swaddled demireps, she blooms,
The twirling, would-be bawd of Nash's Rooms;
Each year, the tourist of sea-water'd towns,
Till virgin simpers change to spousal frowns:—
When we survey these flimsy dolls deck'd out,
By trick maternal, for the evening rout,
Their inane flutter, and illusive gaze,
Or hear the gabblings of their selfish praise;
Vain seems the form, without its gem, the soul,—
That priceless charm which beautifies the whole!

286

Now to the Sabbath turn—by Heav'n design'd
To solace labour, and becalm the mind;
It dawns on London, but for dress and art,
When pride, for six days kept, relieves the heart.
What! though the time-hoar'd steeples point sublime,
And, from the belfry rolls the far-swell'd chime,
Though mingled peals, by ling'ring breezes driv'n,
Still sound like deep mementos knell'd from heav'n;
How rare the homage, kindled by the day,
Within the fane, or on the wheel-worn way!
The lifted hands, and felt responsive tone,
The knee's low bend before the viewless throne,—
That heart-born worship pictur'd in the gaze,
And deep seclusion of the soul that prays—
Few fanes ere hallow now—though Fashion there,
Opes her vile lip, and deems the mock'ry, pray'r.

287

To flaunt a boddice, or a fine peruke,
Survey a rival, and a dropsied duke,—
Review their skins, and realize the noon,
Turn the light head, and lisp a pew lampoon,
Or mete the mincing parson's plastic neck,
And close each “hear us!” with a nod or beck,—
For this, the ton, in George's genteel fane
From parks, and Thames' stream, an hour refrain!
Some too, are holy round their Sunday fire,
Where, baffled doctrines like its smoke expire;
Discuss polemics o'er their tea and toast,
Doubt fast—and smile away the Holy Ghost.

288

While thus Religion, and each rev'rend truth,
Are scoff'd by dotards, and contemn'd by youth,
Presiding Vice, with all her hell-born train,
Pervades the city, and pollutes the plain:
What styes of lewdness,—cells for covert crime,
What holes to suit all age, all rank, and time,
Are London's modern haunts—where bevies swarm,
And vice is bliss, and infamy, a charm!—
Her pits, where meet the beggar'd and the great,
St. Giles' scroff, with helmsmen of the state,—
Her dark retreats for link-boys, cheats, and sots,
Who celebrate their orgies round their pots,—
Her masquerades, where dress'd debauchers wile,
And bevied harlots straddle through Argyle.
Argyle!—fir'd at the sound, my muse shall light
In honest vengeance on humbugging W---

289

That vinous Colburn, whose accursed rhymes,
Delude the country, and disgrace the times:
Poetic rogue!—will not the day-light gain
Enough poor victims for thy false champagne?
That drug-compounded mess of gooseberry juice,
Corked into froth, and coloured for our use;—
Must the pale drunkards of the midnight hour,
Buy off the stale, the rotten, and the sour,
Each lot too rancid for the day's broad sale,
With all the mess of porter and of ale?
O what a heaven is thine own Masquerade!
Now for the velvet cap, and rich brocade,

290

The clown to tumble, with his plaster'd face,
Eunuchs with belts,—and harlots in their lace!
The knave as polished as his heart is black,—
The whole foul orgies of an Argyle pack!
What then?—the minstrel slyly creeps his round,
The pastry lessens, and the corks abound!—
Though each trick'd virgin should return a w---e,
No matter, ------ has sunk his cellar'd store!
Oh, Fie! Mayor Brown —to suffer such a troop,
Forsake awhile the turtle and the soup;
Go, send your red-fringed bullies to Argyle,—
No “hell” so monstrous, and no den so vile!
Break up this glittering bedlam of the night,
Protect the sawney, and empale C---!

291

To London, too, what rustic maids decoy'd
From those sweet homes, their infant years enjoy'd,
By courteous villains are beset and wil'd,
Till, left undone,—defenceless,—and defil'd!
If One there be, that sees sublime o'er all,
“A hero perish, or a sparrow fall”—
His judgment-curse repay the trait'rous arts,
That wither up the innocence of hearts,—
In secret stews, that slaughter trusting love,
And blast the spirits that should reign above!
To blazon London vice, need Satire's muse
Descend to cock-pits, “Finish,” and the stews,—

292

Root out the Drury styes and oyster-shops,
Their hoggish keepers, and maintaining fops?
To fill the house, e'en Managers purvey
Saloon and bawd, that cater for the play!
Here, 'tween each act the Cyprian dames retreat,
And swagg'ring coxcombs fellow souls may meet;
Here, lordlings flourish forth colloquial ire,
Till the long mirrors steam with lust-breath'd fire;
While oft around the glaring punks entice,
And flutt'ring freshmen hand the creamy ice:
Warm thanks to managers, let fathers raise,
Ye tender mothers, join their glowing praise,
For where can wanton youth such wisdom learn,
And kindled lewdness through the bosom burn—
As in saloons,—where mix'd enchantments fill
At once young folly's cup, and play-house till?

293

Proud spreads the feast, and richly flows the wine,
In yon tall club-house, where the knaves combine;
Congenial villains—firmly all unite
To dazzle, glut, and gamble out the night:
'Tis sweet, through Fashion's round to darken all,
Out-deck the peer, and startle at the ball;
'Tis sweet, to strut the nabobs of the day,
Tho' cheats conspired, and gambling grip'd their pay!
True to their trade, these clubbing swindlers swear
To pluck the fortunes of each silly heir;
Then crawl away, like spiders fat with blood,—
Fools for their game, and ruin for their food!
How oft is beggar'd affluence forced to roam
Far from its peace, and once respected home,

294

While all its honours droop forgot away,
And palaces become a blackleg's prey?
No tie the gambler from his conclave tears,
Himself, nor dearer self, his passion spares;
When wretched Av'rice weaves her deadly plot,
See kindred, heaven, and hell itself forgot!
Great God! how hearts must welter in their vice,
When blighted happiness supports the dice,

295

And gamblers with convivial smiles can meet,
Sit face to face, and triumph in the cheat!
Within St. James' Hells, what bilks resort,—
Both young and hoary, to pursue their sport!
'Tis Mis'ry revels here!—the haggard mien
And lips that quiver with the curse obscene,
The hollow cheeks that faintly fall and rise,
While silent madness flashes from the eyes,
Those fever'd hands, the darkly-knitting brow,
Where mingling passions delve their traces now—
Denote the ruined,—whose bewilder'd air,
Is one wild vengeful throbbing of despair!
Deserted homes, and mothers' broken hearts,
Forsaken offspring,—crime's unfathomed arts,
The suicide,—and ev'ry sad farewell,—
These are the triumphs of a London Hell!

296

Can titles dignify a cunning cheat?—
Not though C--- swear the debt complete,
When he, O'N---, and P--- conjoin,
Bamboozle A---o, and divide the coin:
For such a bandit, famed Chalk Farm uprears
Its battle-field,—where base or brutish peers,
And touchy boobies, fire away their dread,
And thick-skulls blunt, the disappointed lead:
Lo! there the heroes stand,—the pistols roar!—
Heaven sweep from Britain's isle one villain more!
Here L--- and G--- their prowess try,
Till gentle smoke-clouds fumigate their eye;

297

And tender Dick, whose philanthropic pride
Can drop a tear on ev'ry donkey's side,—
His duellistic fools can here surpass,
And shoot the blackleg, though he guard the ass:
The last fine haunt for Fashion's bloated dames,
To pamper pride, and furbish up their names,—
Is proud “Almacks,” where rival quarterings rear,
And harridans select their fav'rite peer;
Fair S---'s luring smile, and S---d's frown,
Soft H---'s smirk, and B---y's book renown,—

298

All serve the myst'ries of this dread conclave
While Willis toils, their sneakup and their slave:
O peerless senate!—ye who here decree,
And trace beyond the flood, a pedigree,
Illumined rulers of a wax-lit stye,
Where passion twirls the leg, and rolls the eye,—
Let your mean pride ascend to decent aim,
Outlaw the bosom's lust-creating shame,
Loose the tight breech,[OMITTED]
[OMITTED]
Though H--- arm her cold-condemning gaze,
And lip-flush'd L--- pine for other days—

299

Untempted Virtue might o'ersway the ball,
And lech'ry burn within a safer thrall!
The ball commences—rich the music flows,
Melts on the heart, and vivifies the toes;
Wide o'er the room, behold the chalky round,
Where light the foot-beat floor begins to bound;
Awak'ning pleasure each red face illumes,
And flirting misses toss their crested plumes;—
Warm streams the blood within each thrilling vein,
Tints the bright cheek, and rushes on the brain.
Now anxious ideots in their pomps appear,
From city banker up to lean jaw'd peer;
Here a huge beldame swells within her stays,
Smirks at each beau—and flaps him for his praise;
Here Bond Street puppies, rank with eau Cologne,
Limp round the room, and whimper to the ton;

300

While peevish beldames by their daughters watch,
Glance in their eyes, and pray—“God send a match!”
Connubial Waltz! 'tis thine our sight to charm,
Wake the sweet thrill, and kindle all the form—
'Tis thine to shed soft dreams as on we trip,
Unbind the bosom, ------
In longing eyes to pour a lech'rous flame,
And hide indecent motions in thy name!
The doleful thunder of the deep-mouth'd bell,
Hath roll'd to heav'n the dying day's farewell;
And, like a death-groan from a tomb in air,
The echo bounds with dismal mutter there;—
'Tis midnight hour:—through England's city Queen
Her countless lamps throw out their glitt'ring sheen;
And oft, some pensive pilgrims trace awhile,
The far faint lustre of their twinkling file,—

301

Then turning, look, where more serenely bright,
Smile the sweet spirit stars of list'ning Night.
The city slumbers, like a dreary heart,
Whose chaining sorrows tremblingly depart;
And now, what victims are within her walls,
Whom changeful Fortune martyrs, guides and thralls!
The pale-cheek'd mourner in the dungeon's tomb,
The glad ones tripping o'er the wax-lit room,—
The proud and mean—the wealthy and the poor,
The free to spend—the miser at his ore,
All now, from ev'ry shade of woe and joy,
In changeful moods their midnight hour employ:
How many pillows bear some fev'rish head,
Damp with the weepings on their downy spread;
How many eyes, in sealing slumber hid,
With tear-drops quivering on their wan-cold lid!
A day of thought, and mingled labour past,
Unwatch'd,—unknown,—with dreamy front o'ercast,

302

Won by the starry time, I've lov'd to walk
The silent city, and with feeling talk;
While on the languor of a fever'd frame,
The vesper calm of cooling midnight came:
The glistening choir around their Dian Queen,
The heaven of azure, mellow'd and serene;
With all the blended musings of the heart,—
Then told me, Night, how eloquent thou art!
Here, while I paced along the shrub-crown'd square,
Between whose laurels flit the lamp's faint glare,
And watchlights from illumined windows played,
Athwart the quiet street their flick'ring braid,—
Re-calling Mem'ry bade her spells disclose,
And rev'rend visions on my fancy rose:
Each matchless vet'ran of true English days,
With all the story of their tears and praise,—
The peerless spirits of our glorious clime,
Seemed hov'ring near to consecrate the time!

303

Now from the Op'ra's widened portals stream
A shiv'ring concourse,—wide the torches gleam,—
And fling cadav'rous hues upon each face,
Where palled Delight has left her pale-worn trace;
Perturbed mark, the blinking chap'rons guard,
Wrapt in her gather'd silks—their dainty ward;
While flutt'ring near, gallants obtrusive try
To read the twinkling promise of her eye:
Within the crush-room fretful throngs parade,
And lisping puppies quizz each well-laced maid;
Some round the fire-place chafe their chilly hands,
Smooth their wild locks, and fold their silken bands:

304

Here, too, the rival flirt with whispers loud,
Hung on a suitor's arm, attracts the crowd;
While borne with crutches to the creaking door,
The snarling cuckolds for their cars implore:
Without,—a Pandemonium seems to sound,
Where busy foot-falls beat along the ground;
The bouncing coachman's sky-ascending bawl,
And loud-mouthed lacquies elbowing through all,—
The cracking stones beneath each fire-eyed steed,
All eager pawing till the course is freed,
Commingled—greet the concourse hastening home,
To dream of neat-legg'd eunuchs fresh from Rome!
With tott'ring step and motion of a beast,
Next come the rev'llers, sotted from their feast;
Quick of affront, they growl some cockney strain,
Or stutter oaths to ease the swimming brain;
While bustling by, shop-puppies whiff cigars,
Clink their nail'd heels, and swagger at the stars!—
But who art thou, whose passion-wither'd face
Sheds mournful beauty through the netted lace?

305

Those radiant orbs, that so obtrusive shine
Like stars, beneath thine eyebrow's arching line,
That lip's vermillion,—brow of lucid snow,
Can these betray thee, child of sin and woe?
Alas, that ever woman's gentle soul
Should sink to glutted passion's base controul!
But still, around thine air there lurks a grief
That longs, yet will not ask a pure relief;
Perchance, ere villains taught thee thence to roam,
A mother clasped thee in her cottage home,
Some grey-locked sire sat round his evening hearth,
Hung on thy neck, and blessed thy happy birth!
But list! huge wheels roll o'er the jarring stones,
I hear the clatt'ring hoofs, and rabble's tones!
Before yon dome the creaking engines wait,
Where shield-mark'd firemen empt their liquid freight,

306

While, grandly awful to the startled sight,
Rear the red columns of resistless light!
The windows deepen into dreadful glow,
Till the hot glass bursts shatt'ring down below;
While darting fires around their wood-work blaze,
And lick the water, hissing as it plays;
Above the crackling roof fierce flames arise,
And whirl their sparks, careering to the skies;
Triumphantly the ravenous blazes mount,
As if they started from a fiery fount,
Now, cloud-like, piling up in billowy fire,
Now quiv'ring sunk, to re-collect their ire:—
But see! again whirl up the blood-red flames,
In vain the rushing flood their fury tames;
Like burning mountain-peaks, aloft they raise,
Their jagged columns of unequal blaze,
Till the loose beams, and flaking rafters fall,
And like a thund'ring earthquake, bury all!

307

And now, farewell!— and if a forceful line
Hath injured virtue,—let the blame be mine:
But if one vice hath borne its proper name,
Conceit its brand, and fopp'ry its shame;—
If reckless follies, and unblushing crimes,
And all the polished vileness of the times,
Are stamped with iron hate, severely true,—
Unmasked, unspared, and lash'd beneath the view—
Then, not desertless will the patriot deem
The censor's page, and widely-travelled theme.

308

And thou, lorn Wisdom's child, where'er thou art—
That mark'st each May-morn dream of hope depart,
The knave and parasite on Fortune's throne,
Whilst thou hast only thought to call thine own;
Still nobly live the solitary sage,
And soar in mind above this venal age;
Rich in thyself, partake the best content,—
A heart well governed, and a life well spent!
FINIS.
 

Mr. Horace Smith:—who was rather unceremoniously dished up in the last number of “Murray's Cookery Book.”

The novel-manufacturers are more abundant than any other kind of scribblers. Doubtless some of these works tend to benefit men and manners, but their influence is counteracted by the baneful lessons, and fashionable voluptuousness teeming in the far greater number. It is astonishing how universally they are read. There is scarcely a link-boy that cannot describe his favourite heroine, or a housemaid that cannot prate on her admired hero.—Assuredly, too, we may say of the ordinary fashionable novel—“Hic liber est conglutinatus ex tam multis libris, quot unus pinguis cocus, oves, boves, sues, grues, auseres, passeres, coquere, aut unus fumosus, calefactor centum magna hypocausta ex illis calefacere possit.” Epist. Obs. Vio.

Miss Léfanú is the author of multitudinous neatly-vamped novels, not at all deficient in those purifying graces and qualities usually found in those of the Minerva manufactory. Helme and Rouviere with unnumbered other hirelings, help to constitute Mr. Newman's crew. Apropos, the following circumstance, illustrative of Newman's literary distinctions, was told me by one, whose word I have no reason to doubt:—A novel, miserably written, and equally wretched in the orthographical department, the work of a courtezan, was offered to Newman. The person who took it, frankly related the particulars, and was about to express some other opinion, when Mr. N. very promptly interrupted, him by “No matter, Sir,—no matter, Sir,— we are used to these kind of things; you know my terms!!”

What would become of fashionable life, without novels!— There are many who spend their existence in devouring novels and scandal. Since writing the note above, a novel, called “Falkland,” auspice, Colburn,—has made its appearance: this work is a complete illustration of all that I have said on the baneful effect of indiscriminate novel reading. Put “Falkland” into the hands of any young person of common mind, and he will not fail to be intoxicated with the charms of adultery:—There is a most romantic scene in it: a naughty married lady and gentleman, commit a terrible faux pas under a tree.—We are told, too, that just at the awful moment, the thunders rolled—the rain-drops pattered—and then we have [OMITTED]

Novels can be crammed down the public, just in the same style as the Hamiltonian System, Kalydor, Blacking, Champagne, and other bottled wonders. In one respect, the novel-publishers have an advantage: they can attribute their “printed things,” to some magnificent, illustrious Nobody.—O, thou sublime genius, Nobody!— Thou hast been humbugging the world ever since the creation.

At this very hour, I see the papers are teeming with advertisements of forthcoming novels. Nobody should ask, “What's in a name?” since the reign of novels. The title is the best thing belonging to half of them. The Parson;—The Soldier;—The Sailor;—The Beau Monde;—The Black Monde;—The Blue Monde;—Flirtation;—Dissipation;—all sorts of Halls,—all kinds of De Somebodys'. Such are the fashionable titles.

    Novels in the Press.

  • PUBLICATION. By Henry Colburn, Esq.
  • Catchpenny Hall. By the author of Vivian Grey.
  • Gullibility. By the author of Almacks.
  • Pickles. By the author of Tor Hill.
  • Blue Devils. By the author of Frankenstein.
  • Something. By the author of Nothing.
  • De Puff, or, The Man of Dependence. By W. Jerdan, Esq.

London: Published by Henry Humbug, at Cozen-all-Corner.

“We understand, from good authority, that some of Mr. Humbug's novels for the season, will create no small stir.”

—John Bull.

Vivian Grey, by Mr. D'Israeli, Jun. made some little noise, through the puffing talents of unequalled Colburn, and the fashionable nonsense its pages contained; such as a well-bred eaves-dropping lacquey might have collected:—the second part, exceeded in stupidity all the dross of the first.

Tremaine, certainly tended to a good purpose—it was quite freed from any impurities. But the feeble attempt at religious argument, instead of converting, only tended to heighten the jeering sophistry of the infidels. The remaining novels here introduced, are well-known, and, I hope, their writer's talents.

The despicable attempt of the author of “Truth,” was as sly as the volume was vapid:—
“Stupet hic vitio, et fibris increvit opimum et alto,
Pingue, caret culpa, nescit qui perdat,
Demersus summa sursum non bullit in unda.”

Pers. Sat. III.

Lest I may be mistaken, I beg leave to say, that the “cheap-bought brains,” refer to Mr. Newman's troop of scribblers,—not to himself.

Miss Wilson's works shewed her like a lady of some judgment, —with an admirable foresight she contrived to suit the taste of the higher circles. With regard to her crime, of publishing such a work I have nothing to say, for the present. Allowing that half of her volumes were a concoction of lies, what do the remainder of her revelations prove?

I was glad to see the “Quarterly,” really attempt to effect some good, by lashing the memoir-scribblers, reminiscent-furbishers, &c. —The impudence of these auto-biographists has surmounted all that their dearest associates could have anticipated: in a little time we may expect every amusive vagabond will favour the public with a record of his former delinquencies and eccentricities:—

“------ Here's a hot age,
When such petty penmen covet
Fame by folly!—On, I'll prove it
Scurvy, by thy part, and try thee
By thine own wit.”

The Sun's Darling.

Mr. Reynolds would not have injured his witty volumes, by omitting to relate his connection with the black-eyed lady. There was nothing at all singular in his keeping a mistress.

Keefe's Reminiscences were wretched, and paltry to a degree. It is a pity he should have burdened his valuable memory with such bagatelles.

Lady Craven is very fond of informing us of her youthful personal charms, and attractive attributes.

Poor Mr. Boaden!—poor Mr. Boaden!—is a most respectable gentleman:—But, he had some inveterate foe, who persuaded him he was an excellent delineative critic! His “Life of Kemble,” was little else but a transcription of common newspaper criticisms:—and as for his attempt at Mrs. Siddons!—no one can doubt, after reading this, what an extensive collection of play-bills is in the possession of James Boaden, Esq. How dearly celebrity is purchased! every body puts up his little pop-gun pen, and fires at it.

What a nuisance our tourists are become! Can't they be contented with reading their garbled anecdotes, sign-post records, tap-room adventures, &c. to their own beloved relations on their return? Why is the public eye to be for ever attracted to some high-flavoured advertisement—and the pocket of the unwise to be emptied by these conceited travellers? Nobody, now, can voyage a few hundred miles, to pay his respects to a grandmother, or “in obedience to the dictates of a revered father, by whose wishes a commonplace book was kept,”—without printing, on his return, an account of a journey across—the Lord knows where. The observations that many of these travellers insert, too, are in the highest degree ludicrously trifling.

Journal of a Voyage from my lodgings in Holborn, to Blackfriar's Bridge. March 20th, 3 o'clock, P. M. Left my street door in a very warm cloak, felt the wind blow bleakly on my nose; a poor woman curtsied, with “God bless your honour:”—regretted my inability, and passed on. The faces of the passengers appeared tinged with blue, and the ladies began to think the breezes very rude with their dresses. On my arrival at the top of Chancery Lane, found a dismal mixture of coaches and carts;—recommend all future travellers to go by the Southampton Buildings. Met some half hundred counsellors in Chancery Lane, all appeared remarkably hungry. The arch leading into the Court, is a very old one;—was unable to discover any remarkable inscription on it. An unfortunate accident occurred opposite this arch;—A huge farmer, consisting of several tuns of blood, upset a poor woman's basket of eggs—observed that the yolks were yellow, and of a conglomerative nature;—must not omit to add—a crowd assembled. Ere I reached the bottom of this lane, saw Mrs. Coutts in her carriage—Lord Lauderdale doing the delightful by her side— thought the lady much improved in the bon point. I nearly left my shoes behind me, in crossing the road:—recommend all future travellers to wear wellingtons. St. Dunstan's iron-crusted clock-strikers were about to commence operations,—stood to observe them. While in the act of gazing upwards, the point of a passenger's umbrella nearly travelled through the narrow confines of my ribs: on my exclaiming,—the fellow grunted, “What he stand staring there for?” Mem. Recommend all future travellers not to stand still in the streets. The shops in Fleet Street, I found tolerably decent. Another accident occurred, as I passed along here:— A rustic booby introduced his elbow into a large pane of glass,— just saw the master of the shop gripe his shirt collar, and then passed. At the top of Bridge Street, three children were run over. (London, a terrible place for running over.) Arrived at Blackfriar's Bridge by half-past three, having performed my journey in a half-hour. Mem. On looking behind me, perceived no silk handkerchief was hanging from my pocket,—and, that I was sadly splashed:—recommend all travellers to take a coach, instead of walking.”—I am sure this portion of my journal ought to be duly read, and liberally quoted by the public press,—although there be no “accompanying engravings, by the first-rate artists.”

For inexhaustible facetiousness, and all species of never-failing “fun,” Mr. P. Egan merits more encomia than my humble pen can dictate. The above is but a small part of the “meed of his large honours.”

Having, in a former note, alluded to the critics, I have little to remark here. No one can possibly more respect the province of legitimate criticism, than myself; but I ask any unbiassed observer, if the generality of modern critics do not come under the description I have given?

We ought scarcely to be surprised at the venalism and malignancy displayed by the minor reviews, when the “Quarterly,” the leading journal of England, sets so glorious an example of party petulance and malevolent sophistry. I do not so much dislike its principles, as the manner in which they are introduced, and made to tyrannize over all other considerations. It is disgraceful to the literature of this country, when the leading critics are so degraded.

Mr. Buckingham's cause made Murray and his regiment to “cut a poor figure.” Here was proof substantial, that any pert piece of aristocratic impudence, colleagued with the “Quarterly,” may be permitted to enjoy all the rascalities of anonymous criticism, under the protection of its venal pages! Oh! John Absolute!—oh!

A review in the “Quarterly,” is, for the most part, a medium for political discussion. The title of the book is frequently placed at the head of a review, merely for consistency's sake: probably a casual line will advert to the book!

Plain truth, dear Murray, needs no flowers of speech.

Pope.

Mr. Southey is as influential as Lockhart himself, over the conduct of the “Quarterly.” He generally obtains £50, and sometimes more, for his own articles,—a distinction, as far as regards the style, perhaps not undeserved. Query, Would it not be quite as well, if Mr. Southey would occasionally forget to recommend his own merits when he is reviewing?

The above lines respecting Mr. Gifford were written before his death. I see no necessity to remove them, after it. I admired his talents, but never envied the goodness of his heart; and few will disagree with me, I believe, for my present allusion to him. He was as sullen, morose, and malignantly inclined, as he was caustic and powerful with his pen.

It is dangerous to say which is most the victim of self-conceit—Milman or Southey: perhaps Milman is the more envious of the two, and by far the less talented.

Coleridge and Barrow:—buth those worthy masters of the quill are among the “Quarterly” troop: there are, besides, some hundred occasional recruits;—but “let them pass.”

I have dwelt somewhat fully on the subject of Bowles and the Quarterly; it was too important a subject to be passed over in silence, exhibiting, as it does, a perspicuous specimen of party virulence, and critical degeneracy, scarcely matched for perversion and falsity. Mr. Bowles has been the “persecuted,” rather than the persecutor. Even to this day, he is censured by the lip-gabble of frothy Aristarchians, as the “rancorous persecutor of Pope's moral character!” After all, we must come to this conclusion, —that man's character is worth but little, that will not endure investigation.

The criticism here alluded to, appeared in the LXIVth No. of the “Quarterly,” in the year 1825. It was avowedly a review on Roscoe's edition of Pope; however, the reader, on perusing it, found little relative to Roscoe, but a mass of cowardly vituperations, and infamous attacks on the Rev. L. Bowles, for his former edition of Pope. With regard to the critical contest respecting “nature and art,” it is allowed by all, excepting Roscoe's “bottle-holders,” that Bowles beat Byron, Campbell, and other antagonists, fairly and honourably out of the field. I wish to confine my brief observations to the treatment Mr. Bowles received from the Quarterly reviewer. To many, I am aware that my lines concerning Pope may appear illiberal;—but why should they? It is impossible, utterly so, that any malignancy can affect me here: they are introduced, to prove that, had Mr. Bowles been originally desirous of holding up Pope to the light of infamy,— as regards his sensualism,—Pope himself could have supplied him with ample proofs. He has denominated himself, the “most unthinking rake alive:” and how often do his published letters allude to his illicit connections and indulged obscenities? “But,” say the “Pope-pollution” defenders, “what right had Mr. Bowles to rake up the delinquencies of Pope? Why should he attempt to blacken his fame? Why anxiously introduce the man's faults? Why were his notes ‘a wasp's nest,’ and he himself ‘a bush-fighter?”

But, is Mr. Bowles, I reply, is he actually guilty of all this?—or was it the “Quarterly” sneaking “bush-fighting” critic, that, secure in his hire and obscurity, penned his malicious libel against one of the best of men? Let any reader, unprejudiced by the common drawing-room cant of those who have never examined—let such, I say, read over Bowles's Life of Pope, and he will in vain look for any malice, or purposed detraction. Of course, Mr. Bowles, as a biographer, had a faithful task to perform; as a clergyman, a gentleman, and a scholar,—a duty to attend to. How he has done this, will be seen by referring to the “Life;”—I repeat it—for, the quotations from Bowles's Pope, as exhibited in the Quarterly Review, are either mis-quoted, or wilfully twisted, to supply the livid enmity of the reviewer with matter for censure.

“Who brought into the blaze of light Pope's most disgusting impurities?—His defenders! Who caused the obscene imitation of Horace, of which I had not said one word in my “Life of Pope,” to be brought into such infamous publicity?—Pope's defenders! Who forced out the specimens—some of which were too scandalous to be printed, even in self-defence; who forced out these specimens of his indecency to married and unmarried women?—His defenders! Who dragged all his frailties most glaringly into light?—His late stupid—his besotted —his hypocritical—and his blind defenders!!!”—Bowles' Lessons in Criticism, in Answer to Roscoe's Letter on Pope, &c.

One passage from Bowles's Life of Pope, I will produce:—

“Whatever might have been his defects, he (Pope) could not be said to have many bad qualities, who never lost a friend; and whom Arbuthnot, Gay, Bathurst, Lyttleton, Fortescue, and Murray, esteemed and loved through life.” —Life of Pope, vol. I.

What can any reader think, after reading the above passage, and many others, breathing the sentiments of a most amiable heart,—of the reviewer, who attempted to brand the character of Bowles, with detestable imputations?—and dared, in the face of truth, honour, and all that should be sacred to the observance of the critic and man, to accuse him with “the filth of his fancy?” &c. I explain the reason of this most dastardly attack of conspired “bush-fighters,” by reverting to Roscoe, whose well-deserved smarts Croker wished to heal, by slandering Bowles!! Of such conduct, no honest bosom can entertain but one feeling. For the virtues, the genius, and the urbanity of Mr. Bowles, I have the greatest veneration; and this, I hope, will sufficiently apologise for the introduction of so long a note.

For Mr. Jeffrey's new-found ancestor, vide Byron's English Bards and Scotch Reviewers:—The principles of the Edinburgh Review continue as vile as ever, though it no longer exhibits that talent which formerly distinguished it.

Criticus, assuetus urere, secare, inclementa omnis generis libros tractare, apices, syllabas, voces, dictiones conjodere et stylo exigere, non continebit iste ab integro statu crudeles ungues?

The lines relative to this gentleman, which appeared in the first edition of the “Age Reviewed,” procured the author a more roaring burst of “damnation,” (a salvation) than had been thundered round the country for many years: however, the writer can assure him, that he neither did, nor does, owe him the least personal ill-will, though he could not refrain from laughing at a few of his foibles. No doubt he did quite right to visit the author—the “unlucky scribbler,” the “coxcomb,” the “beast,” the “fellow,” the “poor leper all over sores,” the “bilious creature,” the “lad in his teens,” the “lad of some abilities,” (how encouraging!) &c. &c. &c.—with his hottest vengeance. But the fiery ordeal is past, and criticism has done its worst!

Doubtless, the reader must remember, that while all the rest of the world were pouring forth their homage to the genius of Byron, the Literary Gazette was making itself stupidly singular, by cavilling and pecking at his Lordship, in all manner of ways. In this respect, partial injustice has been done to Jerdan; the “Plagiarisms” (as they were called,) of Lord Byron,” were grubbed up by Alaric Watts, to whose envious despotism, Jerdan had, for awhile delivered the critical reins. Alaric Watts was never much esteemed before this;—after this mean attempt, the littleness of his soul was too apparent to escape universal censure.

That greedy Roman Pontiff, Sixtus IV. established inquisitors of the press; without whose licence, no work was printed.

The Liberty of the Press, is, doubtless, one of our greatest national blessings; but it is now daily perverted to the most debasing feelings. Would that the editors of our papers

Finem dignum et optimo viro et opere sanctissimo faciant;

How admirably Dr. Goldsmith's opinions apply to the existing state of the press.—“Of late, the press has turned from defending public interest, to making inroads upon private life;— from combating the strong, to overwhelming the feeble. No condition is now too obscure for its abuse; and the protector is become the tyrant of the people. In this manner, the freedom of the press is beginning to sow the seeds of its own dissolution; the great must oppose it from principle; and the weak from fear; till at last, every rank of mankind shall be found to give up its benefits, content with security from its insults.”

It is rather paradoxical, that the paper chiefly intended for the higher classes, should most abound in obscene witticisms, abortive puns, generally half libellous, and wholly disgusting. The John Bull seems to become more filthy in its allusions, in proportion to its decrease in talent.

Or spite, or smut, or rhymes, or blasphemies.”

“Ecce iterum Crispinus.”—Of course the Examiner, conducted by Mr. Hunt, is here alluded to. I cannot conceive a more despicable meanness of soul, than the editor of this rancorous sheet of printed blasphemies frequently evinces. He seems delighted in ridiculing every trait of mind that is venerable:—in spitting his poisonous spite not only at the most virtuous characters, but at every thing holy, and which tends to improve mankind. It is amusing to hear such demagogues as Hunt, Cobbett, Carlile and Co. talk of the bigotry and intemperance of the more respectable parties in politics! Who are such bitter slanderers, such cavilling dastards, as the greater part of the Democrats? Why should Mr. Hunt throw out his profane insinuations, and insert the beastly surmises of French philosophy, in his paper? Are the columns of a public paper the proper conveyers of indiscriminate blasphemy?—The injury would be less likely to subvert the welfare of mankind, if its circulation could be confined to those who are capable of detecting the sophistries of pretended patriots, and feeling proper disgust for their propagators:—but this is not the case. The ignorant read, as well as the informed; and thus, many are imbued with infidelity, while religious scoffers are increased. The cant of “freedom,” “toleration,” and other captivating words, coming from such men as Hunt, is as nauseous as it is hypocritical. We may say of him, and his ribaldrous gang,—“cum præsentibus copiis perditorum, et minis, et nefario fœdere, servitute oppressam civitatem tenerent—Libertatis signum posuerunt magis ad ludibrium impudentiæ, quam ad simultationem religionis! —Cicero.

The classics afford a most spacious field for literary humbug. A glance at the multiform editions teeming weekly from the press, will confirm the censure here exhibited against them. Texts on texts, notes on notes, added to the mass of “Variæ Lectiones,” now render a small author exorbitantly large and expensive. It would be some consolation after all this, if the author's text were rendered pure, and elucidated; the contrary, however, happens. Every fresh editor has fresh conjectures, and long useless notes. The reader, who attempts to take what are conceitedly denominated the “emendations,” for his assistant guides, will frequently find it more difficult to understand an author with, than without them.

The long protracted controversies about metrical regulations, &c. &c. &c. are carried to a laughable extent. You will often find four or five long columns in small print, which compose a note for one poor little word! When the reader has waded through this cumbrous heap of flighty suggestions, he comes, probably, to some such important conclusion as this:—viz. that, Whereas it is the opinion of a former editor, that a certain stroke denoting an accent, should point to the left, it is the opinion of the present editor, that it should point to the right! Vossius' barber used to comb his head in Iambics;— it is a pity the Oxford barbers do not emulate him with some of the Collegians.

Bloomfield wrote against the Delphin Classics, to which Valpy replied, under the signature of “Aristarchus.”

Strictly speaking, the crime of filling thick classical octavoes with wearisome notes, ought not to be attributed to Priestly; he is the publisher, through whose industrious ardour they are introduced to the world.

I am aware that to praise such characters as are here mentioned, is somewhat superfluous: however, it is very agreeable to avert occasionally from the list of literary sinners, to men of an exalted character.

When we refer to the pages of the old dramatists, we are at once struck with the vast difference between forced artificial flippancy, and sterling genius. In these we find no worn out common place,—no straining at camels—no everlasting itch for puns and clap-traps. As to the alleged indecency to be found here, let it be remembered that a century and a half back, morality, in words, was not so refined as it now is. In my opinion, the double intendres and obscene inuendos so abounding in the modern dramatic hodge-podges, are far more detrimental to moral purity, than the partial coarseness occasionally intruding itself, in the old plays.

“Where Garrick trod, and Kemble lives to tread.”

Byron.

The same delicate age that has deemed it necessary to purge Shakspeare, has introduced the tales of Marmontel for childrens' perusal!

In common with my fellow countrymen, I admire the high talents of Mr. Charles Kemble, as a performer. But is it not to be regretted, that this gentleman, as a manager, can permit his patronage to be exhausted by a set of untalented parasites, who furbish their miserable monotonies into scenes, concoct some stale jokes, and then, by the aid of a frothing, half-witty dialogue and the scene-painter's daubs, produce what is called “a new play.” It is too true to be contradicted—that without an immense deal of interest, with the whole Thespian Conspiracy, a new play, however talented, cannot be brought forward. It is owing to this disgraceful conduct in stage management, that we have so many paltry dramatists, and so few writers of genius.

Master Roscius Grossmith; to whom Mr. Charles Kemble was pleased, some time since, to extend his most gracious patronage.

Many a slighted man of genius may now sympathize with poor Ben Johnson in his “Ode to Himself.”

“Come, leave the loathed stage,
And the more loathsome age,
Where pride and impudence, (in fashion knit)
Usurp the chair of wit,
Inditing and arranging every day
Something they call a play;
Let them fastidious, vaine,
Commissive of their braine;
Run on, and rage, sweat censures and condemn,
They were not made for thee,—less thou for them!

Mr. Pool's Paul Pry must have exceeded his wildest hopes by its eminent success. Without doubt, this must be attributed to the droll phiz of Mr. Liston; for the Comedy itself, does not rise above the grin-supported trash of the day.

The allusion to the unfortunate Vauxhall game of football that took place between Messrs. Elliston and Poole, will not be considered inappropriate by all who have seen the symmetrical curve of Paul Pry's back;—and who has not, in some shape?

It must be any thing but gratifying to Sir Walter Scott, when Pocock so be-devils his beautiful novels into spurious dramatical representations. The truth is, the present play-scribblers that bray round the two Patent Houses, have only one object in view— money-catching.—it little affects them, how the public is gulled, provided their mummeries can have a week's run, and they retire with the remuneration!

To save the trouble of separate notes, let me observe at once, that Plànchè, Soane, Mac Farren, Beazely, Peake, Pocock, Milner, Moncrief, and a half thousand more “ejusdem generis” compose the Thespian crew of play-furbishers for the various houses. Ball has dramatised some of Southey's sleepy epics, and written the “Three Hunchbacks,” and unnumbered similar monstrosities.

Mr. Beazely, being anxious to out-do all his competitors in originality, very ingeniously contrived to introduce a midnight sun in the “Spirit of Avenel,” which most of the cocknies exceedingly admired.

There is nothing, perhaps, more easy than to write properly for the English theatre. I am amazed, that none are apprenticed to the trade. The author, when well acquainted with the value of thunder and lightning; when versed in all the mystery of scene-shifting and trap-doors; when skilled in the proper periods to introduce a wire walker or a waterfall; when instructed in every actor's peculiar talent, and capable of adopting his speeches to his supposed excellence;—when thus instructed, knows all that can give a modern audience pleasure.

—Goldsmith.

If Goldsmith were alive now, he would not be amazed that “none are apprenticed to the trade.” As to trash being all that is capable of giving a modern audience pleasure,—this, I presume, is a little disputable. We must consider the managers, the origin of our dramatic degradation; they permit their stupid hirelings to foist their plays on the public: and thus the public taste becomes more corrupted each season.

—Proh pudor!

According to the sectarians, every actor must of necessity be damned; and every spectator, in all probability, is to partake of his damnation! The pharasaic hypocrisy of such canters, is disgustingly irreligious. Their religion, truly, is far from complex; it is divided into two duties,—to damn every body else, and to bless themselves. Such charitable creatures will find no difficulty in subscribing to many of Tertullian's anathemas against the poor players: in one part of his Works, (De Spectaculis,) he remarks, “sic Tragædos Diabolus cothurnis extulit, quia nemo potest adjicere cubitum ad staturam suam. Mendacem facere vult Christum; “The devil mounts the actors on their buskins, in order to make Christ a liar; who has said, that no man can add one cubit to his stature!!” This is something like Rowland Hill, who frequently cries out, “This is God's house; yonder, [alluding to the Surrey Theatre,] is the Devil's house!”

There is no reason why the profession of a performer should not be of the greatest respectability; properly speaking, it requires a gentleman to be one. John Kemble, did more, perhaps, than any of his order, to advance not only the dignity of the stage, but that of its professors. Would that many others in the present day, would condescend to imitate him!

Far be it from me, to attempt the slightest palliation of Kean's conduct in private life. As a man of genius, I honour him: and, whatever may be his moral character, the country at least looked remarkably silly in driving their best tragedian away, while a wanton female received the most fulsome applause. And what must Kean himself think of our national morality, when after a lapse of a few months, the man that was so violently hooted from his country, was received with greater applause than ever? Was not his crime the same when he returned as when he went? However, the cocknies shewed themselves religious by—“forgiving as they would hope to be forgiven.”

Immoral as the actors may be, “there are as mad abandoned” spectators too. A respectable tragedian, with a handsome figure and fine talking eyes, is sure to be besieged by billet-doux, plumes, pocket handkerchiefs, &c. &c. from admiring ladies; aye, and these very often of the first rank! It is well known in the city famed for ugly women, that a Bath tragedian, (now on the London boards,) so bewitched an ardent dame of title in the lower boxes, that she was pleased to desire his presence at her apartments the next day. But, alas! “sape decipimur specie recti;” the broad glare of delight considerably diminished the gentleman's charms;—the lady felt disappointed—smiled—and burdened his hand with a few sovereigns—and then “all was still!”—

“Nil non permittit mulier sibi, turpe putat nil
[OMITTED] Intolerabilius nihil est, quam femina dives!”—

Juv. VI.

There are those, I am convinced, who may consider a FEW lines scattered through this poem, too strongly expressed. But how, in the name of all the satirists before me, is detestable licentiousness to be lashed, if not with delineative epithets and expressions? “Don't mention it at all,” replies Mr. Purity,— “modern ears will be disgusted.” I wish, from my heart, there was no necessity, Mr. Purity; but really, sorry as I should be, to profane the delicate sanctity of any reader's ear, like your's, Mr. Purity,—I should be still more sorry to gloss over patronized vice, with soft, unexpressive allusions. There is (with all possible deference to those of a contrary opinion) an immense difference between strong language, introduced out of mere wantonness, and that which is used for the sake of severe censure:—the same, as Hume observes, there is “between a naked Indian, and a common prostitute.” —See Preface to this Poem.

The lady's piece of horsemanship, performed on the back of her high-descended suitor, was indeed a rare instance of Thespian purity. Would it not be as well for many other similarly situated ladies to imitate her conduct?

“Sunt quas eunuchi imbelles ac mollia semper
Osculæ delectent, et desperatio barbæ”—

Juv. VI. 366.

“Quæ nunc divitibus gens acceptissima nostris,
Et quos præcipue fugiam, properabo fateri,
Nec pudor obstabit. Non possum fere, Quirites,
Græcam urbem:” ------

Juv. III.

Hausit Aventinum baca nutrita Sabina?”

Juv. III.

For ample illustrations, vide those highly patronised Memoirs of an illustrious Cyprian.

“Sure I am of noble kind, for I find myself possessed of ally their qualities; love dogs, dice, and drabs,—scorn wit in stuff clothes, have beat my shoemaker, cuckolded my apothecary, and undone my tailor.” —Marston.

The classical reader will not be offended with the following beautiful quotation, from Tacitus' Dialogue on the Causes of Corrupt Eloquence. Speaking of the manner in which infants were formerly nursed and educated, he says,—“Jam primum, suus cuique filius, ex casta parente natus, non in cella emtæ nutricis, sed gremio ac sinu matris, educabatur; cujus præcipua laus erat tueri domum et inservire liberis ------ [OMITTED] [OMITTED] At nunc natus infans delegatur Græculæ alicui ancillæ, cui adjungitur unus aut alter, ex omnibus servis, plerumque vilissimus, nec cuiquam serio ministerio accommodatus.”

“Cash rules the grove, and fells it too, besides;
Without cash, camps were thin, and courts were none;
Without cash, Malthus tells you—‘take no brides:’
So Cash rules Love, the ruler, on his own.
High ground, as Cynthia sways the tides.”

—Byron.

“O God, how loathsome this toying is to me.”

Of all the nauseous features of modern times, the venality of mothers in disposing of their daughters, is, perhaps, the most unnatural. Wherever this venalism exists, to the exclusion of every other amiable consideration, it is certainly truly disgraceful:—but how shall we deprecate?—what language employ—when a crafty remnant of three-score, seeks to support the remainder of her depraved life by sacrificing a blooming young creature of twenty, to a dotard of sixty! And yet, reader, you must be aware, that this is no “rara avis.” Go to the balls, the parties; go to Almacks, (if you may;) go to all the haunts for well-dressed impudence; and you will realize a view of what is here mentioned. Horace asks us, if we should not laugh at a painting that displayed a beautiful woman with a fish's tail: what, if we were—but!—I really cannot proceed any further for modesty's sake; that is, for the reader's.

“The world descends unto such base-born evils,
That forty angels can make fourscore devils.
There will be fools still, I perceive—still fool,
Would I be poor, dejected, scorned of greatness,
Swept from the palace, and see others' daughters
Spring with the dew o' the court, having mine own
So much desired and loved—by the duke's son?
No, I would raise my state upon her breast,
And call her eyes my tenants: I would count
My yearly maintenance upon her cheeks;
Take coach upon her lip; and all her parts
Should keep men after men, and I would ride
In pleasure upon pleasure.”—

Cyril Tourneur.

I hope L. E. L. will pardon me for poaching on her ground— “Necessitas non habet legem.”

“Dat veniam corois, vexat censura columbas.”

No one will deny the application of the quotation to the present subject. It certainly is rather unaccountable, that there should be so great a distinction made between the crime of an immorality in the woman and the man: and still more surprising, that the female judges should generally visit the whole of their contempt on the seduced, while they pardon, or half approve, the guiltiness of the seducer. This feature in modern morality, appears to me, nothing else but a compound of hypocrisy and injustice.

Gaming, even with the male sex, is vicious and unnatural, but how much more so, with the female? The fashion for female gambling is daily increasing; in fact, what vice is retrograding? The Guardian makes an admirable remark on gambling women, “Could we look into the mind of a female gamester, we should see it full of nothing but trumps and mattadores. Her slumbers are haunted with kings, queens, and knaves. The day lies heavy upon her till the play season returns; when, for half-a-dozen hours together, all her faculties are employed in shuffling, cutting, dealing, and sorting out a pack of cards, and no ideas to be discovered in a soul which calls itself rational, excepting little square figures of painted and spotted paper!”

They are young, but know not youth—it is anticipated;
Handsome, but wasted, rich without a son;
[OMITTED] “Where is the world?” cries Young at eighty. Where
“The world in which a man was born?” Alas!
Where is the world of eighty years past?—'Twas there
I look for it—'tis gone—a globe of glass!
Cracked, shivered, vanished, scarcely gazed on, ere
A silent change dissolves the glittering mass.
Statesmen, chiefs, orators, queens, patriots, kings,
And dandies—all are gone, on the wind's wings.

Byron.

De quocunque voles proavum tibi sumite libro;
Quod si præcipitem rapit ambitio atque libido;
Si frangis virgas sociorum in sanguine, si te
Delectant hebetes, lasso lictore secures;
Incipit ipsorum contra te stare parentum
Nobilitas, claramque facem præferre pudendis.
Omne animi vitium tanto conspectius in se
Crimen Nabet, quanto major, qui peccat, habetur.

Juv. VIII.

There must be of course, with all well-bred people, a fashion in every thing, and every place:—their daughters and their sideboards —their shoes and their servants—their snuff-boxes and their Prayer books—their parsons and their church, must be distinguished by something “fashionable.” It is chiefly to the influence of a mania for “fashion,” that we must attribute that laxity of principle in religious matters among the “gentles” of the land. They— I must desist, or shall be canting.

Since religion is now reduced to a matter of mere opinion, as a thing of course, or not of course; as a political, not a divine obligation, it is deemed the part of a bigot to ridicule any sect that differs from his own. And yet, I presume, there are certain matters which depend on no particular sect for decision; matters which appeal to the common sense of mankind. For instance, will any man, living in this country of refinement and general intelligence, be unchristian-like in laughing at the debasing forgeries and crazy tales, which the Ranters, &c. occasionally circulate? Is he to believe, that the holy, invisible, uncreated Director of the Universe, strikes men dead for laughing at a deranged preacher, and similar petty variations in conduct? Is he to believe, that the Almighty would roll his thunder because a Methodist parson came half-an-hour too late for the performance of his duty? My firm belief is, that some of these sectarians assist the advances of infidelity, by presuming to debase the Deity to the puny cavils of puny men; and with impudent resignation, consigning some hundreds to hell every Sunday morning.

As a body of men, there are none so highly respectable, so learned, and so virtuous, as the ministers of the Church of England: I look to our National Church Establishment, as the chief bulwark of our country's safety, in these days of infidelity, and blasphemous canters:—But my veneration for some good, is no reason why I should not censure the needless evil connected with it. Therefore, the pious need not be offended with me, for censuring such as disgrace their hallowed office.

I have ever considered Irving, notwithstanding his powers of eloquence, as a finished specimen of puritanic insolence, softened down by the pure principles he professes. The story of his watch, and conceit, and the Society for the Conversion of the Jews, must, of course, be in the recollection of every reader. His auditors are now, comparatively, but a few:—

“A little sprinkling of hypocrisy,
Has saved the fame of thousand splendid sinners.”

This will, I imagine, be deemed perfect profanity by some,— to speak lightly of Rowland Hill. They may say as they please, but the best of his congregation cannot respect the purity and the benevolence of his character, more than myself; and yet, withal, I cannot but consider his frequent and irreverent eccentricities, as detrimental to the cause of religion. Let it not be forgotten, that there are strangers who hear him each Sunday, as well as those who are acquainted with his manner:—with many of these, the poet's line is reversed:—

“And fools who came to PRAY, remained to SCOFF.”

I could instance many examples to prove this, but verbum sat, &c.

Many will think that I have polluted my pages, by introducing the two creatures above;—and, in truth, with some justice: however, they do not figure in a very splendid way there. Talk of our country being bigoted!—why, if Englishmen had half the right spirit in them, they would drive such fellows as Carlile (how the name smells!) and Taylor (the Reverend!!!) from the country. What man, with any decent feeling in him, can pass by Carlile's accursed window, nor feel disgusted at his wallowing beastliness and blasphemy?

As for Taylor, he confessed to his own brother, at Fulham, that he turned blasphemous, merely to gain notoriety! A pretty reverend this. We may apply Juvenal's line to each:—

“------ Monstrum nulla virtute redemptum.”

Of course, the reader is aware that Taylor was driven from his College.

While almost every village and every snuff box is complimented by the offering of a poem, it really is rather singular that London has not been celebrated by some poet worthy of his subject. What humble lines I have penned are merely en passant. There are so many celebrated haunts—so many magnificent edifices—and such delightful associations, that there would be ample materials for a splendid poem. The remainder of this poem is more or less connected with London, its manners, morals, &c. &c.

There is no man of any taste or fancy, that can pass over Waterloo Bridge amid the glittering light of a cloudless sun, without pausing to admire:—I know I never could; and therefore, reader, don't think my few tributary lines produced by an unfelt admiration of the scene.

Need I refer to Washington Irving's Sketch where the associate grandeur of the Abbey is inimitably pictured by the pen of him who felt it?

When we for awhile consider this mighty city in all its relations— the population it maintains—the talent it supports—and the vices it encourages, we no longer wonder at the wonderful historic accounts of Rome in her olden pride. London seems to have been no mean place so far back as Nero's time; for Tacitus represents it:—Cognomento quidem colonæ non insigne, sed copiæ negotiatorum et commeatum maxime celebre. An. Lib. xiv. 33

The ordinary scenes in London streets, are quite a comedy to an observing man. There is this great apparent difference between the street walkers of London, and those in unimportant towns;— the former are all engaged in the pursuit of an object; the latter, for the most part, are ready “to whistle for want of thought.”

In my perambulations, when I have casually met a few rustic gazers, seemingly as much frightened as children in the dark, that droll part of Tristram Shandy has occurred to my memory—“I would appoint able judges at every corner of my Metropolis, who should take cognizance of every fool's business who came there; and if upon a fair and candid hearing, it appeared not of weight sufficient to leave his own home, and come up to London, bag and baggage, and children and farmers' sons, &c. &c. at his backside, they should be all sent back from constable to constable, like vagrants, as they were, to the place of their legal settlements.”

Dr. (so he calls himself) Eady, with sundry other despicable quacks, pollute the streets by hiring minions to thrust into the stranger's hands their obscene mementos. What is this but teaching the young to run into vice by continually reminding them and forcing on their notice, a ready cure? For shame,—nasty Eady!—you ought to be pounded for this in your own mortar, if you have one.

Mr. Gilchrist—stop I believe he calls himself a doctor, too— Dr. Gilchrist—I beg pardon—is professor of Tumbling and Twisting at the Gymnastic Institutes. His regulations are quite Spartan-like; forcing husbands from their wives by five o'clock in the winter mornings! I suppose the doctor has no wife of his own, or he would learn better manners. Apropos; How is the Ladies' Tumbling Asylum getting on?—It must certainly be very amusing to observe the ladies at these active feats; there is an innocent simplicity in the thought of it. I hope there is a sort of Mrs. Dr. Gilchrist to attend on the petticoat department! I wonder what females will learn next: if the men turn fools to support other fools, women are sure to follow them—out of sheer sympathy, no doubt. I wish (and so do many others) mammas would teach some of their fine-shaped little misses the way to mend stockings, and to decide on boiled potatoes.

The Living Skeleton attracted more notice and patronage, than any disgusting show had done for a long time: it was so suitable to the delicacy of English taste! It is to be regretted, however, that France has so poor an opinion of us English, to think we require to see her skeletons. There is for ever some filthy, immodest sight imported here from her shores. Thus, in addition to all her beggars, singers, teachers, and bankrupt jacobites, we are favoured with naked skeletons, and wax Venuses, and every thing else that is calculated to corrupt the mind, through the medium of the eye. I am sure, that if we consider the French indelicate, they must consider us crazy.

What a lamentable sight it is, to find in every street, some half-naked wretch, whining his miserable complaint; or else some famished mother with a baby clinging to her bosom, and two or three shoeless children at her side! There are, certainly, many impositions among beggars; but it is impossible that even half can be impostors. Whatever be the cause of such extensive beggary among the poorer classes, it is evident, that the country is still in a starving state; thousands of its most useful class are daily starving.

“------ Et cantet si naufragus essem,
Proluterim? cantas cum fracta te in trabe pictum
E humero portes?

Pers. Sat.

Amid all the appeals to a British heart, perhaps that of the sailor, speaks the loudest. Deception is soon discovered here; and when none exists, who can fail to regret the seeming ingratitude of the country, in allowing a grey-locked, weather-beaten mariner, to beg for food, and recal his services by a painted ship?

Those who have accustomed themselves to picture London from the interesting description given of it, in Boswell's Johnson, &c. &c. will be grievously disappointed on their arrival there:—and this will be particularly the case with the young, who consider it as a field that is certain to yield an abundant harvest. The truth is, since Johnson's time, venalism has been continually increasing; not only among the less cultivated classes of society, but among the literary and scientific. In these days of refinement, too, authorship is considered as the commonest attainment: as authors increase, so suspicion, coldness, envy, and malice, increase also. We shall look in vain for that social spirit, that philanthropic intercourse, which were kept up among literary men, in the days of Johnson.—

“Quot dies, quam frigidis rebus, absumsi!”

“Many are called, but few are chosen.” Many a young heart might have been spared its succeeding anguish, had it reflected on this. I speak from known facts, in alluding to the many young men of struggling talent, who have come to London, and “slumbered in their pride.” It is here for the first month, when, unregarded and unknown, we may feel the true force of Byron's beautiful lines.—

“But midst the crowd, the hum, the shock of men,
To hear, to see, to feel, and to possess;
And roam along, the world's tired denizen,
With none who bless us, none whom we can be bless;
[OMITTED] None that, with kindred consciousness endued,
If we were not, would seem to smile the less,
Of all that flattered, followed, sought, and sued;—
This is to be alone;—this, this is solitude!”

Childe Harold, Canto II.

Of course, since many of the papers and journals are chiefly supported by slanders, puns, insinuations, and heaps of well-digested falsehoods, the general authors, or quack literati, have had tolerable good employment. Little real talent is required to qualify one of these minions. Recklessness, must be the chief ingredient.—

“Ne quid quam populo bibulas donaveris aures,
Respue, quod non es; tollit sua munera cerdo,
Tecum habita, et noris, quam sit tibi curta supellex.

Pers. IV.

“Inde fere scelerum causæ, nec plura venena,
Miscuit, aut ferro grassatur sæpius ullum
Humanæ mentis vitium, quam sæva cupido
Indomiti census: nam dives qui fieri vult,
Et cito vult fieri.

Juv. XIV.

How eminently applicable these lines are to the present universal systematic quackery! Each wall, each window, and each paper, continually presents us with some new attempt at specious extortion. Among quacks, the medicinal ones are very conspicuous. It is very probable, that through the means of increasing quack doctors, the overplus of the poor population will in time be removed. I will freely give this bright idea to Malthus, and if he choose to write a treatise from my valuable suggestion, I here promise faithfully, that he shall not be prosecuted for piracy!

“Why should I care what they do to me when I am dead!” is a very common and plausive exclamation. I do not pretend to very fine feelings, and yet I shrink from the idea of being disinterred, and mercilessly carved up to exercise the knives of pert young students at St. Bartholomew's. With our friends, this feeling of horror at their disinterment, acts, perhaps, with still greater force. We do not like the idea of an old retreat being destroyed; how, in the name of humanity, can we approve of their sentiments, who tell us, that the dead ought to be anatomised for the cause of science? Heaven knows, we have quite enough of surgeons. Besides, if corpse-stealing were permitted, it would open a path for further delinquencies, and tend to harden every sympathy that honours our nature. Abernethy will sneer at this.—

------Ασκυλαπιον
------πανστοδαπαναλτηρα νουσον.

Πινδ.

“But London's so well lit, that if Diogenes
Could recommence to hunt his honest man,
And found him not amid the progenies
Of this enormous city's spreading spawn;
'Twere not for want of lamps to aid his dodging hies,
Yet undiscovered treasure. What I can,
I've done to find the same throughout life's journey,
But see the world is only one attorney!”

Byron.

“Here lies an honest man.”

Law and roguery are now almost synonymous. There are by far too many lawyers, for all of them to be honest. The profession of a lawyer, if honourably discharged, is certainly of the highest importance; but, if this were more generally the case, lawyers would be less numerous. Some time since, the papers mentioned, that a troop of puppyish clerks were actually attending the sessions and assizes, and presumingly cozening all the town with the exercised authority of a lawyer!! “O tempora! O mores!

Lussurio.

Tell me, what has made thee so melancholy?


Vendice.

Why, going to law.


Luss.

Why, will that make a man melancholy?


Vend.

Yes, to look long upon ink and black buckram:—I went me to law in anno quadragessimo secundo, and I waded out of it in anno sexagessimo tertio.


Luss.

May it be possible such men should breathe To vex the term so much?


Vend.

'Tis food to some my lord! There are old men at present that are so poisoned with the affection of law-words, (having had many suits canvassed) that their common talk is nothing but Barbary Latin;—they cannot so much as pray but in law, that their sins may be removed with a writ of error, and their souls fetched up to heaven with a sasararæ (certiorari.)


Revenger's Tragedy.

Chancery Lane.

The French are impudently immodest, the English craftily so;— the former will tell you, that though their visible actions may appear indecorous, they are stoics at heart:—the latter are seldom outwardly so, while (ut Galli dicunt) they are more lascivious in secret. It may be natal prejudice,—but on the whole, I think the English far less licentious as a nation, than the French; though it is very perceivable that we are waning into their criminal customs, “Omnia gallicè.”

Do good by stealth, and blush to find it fame.

In a place so vast and populous as London, select society is scarcely to be expected:—at places of public amusement, this is totally out of the case. Of course, a humble man's penny-piece is just as useful as a peer's;—let him shake his gold, and all the doors of the Assembly Rooms will spring open, like the cave door in the “Forty Thieves.”

The lower boxes at Drury Lane, Covent Garden, &c. present a most incongruous medley of gentilities, and vulgarities. The cocknies seem quite adverse to distinctions, and the managers think it quite beneath them to care whether a new-coated tinker, or a peer, occupy the stage-box. Oh! Liberty!—Thrice blessed goddess, Liberty,—alias Impudence!

Since the macadamization of the London roads, it is very evident that filth has abundantly increased there. Many, are literally canals of floating filth during the winter season.—What sort of apology does this street-destroyer mean to offer? It would be but fair, if he were compelled to un-macadamize every road that he has ruined.

Is th' height of his temptations.

Forde's Chaste and Noble.

Military exquisites are daily coming into fashion; but these things are to be met with principally in London and Brighton;—in the latter place they flutter along the Steyne, and in and out the libraries as tenderly gaudy as any butterfly in the meadow.

Quis numerare queat felicis præmia, Galle,
Militiæ? ------

Juv. XVI.

You, my Lord Duke! is far above reflection.

Byron.

The acquirement of groom accomplishments by noblemen—their pre-eminent skillfulness in deciding on the symmetry of a prize-fighter's muscles—and their anatomical precision in respect to cocks' spurs and bull dogs' teeth, are all in the highest degree, classical, being derived from the ancient Roman customs.

See a number of the London Magazine, where Mr. Hunt, with his customary chasteness of feeling, advocates our using women as tools for sensuality.

The Blues, that tender tribe, who sigh o'er sonnets,
And with the pages of the last Review
Line the interior of their heads or bonnets,
Advanced in all their armies' highest hue.

Byron.

Bath, as every-body knows, is a little town in Somersetshire,— first brought into notice by the medicinal effect of its waters, on some pigs. Since this period of pig-renown, it has gradually risen into airy repute, until it has become the very centre of fashion, folly, and flirtation. Without slandering this touchy place, we may say, that from December to May, each year, there are assembled here enough ideots to stock every other city in the kingdom. Do you wish to swagger?—Go to Bath. Do you wish to play the jackass, and set the town a braying?—Go to Bath. Do you wish to be humbugged?—Go to Bath. Is your daughter eligible for a husband?—Dance her off to Bath:—in short, this Bath may become the arena for anything you please. Also, if you are fond of lingering on those pure times of Adam-and-Eve-like simplicity, you may be gratified by observing ladies and gentlemen swimming about together in the hot bath, with the most innocent sang froid.

Gifford, I imagine, had Bath in his eye, when he said—

“The town,—the town, good mayor, has asses' ears.”

The Bath Assembly Rooms; first brought into repute, by the unrivalled fooleries of the Bath Sage—Beaux Nash.

Women that dare attempt any thing,—and what they attempt, they care not how they accomplish: without premeditation,—rash in asking,—desperate in working,—impatient in suffering,—extreme in desiring,—slaves unto appetite,—mistresses in dissembling,—only constant in inconstancy,—only perfect in counterfeiting;—their words are feigned,—their eyes forged,—their sighs dissembled,—their looks counterfeit,—their hair false,—their given hopes deceitful,— their very breath artificial. Their blood is their only god; bad clothes, and old age, are the only devils they tremble at. —Marston.

A glorious picture this, of a belle or slut of the nineteenth century!

When religion begins to be disregarded, we may clearly foresee the woeful consequences. He who mixes much in general society, (particularly in Town) will perceive a looseness of religious principle gradually introducing itself into every rank. Nothing is more common than the exclamation—“What a miserable gloomy Sabbath our's is!—how differently 'tis spent in France.” Differently!—God grant, that it may forever be spent differently.

Of course, in proportion as infidelity propagates, religious controversies must increase. It would be some consolation, if the discussion of intricate points in theology, were confined to those whom previous study and attainments had properly qualified;—but, alas! it is far otherwise. Beardless striplings, supplied with a few fine sophisms from Hume and Bayle, are become the readiest cavillers at what their wiser ancestors revered; while flippant young misses, with contemptuous pertness glowing on their noses, begin to denounce St. Paul, and question St. Peter. Sure, our's is a learned age—if nothing else!

“Fir'd at the sound, my genius,” &c.

Goldsmith.

It would be utterly impossible (for many reasons) to notice all the dens of iniquity in the metropolis: general satire is, therefore, the most appropriate in those subjects, where the sinners are too plentiful, or the vices too extensive, to allow of separate notices. However, I have separately introduced three or four of the most noted haunts, whose genteel enticements render them the more dangerous. I regret, I have not the No. of the Lit. Gaz. in which Mr. Jerdan shows up this wine monger and his brotherhood with critical elegance. How such a learned, polished, and arrogant brood as the Londoners, can suffer themselves to be complacently humbugged by the villainous trickeries of the Argyle conspiracy, is indeed “prodigious!”

A friend, to whom the proof sheet has been submitted, tells me, I've blundered a little in appealing to the Mayor—as his jurisdiction does not extend beyond the City. I'm very sorry—uncommonly sorry, for this. I am quite sure, that if Mayor Brown is not bound to look into the Argyle den, some one with similar pretensions, ought to do so.

In crying up the villainy of seducers, I am touching on a most hacknied subject,—one that enables many editors to wear new hats, and that supports the existence of many a gasping journal. But, in taking a view of the vices of the age, it would have been an omission not to have adverted to it. Let me add, that London has vastly improved in the seduction way, lately—as also in elopements—crim. cons.—and all other exquisite “signs of the times.”

The only reason the managers can adduce for providing a saloon for harlots, &c. is, that they bring a fuller house:—a very plausible one, truly! So vice is thus to be patronised for the benefit of managers' pockets, at the expence of corrupted minds! It is here that an evil arises from visiting the play house. Many take their first lesson in sensuality in these saloons, where all conspires to allure and pollute.

The club-house bilks are some of the most dangerous characters that infest the metropolitan sphere. Gentlemen in appearance, their suavity serves but to pander for their villainy; while they are continually on the alert to “pluck” the unwary possessors of wealth, whom the club-house cant denominates “freshmen.”

Probably, Cumberland had the club-houses, hells, &c. in his view, when he says, “It is well for gamesters, that they are so numerous as to make a society of themselves, for it would be a strange abuse of terms to rank these among society at large, whose profession it is to prey upon all who compose it. Strictly speaking, it will bear a doubt if a gamester has any other title to be called a man, except under the distinction of Hobbes, and upon claim to the charter of homo hominis lupus. As a human wolf, I grant he has a right to his wolfish prerogatives.”

Mr. Luttrel has written a little satirical rhapsody on “Crockford House,” or I should have paid my respects to the Fishmonger. As it is, I can only wish him and similar wretches who purvey for the ruin of their fellow creatures, all the blessings derived from the bounty of their infernal master.

This noble personage and his illustrious comrades, struggled with very creditable constancy, to wipe away the blots from their “insulted honour;” but suspicion could not but discover the “dirty creature at its work again.”

Alluding to a late exposure.

This gentleman is rather of an anomalous nature. He has immortalized himself in the curses of all donkey drivers, by proposing his Humanity Act; and yet, he is quite a fighting Fitzgerald in duelling. I am aware, however, that donkies are far more serviceable than many members of Parliament; and, as for the horse, what a compliment a great classic poet has paid to its noble nature;—“αγαλματης υπερπλουτου χλιδης,” (Æschylus Promoth. Vinct.) Perhaps Mr. Professor of Humanity never shoots at any but such as are beneath the value of a good horse or donkey—if so, with my best wishes for your success, “macte virtute,” delicate Dick.

All these “great ladies” alluded to, are of the highest importance in that conclave of ideotic beldames who decide upon “who shall,” and “who shall not.” Willis is the quill man, alias, secretary, alias, card-dispenser-general for the Almack's troop. Lady Foley, (so report said,) presented the world with a sleepy novel respecting sundry high-born fools, &c. connected with this haunt, some time since.—I beg your ladyship's pardon, but, was there not a leetle too much midwifery in it? “I guess”—to quote Matthews, “that ‘Almacks’ was written by your ladyship's maid, instead of by your ladyship's self;—am I ‘quite correct,’ my lady?”

Properly—Eau de Cologne.

People prate a great deal about local associations abroad—but, surely London ought, at times, to kindle up associations as sublime and delightful as those excited by the moss and marble of decayed Rome. The lines above, are, I believe, the only ones approaching to egotism, throughout this poem:—however, of whatever nature they may be, they are the offspring of feelings excited by the scene. There are few sights, in my opinion, more commandingly beautiful than the appearance of many of the London Squares, &c. when slumbering beneath the mellow spread of midnight moonshine. Every thing around is calm, pensive, and imposing; and now is the hour for—

“Associations bland.”

I suppose this will seem rather too sentimental for some of my readers, but, “quot homines, tot sententiæ”—trite but true.

A house on fire and a bankruptcy are two very common occurrences in the Metropolis. I have often witnessed what I have attempted to describe above,—a sight that never failed to appear awful in my eyes.

“My task is done—my song hath ceased—
[OMITTED] [OMITTED] [OMITTED] ------ and what is writ is writ,—
Would it were worthier!”
Excuse me, reader—I have been cogitating for some tender little farewell, but all to no purpose!—'tis past midnight—my candle no longer shines like “a good deed in a naughty world:”—
how unfortunate—I cannot, if 'twere to secure an edition of my poem, think of a good pathetic note—pardon, therefore, the abrupt conclusion: Vale nostri memor!