 | The Zenana and minor poems of L. E. L. [i.e. Landon] |  |
II. PART II.
By a lovely river's side,
Where the water-lilies glide,
Pale, as if with constant care
Of the treasures which they bear;
For those ivory vases hold
Each a sunny gift of gold.
And blue flowers on the banks,
Grow in wild and drooping ranks,
Bending mournfully above,
O'er the waters which they love;
But which bear off, day by day,
Their shadow and themselves away.
Willows by that river grow
With their leaves half green, half snow,
Summer never seems to be
Present all with that sad tree.
With its bending boughs are wrought
Tender and associate thought,
Of the wreaths that maidens wear
In their long neglected hair.
Of the branches that are thrown
On the last, the funeral stone.
And of those torn wreaths that suit
Youthful minstrel's wasted lute.
Where the water-lilies glide,
Pale, as if with constant care
Of the treasures which they bear;
For those ivory vases hold
Each a sunny gift of gold.
And blue flowers on the banks,
Grow in wild and drooping ranks,
Bending mournfully above,
O'er the waters which they love;
But which bear off, day by day,
Their shadow and themselves away.
158
With their leaves half green, half snow,
Summer never seems to be
Present all with that sad tree.
With its bending boughs are wrought
Tender and associate thought,
Of the wreaths that maidens wear
In their long neglected hair.
Of the branches that are thrown
On the last, the funeral stone.
And of those torn wreaths that suit
Youthful minstrel's wasted lute.
But the stream is gay to-night
With the full-moon's golden light,
And the air is sweet with singing,
And the joyous horn is ringing,
While fair groups of dancers round
Circle the enchanted ground.
And a youthful warrior stands
Gazing not upon those bands,
Not upon the lovely scene,
But upon its lovelier queen,
Who with gentle word and smile
Courteous prays his stay awhile.
The fairy of the fountains, she
With the full-moon's golden light,
And the air is sweet with singing,
And the joyous horn is ringing,
While fair groups of dancers round
Circle the enchanted ground.
159
Gazing not upon those bands,
Not upon the lovely scene,
But upon its lovelier queen,
Who with gentle word and smile
Courteous prays his stay awhile.
A strange and lovely mystery,
She of whom wild tales have birth,
When beside a winter hearth,
By some aged crone is told,
Marvel new or legend old.
But the lady fronts him there,
He but sees she is so fair,
He but hears that in her tone
Dwells a music yet unknown;
160
For the sweetness of her sigh.
But how many dreams take flight
With the dim enamoured night;
Cold the morning light has shone,
And the fairy train are gone,
Melted in the dewy air,
Lonely stands young Raymond there.
Yet not all alone, his heart
Hath a dream that will not part
From that beating heart's recess;
What that dream may lovers guess.
Yet another year hath flown
In a stately hall alone,
Like an idol in a shrine
Sits the radiant Melusine.
161
Light, but light unearthly, falls.
Not from lamp nor taper thrown,
But from many a precious stone,
With whose variegated shade
Is the azure roof inlaid,
And whose coloured radiance throws
Hues of violet and rose.
Sixty pillars, each one shining
With a wreath of rubies twining,
Bear the roof—the snow-white floor
Is with small stars studded o'er.
Sixty vases stand between,
Filled with prefumes for a queen;
And a silvery cloud exhales
Odours like those fragrant gales,
Which at eve float o'er the sea
From the purple Araby.
162
Of that dim enchanted room.
Not a step is flitting round,
Not a noise, except the sound
Of the distant fountains falling,
With a soft perpetual calling,
To the echoes which reply
Musical and mournfully.
Sits the fairy ladye there,
Like a statue, pale and fair;
From her cheek the rose has fled,
Leaving deeper charms instead.
On that marble brow are wrought
Traces of impassioned thought;
Such as without shade or line
Leave their own mysterious sign.
163
Dazzle with imperious light.
Wherefore doth the maiden bend?
Wherefore doth the blush ascend,
Crimson even to her brow,
Sight nor step are near her now?
Hidden by her sweeping robe,
Near her stands a crystal globe,
Gifted with strange power to show
All that she desires to know.
First she sees her palace gate,
With its steps of marble state;
Where two kneeling forms seem weeping
O'er the watch which they are keeping,
While around the dusky boughs
Of a gloomy forest close,
Not for those that blush arose.
But she sees beside the gate,
A young and anxious palmer wait;
Well she knows it is for her,
He has come a worshipper.
For a year and and for a day.
Hath he worn his weary way;
Now a sign from that white hand,
And the portals open stand.
But a moment, and they meet,
Raymond kneels him at her feet;
Reading in her downcast eye,
All that woman can reply.
With its steps of marble state;
Where two kneeling forms seem weeping
O'er the watch which they are keeping,
While around the dusky boughs
Of a gloomy forest close,
Not for those that blush arose.
164
A young and anxious palmer wait;
Well she knows it is for her,
He has come a worshipper.
For a year and and for a day.
Hath he worn his weary way;
Now a sign from that white hand,
And the portals open stand.
But a moment, and they meet,
Raymond kneels him at her feet;
Reading in her downcast eye,
All that woman can reply.
Weary, weary had the hours
Passed within her fairy bowers;
She was haunted with a dream
Of the knight beside the stream.
Who hath never felt the sense
Of such charmed influence.
When the shapes of midnight sleep
One beloved object keep,
Which amid the cares of day
Never passes quite away?
Guarded for the sweetest mood
Of our happy solitude,
Linked with every thing we love,
Flower below, or star above:
Sweet spell after sweet spell thrown
Till the wide world is its own.
Passed within her fairy bowers;
She was haunted with a dream
Of the knight beside the stream.
Who hath never felt the sense
Of such charmed influence.
165
One beloved object keep,
Which amid the cares of day
Never passes quite away?
Guarded for the sweetest mood
Of our happy solitude,
Linked with every thing we love,
Flower below, or star above:
Sweet spell after sweet spell thrown
Till the wide world is its own.
Turned the ladye deadly pale,
As she heard her lover's tale,
“Yes,” she said, oh! low sweet word,
Only in a whisper heard.
“Yes, if my true heart may be
Worthy, Christian knight, of thee,
By the love that makes thee mine
I am deeply, dearly thine.
But a spell is on me thrown,
Six days may each deed be shown.
But the seventh day must be
Mine, and only known to me.
Never must thy step intrude
On its silent solitude.
Hidden from each mortal eye
Until seven years pass by.
When these seven years are flown,
All my secret may be known.
But if, with suspicious eye,
Thou on those dark hours wilt pry,
Then farewell, beloved in vain,
Never might we meet again.”
Gazing on one worshipped brow,
When hath lover spared a vow?
With an oath and with a prayer
Did he win the prize he sought,
Never was a bride so fair
As the bride that Raymond brought
From the wood's enchanted bowers
To his old ancestral towers.
—Oh, sweet love, could thy first prime
Linger on the steps of time,
Man would dream the unkind skies
Sheltered still a Paradise.
But, alas, the serpent's skill
Is amid our garden still.
As she heard her lover's tale,
“Yes,” she said, oh! low sweet word,
Only in a whisper heard.
“Yes, if my true heart may be
Worthy, Christian knight, of thee,
By the love that makes thee mine
I am deeply, dearly thine.
166
Six days may each deed be shown.
But the seventh day must be
Mine, and only known to me.
Never must thy step intrude
On its silent solitude.
Hidden from each mortal eye
Until seven years pass by.
When these seven years are flown,
All my secret may be known.
But if, with suspicious eye,
Thou on those dark hours wilt pry,
Then farewell, beloved in vain,
Never might we meet again.”
Gazing on one worshipped brow,
When hath lover spared a vow?
With an oath and with a prayer
Did he win the prize he sought,
167
As the bride that Raymond brought
From the wood's enchanted bowers
To his old ancestral towers.
—Oh, sweet love, could thy first prime
Linger on the steps of time,
Man would dream the unkind skies
Sheltered still a Paradise.
But, alas, the serpent's skill
Is amid our garden still.
Soon a dark inquiring thought
On the baron's spirit wrought:
She, who seemed to love him so,
Had she aught he might not know?
Was it wo, how could she bear
Grief he did not soothe nor share?
Was it guilt? no—heaven's own grace
Lightened in that loveliest face.
Then his jealous fancies rose,
(Our Lady keep the mind from those!)
Like a fire within the brain,
Maddens that consuming pain.
Henceforth is no rest by night,
Henceforth day has no delight.
Life hath agonies that tell
Of their late left native hell.
But mid their despair is none
Like that of the jealous one.
On the baron's spirit wrought:
She, who seemed to love him so,
Had she aught he might not know?
Was it wo, how could she bear
Grief he did not soothe nor share?
Was it guilt? no—heaven's own grace
Lightened in that loveliest face.
168
(Our Lady keep the mind from those!)
Like a fire within the brain,
Maddens that consuming pain.
Henceforth is no rest by night,
Henceforth day has no delight.
Life hath agonies that tell
Of their late left native hell.
But mid their despair is none
Like that of the jealous one.
'Tis again the fatal day,
When the ladye must away,
To her lonely palace made
Far within the forest shade,
Where the mournful fountains sweep
With a voice that seems to weep.
On that morn Lord Raymond's bride
Ere the daybreak leaves his side.
Never does the ladye speak
But her tears are on his cheek,
And he hears a stifled moan
As she leaves him thus alone.
Hath she then complaint to make,
Is there yet some spell to break?
Come what will, of weal or wo,
'Tis the best the worst to know.
When the ladye must away,
To her lonely palace made
Far within the forest shade,
Where the mournful fountains sweep
With a voice that seems to weep.
On that morn Lord Raymond's bride
Ere the daybreak leaves his side.
169
But her tears are on his cheek,
And he hears a stifled moan
As she leaves him thus alone.
Hath she then complaint to make,
Is there yet some spell to break?
Come what will, of weal or wo,
'Tis the best the worst to know.
He hath followed—wo, for both,
That the knight forgot his oath.
That the knight forgot his oath.
Where the silvery fountains fall,
Stands no more the charmed hall;
But the dismal yew-trees droop,
And the pines above them stoop,
While the gloomy branches spread,
As they would above the dead,
In some churchyard large and drear
Haunted with perpetual fear.
Dark and still like some vast grave,
Near there yawns a night-black cave.
O'er its mouth wild ivy twines
There the daylight never shines.
Beast of prey or dragon's lair,
Yet the knight hath entered there.
Stands no more the charmed hall;
But the dismal yew-trees droop,
And the pines above them stoop,
While the gloomy branches spread,
As they would above the dead,
170
Haunted with perpetual fear.
Dark and still like some vast grave,
Near there yawns a night-black cave.
O'er its mouth wild ivy twines
There the daylight never shines.
Beast of prey or dragon's lair,
Yet the knight hath entered there.
Dimly doth the distant day
Scatter an uncertain ray,
While strange shapes and ghastly eyes
Mid the spectral darkness rise.
But he hurries on, and near
He sees a sudden light appear,
Wan and cold like that strange lamp
Which amid the charnel's damp
Shows but brightens not the gloom
Of the corpse and of the tomb.
With a cautious step he steals
To the cave that light reveals.
'Tis such grotto as might be,
Nereïd's home beneath the sea.
Crested with the small bright stars
Of a thousand rainbow spars.
And a fountain from the side
Pours beneath its crystal tide,
In a white and marble bath
Singing on its silvery path;
While a meteor's emerald rays
O'er the lucid water plays.—
Close beside, with wild flowers laid,
Is a couch of green moss made.
There he sees his lady lie;
Pain is in her languid eye,
And amid her hair the dew
Half obscures its golden hue;
Damp and heavy, and unbound,
Its wan clusters sweep around.
On her small hand leans her head,—
See the fevered cheek is red,
And the fiery colour rushes
To her brow in hectic blushes.—
What strange vigil is she keeping!
He can hear that she is weeping.—
He will fling him at her feet,
He will kiss away her tears.
Ah, what doth his wild eyes meet,
What below that form appears?
Downwards from that slender waist,
By a golden zone embraced,
Do the many folds escape,
Of the subtle serpent's shape.—
Bright with many-coloured dyes
All the glittering scales arise,
With a red and purple glow
Colouring the waves below!
At the strange and fearful sight,
Stands in mute despair the knight,—
Soon to feel a worse despair,
Melusina sees him there!
And to see him is to part
With the idol of her heart,
Part as just the setting sun
Tells the fatal day is done.
Vanish all those serpent rings,
To her feet the lady springs,
And the shriek rings through the cell,
Of despairing love's farewell,—
Hope and happiness are o'er,
They can meet on earth no more.
Years have past since this wild tale—
Scatter an uncertain ray,
While strange shapes and ghastly eyes
Mid the spectral darkness rise.
But he hurries on, and near
He sees a sudden light appear,
Wan and cold like that strange lamp
Which amid the charnel's damp
Shows but brightens not the gloom
Of the corpse and of the tomb.
171
To the cave that light reveals.
'Tis such grotto as might be,
Nereïd's home beneath the sea.
Crested with the small bright stars
Of a thousand rainbow spars.
And a fountain from the side
Pours beneath its crystal tide,
In a white and marble bath
Singing on its silvery path;
While a meteor's emerald rays
O'er the lucid water plays.—
Close beside, with wild flowers laid,
Is a couch of green moss made.
There he sees his lady lie;
Pain is in her languid eye,
And amid her hair the dew
Half obscures its golden hue;
172
Its wan clusters sweep around.
On her small hand leans her head,—
See the fevered cheek is red,
And the fiery colour rushes
To her brow in hectic blushes.—
What strange vigil is she keeping!
He can hear that she is weeping.—
He will fling him at her feet,
He will kiss away her tears.
Ah, what doth his wild eyes meet,
What below that form appears?
Downwards from that slender waist,
By a golden zone embraced,
Do the many folds escape,
Of the subtle serpent's shape.—
Bright with many-coloured dyes
All the glittering scales arise,
173
Colouring the waves below!
At the strange and fearful sight,
Stands in mute despair the knight,—
Soon to feel a worse despair,
Melusina sees him there!
And to see him is to part
With the idol of her heart,
Part as just the setting sun
Tells the fatal day is done.
Vanish all those serpent rings,
To her feet the lady springs,
And the shriek rings through the cell,
Of despairing love's farewell,—
Hope and happiness are o'er,
They can meet on earth no more.
Still is heard that lady's wail,
174
Ere its lord's appointed hour.
With a low and moaning breath
She must mark approaching death,
While remains Lord Raymond's line
Doomed to wander and to pine.
Yet, before the stars are bright,
On the evening's purple light,
She beside the fountain stands
Wringing sad her shadowy hands.
May our Lady, as long years
Pass with their atoning tears,
Pardon with her love divine
The fountain fairy—Melusine!
Raymond, first Lord of Lusignan, died as a hermit, at Monserrat. Melusina's was a yet harsher doom: fated to flit over the earth, in pain and sorrow, as a spectre. Only when one of the race of Lusignan was about to die, does she become visible,—and wanders wailing around the Castle. Tradition also represents her shadow as hovering over the Fountain of Thirst.—Thoms's Lays and Legends.
| The Zenana and minor poems of L. E. L. [i.e. Landon] | |